NYC

CD Submission roundup: Wyndham Baird, The Library is on Fire, Graveyard Lovers, Cordelia Stephens and Away Aways

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Our Year End Best of NYC Poll for Emerging Artists took a heavy toll on our time in the last few weeks, and also distracted us from our digital pile of music submissions – it was time to get a few of them out of the way (so to speak). All these bands submitted their music for review here (it’s free), and so can you – if you make music and live in the NYC area.

Singer Zach Reynolds has described his band, Graveyard Lovers, sound as “the entire spectrum of American music.” While this quote is undoubtedly far more ambitious than any two piece deserve, Zach and drummer Tricia Purvis certainly give it a solid go. The bluesy rockers tear it up in personal fave ‘Ripe to Misbehave,’ not unlike Sonic Youth… if Sonic Youth grew from Tennessee’s swamps and traded their soul to the devil while on the same road as Blind Willie Johnson. Even when they’re not shredding it out, this group will get up inside you with the rattlesnake ‘Burn the Malls’ and ‘Everyday is a War.’ If you’re looking for trouble, look no further. Graveyard Lovers knows what you’ve been up to, and is here to provide the soundtrack.

Wyndham Baird can be seen panhandling in Washington Square Park from the same benches that time hasn’t changed since the folkie ‘60s. Baird’s husky renditions of otherwise unheard of folk jams carry the same water as his patently eclectic originals. Lifting urban love affairs to the stuff of Gospel, and twisting personal disappointments into universal folk anthems, Baird’s six-string and harmonica playing will make it so you won’t have to choose between the Leonard Cohen or Bob Dylan of your parent’s age. This old soul’s found room for both these giants throughout his 7 song self-titled debut.

Here’s a band that’s been through a lot in a short time, and all of this has made it’s way on to The Library is on Fire‘s latest record ‘Works on Paper.’ Having traveled back and forth with his group between Ohio and NY several times over the past year, and witnessing some heavy stuff happen to several of his friends in that same time, singer/songwriter Steve Five shoves a multitude of conflicting life lessons right next to one another on this latest canvas. Described as ‘art punks,’ there are certainly a lot of colors flying around here. And like any great journey, repeated listens reward the patient listener. The three-piece looks to constantly search for the right color to tell their story, and whether acoustic or power punk, the effect is equally cutting. See them when they play the Brooklyn Museum April 7th.

A quick glance at the artists Away Aways have ‘liked’ on their facebook is revealing: ‘The Smiths, David Bowie, Arctic Monkeys…”. Ok, that’s a good start. Add Libertines to the list, and you’ve got it. But make no mistake. They may owe a good deal of their post-punk revival to our friends across the Atlantic, but this four piece is unmistakably New York. Their rock n’ roll constists largely of anthemic rockers goading you to get moving like Springsteen used to do it in blue jeans. But there’s plenty of downbeat here to chill to as well. ‘Some Things We’ll Never Know’ (from their new record of the same name) bops to the bounce I wish I could still hear from the Strokes these days. But singer Evan de Augustinis has claimed the post-punk revival for his own torch, and it suits Away Aways like the lower east side they’ve claimed for their own.

Cordelia Stephens is all about traveling. From turning the keys and putting the pedal down in ‘Drive,’ to The clear-voiced siren will make you think you’re on a straight road for some time, before taking you through a rolling detour filled with Beatlesque horns in ‘The Shapes of London,’ and the Wes Anderson-ready love ballad ‘Night Sky.’ Not unlike Natalie Merchant’s tireless curiosity and poetic adventures, Stephens and her band showcase a wealth of ideas brought together under her flowering muse. If you’ve listened to just one of these songs, you haven’t even begun to hear Cordelia yet. – All review by Mike Levine

NYC

Sleigh Bells premeiers album via… The New York Times???

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Any artist is obviously free to choose whichever website they want to premiere their new album, but I honestly feel perturbed by Sleigh Bells‘ decision to use The Times. It must be noted that this is not a game The Deli is involved in (we deal with emerging acts, not with established ones), so this feeling is not generated by envy, but I guess by some kind of solidarity towards other music blogs. All blogs survive because of advertising, and advertising is supported by traffic. An album première by Sleigh Bells means a decent amount of traffic for any music blog, but for the NY Times, it means ALMOST NOTHING (because its web traffic is about 200 times the one of – say – Pitchfork). So you may think that since the newspaper’s site has so much more traffic, the promotion will be more effective for the band, right? I doubt it. The announcement of the Sleigh Bells release is at the bottom of the NYT homepage where hardly anybody reads anything, and it will probably go away by the end of the day. I wish artists would stick with their favorite music blog for stuff like that. Blogs provide constant exposure for these bands at no cost to them; it would be nice if they could reciprocate when they have the opportunity. Rated: not very cool.

