NYC

The Blakes release video for “NARWHAL”

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The Blakes released album "Art of Losses" this summer, which blends dreamy pop, electro-tinged rock, moody post-punk and lo-fi guitars mixed with big harmonies. They are now unveiling the video for “Narwhal, the first clip from their recent album, Art of Losses, check it out here – video-less song streaming below.

NYC

Brooklyn Living Days announce new album for early 2013

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There aren’t many front ladies (or gentlemen, for that matter) as convincing and seducing on stage as Stephonik Youth, who sings and looks a little like a reinvention of those intriguingly dark pop stars of the 80s – from Robert Smith to Siouxie. The Deli featured and booked her electro-rock band Living Days several times a couple of years ago, and we are excited to hear they will be back with a new record in early 2013. As an appetizer to the full release, the band just unveiled a video on IFC of their cover of Pete Townshend’s "Let My Love Open the Door" (the song is also streaming below). The sound seems more electro than the previous material, check out other tracks here.

This song was added to our SoundCloud playlist of emerging NYC artists here.

NYC

Intense Folk from NYC: St Claire play Pianos on 12.11 (tonight)

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St. Claire is a band that deserves the folk label. Hailing from across the globe, the members of this quartet have chosen to build their home atop the muddy waters of rustic guitars and banjos, and solid foundations of wide open spaces of love-weary lyrics. Indeed, while other ‘folk’ performers don traditional instruments but keep the melodies as radio-friendly pop fodder, (Mumford and Sons anyone?) St. Claire isn’t afraid to tell a story of heartbroken pain, rooted in tradition, but sounding like the first time it’s been told. Like the beautifully haunting ‘He is a Ghost,’ where a repeated ode to love becomes an anthemic act of desperation. But you’ll have to listen to these pleas yourself to really appreciate the fact that the band’s now settled into Brooklyn. See them when they play Piano’s on Tuesday, December 11th (tonight) or at Rock Shop on January 6. – Mike Levine (@Goldnuggets)

The song "He is a Ghost" was added to our Soundcloud playlist of folk NYC based artists here.

NYC

Electro-Dream-Pop from NYC: Color War

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Dream pop met 80’s electronic revival and became the Brooklyn based duo Color War. Lindsay Mound’s sweetly spacy vocals keep the mood dreamy, and Billy J’s inimalist beats and electronic arpeggiators give the sound a "technical" edge while moving the music forward. This is a softer side of electro pop that favors simplicity and clarity of sound over layered synthesizers and full-bodied noise. Color War has a few songs available online in "The Prismatic Collection," including a cover of Lee Hazelwood’s “Some Velvet Morning,” and are currently busy writing the soundtrack for the film "Night and a Switchblade" by director Ben Finer. – Lucy Sherman

NYC

NYC Punks: The Amputees

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The Amputees‘ debut e.p. "Commence The Slaughter" has been out since Sept. 1st a blend of hardcore, pop punk, indie and Garage Rock. With a sound centered around a swirl of rage, Manson and guitar layers, the six member band have been playing round New York since June of 2011. You can stream the 4 song e.p on The Amputees Bandcamp page, and check out their Occupy Wall Street-inspired video here. – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here). The Deli’s NYC Open Blog is powered by The Music Building.

NYC

Album review: Mat Shoare – Domestic Partnership

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Golden Sound Records is on a string of great releases. They kicked off mid-summer with Party Line from The Empty Spaces, later put out Ross Brown’s sophomore release, the new Everyday/Everynight singles, and now Mat Shoare’s fourth album. Within the past year, Shoare has somehow found the time and inspiration to write Domestic Partnership. As frontman of The Empty Spaces and a visceral component of Everyday/Everynight, one wonders where Shoare found the creative muses to write this breathtaking album.
 
Taking a more somber tone than The Empty Spaces’ upbeat surf-rock, and a more earthly sound than the ambient Everyday/Everynight, Domestic Partnership is an album that is easy to grasp. The album is full of sad, sorry tales, and real-life happenings that everyone, at some point, will have or has experienced.
 
The recording quality seems low-end, but works insanely well with this album. The album sounds as if Shoare recorded it while sitting right next to you. Domestic Partnership’s liner notes state: “…recorded by Mat Shoare in multiple bedrooms, basements, and offices…” And that aspect is definitely felt throughout the album. As mentioned, it sounds as if Shoare could have been playing the song while in the same room as you. This hosts a brilliant emotional linkage to his songs; not unlike seeing him perform live. For these kinds of songs, you don’t want over-produced and completely flawless music—it’s straight and it’s real.
 
Shoare’s vocals embody a haunting undertone while remaining pleasantly familiar. It sounds like a voice you know, one that you are inclined to listen to. His vocal range is quite impressive as well. Varying from a low and daunting timbre, like in the opening track “Patterns in the Sand,” to a high-pitched screech (a characteristic of The Empty Spaces) found in the title track. Backing himself up with a plethora of “ooohs” adds depth to songs like “Patterns in the Sand,” among others.
 
This album is a no-holds-barred attack on the reality of life. Shoare’s lyrics come at you like a slap to the face or a kick in the shin. Shoare definitely does not sugar coat a single line for the listener. “We never get older, we only get sadder, we never get bolder, we only get madder” is a shining example from “Meadowlark.” His words hurt and are full of some sort of pain, but paralleling this pain is an organic sense of sympathy, from Shoare to you. Domestic Partnership sounds like two people sitting, talking, and listening to each other: a therapy session.
 
