Philadelphia

Weekend Warrior, April 4-6

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If you’re in the mood to shake your ass tonight and extend last week’s East Coast Beard and Moustache Championships, Night Panther will be kicking off their April residency at Bourbon and Branch with Purples and Nicos Gun. Hailing from Doylestown and fronted by the seductive Farzad Houshiarnejad, Night Panther has been making Philadelphia sexier over the past year, named one of the top bands in The Deli Philly’s Best of 2013 Emerging Artists Poll and catching the attention of ABC’s Mixology, who has commissioned the band to song write.  Warm up to the intoxicating hustle of “Fever” and wet your whistle for $1 Narragansett pounders till 10pm, free alcoholic gummies by Rebel Gummies, and drink specials by Sailor Jerry and Art in Age. Bourbon and Branch, 705 N. 2nd Street, 8pm $10,  – Jaime Pannone

 
Other things going down this weekend…
 
Johnny Brenda’s (1201 N. Frankford Ave.) FRI PigPen Theatre Co., The Spring Standards, On The Water, SAT Joshua Stamper, Rosu Lup, Liz & The Lost Boys
 
The Boot & Saddle(1131 S. Broad St.) THU Pattern is Movement (album release show), Yellow Ostrich, Busses, FRI Skaters, Team Spirit
 
Kung Fu Necktie (1250 N. Front St.) FRI Mumblr, Cold Foamers, Idiot Kid, FRI The Pack A.D., Satellite Hearts, Cold Roses, Mumblr, Lizard Police, Cold Foamers, Idiot Kid, SAT Palmyra Delran, Creem Circus, Small Apartments, Soraia, No Other, Radical Dads, Hurry, Black Wine, SUN Biohazard, Suburban Scum, Sworn Enemy, Rock Bottom
 
Underground Arts (1200 Callowhill St.) THU Johnny Stimson, The Lawsuits, Sturgill Simpson, Banned Books, Gretchen Lohse, FRI Rocket From the Crypt with San Sartain, SAT Galvanize (album release party), Red Richards, Redhat, Elegant Animals, Agent Zero and the Drew Tanvez Explosion
 
World Café Live (3025 Walnut St.) SUN Dave Hause, Fortunate Youth, True Press, Tsunami Rising
 
The Barbary (951 N. Frankford Ave.) SUN The Silver Palms, Killer Bangs
 
MilkBoy Philly (1100 Chestnut St.) SAT Pete Francis (of Dispatch), Nicky P, Wild North
 
North Star Bar (2639 Poplar St.) THU TeamMate, Case Closed, Terrible Friends, FRI Turkuaz, Alan Evans Trio Cocktail Party Phenomenon, SAT The Pimps of Joytime, Philadelphia Funk Hustle
 
M Room (15 W. Girard Ave.) FRI Black Rue, Sonnder, Matt McAndrew, Valkyrians, Lost Romance
 
Fergie’s (1214 Sansom St.) FRI John Train, Hired Guns Blues Band, SAT Triage, SUN John Byrne, Rusty Cadillac
 
Voltage Lounge (421 N. 7th St.) SAT Paulette Branson, Mixed People
 
The Grape Room (105 Grape St.) THU AAYU, John & Sam (Long Miles), FRI Justin Phillippi, Underwater Country Club, John and Brittany, The Duke Bros., Minshara, SAT La La Lush, Chen City, Study Electricity, Whack Bat
 
Golden Tea House (Please contact one of the acts or venue for more info.) FRI
Grass Is Green, Knights Templar, Snoozer, Loose Tooth
 
 
 
Philadelphia

The Deli Philly Featured Artist(s) Poll Winner: Calamity Jane

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What started on a whim at DIYPHL’s First Time’s the Charm, evolved quickly into our Features Poll Winners, the punk rock quartet Calamity Jane. This female-fronted crew is lo-fi and like it that way. They boisterous, unashamed sound fits in well with bands like Cayetana and Tacocat, who they unsurprisingly mention as an influence.  We caught up with Ivy (bass), Madeline (guitar and vox), Dan (guitar and vox), Shelby (drums) to talk about their unique start, the Philly scene, and the future of Calamity Jane.  Be the first to check out the interview with the band HERE:

Philadelphia

New Video: “Bent Nail” – Nothing

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A disinterested, apathetic audience turns aggressive in Nothing’s new video for “Bent Nail” off their new LP Guilty of Everything via Relapse Records. Directed by Don Argott, the video depicts a standstill crowd that resorts to pelting the band with produce supplied by none other than Kurt Vile.

