Philadelphia

Clique Opening for Old Gray at PhilaMOCA June 25

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The four-piece of Clique link together in emotive, melodic tones that have a subdued solemn vibe. Fleshing out those internal questions and doubts into songs that lyrically pull from those “what if” parts of the mind, while hitting home in a subtle yet resounding fashion, it’s the type of music that lingers in the pit of the stomach. With vocal harmonies and a persistent interlocked musicality, the band moves forward, acknowledging the pitfalls and working through them. Tonight, R5 Productions presents a showcase at PhilaMOCA that throws all those feelings out in the open as fellow locals Thin Lips, who approach those disagreeable heart hitters head-on, transforming sadness into pop-punk combativeness. The emotionally raw, melodic force of New Hampshire’s Old Gray headlines, while Wisconsin’s Milo, a.k.a. Rory Ferreira, provides free-flowing hip-hop in compact experimental packages. PhilaMOCA, 531 N. 12th St., 8pm, $12, All Ages – Michael Colavita

Philadelphia

New Mischief Brew LP Available for Streaming & Purchase

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Folk-punk vets Mischief Brew have been churning out politically-charged records for about a decade and a half in Philly. They are back with another raucous full-length album entitled This Is Not For Chilldren. You can now stream and purchase the LP below, and feel free to sing along.

Philadelphia

Ticket Giveaway: Creepoid, Ecstatic Vision & Sick Feeling at JB’s This Friday

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We are very excited to be able to send you to this Friday’s Creepoid/Ecstatic Vision Record Release Party at Johnny Brenda’s with Sick Feeling. To enter for a chance to win a pair of tix, just send an email to thedelimagazinephiladelphia@gmail.com with the subject line "Fuck Yeah!" Please also include your cell number in the body of the message (in case of an emergency). Good luck!

Philadelphia

Roof Doctor & Snoozer Hosting Muuy Biien at Nico Nico Mansion June 24

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Roof Doctor caught our attention with honest, introspective tracks that would eventually be found on their full-length album Mobile Freedom Home. Earlier this year, the band took a bit of a hiatus to work on its follow-up so you should discover new, unreleased tunes in the rotation tonight at Nico Nico Mansion, which will be the West Philly DIY space’s first show. They’ll be joined by psych-garage rockers Snoozer, who have reconfigured with the recent departure of Paul Hewes. The local acts will be hosting Atlanta dance-punks Muuy Biien and Florida indie-pop four-piece Poster. Nico Nico Mansion, (Please contact one of the acts or venue for more info.), 7pm, $5, All Ages – H.M. Kauffman

Philadelphia

Debut Ecstatic Vision Album Available for Streaming

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Ecstatic Vision take us on a journey through the farthest reaches of space and time with their debut album Sonic Praise. With searing guitar shreds that are ready to burn all to the ground in their path, Relapse Records has another Philly gem on its hands. Sonic Praise is set to drop on June 29, and the group will welcome its coming this Friday, June 26 at Johnny Brenda’s with heavy-psych brethren Creepoid, who will also be celebrating their new LP Cemetery Highrise Slum.

Philadelphia

New Air is Human EP Available for Streaming & Purchase

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Just in time, the duo of Jeff Lucci and Josh Aptner, a.k.a. Air is Human, has released its new EP Solstice 1. It doesn’t take long to hear how the pairing traverses an elaborate, forward-thrusting psychedelic sonic landscape with an attention to theme and transition that’ll take a strong hold. Catch them this Saturday at Bourbon & Branch as part of a lineup that also includes Sexoffice, Navigator and Author.

Philadelphia

New Video: Tiny Desk Concerts – Hop Along

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Hop Along strips things down a bit for NPR’s Tiny Desk Concerts, which you can watch below. The intimate setting provided a stage for Frances Quinlan’s personal lyrics and achy yet powerful vocals to stand in the forefront. Their set consisted of "Horseshoe Crabs" and "Well-dressed" from the band’s latest LP Painted Shut, as well as "Sister Cities," which was first recorded for the group’s Shaking Through episode.

