THE DELI

It’s possible you’re already acquainted with Brooklyn-based musician Saara Untracht-Oakner by way of indie four-piece tour de force BOYTOY, but under the name SUO she steps out as a solo act to lay down grooving, tactile indie rock on new track “Unsatisfied Blood.” Muted guitars and atmospheric wah-wahs underlay Untracht-Oakner’s post-punk vocal delivery, drawing inspiration from a wide range of artists including David Byrne, Prince, and Patti Smith; the song (and its lyrics detailing insatiable bloodlust) serve as a nice score for the music video in which SUO engages in nocturnal bloodsports, Man Bites Dog style. Check it out below, and catch her at The Broadway on December 14th. 

Sipper’s debut Adam Driver EP came out earlier this year and properly introduced us to Joe Beerman’s hushed, almost secretive songwriting and spare indie rock, but that hasn’t stopped him from getting in new single before we wrap 2019. Opting for a more acoustic, room filling sound, recently unveiled track “Ghost” carries much of the same easy listenability of the project’s previous release; Beerman is still cranking out catchy hooks coupled with minimalistic instrumentation while exploring different, increasingly psyche-tinged instrumentation. Better yet, as the first single off the band’s next, as-of-yet unnamed EP (out next year), it builds appropriate hype for those of us clamoring for more Sipper music (present company very much included); listen to it below. —Connor Beckett McInerney

New York electronic act Acidhead mix elements of pop-punk, new classical, and synthwave on new LP Distractions, delivering a strange, exciting effort for fans of the experimental. Between pulsing 808s and dissonant keys, multi-instrumentalist Patrick McGee croons in heavy autotune, crafting tracks that resonate with the listener as both emotional detached and deeply lachrymose; peppered in among this primarily electronic backbone are massive guitar riffs, sax lines, and meandering piano playing, all of which contribute to the esoteric nature of the release. The final output reads as the lovechild of Angelo Badalamenti and Yung Lean (in the best way possible); stream it below, and catch Acidhead at Knitting Factory on 11.27.

To piggyback off today’s release of Credit Electric’s sophomore album, the self-titled Credit Electric, the Oakland-based twangy cosmic rock band released the music video for “Every Heart.” The video has an old timey home movies vibe with plenty of sweet shots and behind-the-scenes tour moments that make these boys seem likeable. It feels nostalgic and pairs nicely with this tune we’ve been diggin on. Here’s to hoping they bring some of that energy to their record release show, Saturday November 23 at The Uptown. –Lucille Faulkner

“All these plans, in God’s hands, what do they mean?” It’s with this uneasy question that New York slacker rock outfit Brush begin their new EP, Teenage Time Machine, indicative of the cautious worldview the band embodies over the course of the releases’s five tunes. Trudging drum beats, melodic, gain-heavy guitar lines, and a slack-jawed vocal delivery immediately conjure associations with 90s genre progenitors such as Pavement and Silver Jews, but Brush carve out a space of their own through of-the-times lyricism that embodies our contemporary cultural zeitgeist. They’re equally comfortable posing existential quandaries as they are reminiscing on love and life, pivoting from the uncertain queries of title track opener “Teenage Time Machine” to sunny, melodic riffs on tracks like “Brian” and closer “Chelsea,” a feedback-heavy drive that concludes this extended play on a high note. Regardless of Brush’s ambivalence about the present, they won’t hesitate to describe things as they see them, marching confidently into an unwritten and terrifying future; it is that sincerity that will define Teenage Time Machine as one of 2019’s standout local releases. Stream the EP here, and watch their new music video below. —Connor Beckett McInerney