L.A.

Nilu tours in support of new EP Dichotomy

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Art rock and soul singer songwriter Nilu has a whole new take on the classical/rock genre. Her Persian, classical, soul, and chamber inspiration creates soundscapes out of thin air, and does an enchanting job at bringing those sounds with complex introspection and self realization on her newest EP Dichotomy. Listen to her single, "Sing For You", and don’t forget to check out her upcoming performance at The Wayfarer in Costa Mesa on July 25, and shortly after at Hotel Cafe on August 1. – Kayla Hay

NYC

New Video from The Spix – “The Hipsters Came”

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South Side Brooklyn The Spix have license to feel chagrined by the explosion of hipsterdom and their once peaceful home of Williamsburg becoming the de facto capital of the world. MCs Zeps and Eternal Suarez bring their discontent to the face with the new track and video, “THC” [The Hipsters Came] that let’s says "addresses" the changes in their neighborhood. Their old school style flows over the beats like traffic over the Billyburg bridge. It’s one of those slow summer jams for hot days and cold drinks and offers a fresh perspective about the ever changing landscape of NYC and Brooklyn. – BrokeMC

NYC

Leapling Transcends Pop With Simplicity + plays Glasslands on 07.01

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Praise be to the band who avoids the genericism that inherently exists in so much pop music today.  In the name of all things catchy, Leapling are proving to be true masters of the hook.  “Here comes the summer/Waiting for you/Whether you want it baby/There’s nothing you can do,” the lyrics which open up their most recent release from January of last year feels like a declaration of sorts; indeed, whether we want it or not summer is upon us, just as Leapling will be.  Their infectiously catchy melodies are surrounded by shimmering guitar licks and incredibly groovy yet relaxing backbeats.  Dan Arnes’ lyrics contain a wonderful simplicity, and a voice that matches the intimacy of the late Mark Linkous (Sparklehorse).  The members of the band are all over the Brooklyn scene; Arnes and Yoni David were both founders of the now-closed venue, Big Snow Buffalo Lodge. R.J. Gordon and David are both members of Baked, and Gordon’s in a band called Lost Boy.  All great acts that you should check out.   Leapling will open things up tomorrow at the Glasslands Gallery on July 1st  so don’t be late! -Jake Saunders

NYC

For the NYC melancholy lovers: Inland Traveler’s new single ‘Paths Are Frozen’

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Brooklyn based Inland Traveler sew together gorgeously layered, future-facing folk songs. On their recent single "Paths Are Frozen" (streaming) Gerald Edward, Katie Locke, and Lucas Madrazo share vocals, creating valleys of sound which rise to crescendo with every chorus, each as infectious as the last. The song harbors an alt-country lilt, not just in tone and instrumentation, but also in its narrative inclination. The song is about time itself, measured in summers, transient in the present, and cemented in the past. "Paths Are Frozen," like its subject, is melancholy in retrospect, but worthy of repeated listens. – @emilioherce

Nashville

Steelism,”Cat’s Eye Ring”

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 "Cat’s Eye Ring" is the first track that Steelism has released in anticipation of their new album "615 to Fame." The vintage-minded pioneers of the instrumental frontier have set September 16th as the release date for their first full-length album, which will be put out by Shoals-based label Single Lock Records.  Listen to the track and see if it doesn’t make your heart stop a beat from the cinematic perfection of the moment every time the lead guitar rings back out over the strings and pedal steel.  The duo will be joining Apache Relay, Promised Land Sound and ELEL for Nashville Dancin’ at Riverfront Park this Thursday, July 3rd.  -Terra James-Jura

NYC

A slew of Brooklyn bands play 1.21 Gigawatts fest on July 17-20

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It looks like the 1.21 Gigawatts crew managed to grab every single decent to good to great indie rock band that’s up and coming in Brooklyn today for their upcoming 4 day yearly festival at Radio Bushwick on July 17-20: Bluffing, Big Neck Police, Infinity ShredSunflower Bean, Shark?, Tonstartsbandht, Celestial Shore, The Gradients, hell they even got Fiasco on the bill?! I remember listening to Fiasco in high school wishing I was cool enough to go to their shows, but back then I wasn’t in it for the music as much as trying to find an identity in this fucked up city we call home (calling all high school indie rockers: don’t be ashamed, you may not be old enough to drink yet but you are allowed to fuck up as many times as you want, so go to these shows, maybe you’ll get lucky and they won’t draw the X’s on your hand too deep!)

There will be also teen indie folk talent and recent Deli Record of the Month Frankie Cosmos. I could keep going, but the bottom line is that 1.21 Gigawatts is having a fun party with lots of talented NYC artist – I’ll be there! – Jake Saunders

Philadelphia

New Music Video: “Let’s Ride” – Ground Up

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Hip-hop collective Ground Up brings a Southern bounce and West Coast vibe to the rural suburbs in their latest music video for the track "Let’s Ride," which was directed by Strategem Pictures. It’s the first official single from their upcoming release entitled Mega. The group also just wrapped up this weekend with a couple of shows in California, and they’ll be taking over Mad River Manayunk on Thursday, July 24.

