Day 2 was the day of honing navigation skills. The Baeblemusic.com Party at the Scoot Inn lined up promising acts that alternated between indoor and outdoor stages. A park-style area was decorated with paper lanterns and framed by two bars and a food cart, and listeners relaxed on tree stumps and patches of grass. Seabear, a sextet from Iceland, melded strings and acoustic guitars into a pleasant and exotic folk rock. Inside, Washington DC’s These United States upped the energy with a Southern rock lilt and grimy Gospel flavor, and back in the sunshine, Australia’s Dappled Cities played avant guarde electro-pop. Off the main drag at the 21st Street Co-Op, a “clothing optional” shindig hosted Austin natives, MoTeL Aviv (pic below), in an abstractly painted dorm common room. I found the city’s friendliest taxi-driver en route to Hyde Park Bar and Grill (South) for The Deli’s second sponsored show, and completed my night with some 6th Street sight-seeing.

The Deli Magazine and CitizenMusic joined forces to educate Austin on some of the best artists from New York at Hyde Park Bar and Grill (South). A spacious restaurant and bar, home to the best French fries around, opened into a patio where a tent housed the live music for the evening. A SXSW suppertime party, the “NYC in ATX Showcase” entertained a group of all-aged diners, families, and rock ‘n rollers with five Big Apple acts, including Blackbells (picture below), New Madrid, The Shake, Deadbeat Darling, and Black Taxi. Blackbells offered guests free EP’s and a superb set after traveling thirty hours straight to Texas. The fiery New Madrid pushed forward with outstanding vivacity, and The Shake’s second evening at Hyde Park resulted in enthusiastic feedback and a new population of fans. The wind picked up and carried Deadbeat Darling’s blissful and stirring reggae-rock throughout venue, and Black Taxi almost blew a fuse with their high-powered instrumentation and charisma. Mission “Rock Austin” accomplished. – Meijin Bruttomesso

As you may know, bands biz is a very strange biz… we got this message from The King Left (who reached #8 in our Best of NYC 2008 list)… excited for the debut album / sorry to hear they are breaking up… the day the album is released!!!

"After nearly six years of making music together, we’ve decided to retire The King Left. The band has always been about the goals and vision of four great friends, and after Mark decided to pursue new opportunities, we found it fitting to conclude this amazing chapter of our lives. Nothing less than the four of us would truly be "The King Left."
Over the course of the past year, we’ve been tirelessly recording our debut LP, and we’re extremely excited for you to hear it. So, we’d like to announce a simultaneous final show and record release party.
The show will be Friday, May 14th at Mercury Lounge in New York City. It’s an early show (doors at 7pm, TKL at 8:30pm), and tickets are on sale now via the Mercury Lounge Box Office and Ticketmaster. Make sure to get tickets early, as we expect it to sell out in advance.
The album, titled Perfect Without People, will be released the same week in May via digital download and as a limited-edition vinyl (sold at the show and on our website if there are any remaining). You can check out the album cover and tracklisting by visiting TheKingLeft.com and you can download an mp3 of "The Way To Canaan" by clicking here.
And in the meantime, Corey, Ian, and I have begun collaborating with Kat Lee (formerly of Heads Up Display) and hope to have new sounds for you soon. We’re pretty excited if we do say so ourselves.
Thank you all for going on this amazing journey with us. It’s been a truly life-changing experience, and none of it would have been possible without all of you. We hope to see you on May 14th."

Brooklyn trio ARMS (Todd Goldstein of Harlem Shakes & co.) have announced a free download of their brand new self-titled EP – the follow up to their US debut, Kids Aflame (Gigantic Music). The band played 5 shows in Austin – the last one will be today at Kung Fu Salon at 4 pm. The EP can be downloaded here.

Sometimes you stumble upon a song that literally freezes time, stops your day – I guess that’s why they say "arresting". Lia Ices‘ voice and songs commend attention like only great singer songwriters do. If her live show delivers what this video promises, the lady is going to blow up within a year. (Lia Ices will play live at The Knit in NYC with JJ – the show is sold out).

The first day of SXSW is like the first day of school; you’re excited, nervous, and seemingly prepared. Unlike school, however, SXSW is never boring. After my first ever flight through Detroit and an early morning dash to registration at the Austin Convention Center, I scampered off to Rusty Spurs for Deli sponsored Music Tech Mash Up party, where line-up improvements kept me corralled. The event spanned two days and squeezed in fifty bands at Rusty Spurs, a tri-room gay saloon (how cool is that?) decorated with cowboy boots and Texas trinkets. The Mash Up party celebrated the collaboration of various industries, music, merchandise, and new media technology. Upon arrival, sound spewed from every corner of the venue as bands performed on the main indoor stage, in the lounge, and on the outdoor patio. Mid-day, the barbeque was fired up to feed South by South West goers with free burgers and chicken while they enjoyed the second day of the extravaganza’s hefty line-up. Some of the early-morning performers included LA-based, disco-influenced pop-rockers, Foster the People, dancey R’n’B from Toronto, Curtis Santiago, and Las Vegas’s new-wave, electro-pop, Imagine Dragons. Pleasant surprises added at the last minute, such as Brooklyn’s Black Taxi, and Washington D.C.’s alternarockers, Hotspur, caught the ears of those passing by and reaffirmed excitement for SXSW.

