New England

Ryan Montbleau and Jesse Dee @ Pearl Street Nightclub & Hey Mama @ Bishop’s Lounge – 12.04

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 avicelia

It’s always sad to realize that a venue cares more about making loot than the music it is featuring. Such is the case of Pearl Street Nightclub in Northampton, MA. Sadly, Pearl Street is one of the largest venues in Western Massachusetts. It is part of the Iron Horse Entertainment Group which is a conglomeration of the Calivin Theater, Iron Horse, and Mountain Park all owned by Eric Suher who has already seen a fair share of legal trouble in his short 40 years.

I went to see Jesse Dee and Ryan Montbleau. Both are acts I have seen before. I’ve seen Jesse close to a billion times and Ryan once in Vermont. Both phenomenal acts and they put on a great show Friday night. Too bad it had to be at the Pearl Street Nightclub.

As soon as I walked into the venue I was greeted by many warnings. If I used a camera the venue had a right to confiscate my equipment. When you read further, I can understand why they wouldn’t want people using cameras. The place was riddled with fire code no-nos. I don’t think I’ve ever planned my escape route during a show before. If I bought drinks for a minor I would be hog-tied and executed. Understandable.

The venue was dark, cold and loud. The first band, who’s name I couldn’t find anywhere, sounded like they could have been a good band, although the audio was so fucked up all you could hear was the drums. There were NO lights on except for five crappy stage lights. I am not exaggerating. THERE WERE NO LIGHTS ON (are you reading this Northampton fire department?) You couldn’t see the floor let alone your hand in front of your face. I decided to get a beer and was surprised to find out a bottle of Harpoon is over 6 dollars. I can understand high prices in a higher class venue but this place didn’t even have locks in the girl’s bathroom. When we bought a beer we had to ask the bartender for our change back for two beers (we gave him a 20, do the math). He laughed in our faces and said he thought it was “gratuity”. The fucked up thing is that he was serious. In all my many, many years of going to bars around the world NEVER, EVER have I witnessed such rudeness from venue staff. He wouldn’t sell us three beers at a time. Even though my friend was treating me and another friend who were all present in front of this man. His name was Jack according to the other bartender. Ugh. The bartenders were wearing sport jackets, you know like the Starter kind, because I don’t think the heat was on. The only security I saw was a teenager sitting on the risers texting on his phone all night.

Let’s talk about the music. Jesse Dee is one of my favorite acts in New England. He starts off his shows with a Sam Cooke-esque musical announcement of what is going to happen and the crowd always nestles near and starts to dance immediately. His music is classic soul. I love it. If you haven’t seen him yet, and I don’t know why you wouldn’t, please do. He tours all over the place.

Ryan Montbleau is a larger act and has quite a national following. He sits down like Tim Gearan and has a different guitar for every song it seems. I like that Montbleau has such a variety of content in his shows. His songs vary from folk-rock, to blues, to jam band style, uh, jams. The crowd loves this kid. He’s a cutie patootie and is always smiling. I noticed that both bands seemed disconnected from the audience. It’s my guess that they couldn’t see them in the soul-engulfing darkness of the club.

I left half-way through Montbleau’s set, honestly because I couldn’t take how disgusting Pearl Street was anymore. A small bottle of water is 3.50 by the way. Does this place think its Woodstock 99 or something? (I went to the hell on Earth that was Woodstock 99 and it was a far better experience compared to this dump.) I asked for a glass of tap and he gave me a plastic cup and told me to fill it up in the bathroom. I asked him if he had a sink behind the bar and the bartender said it was full of water. I probably need a tetanus shot.

I went next door to Bishop’s Lounge which is probably my favorite venue in the area, and was pleasantly surprised to see that Avi and Celia’s new project, Hey Mama, was playing. Sweet. They were amazing. I was not disappointed, and didn’t think I was going to be. Bluesy rock at its best. They actually kind of reminded me of Led Zeppelin for some reason, which is a blessed and enlightening feeling I’ve never experienced before. Bishop’s is a cozy venue with a great porch for smoking and hanging out. And you can hear the music on the porch. They have a dancing area and the staff is nice. It was a great relief to experience Hey Mama at Bishop’s after getting my wallet raped at Pearl Street.

Don’t get me wrong. Jesse Dee and Ryan Montbleau are some of the greatest musicians out of the area right now. I just felt like I was watching them on TV. Let this be a warning to you touring musicians and fans. Stay far, far away from Pearl Street Nightclub. In all my years in music and journalism I can say honestly, it is the WORST venue I have ever been to in my life. I don’t care if God resurrects Jim Morrison, Janis Joplin and Kurt Cobain for some “Club 27 Revival Tour” and the only show they play is the Pearl Street Nightclub. I wouldn’t go back. Now excuse me, I have to take a shower and then get tested for Chlamydia.

