New York based three piece Grandfather fashion dynamic, intense and violently rhythmic psychedelic rock. Far from a traditional power rock trio, the band creates a massive, caterwauling maelstrom from the simple concept of allowing each instrument to reach its sonic peak. Conjuring the sounds of a band twice its size, their music is ripe with complex melodies and a lockstep rhythm section, set against the tempestuous guitar riffs. The band recently recorded their debut record, "Why I’d Try" in July, 2010 with stalwart engineer Steve Albini (Nirvana, Pixies). Firm believers in the raw, unencumbered sound of the analog recording process, Grandfather and Albini have managed to capture the band’s frenetic, live-in-the-room intensity and created a singular, ruminative and altogether bracing introduction to their world. "Why I’d Try" is available for FREE download here. Grandfather will play Cameo Gallery on 09.18 at 10.30 – free admission. – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here).

Frankie Rose & The Outs will be celebrating their self-titled debut release September 15th at Glasslands featuring sets by Light Asylum, MINKS, and Mirror Mirror. Ms. Frankie Rose moved to NYC in 2006 and since then managed to play drums for The Vivian Girls, Crystal Stilts, and The Dum Dum Girls. This new all female project falls in line with Frankie’s preference for lo-fi, psych rock atmospheres rich in fuzzy guitars and tambourines. The beautiful vocal harmonies are definitely this band’s main strength though. The band’s self titled album is slated to hit record stores on September 21 via Slumberland.

The 6th issue of The Deli LA is out – you can read the pdf version here – IT EVEN WORKS WITH A iPAD!!

The Deli’s Staff

“We’ve been making our own music since we were 13. It feels like it always did— arduous but necessary,” says Alex Frankel of the clubby-cool, electronic-based Holy Ghost! Clearly, this sense of necessity comes from a commitment to both passion and roots – both Frankel, and music soul mate/band mate/life mate, Nick Millhiser, have been in love with music, and New York, since, well, forever. So, how appropriate that the duo, along with their new live show band members, will be performing this Saturday at the chic music-praising, New York artists- embracing PS1. You should check it out – their seventies dance’y jams will be totally worth the heat (and wind…maybe rain… thanks Earl). And if their catchy sound isn’t convincing enough for you, or you’re too lazy to make that pretty effortless trek to Queens, remember that this will be the last PS1 Warm Up. I mean, how else were you planning on ending your summer with a hipster filled sonic boom? – Alex Daly

From the midnight show at Rockwood Music Hall to the lofts of good ole’ BK, the guys from Chappo have been stirring up the NYC indie music scene with good times, good vibes, and great sounds. The catastrophically crazy Southern duo, comprised of Alex Chappo and Chris Olson Chappo, have an energy that transcends from the stage to the streets, leaving a wake of “space dust” in their trail that keeps fans moving, shaking, and coming back for more. Often described as a huge party, Chappo shows set the bar regarding cosmic energy and out-of-body experiences, complete with props, noisemakers, and the occasional instrument. Their music is fearless, innovative and downright fun, infusing classic indie pop with complete chaos, achieving their goal of making the Chappo experience one meant to be out of this world. – Read Christina Morelli’s Q&A with the band here.

This Brooklyn three-piece, made up of Sam Sundoes, Davey Sarantos and Trevor Mcloughlin are creating lo-fi, catchy songs with creative melodies and straightforward vocals. With songs like “Keep it to Yourself,” The Sundelles bumbling, buzzing tunes create washed out blazes of sound with their fuzzy instrumentals while maintaining a clear melodic, bouncy tune with upbeat singing. Not the mention the group seems to have an affinity for young children, confetti, and balloons. In both music videos on their website, confetti is flying through the air, and in several photos and one video, there are adorable little children present. The Sundelles seem to be a band that likes to have a good time and show it through bright sounds, energetic drums and guitar, as well as their personality as a band. They seem like they have fun all the time, which is awesome. – Read Lauren Piper’s Q&A with the band here.

