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Editor’s Pick: Top 10 Albums/Songs of 2012

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2012 has been a fantastic year for local music. With a couple hundred albums released in several genres, The KC/Lawrence music scene continues to make an impression both locally and regionally. 2012 brought national attention to Kansas City music in USA Today, who featured prominent local bands at MidCoast Takeover, the annual SXSW showcase spearheaded by Midwest Music FoundationThe Deli Magazine recognized this showcase and allowed us to launch a Kansas City branch of the publication, among the ranks of larger musical cities like NYC, Nashville, and Los Angeles. 

The following lists are top 10 albums and songs of the year as ranked by editor Michelle Bacon. 
 
Albums
1.         Thee Water MoccaSins – From the Rivers of Missouri and the Banks of Fear

2.         The Grisly Hand – Western Ave (EP)
 
 
3.         Hidden Pictures – Rainbow Records
 
 
4.         Antennas Up – The Awkward Phase
 
5.         Schwervon! – Courage
 
 
6.         Molly Picture Club – Molly Picture Club
 
 
7.         The Caves – Duplexiaville
 
 
8.         The Empty Spaces – Party Line (EP) 
 
9.         The Latenight Callers – Easy Virtues (EP)
 
 
10.       Ghosty – Ghosty
 
 
 
Songs
1.         “Ride” – Tiny Horse
 
2.         “Diablo Diablo” – Thee Water MoccaSins
 
3.         “The Mad Season” – The Latenight Callers
 
4.         “Coming On” – Antennas Up
 
5.         “Fanclub” – Molly Picture Club
 
6.         “Give It Away Or Lose It” – The Caves
 
7.         “Holidays Are Nice and Warm” – The Empty Spaces
 
8.         “Cyclone” – Schwervon!
 
9.         “Blue Light” – The Quivers
 
  
Finally, I want to take this opportunity to thank everyone who has helped out the local music community this year, be it through creating music, watching shows, buying albums, engineering, running sound, booking shows, managing or promoting bands, running venues, etc. And special thank you to Midwest Music Foundation for making The Deli KC possible, as well as everyone who has contributed their time and talents to this e-publication. This would be impossible to do without all of you. Here’s to a prosperous and musical 2013!

–Michelle Bacon

Michelle is editor of The Deli Magazine – Kansas City and plays drums in Deco AutoDrew Black & Dirty Electric, and drums/bass in Dolls on Fire. Her favorite breakfast food is biscuits and gravy.

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Deli Best of Chicago 2012 – Open Submission Results!

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The results are in from the Open Submissions stage for our Chicago Year End Poll for Emerging Artists. All of the submissions were ranked by Deli Editors from other scenes and the list of acts that have advanced to our Readers’/Fans’ Poll phase are below.

A quick reminder that these list are not final nor complete – most of the bands accessing the final stage of the poll are currently being chosen by our local "scene expert" jurors – we’ll publish the complete list of nominees very soon.

We would like to thank all of the talented artists who submitted. It was our largest Open Submissions pool yet, and certainly a testament to how many rad acts we have in Chicago.
 
Qualified to the final phase of the Best of Chicago Poll
 
1. Panda Riot Electro-Pop 8.16
2. The Vliets Psych-Rock 8
3. The Congregation Alt-Soul 7.66
4. Shuteye Electro-Pop 8.5 7 7.5 7.66
5. Glittermouse Indie Rock 8 8.5 6 7.5
6. Xoe Wise Songwriters  7.33
7. Cassettes on Tape Post Punk  7.33
8. Jennifer Hall Songwriters 7.33
9. Many Places Alt Folk 7.33
10. Marko Casso Mellowcore 7.33
11. Milano Indie Pop  7.33
12. Audiences Alt. Rock  7.33

Honorable Mentions (score above 7)
 

Static In Verona (Indie Rock), The Sweeps (Post-Punk), Hemmingbirds (Indie Rock), The Buddies (Americana), The Shams Band (Alt-Folk), oshwa (Avant Indie), The Hudson Branch (Mellow Core), Twin Peaks (Garage), When Clouds Attack (Electro Pop). 
 
Jurors: Dawn Reed (Deli DC), Brianne Turner (Deli Nashville), Paolo De Gregorio (Deli NYC).
 
The Deli’s Staff
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Staples of the NYC scene: Martha Wainwright

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When you talk about Martha Wainwright, there’s a host of expectations that precede her. From her heralded lineage including Loudon Wainwright III (dad) and Rufus (her bro), to her controversial first single ‘Bloody Mother Fu*king As*hole,’ Martha seemed destined to conquer modern folk right out of the gate. And so far, she’s set out to move beyond her roots toward a more assertive approach that’s earned her praise from all angles. From playing with legend Emmylou Harris to recognition in worldwide tours, covering ground as far away as Japan. Her latest record ‘Come Home to Mama,’ brings her music back to her family, discussing what it means to become a new mother amidst the pain of dealing with the loss of her own mom. A grivous but refreshing glimpse into the artist’s vulnerabilities, set in her careful acoustic arrangements and raw alto. Martha’s over in England and Ireland for a little while next year, but take a listen to new song ‘Everything Wrong‘ from a recent performance below to get excited for when she comes back home.