NYC

Live Review: Black Wing Halo at The Mercury Lounge

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Just last month, Black Wing Halo put to rest their previous name, decibel., and began 2012 afresh, sharing the stage with a handful of prime NYC artists and Deli magazine favorites, Your 33 Black Angels, That Handsome Devil, and Black Taxi at Mercury Lounge this past weekend. A multifaceted, sonic hybrid, BWH, comprised of Josh Weinstein (vocals /guitar), Doug McGregor (bass/vocals), Justin Hofmann (drums), and Stephanie Linn (vocals), delivered tunes from their upcoming album, including highlights, “Bite My Lip,” “Welcome to the Show,” “Sway,” “Rats,” One More for the Chopping Block,” and “Above My Head,” that incorporate the impassioned force and primal screams of punk, intoxicating beats and cadence of hip hop, intricate layering of progressive rock, and eerie electro-effects and distortion. BWH’s expansive soundscape swept across and grabbed the sold out venue’s undivided attention with aggressive energy and notable vocal interplay. Catch Black Wing Halo next Saturday, February 18th at The Quarter/MMC 16 in Harrisburg, PA. – Meijin Bruttomesso

NYC

Pearl & The Beard headlines Music Hall of W’burg on 02.16

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This Thursday night is not to be missed at Music Hall of Williamsburg, with Pearl and the Beard headlining what is sure to be a powerful, fun and entertaining show. This truly talented trio comes stacked with strong vocals, a plethora of instruments, lyrics to pull you in and just enough quirkiness to keep you coming back for more. They defy the standards of folk, gospel and Americana, engaging audiences of all tastes and styles with their original sound and truly likable personalities. If you haven’t been to a Pearl & the Beard show yet, make this the night. You’re bound to return for more music, more soul, more energy and more love. ~CM

NYC

NYC/DC Band on the Rise: Tezeo

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Tezeo is a Brooklyn/DC based duo that plays a brand of electronic pop that flirts with a spiritual, almost new age element. We’d be tempted to define their music "dark" if it wasn’t actually so serene in its austere melodicism, and so simple. This is definitely a band to keep an ear on, check them out live at Glasslands tonight (03.13).

NYC

NY rockers Freshkills back with a new record in March

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In a scene that seems to be getting progressively poppier and poppier, it’s kind of refreshing to stumble upon Freshkills, a group that exudes that dark and dangerous vibe we hear in many seminal rock records produced in NYC in the late 60s. The band just announced the release of a new album "Raise Up the Sheets", out on March 13, and unveiled this single entitled "The Bigger Man" (streaming below).

NYC

Interview with Sweet Leda: DC Deli Readers’ Best Emerging Band of 2011

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Annapolis based rock/soul band Sweet Leda soared to the top of our reader’s poll for Best Emerging Band of 2011. This support undoubtedly came after numerous releases (This is Bittersweet, Bittersweet Changes, Need the Music) and features in TV and films over the last 4.5 years of their culmination. We wanted to find out more about the band that has a growing MD fanbase, so we got a hold of Juls Cymek (vocals), Omar Eldieahy (guitar/vocals), Jaime Horrigan (bass/vocals), and Don Boyette (drums.) Here they talk about family roots, singing hot dog orders, and musical orgasms onstage. Now onto the interview…

Catch them live next at Rams Head Live in Baltimore on Saturday Feb. 18.

NYC

From the Open Blog: Satori Trova/Is and of The/Bravenoise @Velvet Lunge 2/25

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Satori Trova will be throwing a bash to kick off their Pledgemusic.com fundraising drive. Fans will be able to pre-order a copy of their forthcoming debut EP, as well choose from a bunch of other cool incentives, such as recording a song with the band. Having recorded and mixed the album themselves in their home studio, the pledges received will go towards mastering and duplication. Twenty percent of all proceeds will go to Gilda’s Club (Cancer Support Community) which leads the way in helping people affected by cancer by connecting them with support networks and treatment centers. Satori Trova was recently nominated for "Best Emerging Artist" and came in second in the magazine’s reader’s poll. They will be taking the stage with two other Deli favorites: Is and of The, and Bravenoise. – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here).

 

NYC

Equals wins The Deli’s Best of Austin Poll for Emerging Artists, followed by The Saint James Society and Gashcat

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Deli Readers,

Here are the final results of The Deli’s Best of Austin 2011 Poll for Emerging Artists. As you may know, this poll is the result of a 2 month long process during which we asked local scenemakers, Deli writers and readers their opinion about the best emerging local bands of the year that just ended. The chart below is the summary of all these votes.

1. EQUALS

Congrats – again – to Equals, whose win in the readers’ and fans’ poll projected them on top of this list, also thanks to the fact that our jury’s vote was very fragmented.

2. THE SAINT JAMES SOCIETY

Heavy psych rockers The Saint James Society placed second by stacking up votes in all categories – their epic sound will please those seeking music that’s tense and powerful, both sonically and emotionally.