On a lighter note, Hey Mama is playing Nectar’s in Burlington tonight. Now that’s an awesome venue. Get a Ridge Runner on tap for me.

— Meghan Chiampa

New England

Will Dailey’s Festival Holidad at the Paradise 12.11

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WERS 88.9FM Presents Will Dailey’s Festival Holidad at the Paradise Rock Club in Boston MA on 12.11. Four bands will be celebrating the season with rock, pop and CD releases galore.

Here’s the line up:

BRENDAN BOOGIE & THE BEST INTENTIONS
(releasing their brand new CD!)

VIOLET NINE

THE LUXURY (2009 Rumble Winners, Nominated for Best Rock Act in the 2009 BMA’s)

WILL DAILEY & THE RIVALS (Winner of Songwriter of the Year at the Boston Music Awards)

Should be a kick-ass show! The best thing about it is that Will Dailey and pals have been posting funny little youtube videos to promote the show.The videos feature people getting punched in the face (gasp!) and Dailey in light-up musical novelty antlers (aw!). The video at the top was my favorite one. Check out their Festival Holidad channel HERE.

TICKETS HERE +18 $12 adv. – $15 day of show

–The Deli Staff

New England

The Cush CD Release Party at the Monkey 12/4

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 Perhaps Burlington’s most well renknowed indie rock band, The Cush, are having an early CD release party for their upcoming album, Between the Leaves. The album won’t be officially released until April of ’10, but the group is giving their hometown fans an early look. Also joining the festivities are Tapis Bleu and Nose Bleed Island. Doors open at 9pm at the Monkey.

Monkey House
30 Main St.
Winooski, VT 05404

The Deli Staff

Philadelphia

Extended Weekend Warrior, December 31 – January 3

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We extended our Weekend Warrior to include New Year’s Eve because after all it is New Year’s Eve, and honestly, we are all going to be too banged up to do shit tomorrow! We hope that you will be the same. We wanted to thank everybody for all your positive words, energy and support. Philly’s indie music scene had a great 2009, but stay tuned because we are confident that 2010 will have plenty more for us to talk about. Just a heads up about things that we have planned for January. Look out for The Deli’s Best of Philly Poll coming out after this weekend (we think that you will be very surprised who our juror of local scene-makers have nominated), and cast your vote for your favorite local artists! We’ll also have a sweet new layout for our page! Besides covering for you what we feel are some of the most interesting local acts, we will also be presenting them live in concert for your aural enjoyment. We’ll be presenting Orbit to Leslie’s CD Release Party on Friday, Jan 15th at Johnny Brenda’s with Aderbat, Grimace Federation and Power Animal. We’ll also be hanging on Thursday, Jan. 21st at Kung Fu Necktie with Ape School, New Motels, The Circadian Rhythms and Brooklyn’s Savior Adore. And starting Friday, Jan. 29th, The Bellvue Hotel has asked us to put on live concert showcases called “The Deli’s Lunchtime Escape” at noon every last Friday of the month for all you music lovers who need a break from your 9-to-5 in Center City. All this is just January, folks! We are really looking forward to 2010, but let’s not get ahead of ourselves. There is plenty of partying to be done tonight. But if you’re thing happens to be futuristic dance parties, then Dave P and R5’s 2010: A Making Time Odyssey FREAK OUT at The Barbary might the place to find that hot hipster chick/dude that you’d like to risk catching swine flu from at midnight. Go ahead and live dangerous! Happy New Year! The Barbary, 951 Frankford Ave., 9pm, 21+ r5productions.com/
 
More NYE and weekend events…
 
Johnny Brenda’s (1201 N. Frankford Ave.) THURS DJ Elton Jawn (Brian from Papertrigger) and DJ Jawn Ritter (Chris from Pattern Is Movement)
 
Kung Fu Necktie (1250 N. Front St.) THURS The Sounds of the Kaleidoscope and The Company Corvette
 
The Khyber (56 S 2nd St.) THURS Philadelphia Slick and Mechanical Minds, FRI Blood Diner 2
 
Tritone (1508 South St.) THURS West Philadelphia Orchestra
 
World Cafe Live (3025 Walnut St.) THURS (Upstairs) Slo-mo and The Donuts, FRI (Downstairs) Peek-A-Boo Revue, SAT (Upstairs) Conservative Man, Sky Ship, Eat Your Birthday Cake, (Downstairs) Wyldlyfe and Boy Wonder
 
M Room (15 W. Girard Ave.) SAT Party Photographers
 

 

Chicago

Top 15 Chicago Songs of the Year: No. 3

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The third song on our countdown comes from an album that found a new home in 2009. Moon Sweet Moon was self-released in 2008, but in the hands of The Hours 2009 seemed to the year of Via Tania. "Wonder Stranger" was the first single from the album, and one of our favorite tracks of 2009. 