NYC

Panda Riot tops Best of Chicago Open Submissions

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A four-piece dream-pop band fronted by the talented Rebecca Scott, Panda Riot first formed in Philly, but has been a staple of the local Chigcago clubs for several years now. 2012 saw the band release a 7" singled called "Serious Radical Girls" while they worked hard to complete their forthcoming full-length album Northern Automatic Music which is due out in February 2013. The band scored an impressive rating average of 8.16 out of 10.

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Chicago Open Submissions results: The Vliets are 2nd best

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Formed in Austin, TX a few years back The Vliets became part of the Chicago scene in the summer of 2012, when founding member Daniel Gonzalez moved to our fine city. This year also saw the band release their latest EP "God’s Drug." Despite the distance between Gonzalez and his songwriting partner Ty Bohrnstedt, The Vliets managed to release two outstanding and physedelic videos this fall, and continue to work on upcoming releases. The band is also planning a cross country tour in 2013. Our jurors assigned them a rating average of 8 out of 10.

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Chicago Open Submissions results: Tied on 3rd are The Congregation and Shuteye

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With a modern and vibrant take on soul music and the powerful vocals of Gina Bloom, The Congregation released a new instant classic in 2012 in the form of their full-length debut "Right Now Everything." The eight-piece band sports its own horn section in addition to keyboards, piano, guitar, drums (lots of drums). This is original gospel soul mix in an indie rock form, i.e. what critics love about Alabama Shakes, but so much more authentic. 

Shuteye is a fine example of what has been bubbling in Chicago clubs for the last few years. This duo’s take on electro-pop is the product of singer/songwriter Elysia Hang-fu and DJ/Producer Alena Ratner. The pair met in 2010 and have been creating and playing music together ever since. Each had their own successful career prior to joining forces and since joining forces have released an EP and several mixtapes. 2012 has been an important year for the duo, thanks to the release of their full-length debut "Hush Hush." 

Both bands scored a rating average of 7.66

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Chicago Open Submissions results: Glittermouse lands on 5th place

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Glittermouse is one of those bands with that added element required for taking things to the next level, i.e.: the determined will to make it happen! The band had a fairly quiet 2012 having released their latest EP back in December 2011, but have big plans for 2013. The band is currently working on a full length album and will be launching a kickstarter page to raise funds for the project shortly.  Their rating average was 7.5 out of 10.

NYC

Album review: Six Percent – The Years (EP)

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(Photo by Todd Zimmer)

In case it slipped under your oh-so-rad hipster radar, Six Percent’s story is worth mentioning. For starters, they’ve been making music since I was taking sex education in the 8th grade. They had embraced the ways of the ‘90s, rap-rocking in venues with the likes of The Urge, 2 Skinnee J’s and Kottonmouth Kings. Following a couple released, and changing lineups, as many times as Taylor Swift changes boyfriends, Six Percent officially disbanded in 2001.

 
The band regrouped in 2010 for a one-night-only show. Nearly 600 people welcomed them back. For obvious reasons, this caught the attention of several promoters in the 816. They landed a spot opening for the Smashing Pumpkins at 96.5’s Buzz Beach Ball show. With the swell of attention and support, the band opted to stay active and record.
 
The Years EP is the result of that twisty and impressive road.
 
Opening with “Broadway Riot,” the band combines middle-finger guitar rock with pop-punk ska sounds. Kicking open the door with an impressive drum and feedback intro before slamming into the introductory lyrics, the band shows no sign of flinching passively or modestly returning to the Kansas City music scene. The collective slings references to the 816 like protesters throw rocks in riots. Discussions surround both Broadway and a midtown breakdown throughout the mix. With hints of pre-gothic My Chemical Romance, The Used, and Billy Talent, riffs fly and angst swells throughout the cut. Three minutes and fifty-two seconds into the release and the band has set the record straight that this isn’t a shallow reunion tour. Six Percent still has plenty to say.
 
“Old Routines” and “Dying World” shift into a more polished and radio-friendly Blink-182 (post-Box Car Racer) sound. The first of the two tracks features a fantastic horns-vs-guitars breakdown, incomparable to anything I have experienced before in music. Butting heads yet meshing together, the song takes a sort of sweet-and-sour approach to its sound. “Dying World” follows suit, fading out with a haunting outro and catching structure that reminds me of the releases of Drive-Thru and Vagrant Records during their prime. However the song also boasts the EP’s only (noticeable) error with a drum breakdown at the 1 minute and 20 second mark. The band cannot, however, singularly shoulder the blame for the stumble. The error should have been caught in both production and mixing. Sadly, it slipped under the radar and into reality.
 
