Austin

Try Not to Cry: Scott Collins and Kydd Jones Release Powerful New Single

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Austin talents Scott Collins and Kydd Jones come together for an unexpected, yet powerful collaboration that pairs an outpouring of emotion with beautiful melodies and poetic lyrics. Both artists have a considerably different musical background, with Collins sticking to a folk-rock, americana type of sound, and Jones being exclusively hip-hop. But it’s undeniable that they were able to mesh their styles together in a seemingly effortless manner, resulting in an alluring piece of music that will compel listeners to play this song on repeat.

The opening piano chords are perfectly complemented by Scott Collins’ high-pitched vocals, which serve as the lifeblood of the song. As is the case with many songs, the simplicity of the music really allows the vocals to shine with the aid of Jones’ production. Having known Scott for a while, I was initially a bit surprised to see him take a step into the hip-hop universe. But supposedly, this has been a prolonged goal for the local legend. He explains, “First off and above all, I’ve been listening to rap and hip hop my entire life starting with Kriss Kross, and since my youth playing basketball out in LA, Compton, Watts and more on a traveling basketball team… It’s been a dream and career goal of mine to start singing with rappers and on hip hop records.” Collins was able to make this dream a reality through his relationship with the rising star known as Kydd Jones. Scott also mentioned that he wrote the hook roughly nine years ago, indicating that he was waiting for the perfect opportunity and partner to showcase what he had in store for so long.

There of course have been many collaborations from artists who cross genres to collaborate. But in some instances, the collaboration might seem forced or unnatural. One of the impressive things about “Headlights” is that it is so easy to digest despite these two artists being considerably different from each other. According to Collins, the creation process was indeed as effortless as it seems. “I already had the hook written so I just hopped into my studio with Engineer Dylan Fischer and recorded my vocals, acoustic guitars and keys… Kydd then rocked out all the production and his verse within a week, got it mastered and released it immediately the same day!” To assist in the process of creating such a cohesive track, Collins referenced “Love” by Kendrick Lamar as an inspiration to the track. There is definitely a smoothness to “Headlights” that is relatable to the Kendrick Lamar classic. “Headlights” consists of thought provoking lyrics, a silky beat, and a catchy hook, bridging these two artists together superbly.

Overall, the professionalism, skill, and creativity is undeniably palpable in this song. These are two musicians who appear to be approaching the prime of their careers. If it were up to me, I’d say Kydd Jones and Scott Collins should make an entire album together. But in the meantime, playing “Headlights” on repeat will have to suffice. Hit Scott’s Bandcamp to check the track out and stay up to date with future releases.

— Quinn Donoghue

 

L.A.

FRESH CUTS: On “Hotline” Thrill You Kill You Longs for a Connection

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Photo Credit - Ann Li
 

Thrill You Kill You (TYKY) is the project of DJ/producer/songwriter Fei-Fei, and today she has released her latest single, the energetic “Hotline,” on streamers worldwide.

The track begins with a classic hard rock-style drum intro, before being joined by TYKY’s feminine but assertive lead vocal, which evokes those of similar artists like Grimes. The track itself is tastefully drenched in delay and reverb, giving the mix an atmospheric quality while also managing to keep the higher-energy elements of the arrangement from washing out. The effect is of a track that simultaneously hits you in the face and seems to arrive from another galaxy.

According to the artist, the edgy yet melodic, synthpop and grunge-influenced track “…captures that feeling right before you give control, that anxious feeling of sexy dread…The excruciating cusp of fear and desire, power and submission. When you know something’s bad for you, but you just can’t resist. I’m fascinated with the exploration of our darkest desires because discovering who you are is messy…and beautiful.” Gabe Hernandez

Chicago

Circuit des Yeux “Dogma”

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Circuit des Yeux is back with the lead single, "Dogma", from their forthcoming sixth album, -io, which is due out on October 22nd via Matador Records.

This is the first new music from Haley Fohr since the release of 2017’s Reaching For Indigo, and on this project she has gathered together a 24 piece ensemble that features many of the best musicians in the city.

You can catch Circuit des Yeux at Thalia Hall on November 21st (tickets go on sale tomorrow, August 20th).

Chicago

Nora Marks “Epiphany I’ve Had Before”

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Nora Marks has released visuals for the lead single, "Epiphany I’ve Had Before", from their forthcoming album, Opt Out.

This is the Pop Punk of Michael Garrity (Guitar / Vocals / Keyboards), Matthew Garrity (Drums / Vocals), Rob B. Rude (Guitar / Vocals), and Matt Galante (Bass / Vocals).

Opt Out will be arriving on October 1, 2021 via Take a Hike Records.

Chicago

Desert Liminal “Rainbow Sherbet Sky”

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Desert Liminal has released the second single, "Rainbow Sherbet Sky", from their forthcoming album, Glass Fate, which is due out on November 18th via Whited Sepulchre.

This is the trio of Sarah Jane Quillin, Rob Logan and Mallory Linehan, and on this new single they explore break-ups while maintaining you should never break up the band.

Chicago

Matthew J Van Howe “Legend of the Galactic Princess”

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Matthew J Van Howe recently released his latest album, Legend of the Galactic Princess, which finds him combining fantasy with dark, experimental synthwave.

This album is huge contrast to his 2020 album, Memories Otherwise Forgotten, which found Van Howe composing for piano.

Chicago

Threshing Spirit “The Abyss’ Embrace (A Ship Of Fools)”

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Threshing Spirit has released the first single, "The Abyss’ Embrace (A Ship Of Fools)", from his forthcoming The Crucible which is due out on October 28th via American Decline.

This is the Black Metal persona of label head Jordan Reyes, and The Crucible will be his debut full-length album as Threshing Spirit.

L.A.

Bloodcat’s “Summer Single” Delivers Vulnerable, Atmospheric Indie Rock

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photo courtesy of artist

L.A. by way of Florida drummer, multi-instrumentalist and songwriter Bloodcat (aka Jessica Vacha), has seen her fair share of the local scene as a session drummer, lending her percussive talents to several up-and-coming acts, all while steadily working on her own original music. Her latest single, appropriately entitled Summer Single and available now on Spotify and most other major streaming outlets, is a sign of steady growth for the singer-songwriter that foreshadows greater things yet to come from this talent.

A-side “Generic Script” is a propulsive, muscular, but also charmingly vulnerable guitar and drum-forward indie-pop track that displays Vacha’s talent for merging catchy melody with effortless indie cool, especially in the interplay between instruments. Taking a minimalistic approach, the bare-bones arrangement evokes 90s-era indie-pop while also dispalying a distinctly 2020s touch for the modern.

B-side “Enough,” by contrast, evokes Mazzy Star in its slower-tempo, more contemplative tone. It begins with abstract electric guitar strums that deliver a distinct feeling of floating, unmoored to any key, until Vacha and the rest of the band enter as one. Vacha’s sedate, elegant vocal radiates weariness and sadness, complementing the spare, wide-open arrangement. it’s an audio equivalent of a Mark Rothko painting: fields of muted colors hovering close enough to each other that they can’t help but be taken as one, but never truly touching, forever together but forever apart.Gabe Hernandez