Following a quick Tex-Mex bite and nearly sun-burning in a line for the Paste Magazine Party at The Galaxy Room, I witnessed the last of the Suckers’ (top pic) set and the first part of rock-meets-singer/songwriter Austinites, Roky Erickson with Okkervil river (bottom pic). The day pushed on as I went off the beaten path to Hyde Park Bar and Grill(South) where The Whiskey Rebellion’s evening of music and literature featured NYC’s The Shake who enlivened the venue’s calm St. Patrick’s Day. Due to overcapacity venues back on 6th Street, my night was curtailed. Tomorrow would be a new day with much music to hear. – Meijin Bruttomesso

The way we see it, productive artists have more chances to be successful than the ones that let the temptations of over analyzing (or simple lack of inspiration) stretch the time in between releases. Brooklyn psych folk group Woods is about to release their 5th full length in 3 years. Each release it’s an opportunity for growing and explorting, and the distance between 2007’s At Rear House and 2010’s At Echo Lake represents a move from a kind of informal back porch jam ethos to a fully-committed vision of the infinite possibilities of group playing. Over the past few years Woods have established themselves as an anomaly in a world of freaks. They were an odd proposition even in the outré company of vocalist/guitarist/label owner Jeremy Earl’s Woodsist roster, perpetually out of time, committed to songsmanship in an age of noise, drone and improvisation, to extended soloing, oblique instrumentals and the usurping use of tapes and F/X in an age of dead-end singer-songwriters. Recent live shows have seen them best confuse the two, playing beautifully-constructed songs torn apart by fuzztone jams and odd electronics. The band will play 3 shows at SXSW on March 19 and 20 – more details about the dates here. The new album is scheduled for release in May.

Nicole Schneit wears the folk tag very liberally on her sleeve, dabbling in country, pop, punk and rock in Air Waves. The familiar, basic folk structure underlies Schneit’s songs, but the music isn’t fragile; it’s raw in a good way that feels comforting at the same time. She draws listeners in with her deceptively simple songs with memorable melodies and swinging vocal lines. Building upon 2009’s popular surf rock trend, a rolling, coastal sound seeps through Air Waves’ music. There’s also a bit of The Moldy Peaches in Schneit’s songwriting, especially in the Dan Deacon-approved “Shine On,” a tune perfect for a spring bike ride. This entrancing EP warrants repeat listens to get completely caught up in the beautiful soundscapes. Air Waves have 5 dates in Austin during SXSW – for more details go here.

Our January CD of the Month band Inlets just released this video of their single "Bright Orange Air" on Pitchfork.com. Mark your calendar for April 23, the date of their CD release party at Union Hall.

Well it seems like the sounds from the 80s are back in vogue, right? All the cheesy blips and the "housy" synths and the gasping vocals and the campy clothing and so on and on and on… Well you won’t find all this in The Secret History‘s debut CD "The World That Never Was". You will find references to to great artists from that decade which followed a more personal and sincere musical path though. We are referring (for example) to the melancholic, beautiful and supremely blip free tunes of 10,000 Maniacs, or the daring, electric songs of The Throwing Muses, and their spin off super-dreamy project Belly. Besides the songwriting, what really hits you here is Lisa Ronson’s voice – warm and strong, it confers character and personality to the band’s elegant tunes through melodies that are never banal nor foreign. We also recommend you to check out the band members’ previous project, "My Favorite", which probably failed to emerge because of an unfortunate name choice in this "Google Age", but that has recently garnered some post-mortem attention from music scene fat cats Pitchfork.com. Don’t Miss The Secret History’s CD release party at The Knitting Factory in Brooklyn on March 18.

Hey discerning eared people,

The Deli this year will sponsor two parties during SXSW:

MUSIC-TECH MASHUP PARTY!

The Music Tech Mashup Showcase is a two day/three stages event during SXSW’s transition from Interactive Week to Music Week. Featuring a ton of great bands, brands, and emerging new technologies, the Mashup party celebrates the opportunities presented through the convergence of these industries.  Hosted by Shinobi Ninja and Coast to Coast Models & Events and presented by GreenShoeLace, HunnyPot, The Deli Mag and Planet Ill, this showcase will assemble the movers and shakers of these converging fields.

Artist shortlist: Shinobi Ninja, Vaxhaul Broadcast, McAlister Drive, Bamboo Shoots.

MORE INFO HERE!

The Deli Magazine NY and CitizenMusic have teamed up to bring some of the best Alt Rock bands from New York to Austin for South By Southwest 2010! "NYC in ATX" will take place on Thursday, March 18, at Hyde Park Bar and Grill (South Location).

Music will begin prompty at 6pm!

Here’s the kick-ass line up! 6.00: Blackbells
6:50: New Madrid
7:40: The Shake
8:30: Deadbeat Darling
9.20: Black Taxi

And, to make it rock even harder, it’s FREE and ALL AGES. So, if you’re heading down to SXSW or if you’re already in Austin, come experience some of the greatest rock n roll, and best french fries [so we’ve been told] New York City has to offer!

MORE INFO HERE

Fan-Tan’s origins lie in the college town of Chapel Hill, N.C., which has sparked the musical careers of the likes of Superchunk and Archers of Loaf and more recently, The Love Language. The quintet’s distinctive “city” sound – dark, mysterious and alluring – probably disoriented the town’s residents and sonically clashed with other local musicians. Now based in Brooklyn, Fan-Tan is comfortably playing shows with artists that compliment its synth-pop sound such as Cale Parks and Led Er Est. On the band’s second EP “The Age of Discovery,” the urgent vocals compel the vivid guitar and looming bass with an overlay of atmospheric, subtle synths. The music is full of dramatics and tension, and it has an unyielding ability to remain in listeners’ heads for days. To celebrate the release of “The Age of Discovery,” Fan-Tan will be playing with New Zealand’s Surf City at the Mercury Lounge on March 26. Tickets are $10. – Nancy Chow