NYC

Junk Boys bring Satanic blues back to The Gutter on May 14

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Is blues the music of the Devil? The minor third note interval that’s the basic ingredient of anything bluesy is famous for conveying a sad feeling, not evil, but – at least according to Wikipedia – "the word [blues] may have come from the term blue devils," and "depending on the religious community a musician belonged to, it was more or less considered as a sin to play this low-down music." W guess that simple fact made the genre very attractive to young rebels… who ended up moving to the more liberal US coasts…
Brooklyn’s Junk Boys, an obscure band we stumbled upon almost randomly, seems to accept and even promote this notion. Their debut single "Call On Me" (streaming) features a devilish cover art, and an apocaliptic sound at least in part reminiscent of a hammondless and heavier version of The Doors, another band that enjoyed blue references to Beelzebub. You can participate in their pagan live ritual at the Gutter on May 14.

P.S. We found some more info about Junk Boys on The Men’s website: "ex-members of Organs, Russ from Dream Police."

NYC

Bands in the studio interview: Elliot Moss + live at Rough Trade on May 15

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For some songwriters, writing good songs is simply not satisfying enough – and besides, that’s not how their creative process works. These musicians feels compelled to wrap those songs in complex arrangements and original sounds, and sometimes those are actually the starting point of what then becomes a song, in a beautifully bizarre reversed music production process. In their tracks, sound design has as much importance as lyrics, chords and structure. 21 years old Elliot Moss belongs to this category, so we thought he might have something interesting to say about his creative process and the gear he loves – read the interview on our sister blog Delicious Audio. Elliot Moss will perform live at Rough Trade on May 15.

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

NYC

Songwriter Tyler Lyle moves to NYC, releases “The Native Genius of Desert Plants” at Mercury on 06.02

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Evidently, skyrocketing NYC rents aren’t preventing one of the most unprosperous layers of our society (musicians) from moving to the big apple just yet – hopefully that day will never come! One of the latest newcomers is songwriter Tyler Lyle, who recently joined the local community of musicians after a prolonged residence in Santa Monica, CA. There, according to his bandcamp profile, he released a handful of quality, folky sounding records since 2010. The move to the east coast seems to coincide with some kind of rebirth (which is always the best part of moving), specifically a sonic one, as testified by preview single "Winter Is For Kierkegaard" (streaming), whose title triggered a very welcome high-school-philosophy-lesson flashback: German intellectual Kierkegaard was the first existentialist philosopher. The single, from Tyler’s upcoming album "The Native Genius of Desert Plants"), blends the pace and vocal intensity of Americana with dreamy and atmospheric background sounds, and it’s the songwriter’s philosophical starting point" for his new album. Can’t wait for the song about Friedrich Nietzsche! Tyler Lyle will celebrate his record release party at Mercury Lounge on 06.02.

We added this song to The Deli’s playlist of Best rootsy songs by emerging NYC artists – check it out!

NYC

Brooklyn noise rockers Dead Tenants release full length “Void” + play Silent Barn on 05.04

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We booked Queens noise rock trio Dead Tenants last year for our B.E.A.F. Fest (during Northside, it will be back this year FYI) and we are happy to find them in good shape with a new, super tense debut album under their belt, entitled "Void," which they self released this past March. The ten tracks on the record don’t miss any opportunity to conjure up visions of mosh pits, with the exception of "Void (Acknowledgement)," which is just pure guitar cacophony and spoken word. We dig in particular Gadfly (streaming) with its resolved dissonaces and odd tempos. See them live at your own peril at Silent Barn on May 4th.

NYC

Punk Pop done right: Past Life plays Pianos on 05.17, St. Vitus on 05.24

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If you are one of the few lucky music lovers who are familiar with punk pop pioneers Husker Dü, you should check out this brand new NYC band called Past Life, because they’ll surely bring back exciting memories. They released their three track, self titled debut EP in January 2015, and single "Server Your Love" (streaming) is currently rocking our socks off. Check them out on May 17th at Pianos and May 24 at St. Vitus.

We added this song to The Deli’s playlist of Best punk/garage songs by emerging NYC artists – check it out!

NYC

Darkwave trio Ghost Noise starts Pehrspace residency in May

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The Portuguese have a word that translates to an emotional state of great nostalgia and melancholy: saudade. In Los Angeles, we have a band called Ghost Noise, and we think they work just as well.

The trio draws from wells of sorrowful sentiment to drive their sound, reminiscent of goth-rock, post-punk, and darkwave bands in the 80’s. But beneath the pastiche of lipstick pickups and Korg patches, there’s a greater force at work. The DIY ethic that propels the group has helped them to travel and thrive from Santa Monica to San Luis Obispo. The members are heavily involved in the local music scenes, managing the music/arts collective Mountair and contributing to other homespun organizations on their spare time.