 

San Francisco

Best live shows of 2009: Grand Lake, Why?, Tall Grass, Vetiver

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I’ve been an East Bay (mostly Oakland and Berkeley) resident for the better part of the last five years but really did not become a member of the music scene until 2009. I also must say that I really don’t make it out of the East Bay too often to see music, so the highlights of my year are obviously going to be slanted in favor of the Oakland/East Bay scene. Nothing against San Francisco, but the East Bay is my home and home to an amazing amount of talented people who make great music. If you are a big follower of the SF scene, then I will probably leave out some bands you think should be on my list but hopefully we can at least agree on a few things!

My Favorite Shows of 2009:

1. WHY? at Great American Music Hall, SF
I am a self-admitted WHY? fan boy and it was amazing to see them play their songs live. I can see how some people might think that WHY? is a band that would be better on record, seeing as much of their appeal can be attributed to the creative production found on their albums, but the bottom line is that they write amazing songs and are great musicians. Diehard fans of WHY? and newcomers alike were not let down and my fondness for this band has only grown since.

2. Any show where Grand Lake and Man/Miracle play together!
Is there a better pairing of bands in the East Bay than Grand Lake and Man/Miracle? I doubt it. Two completely different sounding bands that are great for different reasons but always bring more energy and intensity to their sets than most Oakland bands could even dream of. The best example of this was at the Ghost Town Gallery in November, both bands had us dancing in a drunken frenzy!

3. Tall Grass at Fort Gallery, Oakland
The now, unfortunately, defunct Fort Gallery was one of my favorite venues for the short time it was open and no show exemplifies what made that place so cool as Tall Grass’ CD release show. With about 30 to 40 of us sitting on the floor with cold beers from the nearby liquor store in hand, Tall Grass’s acoustic guitar, fiddle, and simple drums eased us into a state of awe, interrupted occasionally by bursts of laughter and giggling. A wonderful reminder of what makes Oakland such a beautiful place to witness live music.

4. Peter Stanley, Waste Band, and Silian Rail at Book Zoo, Oakland
On a cold winter night, three bands played an entirely acoustic show at a small bookstore on the edge of North Oakland and Berkeley. Rarely do you get to see bands play completely acoustic (no microphones, no amplifiers) and be blown away. Peter Stanley (of Winter’s Fall) began the evening with his twangy voice and acoustic guitar, followed by Waste Band’s guitar, baritone ukulele, and beautiful harmonizing voices. To cap off the night, math rock duo Silian Rail played an acoustic set with both members playing guitar (usually a guitar and drums duo). To hear their songs in the intimacy of a bookstore and the simpleness of two acoustic guitars showed the versatility and strength of their songwriting.

5. Vetiver at Treasure Island Music Festival
Vetiver had the tall task of playing in between Edward Sharpe and the Magnetic Zeros and Grizzly Bear on the cold and damp afternoon that was the second day of the Treasure Island Music Festival and they completely delivered. I was not very well versed in their recorded material prior to the performance so I wasn’t sure what to expect and was overwhelmed by the song writing and clear talent of the musicians playing. Definitely one of the better sounding bands at the festival, despite the wind and rain the band sounded clear and full and the songs were interesting and easily enjoyed.

-Glenn Jackson

Philadelphia

Album Review: Tonight, Let’s Pretend – The Great Unknown

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Tonight, Let’s Pretend is a work of meticulous beauty. The Great Unknown, four local Philly gentlemen, have always been good at making folk rock something stimulating and fresh, which, considering how tired the outfit is, is no small feat. This full length album of songs is no exception, and demonstrates a fine level of craftsmanship. The orchestration of the multitude of string instruments is fantastic, smoothly forming that feeling of rolling the windows down on a long ride through the country. Banjoes, acoustic and electric guitars, bass, and lap steel interplay for a dreamy southern twang – swelling and slowing with emotion. Military beats can sometimes be heard, and in other instances, a clear and driving force of drums as well as other percussions that give the music the perfect accent. A sense of loss can be found amidst the tunes in lyrics written by the whole band. “I’m Not Listening,” for instance, which happens to be my personal favorite song on the album, contains a message of loneliness after separation: “Earthquakes and hurricanes, the ruins spell your name, I’m not looking.” Heartbreaking lyrics such as these add a whole other element to Tonight, Let’s Pretend. The endearingly sincere vocals heard throughout this album make it so much more relatable, making you feel every word intoned. It’s an honest album, with no glitz or glam, but by relying on pure, raw talent, The Great Unknown have written one of my favorite albums of the year. myspace.com/thegreatunknownbandJames Sanderson

