L.A.

Last chance to catch Mississippi Man at Silverlake Lounge

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Rock folk-pop artists Mississippi Man are wrapping up their November residency at Silverlake Lounge tonight.  The bittersweet ending comes after having shared the corner stage hideout this month with The Color Turning, Spirit Vine, Olin and the Moon and Make Moon (just to name a few). Their epic residency comes to a close tonight with Last American Buffalo and other fine, notable acts on the bill, all at the cost of $0.

L.A.

Julian Casablancas loves L.A. (He loves it!)

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Frontman of The Strokes and Silver Lake resident newbie Julian Casablancas wrapped up his four-show residency at the Downtown Palace Theater Friday night with a musical and visual spectacle that could rival Disneyland’s electrical light parade.

For loyal Strokes fans, Casablancas’ solo project Phrazes for the Young has been a long time coming—the garage rock revivalists haven’t put a record out since 2006, which slipped off the charts much quicker than their previous album Room on Fire in 2003, let alone their debut record. Long story short, Strokes followers are stoked that he’s back, as they should be.

–Click here to continue–

Chicago

Music For Pornos

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Player 1 is a name you may have seen pop up a few times this past year on albums from Remote Control Frequencies and Slow Gun Shogun, but now he has released two album filled with his private creations. The US release is called Music for Pornos, and is filled with a variety of loops and instruments romps through darker side of the Player 1 sounds. What’s interesting is that if he had not named the album what he did I don’t think I would have thought porno when I heard them. This are really fine examples of instrumental hip hop and funk. Released on November 24th, Music For Pornos is not as filled with musical cheese as you would think. In fact, Player 1 is able to balance the elements that you would expect from instrumental hip hop, but blends elements of rock and electronic music. In fact some of the track are full blown rock tracks. This balance fosters an element of surprise and a well-rounded collection. One interesting feature of Music for Pornos are the titles Player 1 has chosen. Almost all of the tracks are named after items of food, that’s right food. I suppose a 9 ½ weeks reference is in order but I’m not sure that was the intent. From honey to tomato to yam to radish, the foods seem to be random and take some of the porno steam away. Overall, Player 1 has managed to utilize the equipment and skill he has packed into his Stray Dog Studio and turn out a soundtrack not just to a porno or a meal, but to life.

NYC

A show you shouldn’t miss: Woods + Real Estate at Market Hotel on 12.04

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Woods (in the picture) and Real Estate have quite a few things in common: they both emerged from the Brooklyn DIY scene we often cover in our online and print pages, they share a mellow, clean, but lo-fi sound with psychedelic and folk influences, and they were both selected by Pitchfork Media as "Best New Music" in 2009 and got a similar review mark (8.3 and 8.5 respectively). On the more frivolous side of things; both bands seem to share a conflictual relationship with press (I wasn’t able to find an interview with any members of Woods) or maybe I should just say with The Deli (both declined to be interviewed, which makes us feel very sorry and uncool.) But nonetheless, Newyorkers shouldn’t miss the opportunity to see these two acts live at Market Hotel on December 4. It’s definitely going to be a great party.

Chicago

Keith Masters Meets Flashwork

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Flashwork is actually a new Swedish duo that is making some noise by remixing the best the indie world has to offer. I was pleasantly surprised to find that they had taken a crack at one of Chicago’s finest, Keith Masters. They have taken Masters’ electro-banger and turned it into a light, synth filled ode the best the ‘80’s had to offer. “I Love To Floss” is the track and it original appeared on his recent ep Discotheque which was released over the summer.

Chicago

Gilead7 and I.B. Fokuz

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ADVENT: A Modern Bible is the new album from emcee Gilead7 (G7) and producer I.B. Fokuz. The album will be released in December by The Secret Life of Sound, but to give you a taste of this epic project DJ Seanile has skillfully arranged a mix of the album. The goal of the ADVENT series is to snatch the ethics of several religious traditions and philosophies and show how they relate to issues of ecology, politics, racial identity, class, and the esoteric practice of spirituality. In other words, ADVENT takes in the way of the modern world as it is, and gives back to you an up to date natural way of life by which one can (they believe) create positive evolution within it. This is a message of hope during a time of need. This one makes a place for all religious or non-religious positions, its creed encompassing the most devout Hindu to the nihilistic atheist. Justice for all creation and responsibility for those other than oneself are the only non-negotiable factors. However, these boys since have fun, and absolutely have some crazy skills. This is a personal journey that these two have chosen to share with the city they love and with the world.

You can grab Seanile’s mix here (mp3) and keep an eye out for the album at TSLOS.

San Francisco

Album Review – Stomacher: Sentimental Education

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Stomacher

The San Francisco 5 piece, Stomacher, sounds like they listen to a lot of Radiohead. The first CD under their new moniker (the band was formerly known as In Reverent Fear) plays like what could be a more commercial Radiohead record from a few years ago. Jarrod Taylor’s vocal style sounds like a more angsty Thom Yorke without being a complete rip off. His voice carries the songs with a slow and relaxed delivery, at times layering with itself to create a lush blanket of voices.Sentimental Education has a very diverse 10 songs, constantly varying in tempo and arrangement without making the songs feel out of place.

Stomacher sounds more at home with the slower more sparse songs on Sentimental Education. “The Devil” features a lush organ sound, twinkling electronics, and a bed of strings slowly brewing for three and a half minutes below the high and slow vocal. The album closer “Untitled/Dark Divider” has a consistent acoustic guitar rhythm and a catchy yet relaxing electric guitar melody. The song builds but never becomes overly epic, rather blurring itself into a murky mess, drowning Jarrod’s voice before returning again to its original form.

Sentimental Education may at times sounds a little too much like it’s influences but never the less is still impressive.

-Glenn Jackson

Stomacher play Bottom of the Hill Saturday, December 19th with Mata Leon and Halfway.