Philadelphia

Record Review: Cemetery Highrise Slum – Creepoid

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Local psych-grunge rockers Creepoid’s latest LP Cemetery Highrise Slum is immaculate. The follow-up to 2014’s self-titled album, which just dropped today, marks yet another monumental moment for the four-piece: their first release with Geoff Rickly’s Collect Records.
 
Opening with the somber “American Smile,” Cemetery Highrise Slum’s start is instantaneously lush. Equal parts dissonance and melody, “American Smile” is comprised of just as much emotional juxtaposition as its namesake might suggest. Crisp chords paired with buzzing riffs bleed effortlessly into Sean Miller’s affecting diction as the track’s lyricism emanates a sense of decayed longing that is difficult not to discern. Reminiscent of Sunny Day Real Estate’s grittiest portions of How It Feels to Be Something On, “American Smile” is delectably heavy and persistently transcendent up until the very end.
 
“Devil In The Subtext” wastes no time, captivating listeners with a percussive pulse and jarring backbeat. The swirling psychedelics of the album’s second track are nearly tangible, showcasing Creepoid’s meticulous orchestration and sparing use of reverb. The song exhibits itself as a well-deserving successor to grunge anthems like Sonic Youth’s “Sugar Kane.” The enjoyably emotive downer, “Fingernails,” unfolds as hauntingly moody, while “Seams” swells to life with deliberate phrasings and lingering harmonies.
 
The noisy start to “Dried Out” revives the best of ‘90s alt without feeling cliché. The lyricism of the song is wrought with harsh realism and pragmatism with confessional lines like “We’ve been living a lie” and urgent pleas like “Show me the real you,” crooned out with a similar desperation as Cobain’s “Heart-Shaped Box.” “Shaking” is dreamy, like a gloomy lullaby or bittersweet ballad. It is affirming, vulnerable, and earnest, an unapologetic declaration in its own rite, and “Calamine” is charmingly melancholic – synonymous to earlier tracks from Creepoid’s previous LP, like “Baptism.”
 
The trippy tempo of “Tell the Man” brings to mind similarly mesmerizing cuts like The Pixies’ “Gouge Away,” while presenting itself as a plausible narrative extension of The Velvet Underground’s iconic “I’m Waiting For the Man.” With “Worthless and Pure,” the band proves itself to be subtle yet raw, preparing listeners for Cemetery Highrise Slum’s conclusion that is marked by the suitably abrasive “Eating Dirt” and the otherworldly “Here,” which temporally paint a bleak yet memorable soundscape. 
 
Cemetery Highrise Slum is indicative of its creator’s genius. It, like all that came before, is a declaration of why all eyes and ears need to remain on Creepoid. – Dianca London Potts

Philadelphia

Grimace Federation Opening for Jaga Jazzist at Union Transfer June 22

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Post-rock enthusiasts Grimace Federation will be opening for one of their greatest influences, legendary Norwegian nine-piece Jaga Jazzist, this evening at Union Transfer. The local trio has been rather dormant about releasing new material of late, but all that will change soon with their forthcoming EP The Measure In Mixture, surprisingly due out via well-respected Minneapolis hip-hop record label Rhymesayers. The album will feature two new tracks from the band as well as a couple of insane remixes from longtime friend and collaborator Aesop Rock. Also along for the wild ride tonight will be LA via Nashville’s Among Savages (a.k.a. Peter Barbee). Union Transfer, 1026 Spring Garden St., 8pm, $22, All Ages – Alexis V.

Philadelphia

Left & Right Crank the Gas at A House Named Virtue June 21

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Left & Right have a sound that etches into one’s system. With songs that provide unaltered snapshots, developed at varying tempos, the band can ride a slow-burner that gradually gathers musical steam in a subdued yet emotionally poignant place or crank the gas to full blast and accelerate the process, cooking up pummeling backend. As we await the release of their forthcoming album, Dogs on Acid is set to perform as is the roaring, riff-tastic pop-punk trio Thin Lips, whose EP Divorce Year is in constant rotation. Austin psych-pop quintet The Sour Notes fills out this evening’s lineup. A House Named Virtue, (Please contact one of the acts or venue for more info.), 8pm, All Ages – Michael Colavita

Left and Right – Five Year Plan from Robin Comisar on Vimeo.