Philadelphia

Artist(s) Who Deserve Your Friendship: The Chickens

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The Chickens is the side project of Street Kyle with help from his FNU Ronnies bandmate Michael Reaser. Judging by tracks like “Inside the Chicken Den” and “Phocumolous vers. #1,” expect fuzzy barely intelligible punk-ish vocals with sharp angular post punk riffs. However, they are a relatively new band and looking to add more members so there should be plenty of experimentation as they search for their unified sound. I’m really enjoying the track “Untitled #1” which sounds like it was made to be the soundtrack for an updated version of Space Invaders by mixing a little ominous psy-trance with pulse pounding industrial. The Chickens’ debut release on cassette, The Chicken, is available on Fan Death Records. The invasion will not be televised! myspace.com/therealchickensQ.D. Tran

Philadelphia

Weekend Warrior, December 25 – 27

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So there’s been a lot of talk lately about how no one says “Merry Christmas” anymore, and everyone goes for the politically correct “Happy Holidays.” Who fuckin’ cares!?! Eat, drink and be merry because you get the day off! And once you’re over being cooped up in the house with your crazy family, head out to Johnny Brenda’s Saturday night for mewithoutYou. The Weiss brothers and friends have parked their vegetable oil running ’76 Charter bus, and will be celebrating the holidays locally this year. They’ll be joined by avant-garde art rockers Make A Rising, but sorry if you don’t have a ticket because the show is SOLD OUT, and so is the one on Tuesday at First Unitarian Church with both bands and last year’s Deli Best of Philly Poll winner Drink Up Buttercup. We hope that it’s a Happy Festivus for the rest of us! We’ll see you around the pole for The Feats of Strength. Johnny Brenda’s 1201 N. Frankford Ave., 9pm, SOLD OUT, 21+

It’s a slow weekend, but it should allow you to rest up for next week’s New Year’s festivities.

The Khyber (56 S 2nd St.) SUN South Broad

World Cafe Live (3025 Walnut St.) SAT (Downstairs) Jealousy Curve, Pawnshop Roses

North Star Bar (2639 Poplar St.) SAT The Groovement

Philadelphia

Lillie Ruth Bussey Jams on the One at North Star Dec. 23

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Lillie Ruth Bussey (a.k.a. Bianka Brunson) is a singer-songwriter who’s eclectic yet modest. Each tune (or "ditty," as she so aptly tends to call them) feels like it was handcrafted and endearingly gift-wrapped just for you. Certain sounds pervade throughout, like the chiming bells and piano tinklings, but most of the ditties are built around a single stark element, like the minimal, but warm, analog synth sounds of "Doors Locked," the more traditional acoustic guitar meditation of "Can’t Help," or the ukelele-based "Heart You Protect." Her lyrics, personal and beautifully earnest, revolve around "love, loss, ghosts, America and a car full of monkeys." But as easily as she can tug at your heartstrings, Miss Bussey knows how to "jam on the one" which always turns her shows into a raging dance party where sometimes the line for lap dances starts behind her. It’s Brunson’s unique ability to instantly wow crowds that keeps the Deli staff coming back for more. Lillie Ruth Bussey will be joined tonight at North Star Bar by fellow earSnake labelmate rocker Shawn Kilroy and elegant folk outfit A Stick and a Stone. North Star Bar, 2639 Poplar Street, 9pm, $8, 21+ myspace.com/lillieruthbusseyJoe Poteracki

Philadelphia

Polar Ice Cap at North Star Bar Dec. 21

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Talk about properly named artists to see when there’s snow outside! The North Star Bar takes the storm inside for a bit when Polar Ice Cap takes their indie alternative rock to the stage. The band is still fairly new to the scene, but with a sound that’s fairly reminiscent to the likes of Hum and Weezer, they may be on the right track. They’ll be joined by Machine Gun Joe. You might have caught them playing shows with the likes of The New Time and Levee Drivers before, and their rock music has a strong Neil Young influence with subtle hints of psychobilly. North Star Bar, 2639 Poplar St., 9pm, $8, 21+ myspace.com/polaricecapthebandBill McThrill

Philadelphia

Artist(s) Who Deserve Your Friendship: SuperGoose

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You can probably lump SuperGoose in with the number of Bucks County artists that I think have been really spicing up the Philly indie music scene for years (as well as the Brooklyn/NYC scene). I’m not sure what’s in the water up there, but I do know that the wooded areas and open spaces leave little to do while growing up except think, listen to music, take drugs and have sex which certainly helps nurture great musicians (and can often be their downfall). SuperGoose is a power trio that combines ominous mechanical sounding indie rock with layers of fuzzy synth-noise and vocals that ooze rock n’ roll. It’s a big sound that I’d like to hear through arena speakers. Check out the video above for “Do the Catapult” from the Pipedown Finale, and decide for yourself! myspace.com/supergoosebandQ.D. Tran