Regardless, it is little more than a crack on a canvas of a local masterpiece.
 
Closing with two faster-paced numbers, “Not Today” and “Live Out Loud,” the band shows their chops with impressive guitar work and addicting hook creations. The album’s last track leaves the listener exposed to the band’s ability to apply elements of arena rock to its resume. Its often driven and energetic sound seems to swell around this worthwhile release, but don’t for a second question this album’s ability to kick in your teeth.
 
Therefore, my advice to anyone willing to give The Years EP a good, solid spin is to remember that quality taste in music is secondary to a quality dental plan. You’re going to need it, because this band isn’t fucking around. 
 

–Joshua Hammond

After stints drumming for both The Afternoons and Jenny Carr and the Waiting List in the Lawrence/Kansas City music scene, Joshua Hammond found his footing as a music journalist, launching the national publication Popwreckoning. After running the show as Editor in Chief for 6 years, Hammond stepped away from the reigns to freelance for other publications like Under The Gun Review and High Voltage Magazine. This shift allowed the adequate amount of time for him to write passionately, allow the Kansas City Royals to break his heart on a daily basis and spoon his cats just enough that they don’t shred his vinyl. 

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Man Made Sun lands residency at Pianos + announces EP

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Man Made Sun (headed by former Emok guitarist and long time Brooklyn resident Ofer Tiberin) take us back to the good old days when rock was as explosive as nitro – i.e. the late 90s. Sounding like a more psychedelic and less hip hop version of Rage Against the Machine, Man Made Sun’s upcoming EP "More a Devil than a God" (which can be streamed heredefinitely doesn’t sound like a NYC record, which is probably a good thing. The genre’s implicit epic and mathy tendencies are kept in check through the right balance of energy, attitude and instrumental dexterity, while the quality of the material and production make this record sound like bedroom records will never sound – kind of refreshing at this stage of the home recording revolution. Check out the video for "Waiting for the Sun" below You can see them at Pianos on January 15th, 21st and 28th.

 

band : MAN MADE SUN song : WAITING FOR THE SUN director : ANTOINE PRAT from Antoine Prat on Vimeo.

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Adam Green & Binki Shapiro announce debut album

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As the adage goes, “opposites attract.” Such is the case of Adam Green (formerly of the Moldy Peaches) and Binki Shapiro (formerly of Little Joy). The duo has brought their divergent styles together to create an ultra cool and harmonious EP, called "Fall," dense with 60’s nostalgia. They manage to cover “Collage” by the James Gang with originality but keep the groovy vibe. Their single, “Here I am” (streaming below) is laced with dream-like qualities that I thought was only possible by late heartbroken crooner, Nick Drake. Their style of call and answer singing heightens each half’s perspective on the most recent breakups that they have gone through. Perhaps this EP is indicative of the change that they both need and want; two friends able to work through the heartbreak and create something magical. – Julia Kwamya

NYC

Deli-cious reading for the Holidays!

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For the upcoming holidays we thought you might enjoy some of our best articles from the past!

Hope you enjoy – and Happy Holidays!

ABOUT THE NYC SCENE
– The Lower East Side is Over (2007) – by Andrew Spaulding 
The Brooklyn DIY Scene (2009) – by Paolo De Gregorio
The State of the NYC scene in 2012 by Mike Levine and Paolo De Gregorio

GENRE RELATED PIECES
Surf Music influences on the NYC Sound (2012) – by Mike Levine
Afrobeat Influences on the NYC Sound (2012) – by Mike Levine
Soul Music Influences on the NYC Sound (2012) – by Brian Chidster

SOME "VINTAGE" BAND FEATURES
– Grizzly Bear – interview from first issue (2004) – by Stephanie R. Myers
Matt and Kim (before they became huge, 2006) – by David Schneider 
TV on the Radio (before they became huge, 2005) – by Liz Schroeter

ARTICLES ABOUT RECORDING AND GEAR
A History of Audio Plug Ins – by Paolo De Gregorio
Recording: Home vs. Studio – by Bruce Kaphan
Recording Drums: Tips & Tricks – by Paolo De Gregorio

 

The Deli’s Staff

NYC

Hawk and Dove announces spring release + offers free single

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Brooklyn natives Hawk and Dove are giving fans a download of their latest release, “Things We Lost So Far,” off the debut full-length album “This Yesterday Will Never End,” to be released in the spring of 2013. The single, slightly more upbeat than the band’s other material, bops along with poppy background vocals accompanying a raspy lead vocal. Hawk and Dove channel a 60’s pop band and a modern alternative outfit in one tune, for fans of storytelling lyrics and expressive instrumentation. The band will be playing at Arlene’s Grocery at 8 p.m. on January 30th alongside The Pine Hollows and Ludlow Thieves. – Christine Cauthen