Ghost Noise’s live sets are intimate and decorative: set designs incorporate flowers, lighting, and film backdrops to immerse the audience. They perform throughout California, venturing as far north as Fresno and as far south as Murrieta to house parties and burlesque shows alongside acts like Cruelty Code, Kirilov, and Post Life. Their debut album, THIS IS THE NEXT PART OF YOUR DREAM, was recorded and produced by Josh Solomon (Young Lovers/REVERB LITE) and released on Ritual Tapes in August 2013. Ghost Noise will take up residency at the DIY venue Pehrspace through May, and play across California regions in June. Their follow-up album will be produced by Jessica Nicole Collins (BERU). Listen to their debut single “Amethyst” below. – Ryan Mo

NYC

Artist on Trial: Introducing Charlie

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Introducing Charlie is one of Kansas City’s newest bands. With its debut single “Far Gone” released last month, the four-piece group stands out in the local music landscape. The single introduces a punctuated, progressive rock band with a sweeping orchestral vibe. We talk with three of the band’s four members about the project.
 
The Deli: Down and dirty: one sentence to describe your music.
 
Joel Shields: According to some, we’re the love child of The Smiths and Ritchie Blackmore’s Rainbow.
 
Josh Wallingford: We do the musical things that get us off, together, and as hard as necessary.
 
Roshelle Pekarek: Violin players wanna rock out too.
 
The Deli: Give me some background on Introducing Charlie. How did the band come to be?
 
Joel: Josh, Eric (Carlson), and I had played together in the mid- to late aughts in a band called Ste. Simone. We stayed friends after the split, and we got together last summer to jam for fun. It clicked really well, despite our not having played together for 5 years, and it felt like we had something that wasn’t there before. And the timing seemed to work with our other demands, so we decided to give it a go. A couple of months later, I enticed Roshelle to join by telling her that my dogs were talented musicians and would be playing in the band. She stayed despite this lie.
 
Roshelle: I was misinformed, but then I discovered Josh keeps a keg in the practice space…shrug. Seriously though, this band has been the outlet that has kept me ticking in the midst of a lot of wrong turns. I’m kind of amazed one cute Facebook photo by an acquaintance connected me with a stellar group of guys.
 
The Deli: Did your time together in Ste. Simone influence your writing at all for this band?
 
Joel: There are probably subtle similarities because of the people involved, but the two bands have very different vocalists (I played guitar and rarely sang in Ste. Simone). Ste. Simone was definitely darker and heavier than Introducing Charlie. And Roshelle’s viola and violin definitely add a unique element to the latter’s sound.
 
Josh: Beyond the members and occasional discussions of what songs we kinda remember, it’s all new. This is a slowly moving amalgamation of our loved and escaped influences.
 
The Deli: What inspires your music and songwriting?
 
Joel: Tacos and beer, mostly. We’re all avid fans of many kinds of music, so we absorb things from all over the place, which I’m sure comes through in our material. Nerd in, nerd out.
 
Josh: Tacos and beer and each other. We play well off one another and freely swap and discuss melody and rhythm to make the songs right.
 
Roshelle: I come from a classical background, so a rock band is a beautiful new animal. The guys set up the feel of the song, and I love the challenge of finding the right fit.
 
The Deli: You recently released your debut single. Are you working on recording anything else?
 
Joel: We’ve recorded a handful of live-tracked songs that are in various states of completion. "Far Gone," the single, is a relatively straightforward rock song for us, so the next couple will probably be a bit more eclectic. One that’s nearly done is kind of a lounge lizardy, jazzy jam. Another is a pretty, swaying, 6/8 deal.
 
The Deli: Where’d the name come from?
 
Joel: Eric came up with that one. He had been playing this trivia game called You Don’t Know Jack and told us that "introducing Charlie" was a Victorian-era euphemism for sex. And since sexual euphemisms are kind of a time-honored tradition in rock music, we instantly knew it had to be our name.
 
Josh: Crashing the Custard Truck was too long.
 
Roshelle: I’ve been glad my mom hasn’t asked what it means, knock on wood.
 
The Deli: What does supporting local music mean to you?
 
Joel: Pretty basic stuff. Buy the records and attend the shows. Give to Midwest Music Foundation. Throw some bones toward a Kickstarter here or there. KC has been doing much better the last few years at these things, I think.
 
Josh: People should come see us, buy us a drink and a song or two… Never mind, what Joel said.
 
The Deli: Who are your favorite local and non-local musicians right now?
 
Joel: I couldn’t possibly come up with a comprehensive list—there are too many—but lately I’ve been obsessed with the new Mikal Shapiro record (The Musical) and Beauty Pill’s new one (Beauty Pill Describes Things As They Are). Beauty Pill is a great DC band made up of Dischord veterans, most of whom are accomplished multi-instrumentalists and sound manipulators. It’s total headphone bliss.
 