3. GASHCAT

Alt folk collective GASHCAT – our latest record of the month – also did very well with the 3rd position, mostly earned because they were voted as the best band to be seletced through the open submissions.

Kudos also to Gary Clark Jr. who received the maximum amount of votes from our jury, which is always a good sign.

Here’s the final chart, thanks to all those who helped us with this, we hope all our readers – including the bands in this list – will find a few new favorite local emerging bands in this list!

 
BAND
J
F
OS
TOTAL
 
1
Equals
3
3
 
6
2
The Saint James Society
3
0.064
1.5
4.564
icon
3
GASHCAT
1
0.042
3
4.042
icon
4
The White White Lights
2
0.019
2
4.019
icon
5
Black Books
3
0.013
1
4.013
icon
6
Gary Clark Jr.
4
0.012
 
4.012
icon
7
The Preservation
2
1.5
 
3.5
icon
 
Boy
3
0.5
 
3.5
icon
9
Frank Smith
3
0.023
 
3.023
icon
10
The Bright Light Social Hour
3
0.02
 
3.02
icon
11
Meggan Carney
3
0.014
 
3.014
icon
12
Shivery Shakes
3
0.008
 
3.008
icon
13
Auto Body
 
2
1
3
icon
14
Wheeler Brothers
1
0.003
1.5
2.503
icon
15
Elaine Greer
2
0.023
 
2.023
icon
16
Quiet Company
1
0.007
1
2.007
icon
17
Kinky Machine
2
0.005
 
2.005
icon
18
Grape Street
2
0.003
 
2.003
icon
 
The American Spirit
2
0.003
 
2.003
icon
20
Empire Machines
 
1
1
2
icon
 
Greg Enlow
2
0
 
2
icon
22
Holy Wave
 
0.035
1.5
1.535
icon
23
Whalers
 
0.051
1
1.051
icon
24
Shakey Graves
1
0.038
 
1.038
icon
25
Not In The Face
1
0.03
 
1.03
icon
26
The Couch
1
0.024
 
1.024
icon
27
Tiger Waves
 
0.021
1
1.021
icon
28
The Shears
1
0.004
 
1.004
icon
29
Cowboy and Indian
1
0.003
 
1.003
icon
30
Curtis McMurtry
1
0.001
 
1.001
icon
 
Panhandle
1
0.001
 
1.001
icon
32
Rayon Beach
1
0
 
1
icon
Legend: J = Jury – OS = Open Submissions –
F = Fans + Readers

The Deli’s Staff

NYC

Weekly Feature: Eula – live tonight (02.10) at NXT LVL

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If Stephen Malkmus was reincarnated as a petite blonde woman from Connecticut, he’d be fronting the post-punk band EULA in the guise of Alyse Lamb, the vocalist for the now Brooklyn-based trio that also consists of bassist Jeff Maleri and drummer Nate Rose. They’ve released 6 videos in support of their 2011 LP "Maurice Narcisse," including a new documentary about the recent show they opened for post-punk icons Mission of Burma. The band recently opened for Mission of Burma at Music Hall of W’burg (see documentary here. You can see them live tonight (02.10) at the Bushwick Empire Prohibition Party @ NXT LVL (175 Stockholm St #102, BK)and on 02.24 at Shea Stadium w/ Indian Rebound, Lost Boy?, and Shark?. – Read Shanda Boyett’s interview with the band here.

NYC

Vacant Fever to Release Smouldering 7″

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On their upcoming 7” EP KILL KILL KILL, Vacant Fever offer up electro-psych tunes with as much thrust and raw energy as any dance floor- or house party-tested albums out there. Due for release on March 6, its throbbing bass and gritty, fuzz-heavy guitarplay offer the ideal backdrop for a symphony of breathy vocals and Bolan-esque sighs. Striking somewhere between Silversun Pickups and the Rapture’s dance punk, the duo of Daniel Michael Miller and Leon Spinx deal in simple but infectious melodies that sound at once firmly grounded in a postmodern reality, and like a transmission from another planet. Despite the buzzing modernity and detachment that some of the EP’s five tracks might suggest, their authors say “inside all of us, a fire still burns, and intimacy is incredibly alive” – reason enough to get to know Vacant Fever better.

– Kate Shepherd

NYC

New to Brooklyn via Denver: Woodsman play Mercury on 02.17

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Over the past couple years, Woodsman (recently relocated from Denver to Brooklyn) has been on a vision quest of sorts. Relentlessly touring and honing a sound born in basements and warehouses sprouting from amps and speakers like lichens on the forest floor. Grounded in experimentation and inspired by the films of Stan Brakhage, the band seeks to create visceral tunes born from their environment. The band’s two drummers are the focus of the sound, leaving room for the effected sounds conjured by the two guitar players. Constantly moving, shifting their collective consciousness toward something mutual. The band just announce the reissue of their 2 earlier EP in a single album entitled "Humdrum / Indoor Days EPs". Check them out live at The Mercury lounge on 02.17