Shoare celebrated the release of Domestic Partnership at recordBar this past weekend. The official release of the album will be tomorrow, Tuesday, December 11. You can order the CD and preview a track at the Golden Sound Records’ link here.
 
 
–Steven Ervay
 
Steven is the intern of Midwest Music Foundation and The Deli – Kansas City. He can’t go to 21+ shows yet and that bums him out.  

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Deli video premiere: Elika’s “No One Gets Lost”

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Elika has a certain knack for re-making tragedy into beauty. Taking from personal tragedy and turning her experiences into a reason to persist, their latest video for ‘No One Gets Lost’ juxtaposes a halcyon youth against the cold realities of dangerous machinery like power drills and buzzsaws. Make of it what you will… but it certainly sounds like something malicious is happening here behind the scenes. Like a lot of their music, Elika presses on with a definite sense of optimism that shines through their stacks of shimmering keyboards and melliflous soprano. Taken from her new record ‘Always the Light,’ Elika is a powerful voice puncturing through pain and adversity with each new record. – Mike Levine (@Goldnuggets)

"No One Gets Lost" was added to our SoundCloud playlist of emerging NYC artists here.

NYC

From the album submissions: Corrupt Autopilot

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Take a listen to Corrupt Autopilot and you’ll wonder why the band hasn’t been invited over to your house yet. Or maybe they have… perhaps yours is the ‘Quiet House’ they’re referring to in the album opener (streaming below) of trash rock anthems ‘Oh No!’

In a clear ode to grungey 90s bands like Mudhoney and old, old Weezer (the Blue record of course), the trio have recreated the decade in all its garage rock majesty. Through eight tracks of messy awesomeness, the NY group transcends the past two decades and even finds time to discuss Panda blood along the way (nice!). I’d say… if you can’t invite them over to your place, the least you can do is power this record through your speakers, and maybe break out the flannel again while you’re at it.- Mike Levine (@Goldnuggets)

This band submitted their music for review here

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Album review: The Slowdown – A

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(Photo by Todd Zimmer)

As a reviewer who had not been aware of The Slowdown, its debut album did not disappoint. The sixteen-track, hour-long album A solidly sold the band.
 
Tearing in with the first track, “Acting Strange Of Late,” the band holds nothing back as to what the rest of the album will sound like. A promiscuous mess of guitars, synths, drums, and words rises up to bear a fantastic modern rock-inspired, heavy indie sound. With the combination of distorted riffs, clean and plucky bass, and smooth percussion overtones, this six-piece band definitely knows how to write a song.  
           
The album, collectively, is full of highs and lows of all kinds: the tempo, the lyrics, the emotions—all of it. Songs like “A Mirror, A Touch” appear soft and mellow at first, and quickly build up into a prog-rock epic. This specific song is a thriving example of how the band can lead you on a rollercoaster ride. Despite these ups and downs, The Slowdown will still stick in your head. Catchy hooks from “Runaway” and “Wardance” will repeat themselves endlessly in your head.
 
It’s refreshing to know that a band with six members can coherently compose songs that display the talents of each member. There isn’t a time in A that I felt as though talents were being lost. Every guy in the band appears in tune with his part of the song and showcases it brilliantly. The music is intricate and mastered beautifully. The vocals seem low at times, but the sound of guitars carries the song forward.
 
Some of the best songs on this album come from the formidably experimental tracks. My personal favorite, closing track “Whispering Lights,” combines an acoustic diddy with a bluesy electric lead, and pseudo-hip-hop drumming to create an absolutely wonderful song. Soft lyrics with corresponding harmonies complete the track. In other cases, such as “Unable To” and “Tears From the Compound,” the tracks keep the slow tempo with the experimental sound.
 
Out of everything this album is, dull is not one of them. There is guaranteed to be at least one song from A that will resonate with any rock fan. Some songs are clearly rock, some indie, some indefinitely experimental—it’s simply a great album. Not every song will stick with every listener, but surely several tracks will be taken away. 
 
The Slowdown celebrated the release of A at The Riot Room this past Friday evening. The official release of the album is Tuesday, December 11. See more photos below from Todd Zimmer, from the band’s recent show at recordBar on November 24.
 
 
 
 
 
 
 
–Steven Ervay
 
Steven is the intern of Midwest Music Foundation and The Deli – Kansas City. He can’t go to 21+ shows yet and that bums him out.  

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Weekly Feature: Anya Skidan plays Pinebox RockShop on 12.15

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Anya Skidan is a young Brooklynite unafraid to throw herself decidedly at life’s shadows, attempting to illuminate some psychedelic light over her settings. We enjoyed her performance at our flagship CMJ show at Pianos, and recommend you go see her live since you’ll have three opportunity in December: she’s playing Pinebox Rockshop on 12.15, Pete’s Candy Store on 10.18 and Goodbye Blue Monday on 12.29. Read Mike Levine’s interview here.

NYC

Weekly Feature: Cuddle Magic

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Cuddle Magic may have a weird name, but it somehow makes sense. Their music inspires hugs (sophisticated ones though) and is achieved through instrumental wizardry involving a large list of unusual instruments. They played our CMJ show last October at The Living Room and charmed us inside out. That’s why we interviewed them here