New England

Cold Expectations blend folk and indie with grace in new EP, “No Panic In My Veins”

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More indie than folk, more folk than indie, or maybe just perfectly both is the music of Arlington, Massachusetts group Cold Expectations. The band’s latest EP, No Panic In My Veins, opens up with resonant drums and crisp electric guitars. The lead song “Can You Feel The Distance?” displays rich harmonies and lead vocals that are rugged against the clean instrumentation. That same contrast follows in the Growlers-like psych-tinged track “Aliza Don’t Care” which lets its guitar leads linger and its choruses pop. The band keeps things cool and collected and offers music to kick your shoes off to; each tune releases tension. Cold Expectations are what New England cooks up best: comfort indie-folk music. Stream the hopeful track “You Are The Ocean” below and relish in its atmospheric guitar solos. Happy Monday, folks! – Rene Cobar

NYC

Jakob Battick releases folk psych collection Tour Tape 2019

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Earlier this month Jakob Battick, the Berkeley-based musician (originally hailing from the great state of Maine) released Tour Tape 2019, digitally and as a limited edition cassette. For fans of quiet psych folk who appreciate a touch of drone and drifting off into spacey realms. A personal favorite off the collection, “Lilac Bloom” showcases more melodic moments and a lovely female vocal accompaniment. Props to Liam Herb for the crystal wine glass work on these tunes and just the right amount of mystical synth. Feels like just the right kind of tunes to stargaze to. –Michelle Kicherer, Associate Editor

Chicago

Pan American “A Son”

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Mark Nelson (aka Pan•American) is preparing to release a new album called “A Son” on November 7th via Kranky.

The album’s first single and closing track is beautiful acoustic take on a classic track called “Shenandoah”. Nelson begin playing this song in the days following the death of Heather Heyer, and including the track on this album as a tribute and to draw attention to her foundation.

This album finds Nelson putting aside the electronics in favor of the hammered dulcimer, but holding true to the ambient and atmospheric he has become known for over the last decade.

L.A.

Club Oro share taut, mellow new single “Lené”

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On "Lené," Club Oro’s latest single, you’re never entirely sure where their taut, misty bedroom pop will take you. Led by singer Cassandra Cronin’s gentle lilt, the track’s clipped metronomic rhythm weaves in and out like a trance. Her clever imagery is just an uncanny, following a soulful, improvised groove that reveals itself the more you engage with it: "Most of art must be explained/Most of secrets end in flames." What once was a duo between Cassandra and her sibling Connor is now a full-fledged five-piece, though even in broadening their musical palette, they remain true to their DIY sensibilities.

"Lené" is featured on Club Oro’s forthcoming debut EP Where’s the Hook?, due out later this fall. Juan Rodríguez

NYC

Russian Baths share new single, play St. Vitus on 11/8

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Creating their own quirky blend of noisy dual-guitar dreampop, Russian Baths share their latest single “Wrong” (streaming below) in advance of their debut full-length album Deepfake. A crisp, odd-tempo drum pattern and bassline set up momentary jolting guitars, introducing soft-spoken lyrics “what’s that effect you hear? Keep it in control.” Elongated vocals emphasize the song’s title with the refrain “I – was – wrong,” as atmospheric textures rise in the background, at times exploding, at times chiming like town square bells. A sonic ascention begins midway through this nearly 5 minute track, creating a wall of hammered guitar chords against the single word songtitle “wrong.” One more quite plateau is reached, as clean dual guitar interplay engages over a simple, basic drum beat. Deepfake is out on 11/8 and the band play their release show that night with like-minded noise rockers Bambara at St. Vitus. – Dave Cromwell