NYC

KC musicians collaborate for Nick Cave tribute

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Nick Cave & The Bad Seeds came to The Midland on June 18, but we in Kansas City got ready early. Sonic Spectrum’s Robert Moore curates a slew of tributes on divergent and linked bands and musicians. Sunday, June 16, was one that pulled the souls out of some of my favorite musicians in town and left them on the recordBar stage for 1 hour 36 minutes and 16 seconds. 
 
First, Shaun Hamontree, Terrence Moore, and Kristin Thompson Conkright brought beautiful harmonies, acoustic guitar, keyboards, and subtle electric guitar to the crooning side of Nick’s catalog. Shaun may have been bummed that “The Mercy Seat” didn’t work out the way he had envisioned, but I think I felt a commiserating smile on his face when Nick and the Bad Seeds came into trouble on the same Wednesday night.
 
 
 
 
 
Then Alex Alexander, Jeff Harshbarger, Ryan Shank, Steve Tulipana, Rich Wheeler, and Cody Wyoming dug electrically into a high-powered set of rarities and well-knowns. Each song was heartfelt and dynamic. Watching Steve rotate through instruments was a blast. Rich’s sax brought soothing salve to the wonderfully dissonant guitars while Cody and Steve’s sonically different vocals were right for each song. I think “The Weeping Song” may have been my favorite of their set.
 
 
 
 
 
 
 
Two things I really enjoy about these tribute series are hearing each group’s interpretations of the songs and learning what has played a part in influencing their original music. Most of the time, the groups are made up of members that are not in bands together. That kind of cross-pollination and collaboration affects the course and subtle weave of threads that make up Kansas City music.
 
 
 
Todd Zimmer
 
If you spot a man in a kilt taking professional photos of your band, it’s probably Todd Zimmer, and your band is about to have some incredible shots. Apparently he can also write, because he wrote this article!
 

Here’s a link to recordBar’s live feed recording of the tribute show. You can check out the rest of Todd’s photos, both from the tribute show and the Bad Seeds show, check out his Flickr page at this link. 

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NYC

Album review: Folkicide – The Meaningless Glare of Broken Human Beings

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A back-and-forth between snare and minor acoustic chords chime in on the first track, “Meaningless Glare.” High-pitched, wailing, whining guitar feedback and plucking carry the song into the first verse and remain present throughout the song. Haunting harmonies of low-toned voices begin to speak to you, preaching the meaning behind people’s run-down existence. A very fitting introduction song to what is in store for the remainder of the album.

 
Kansas City’s premier despair-core outfit, Folkicide, is back at it again with his latest full-length. The Meaningless Glare of Broken Human Beings is thirteen tracks of what you have always wanted Folkicide to sound like. With this release, it is clear to tell and easy to say that Folkicide has found his voice.
 
Recorded over several of the warmer months of 2013 at Merriam Shoals Studio, Folkicide pulled out all the stops for this album: featuring guest appearances from some of KC’s finest, extra instrumentation on many songs, clean and clear guitars, and even some catchy tunes that will find their way through your brain and keep his mantras on repeat. Sticking to his roots, Folkicide infuses folk music with a heaping portion of attack on the establishment. Just take a look at the song titles and you’ll know what I mean: “Divine Violence,” “Melodic Screams,” and “Taste A Hate Like Mine” are all superb examples.
 
As mentioned, Folkicide has enlisted the help of his friends to bring this album to life. Marco Pascolini lent his guitar to track five, which also features Mikal Shapiro’s voice. The extra intricacies lend themselves useful in this track, and Shapiro’s voice just improves the song that much more. What good is a song titled “An Imaginary Rant From An Imaginary Girl” without striking female harmonies? Violins, a choir, organs, and trombones are among some of the other extra instrumentation dealt in by guest musicians.
 
If there were a lead single off of Meaningless Glare, it would have to be “Little Nihilist,” the eighth track on the album. Those charming minor chords that are a must-have in most every Folkicide song blend with clean and riffy electric guitar noises. Folkicide soon breaks in with a baritone voice shadowing his own. A strange bridge quickly ensues. Weird horns, chanted “ho-hum” vocals, layered acoustic jams, and vocals melodies bring up the backbone.
 
The Meaningless Glare of Broken Human Beings is arguably the best work Folkicide has put out to date. A perfect example of what he is and what you believe he stands for, which is a hazy topic. Thirteen tracks of melancholy and pessimism may not be everyone’s cup of tea, but these specific thirteen tracks are majorly accessible.
 
Steven Ervay
 
Steven is an all-around awesome dude who works tirelessly for the KC music community.
 
Get a taste of Folkicide’s despair-core style on Monday, July 7 at East Wing, and Wednesday, July 9 at Davey’s Uptown for the Acoustic Mayhem series. 
 
 
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