Philadelphia

Pattern is Movement Celebrate Record Release at Boot & Saddle April 3rd

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The eclectic duo of Andrew Thiboldeaux and Chris Ward combine forces becoming Pattern is Movement. After six years, the pair released a new eponymous LP Tuesday via Home Tapes. Headlining a record release show at Boot & Saddle this evening, their latest effort implements a large spectrum of instrumentation (keys, strings, horns etc.,) building an intricately layered sound, that despite its many parts, retains a calming light radiance. Amid the dramatic even cinematic tones, an omnipresent groove resounds. In support of their new record Cosmos, Alex Shaaf-led experimental rockers Yellow Ostrich occupy the middle slot with a constantly morphing ear-catching sound. Local trio Busses open the night performing a blend of spacey psyche-rock, which ranges from a daydream-esque floating to a heavy tighter tension. Boot & Saddle 11131 S. Broad St., 8pm., $12-$14, 21+ -Michael Colavita
Philadelphia

The Lawsuits, Banned Books, Gretchen Lohse take part in April Communion at Underground Arts April 3rd

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Promotions team and indie label Communion has curated another stacked lineup for tonight at their monthly Communion event at Underground Arts. Originally founded by Mumford & Sons’ Ben Lovett, the Communion concert series tours the world, this month featuring the dreamy, passionate crooner Johnny Stimson as he lets loose his soulful falsetto and subsequently rises to fame. Also traveling with the series is the Nashville country act, Sturgill Simpson. The lineup is peppered with some Philadelphia favorites: indie jammers The Lawsuits (transitioning from hip riffs to rockabilly and back), experimental and loud duo Banned Books, and the always ethereal Gretchen Lohse. The bands will be switching off between two stages, so get ready to receive your communion with a night of non-stop music. Underground Arts, 1200 Callowhill Street, 8pm, $15, 21+ – Maggie Grabmeier

Philadelphia

New Track: “Goshen ’97” – Strand Of Oaks

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Timothy Showalter aka Strands of Oaks offers a glimpse into his teenage years -growing up in Indiana through “Goshen ’97.” The song, off Strand of Oaks upcoming third LP entitled Heal, features J Mascis on guitar. “Goshen ‘97” takes no time to jump into gear with a combination of hard-cracking percussion, and high-octane guitar providing a youthful exuberance. Showalter’s narrative displays snapshots into his past while a raunchy guitar solo blazes a trail. Heal is set for a June 24th release date via Dead Oceans.
 

Philadelphia

New Video: “Tolerated” ft. Waka Flocka Flame – Girl Talk & Freeway

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Local rhymesayer Freeway and Pittsburg’s Girl Talk recently premiered a video for the track “Tolerated” off of their collaborative EP Broken Ankles, out April 8th. The video begins normally enough before deteriorating into gruesome, action flick style mayhem. There is granny chucking, child vomiting, and a sweet cameo by a dismembered arm wielding Waka Flocka Flame. So, are you watching yet?  

Philadelphia

Birdie Busch, The Extraordinaires, and Lux Perpetua playing Boot and Saddle April 2nd

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Whether it’s successfully using a crowd-funding site like PledgeMusic for a new album, or playing shows everywhere from venues to tour buses to cemeteries, Birdie Busch has a way of sticking out. Not to mention her penchant for entertaining people with her whimsical and sometimes somber folk tunes. There’s just something about Birdie Busch. For tonight’s show she’ll be joined by another masterful band in The Extraordinaires. The band earned a great amount of success last year thanks to their latest Pen Pals EP, and they’ve recently been showing new printed artwork on fabric covers for what may be the next release to come, Dress For Nasty Weather. Seeing both artists playing the intimate Boot & Saddle stage together is reason enough to attend; But the first 15 people entering through the doors will also be receiving an advance copy of openers Lux Perpetua’s new album Hehbehdehbehbehdeh. Boot & Saddle, 1131 S. Broad St, 8PM, $10 21+ – Bill McThrill 

Philadelphia

Clap Your Hands Say Yeah Announce New Album “Only Run” Out June 3rd

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Clap Your Hands Say Yeah, the brainchild of Alec Ounsworth, has announced that their new album Only Run will be self-released on June 3rd.  In support of the album, CYHSY head out on a North American tour, which includes a local stop  at Johnny Brenda’s on June 27th. As a preview of Only Run,  the band shared “Coming Down,” which can be heard below. The song ‘s smooth-layered structure gives it a strong sound that erupts as it progresses, Ounsworth’s softer vocals playing off the deep-tone of The National’s Matt Berninger to produce a conversational dynamic. Tickets for the summer tour go on sale this weekend.
 

Philadelphia

The Deli Philly’s April Record of the Month: Creepoid – Creepoid

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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90’s grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet – a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 
 
“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 
 
In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same – urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. – Dianca Potts