Josh: Zero 7 and their many collaborators (Sia, Jose) are permanently lodged in my earholes. Elbow and Radiohead haven’t stopped amazing me yet either. Local folks: Steve Tulipana, Dave Gaumé, Billy Smith’s gang, Mr. Marco’s V7 crowd (Kent Burnham, Johnny Hamil, Marco Pascolini, etc). But there are a lot of impressive musical minds in the KC mix right now (Bacon, Gavin Mac, Anna Cole, Mama Bear).
 
Roshelle: The Conquerors, Drugs and Attics, Josh Berwanger Band. I also play a bit with Nicole Springer (The Clementines), who is working on her first solo album; I’m blown away by her voice and her writing, and I regularly find her songs stuck in my head. I’m digging the catchy new track ("Stepbrother City") from Someone Still Loves You Boris Yeltsin and looking forward to a new album from them in a few weeks. My favorite band and go-to artist is Spoon; last year’s They Want My Soul is still in my rotation.
 
The Deli: What goals does Introducing Charlie have for 2015, and beyond?
 
Joel: Probably the same as anyone: play shows, put out some music, eat and drink too much. We’re all about the simple pleasures.
 
Josh: Yep. Have fun making music together, both temporal and permanent.
 
Roshelle: I bought a vocal effects pedalboard that Josh spotted online. It has so many bells and whistles that it makes my acoustic-thinking mind spin. I need to figure out how to make and replicate cool sounds.
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Joel: I was standing on a sidewalk at a rest stop on I-70 when an elderly gentleman walked by and told me, “When you’re my age, you never pass a rest stop, waste an erection, or trust a fart.” So I have that creepy bit of wisdom. And now you do too.
 
Josh: My spirit animal is Ron Swanson. Wherever you go, there you are.
 
Introducing Charlie is:
Eric Carlson – drums
Roshelle Pekarek – violin, viola
Joel Shields – vocals, guitar
Josh Wallingford – bass
 
Introducing Charlie will be playing at recordBar this Saturday, May 2, opening for My Goodness. Facebook event page.
 
–Michelle Bacon
 
Michelle Bacon is editor of The Deli KC and plays in bands.
 
 
NYC

Coma Figura’s bedroom opus

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The space between your eyes and your cerebellum; the weird spiraling flesh that juts out the sides of your head, the gateway to your nervous system, has just been filled by Coma Figura. What could be a more soothing intruder than the clean tones and soulful rasp of an Arthur Russell protégé, or the melodic honey drip from A Band of Bees Bee-side? Coma Figura have figured out how to keep it smooth in a Fleetwood Mac ‘Bare Trees’ kind of way, while maintaining the lyrical flips that will keep the listener on the edge of their seat.

NYC

Glamorous New Yorkers: Sterling Fox unveils video for “Freak Caroline”

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In today’s mostly self-funded musical landscape, it is almost unavoidable for glam rock to be a penalized genre – since you always have pay bigger bucks for glamour. This makes us appreciate even more this stylized, elegant and very much staged video by Sterling Fox, for single "Freak Caroline." In particular if it’s true – as it seems – that it was partly funded through daily busking sessions in the NYC Subway (Sterling is a NYC songwriter and producer who’s written songs for Madonna and Lana Del Rey among others, so probably the Subway sessions are more fun than necessity). If you don’t stumble upon his live show in your favorite subway station in the next month, you can catch him at The Rock Shop on June 4th.

NYC

My Body plays Cameo tomorrow (05.01) + re-releases “Six Wives” EP

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Not many electronic bands exploit the incredible array of possibilities opened by electronic instruments, settling instead for borrowed styles from the past, like 80’s synth pop or the various cliches tied to house music. This is obviously not the case for Brooklyn’s My Body, an electropop duo whose music sounds like a constant sonic experiment – that’s the approach The Deli likes and encourages. The band self released a strong EP in 2014 entitled "Six Wives," which has been picked up by Big Hunt Records and will be released with bonus material next week. While waiting, check out their single "Make It Good" (streaming) and don’t miss their live show at Cameo Gallery with Icky Blossoms and Psychic Twin, tomorrow May 1st.

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

NYC

Beauty Pill unveils new video + releases new LP after 11 years

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Beauty Pill‘s new album "Beauty Pill Describes Things As They Are" was released last Tuesday, April 21 via Butterscotch Records. The album comes 11 years after the band’s last release and after band leader Chad Clark survived a rare and typically fatal heart disease. It’s a deeply personal political album that combines the experimental side of indie rock with wholly new layers of electronics, beats and samples. Check oiut the video for "Dog with Rabbit in Mouth Unharmed."