On April 1st, dancer Alison Clancy and her band HUFF THIS! will be taking the Highline Ballroom by storm for their largest show to date. And we may mean “by storm” in the literal sense – Alison’s lively performances have gotten her banned from venues before. The self-proclaimed “dream-thrash” four-piece has definite artsy credentials; by day Alison has danced with the Metropolitan Opera and cellist Chrissy Lancaster composes scores for major dance companies. HUFF THIS! is often joined on stage by an entourage of similarly artsy guest performers. This show, headlined by electro-rock duo Dangerous Muse, will be no exception. – Corinne Bagish

We Run is both a very NYC short sentence and a Brooklyn-born alt-rock power trio. Alexander Gruenburg (Guitar/Vocals), Martin McDonald (synths), and Jeremy Duvall (drums) are very new to the scene – the band was formed in January of this year – but are making themselves known early on with a convincing self-titled, three-track EP, which they wrote within a week of being a band. To commemorate the debut, We Run will be gigging at Cameo Gallery with local melodic rockers King Stork on Wednesday, March 28 and showcasing their high octane, straight up blues rock sensibilities. Begin celebrating with We Run at 8pm and be sure to grab a copy of the EP. – Meijin Bruttomesso

92YTribeca is hosting another great folk show on March 30th with 2 emerging NYC acts and one New England guest: Brooklyn’s singer-songwriter Will Stratton, NYC based folk collective Little Sur and Boston duo Tall Heights.
Will Stratton (pictured) is a California born artist who studied music composition at Bennington College, where he composed his first string quartet pieces. He released his first album, "What the Night Said," in 2007, and his second "No Wonder," in 2009. His music – lush, mellow and textured – features an extremely personal guitar style based on syncopated arpeggios, supported by occasional strings.

Led by Josh Meer, Little Sur create folky music with a city feel, inspired by the rich soundscapes and sights of the metropolitan setting of New York City. Their first EP was released in Spring 2011, and their most recent EP “Brothers/Idioms” is available for free on their bandcamp.

The thing with rock’n’roll is that musicians can’t really try too hard to get it out there, it must be evident – from the band’s material and their attitude – that it runs in their blood. It’s like flair, either you have it or you don’t… Pitchfork blessed The Men do "have it" indeed, and this makes them the flagship rock’n’roll band in a scene that lately has expressed mostly breakout bands confined to the pop and electronic realms. These guys took Sonic Youth’s noise-rock lesson, stripped it of overly elaborated parts and experimental guitar tones, and delivered an album that rocks in ways we haven’t heard in a long time. The Men have just announced a West Coast tour including several festivals and a show at NYC’s Webster hall on May 16.

Country singer Rench has been playing his unique mix of honky-tonk and trip hop for years now. From his spot in Brooklyn, you’re equally likely to find him strum a pedal steel as you are to see him looping drum samples and record scratches. But with his band Gangstagrass (who played our UN/OFF party in Austin during SXSW with Reptar and Body Language), he’s something else entirely.
Rench has teamed up with Bronx rapper T.O.N.E-z to come up with a unique blend of bluegrass and hip-hop styles you probably haven’t heard before (unless you’re a fan of the show ‘Justified’ – then you’ve no doubt heard their emmy-nominated theme ‘Long Hard Times to Come’. This is a group that doesn’t bother with distinctions between hip-hop and folk genres; both styles come together with the same attitude that Hank Williams and Chuck D share in common: placing a hard-hitting beat under an outlaw sentiment. While purists may take issue with their disregard of genre distinctions, the open-minded will revel in songs like the hard-hitting ‘Gunslinging Rambler,’ whose new video shows the band rocking out at Southpaw, Brooklyn. All of this should get you plenty excited for their upcoming record due out later this year, ‘Rappalachia,’ (out on June 5th) which promises to be an ode to the kind of mountain music Rench cut his teeth on set over the kind of beats that keep the party moving.
When it comes to mixing these traditions together, there are a lot of bad bartenders out there, but Gangstagrass picks the right ingredients that bring out the best in both of these worlds, showcasing the energy shared in common, and possibly carving out a new genre while they’re at it. – Mike Levine

Mp3: Gangstagrass: "Western"

