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Album review: Drek – Drek Happens

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If you haven’t yet had the chance to listen or watch Kansas City’s own Drek, its release of Drek Happens may be the perfect time. With in-your-face instrumentals and mean vocals, this is a band that not only makes your head bob while listening, but makes your whole body move when you see them live. Drek’s latest album dropped March 30and is heavy, dirty, and will make you rethink the whole rap-rock genre.
 
The first four tracks on the album showcase the band’s heavy side of as it delivers killer guitar riffs and hard-hitting bass. “Deep Breath” lets you more into the lyrical side of Drek and reminds of the power music has on influencing mood. Drek doesn’t allow you stay in the mellow mood too long, both live and recorded. From the ballad-y feel of the previous track, “So I’ve Been Told” moves to heavy drum and guitar sounds. This track sets the mood for the rest of the album, but when you finally hit “Yup, Yup, Yup Uh Huh,” you won’t be able to keep yourself from grooving. This track goes back to early 2000s rap-rock music with a real funk-based groove to it, which is probably why it was the album’s debut single.
 
“Dirtier” delivers more of a hard southern rock feel, with a “Yee Haw” included and a funky guitar part during the verses that will get you into it. Drek wraps up the album with “The Price,” a testament to all of those who threaten you but never to the face, and I think we’ve all had those. Drek offers a nice surprise for the fans by offering a bonus track. This cover of Cypress Hill’s “Hits from the Bong” is pretty legit and gives just enough balance to the original against Drek’s hard-hitting instrumentals. Overall, you can really feel the energy of the band coming through the speakers. If you get the chance to see it live, you will see just why Drek has one of the biggest and most loyal fan bases in Kansas City.
 

This Saturday, May 11, Drek will appear at The Roxy in Overland Park with Mad Libby, Unwritten Rulz and Cronus for a fundraiser for a girl named Izzy, who is battling leukemia. Facebook event page.

–Cassiopia "KC Cassi" DeMars 

KC Cassi believes that with true local music support, you can do great things. I grew up somewhere that way and have been in Kansas City since 2005. Music can change the world and support can help spread the jams.

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Cardboard debuts video for ‘Card’

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We first blogged about Brooklyn psych rockers Cardboard a few weeks ago, here’s their latest video for the single "Card", which will surely arouse the interest of those who are in love with the LSD infused scene launched by London’s UFO Club in the late 60s.

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NYC electro-pop newcomers Lovelife play Irving Plaza on 05.09

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“Dying to Start Again” (streaming below) is the latest single by Brooklyn newcomers Lovelife and it’s all about second chances. As those types of songs go, it’s lyrically a tad mopey. You want her back… you wish you could start again. We get it. The reason why this song actually works so well is because it’s musically quite evocative. From the pong-like synth loops to the slow-creeping beat to the heavenly falsetto vocals, you get the sense that, despite the singer’s sadness, the whole experience was worth every effort. That’s wisdom, yo.- See the band at Irving Plaza on 05.09 with Gold Fields and Capital Cities. – Brian Chidester

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Kayleigh Goldsworthy announces release of ‘Burrower’

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If you remember The Scarlett Ending at all, they were a highly enthusiastic sextet from Syracuse. Around for more than a decade, founding member Kayleigh Goldsworthy has now taken her tell-all personality to her own particular brand of folk/country crooning. Now based in Brooklyn, she’s been working on her solo record the past three years, so it’ll be exciting to see what happens next (she’s already released a couple tracks off ‘Burrower,’ but still mixing the rest). The first single from the upcoming release ‘Where the Summer Goes’ puts everything out there, revealing much of Kayleigh’s troubles over a gentle country acoustic steel string strum. Check it out below and stay tuned for more. – Mike Levine (@Goldnuggets)

This artist submitted her music for review digitally to The Deli here. We added this song to The Deli’s playlist of Best rootsy songs by emerging NYC artists – check it out!

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Open for Business: Mills Record Company in Westport

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We here at The Deli KC would like to welcome a new member to the Kansas City music community: Mills Record Company, who celebrates its soft opening today! I spoke with Chris DeLine (formerly head of the music blog Culture Bully in Minneapolis) a bit about the shop and what you can expect to find there.
 
The Deli: Most important question: When does MRC open?
 
Chris DeLine: We’re open right now. Soft opening (not to be confused with a flaccid opening, which is something far less comfortable) notwithstanding, we have something planned a few weeks from now once we get our sea legs and are a little more settled with the whole "I give you records, you give me money" thing. We’re thinking an in-store, and I wanted to call it a "Holy Shit, I Can’t Believe We’re Still in Business" party, but that title seems a little long for posters. Plus, anyways, we have to make it that far first… horse before the cart, here.
 
The Deli: Some might say that record stores are dying out. Sadly, there are really only a select few left in the area (Vinyl Renaissance, Zebedee’s, Love Garden, Kief’s Music). Why did you all decide to open one?
 