I love Apocalypse rap. I can’t get enough, really. It’s especially exciting to encounter an artist who is well-articulated, imaginative, and earnest while not coming off as superior and overly didactic. With a voice like a rabid pterodactyl, Propaganda Anonymous is raging against the machine. Listening to “Squat the Condos,” it is easy to imagine him dancing around the belly of the beast, feverishly flinging monkey wrenches into the metal guts. The polished electro-hop production pulses and swirls a monstrous and hypnotic backdrop for these stark revolutionary anthems. It’s a dark album, but not without some hopeful glimmerings. It shows you the burning city, but it also shows you that you’re the one holding the torch. – BrokeMC

Although New Jersey’s Big Troubles point to bands like Lilys, Swirlies and even pre-Loveless MBV as influences, one could make the case for them being the love child of The Pains of Being Pure at Heart. "Freudian Slips" has the bouncy happy hooks, head bobbing good vibe with just the right deviation into Reid Brothers sugary "Just Like Honey" smooth vocal textures. "Drastic and Difficult" amps up the sonics, as it all gets bigger and a bit noisier with more upfront and urgent vocals. The band’s dissonance kisses the edges of Sonic Youth’s abrasiveness, without completely teetering over the edge. "Bite Yr Tongue" drives home the truism that a great hooky guitar lick as the centerpiece of your song is always a win. It careens forward with Pains-like glee until the over-reverberated vocals and MBV style guitar fuzz makes sure there is no confusion with anything twee. "Modern Intimacy" is twisted surf pop that has Annette Funicello dancing with a Zombie, while "Former Selves" is the slow and lush sound providing the blueprint for the current wave of "new gaze" bands. Big Troubles will play as part of the upcoming CMJ showcase at Bruar Falls on October 19. – Dave Cromwell

The Depreciation Guild – currently the flagship shoegazer act in the Big Apple – have just premiered this new video of their single "My Chariot" on Stereogum. The band just released their 2nd full length on Kanine and is in the middle of a busy touring schedule that will see them open for Film School in late September. See them in NYC At Glasslands On 9.30 & Mercury Lounge On 10.1.

We like Backwords‘ chilled and poli-instrumental approach to psych-folk-pop, and we also appreciate their not too lo-fi recordings (we feel like this "ultra-lo-fi" thing is getting a little out of hand here in NYC… it’s time to make things sound decent!). The band will celebrate the release of ther debut full length album "Quilt" (which can be downloaded for free here) with a party at Union Hall on 09.02, and then embark on a East coast tour.

Since 1998, avant-garde instrumental technical metal trio Dysrhythmia have been producing angular and dissonant forms of heavy music where jazz, metal and progressive tendencies collide. Now hailing from Brooklyn since 2005 by way of Philadelphia, this eclectic unit is currently out on the road touring in support of their latest album, the dizzying six-track release entitled PSYCHIC MAPS. Featuring the talents of Kevin Hufnagel on guitar, Colin Marston on bass and Jeff Eber on drums, this squad of seasoned veterans are no stranger to the rigors of the rock ‘n roll lifestyle, as they’ve been on countless tours sharing stages with the likes of Isis, Mastodon, and The Dillinger Escape Plan, all the while fulfilling their own solo efforts, such as Marston’s countless other musical endeavors (Behold the Arctopus and his recording studio in Queens, NY) as well as Marston’s and Hufnagel’s latest outside interest of backing up Canadian tech death metal pioneers Gorguts. Combining well-versed musicianship, a daring sense of adventure, and a love for left of center instrumental music, Dysrhythmia shred the blueprint and break the boundaries to create an organically-bred strand of menacing and malevolent metallic madness intertwining the precision of math metal and the limitless possibilities art metal possess. – Mike SOS

Amy Bezunartea (the better half of Clint Mitchigan)  music belongs of that tradition of songwriters who make you feel like you’re dancing in a high school gym or – better yet – driving a group of friends through a Volkswagen commercial. The ten tracks on her upcoming album, “Restaurants and Bars,” are patient, waltzing tunes performed with Bezunartea on banjo, guitar and piano. Her songwriting on the record’s single, “Doubles,” is reminiscent of Mazzy Star, while Bezunartea’s graceful and dainty vocals sound like Sarah Martin of Belle and Sebastian. “Restaurants and Bars” is a cupcake pop album; like a kid’s birthday party, or the final moments of a network sitcom where everyone says they’re sorry even when they don’t mean it. Amy’s debut CD "Restaurants & Bars" will be released on November 2nd on Jennifer O’Connor’s Kiam Records! Download "Doubles" mp3 here.