Lady-led and glamorous Brooklyn troupe, Mother Feather (who placed at #78 in our 2011 Year End Poll for emerging NYC artists), will be flocking to Santos Party House with fellow female-infused groups, dance-party rock duo, Hank and Cupcakes, exotic indie poppers, My Pet Dragon, and electro-quartet Dolchnakov Brigade on Wednesday, March 28. This past fall, Mother Feather let a four-track EP fly, highlighting flight motifs and their spirited, bouncy, charismatic, and danceable sonic personality. Rustle your feathers and migrate downtown to Santos to catch the spunky, invigorating, and visually stimulating line-up starting at 7pm. The show is 18+. – Meijin Bruttomesso – photo by Steven M. Meyer

Seattle-based songwriter Lindsay Fuller may make her home in the Northwest, but her musical roots are firmly planted in the South. On her third album, You, Anniversary, Fuller delivers more of the finely-crafted, soulful harmonies that bely her Alabama upbringing, and build upon her proven skills as a storyteller. Released today, the follow-up to 2010’s The Last Light I See, boasts collaborations with the Indigo Girls‘ Amy Ray, and an organicism that’s at least partially attributable to an adherence to acoustic instrumentation and live-off-the-floor recording. Fuller revisits the theme of mortality, particularly her own, throughout the album – and her signature vocal style, ever melancholic, lends itself well to the motif. Past Patti Smith comparisons gain credence, as her unwavering voice, coupled with an ability to poeticize the commonplace, ground an album that balances blues-based rhythms with a Gothic sensibility. Fuller took to the road, along with Ray, on March 18, and the pair will hit the stage in Seattle this Wednesday night at The Tractor Tavern. The evening will do double duty as an album release party, and Fuller’s latest offerings are sure to keep the sold-out venue rattling long into the night. 

– Kate Shepherd

Keeping in tradition with their previous releases, The Debutante Hour showcases upbeat and fun songs inspired to the roots of American music on their new release “An Awkward Time with The Debutante Hour”. "Doo Wop Girl", (streaming below) is propelled by uptempo hand claps and features the band’s signature imaginative harmonizations, while “M. Bovary” stands out for its raw truth and emotion, portrayed by the simple background melody and the blatant lyrics. There are plenty of other gems including “A Book You’ll Never Read” that brings history, delicate vocals and jolting melodies together in one successful package. The band will be playing their last NYC show until the fall at Union Hall on March 30th. – Christine Cauthen (Photo by shhanalog)

La Sera is the solo project of Vivian Girls’ Katy Goodman. The material in her sophomore record "Sees The Light" almost completely abandons the previous lo-fi psychedelic aesthetics, but still finds inspiration in the pop sound of the 50s and 60s, which permeated the artist’s output both in her band and previous solo effort. The record seems to thrive on slower tempo tracks like the opener "Love That’s Gone", and when the distorted guitars appear – like in "Please Be My Third Eye" and the Smitheque "Break My Heart" (streaming below) – they feature a sound that’s more Ween than The Jesus & Mary Chain. La Sera just premiered this double video for "Real Boy" and "Drive on," definitely two of the best tracks on the record. California based fans will be able to see Katy live at Mammoth Lakes, with Neon Indian.

NYC based three piece New Myths weave electronic dance elements with fuzzy psychedelic guitars, cinematic drumbeats, melodic strings, and haunting melody lines. This all female electro-dream-pop outfit is the project of drummer Rosie Glassman, bassist Marina Ross, and singer/guitarist Britney Boras (of Brit and the Cavalry fame). They went to grade school and jazz school together, and then found each other again, years later, in the NYC music scene. New Myths have released their debut self-titled EP on March 11. – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here). The Deli’s NYC Open Blog is powered by The Music Building.

Backwords is like the beginning of spring, a cool breeze blowing as blossoms that had been lying dormant finally begin to poke their heads above ground. Smooth and airy, with a small amount of grit, this band manages to be both catchy and buzzy without being overwhelmingly poppy or shoegazy (a difficult line to walk). Think The Microphones with a splash of Best Coast. And, like the beginning of spring, backwords is back. Fresh off sxsw, the band delivers their new CD "By the Neck" at an album release party at Glasslands on Monday, March 26^th. If you miss that, there are both Manhattan and Brooklyn shows in the future, so it looks like they’ll be sticking around for a while. Hopefully the same can be said for spring. – allison levin