DeLine: Some might also say that record stores are experiencing “a quiet ‘revolution’.” At least that’s what Fox 4 News’s John Holt said when he ran a profile on Zebedee’s this week. The Village Voice just published off a post-Record Store Day round-up of national headlines declaring record stores on the up and up (my favorite is "Vinyl Gets Its Groove Back").
 
Maybe one more link, for the hell of it… this from Billboard: "A total of 244,000 vinyl LPs were sold in the week ending April 21, according to Nielsen SoundScan—the largest one-week sum for vinyl albums since SoundScan started tracking sales in 1991." Still a niche market? Absolutely. But to call it a “dying” market seems dramatic and uninformed.
 
The Deli: How long has this been in the making?
 
DeLine: Somewhere between a few days and a few decades. You’d have to ask Judy Mills, the lady with her name on the sign (once we get the sign). After the company she was working for died on the vine, she really wanted to do her own thing for work rather than dive back into some corporate schlock. We’ve been friends for a couple years now, and when we were talking about the idea I agreed: shlock don’t rock. I can’t speak for Judy, but I can speak about what I know, and what I know is that she is a fan of music. We’re all fans of music… right, pretty generic statement. But she’s the sort of fan who is opening a goddamn record store in a time when some are saying that “record stores are dying out.” Pretty ballsy, if you ask me.

The Deli: Who else is involved with MRC? What’s your background with music?
 
DeLine: I’m just a dude who needed a job, and happened to have a friend who needed someone to run the cash register. Beyond that though, for the better part of a decade I ran a little music blog. For a few years there it was even a full-time thing for me—paid the bills and everything. That’s how I met Judy, actually. No doubt this will piss somebody off to no end—or at least someone local who is thinking "damn, I should be the one working at a record store"—but I just moved to Kansas City. So not only have I never worked in a record store before, but my ties to local music are limited to the crash course I’ve been giving myself the past couple months. Think I’m doing okay in terms of sorting out the who’s who, and what’s what though… 45s are the little ones, right?

The Deli: You plan on carrying local music in the shop. What other sort of connection do you hope to have to local artists?
 
DeLine: This is the fun part: My whole aim is to bring some local flavor into the equation (Emphasis on flavor). "But you just said you’re not from Kansas City, ya jackass," you might be saying. And you are right, I’m not. But that doesn’t mean I don’t have any interest in doing what I can to support the community that I now call home. In March I started the MRC Blog, which really only focuses on what’s going on around town. Every morning I’m posting a listing of the night’s local live shows in KC and Lawrence, in addition to a rundown of new local music, media coverage, and concert announcements. It’s not much—I’ll give you that—but it’s a start. We’re also slowly opening the blog up so more people can contribute, covering local shows, and new music on a daily basis. Baby steps…
 
Tying that in, we have space in the shop for in-stores and are starting to plan how we want to attack that to help give local musicians a place to do their thing if they want (And part of the shop is actually a boutique—I call it "Etsy stuff"—focusing on local artists of another type.) The crew at Demencha magazine subscribes to the motto: "Locals Before Legends." I don’t know that I agree with that completely (sorry Spirit is the Spirit, but Wu-Tang comes before you), but damned if we’re not going out of our way to help give love to the home team.
 
One more example: We’re only stocking vinyl… Except for local artists. It’s not exactly in the budget for most local creative types to get a rad vinyl pressing done of their latest and greatest. And we get that. We were on the fence about it, but as we get going we’re going to start taking on new CDs from local musicians. First CDs in the store are going to be from Troglodyte, as a matter of fact. If that doesn’t say something about how dedicated we are to repping local, nothing will.

The Deli: Do you have any favorite local albums? And anything (local or not) you’re particularly looking forward to carrying in the store?
 
DeLine: BloodbirdsPsychic Surgery (see The Deli KC’s review here) and Gee WattsWatts Up mixtape are two that have stood out recently. By the time this hits the web we’ll have Psychic Surgery on vinyl (priced to move!), and if Watts Up makes it to CD, it has a home in the shop as well.
 
Far as (inter)national releases go… I’ve been trying to nail down a confirmation on getting this new Quasimoto album that’s coming out. Forgetting the memorable nature of the music and why the release is important to hiphop heads, the bonkers packaging alone still makes it completely worth the money.
 
Seriously: it’s bonkers.
 
Check out the new store, located at 314 Westport Road. The hours are 11 a.m. to 8 p.m. Also, check out the MRC Blog as another great resource to find out what’s going on in the world of Kansas City music. There’s even an interview with yours truly, if you care to read it.

–Michelle Bacon

Michelle is editor of The Deli Magazine – Kansas City, and also plays in Drew Black & Dirty Electric and Dolls on Fire. She needs to eat more veggies. Also, her Record Store Day exclusive find was Nick Drake’s 180-gram vinyl pressing. It kind of rules.

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NYC Record of the Month: Belle Mare – ‘The Boat Of The Fragile Mind EP’

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Ambient and slightly androgynous, the duo Belle Mare released their dreamy debut EP “The Boat of the Fragile Mind” earlier this spring. The EP resonates with somber tones and almost whale-like howls, unraveling soft acoustic guitar, simple piano melodies, and occasional subtle drones. The title track features the quivering vocals of Amelia Bushell, one half of the Belle Mare duo with guitarist Thomas Servidone, painting a dreamscape portrait of longing. Charade (streaming below) gently develops an unexpected blue melody that can lull you into the deepest of sleeps – I’ve heard of people dreaming of sleeping, in NYC. The duo met at an open mic night in Brooklyn and recorded the album in Servidone’s apartment, but notwithstanding the DIY approach, the record is full of character and the sound mature. With their mix of rich surrealism and an almost gothic aura, these song sounds as if played through an antique phonograph inside a parlor room… located in the deepest of our subconscious. While “The Boat” could easily draw comparisons to other dream-poppers Beach House, Belle Mare’s subtleties and extreme sparsness create a stronger emotional drive and more nostalgic appeal. – Devon AntonettiWe added this song to The Deli’s playlist of Best mellow songs by emerging NYC artists – check it out!

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Dan Deacon’s Latest Interactive Video

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Baltimore based electronic musician Dan Deacon has just released a new music video! The video for "Konono Ripoff Nº1" was released 4/29 and features members of the Baltimore art community with objects that are meaningful to them.

This video is awesome! It’s equal parts trippy, imaginative, and ingenious. Deacon’s energetic, fast paced song provides the perfect backing track to experience the images that are placed in front of you. (For the interactive experience download Dan Deacon’s app here.)

Dan Deacon will be at the 930 Club on June 12th with Animal Collective. –Karl Dobias

NYC

Vandaveer Releases Album, Goes on Tour!

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Vandaveer, DC’s favorite roots act hailing from Kentucky, is going on a tour across the golden plains and through the dark mountains of America in support of their new album Oh Willie Please…, “a collection of traditional murder ballads and songs of self ruin” dug up from the faded graves and abandoned mines of Americana. Ravens croak cheerfully and everything smells sweetly of wildflowers, rawhide, burnt timber and blood. Good stuff.

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Noisegazing trio BAMBARA at Shea Stadium on May 4th

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Emerging as the latest entry into New York’s ever growing Psych Rock scene comes the Brooklyn based trio BAMBARA. Recognition of their shared sonic kinship with legendary New York bands like A Place To Bury Strangers and Swans most likely served as motivation to leave Athens, Georgia for the grittier Bushwick lifestyle. The band will now release their much anticipated debut full length album “DREAMVIOLENCE” via Arrowhawk Records as well as their own Emerald Weapon imprint. As you may evince from their predilection for all caps, this is not a band interested in whispering. Current single “Nail Polish” throttles along at a frantic pace, with warped guitar textures conjuring twisted carnival merry-go-rounds of an unsettling dream. “All The Same” creeps up from misty swamps until an overloaded bassline and clattering drum pattern cuts through it all with caustic force. Catch them live at Shea Stadium on May 4th. – Dave Cromwell

We added this song to The Deli’s playlist of Best Psych Rock songs by emerging NYC artists – check it out!

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Small Multiples release debut + play Mercury on May 6

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The newly formed duo that is Small Multiples brings a pleasant Avant-Rock concoction (and not so pleasant out of focus press pictures) to NYC’s Indie scene. Formed at NY’s New School, Craig Hartley and Eli Friedmann combine their talent and experience to bring you a style of music that merges multiple genres to visually stimulate the mind while preserving the integrity of each, as the term “small multiples” suggests. The group is set to release their debut self-titled EP on May 21st and you can stream/download the song “Know My Name” from it below. See them live at The Mercury Lounge on May 06. – Michael Haskoor (@Tweetskoor)

NYC

Great American Roots Stomp – 2 nights of Americana at Union Hall

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The First Great American Roots Stomp – two nights of hootin’, hollerin’, jazzin’, swingin’, foot-stompin’, barn-burnin’ revelry with ten bands from Brooklyn and the Northeast bringing Americana roots back into the spotlight – is coming up on Friday 5/3, and Saturday 5/4 at Union Hall, Brooklyn, NY. The acts of night one include King Stork, Union Street Preservation Society, Whistling Wolves, Alex Mallett Band, and Charlotte Cornfield. On the first night, Alex Mallett Band and USPS stickout with high energy and erratically rhythmic tunes, while Charlotte Cornfield writes exquisitely crafted songs with lyrics full of playful imagery and rhyme schemes. The next night, 5/4, will have even more bands, like Portland, ME’s North of Nashville, Reed Hook Ramblers and more. Head to Park Slope this weekend, and get your folk music fix, all in one weekend. 7:30 doors, 8:00 Show on both nights. – Paul Jordan Talbot