NYC

Joy Kills Sorrow releases ‘Wide Awake’ EP + tours extensively

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Boston/Portland (ME)/Brooklyn based quintet Joy Kills Sorrow is that go to band every blogger speaks highly of, but they have yet to make the kind of splash they deserve. That may change with the pending release of new EP ‘Wide Awake,’ to be followed by a lengthy coast to coast tour. The five piece bluegrass/folk group has always found ways to extend themselves. Be it virtuoso string playing, huge lead vocals (Emma Beaton) or their penchant for re-configuring their classical backgrounds to carve out new worlds for pop jams (check out their fantastic cover of ‘Such Great Heights,’ streaming below), the band always comes across sounding new while staying firmly rooted in a classic American roots tradition. They’re setting off across the country this summer, but be sure to catch them live when they come around later this year.

NYC

Yankee Bang Bang wins The Deli’s Battle of the Vans + releases new EP on June 12

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Last week we fired off an email blast to all the NYC bands in our email database in search for a man/woman with a van who could help us distribute the Spring 2013 issue of The Deli. After a careful analysis of each band’s music and van, we decided to go for Brooklyn lo-fi poppers Yankee Bang Bang and their  2006 Dodge Grand Caravan! Not too old + perfect size to fit 8k copies of The Deli + chilled dudes (we imagine).

The band will be releasing a new EP on June 12 with a show at Grand Vicotry. In the meantime, enjoy this track from an older rlease.

NYC

Dirty Fences plays west coast gigs after Irving Plaza show with Turbonegro

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The next step in hot rod hard rock is here. Dirty Fences have combined the joys of smoke-filled biker bars into songs that last at most 2 and a half minutes. New EP ‘Too Kind to Kross’ is two jams designed especially for speed and abandon. This is the kind of sunset strip metal that celebrates the roots of hardcore, and the future of good old fashioned, dirty ass hard rock is here. Grab the new record here, and if you missed your show at Irvin Plaza last Saturday (opening for Turbonegro), check them out when they head back to NY for shows later this year. The band will play three gigs in the West coast in late May/early June. – Mike Levine (@Goldnugets)

We added this song to The Deli’s playlist of Best Alt Rock songs by emerging NYC artists – check it out!

NYC

NYC duo ASTR debut single and video for “Operate”

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Keeping secret identities, rising R&B electropop artists ASTR are testing the waters with slick, slightly sinister club bangers. The “NYC Duo” mixes processed vocals, 808s and heavy bass drops, producing dance tracks that sound like they came from a seasoned hit factory. Dark undertones ground their handful of high-gloss tracks, but they never dive into the creep-pop or drug-stupor of influences like Purity Ring and The Weeknd. The pair’s latest single is a radio-friendly earworm called “Operate.” The twitchy, washed-out companion video borrows from NIN’s, “Closer,” with blood, guts and silent film footage spliced between shots of the glam, unknown singer, whose “Operate, Oh-oh” has a tinge of Caribbean accent. The sleuth behind the buttons remains a mystery. – Bianca Seidman

NYC

Mree plays The Deli’s NYC B.E.A.F. on June 6 at Spike Hill

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Mree‘s delicate voice and intimate songs have a resonating power that caught the attention of none other than mister Bon Iver. The "king of mellowness" recently shared Mree’s music with his fans, creating quite a bit of buzz around this young artist. Quite impressively, this talented nineteen year old songstress and full-time NYU music student not only records and produces her own music, but also films and edits her videos (see them here). She plans to release her sophomore album, "Winterwell," on August 6. The album’s first single, “Into the Well” (streaming below) features a long ethereal intro reminiscent of Enya’s seas of sound, and then develops into a mid tempo electro-pop lullaby. It works. Once a cover-artist, recreating versions of tracks from Bon Iver and The Middle East, Mree seems to have found her own sound along the way. – Kristyn Potter

Mree won The Deli’s Artist of the Month Poll in May and will be performing at The Deli’s Best of NYC Fest for Emerging NYC Artists on Thursday June 6 at 9pm at Spike Hill in Williamsburg. We added this song to The Deli’s playlist of Best Mellow songs by emerging NYC artists – check it out!

NYC

Brooklyn Indie Pop for the Summer: Costgaard plays Pianos on 05.23

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It’s always refreshing to hear some clean, well-written Indie that isn’t pretentious and is catchy enough to keep you coming back for more. BK’s contemporary Indie surf-Rock quartet known as Coastgaard gives you just that. Their summer music sound arrived just in time and compares with Smith Westerns in a lot of ways. They seem to be a mix of their biggest influences, the Beach Boys and Neutral Milk Hotel. Coastgaard is set to play Pianos on 5.23 with Ski Lodge, LazyEyes and PacificUV – sweet lineup! Check them out via bandcamp below, video here. – Michael Haskoor (@Tweetskoor)

NYC

Ethnic EDM from NYC: Trabajo plays The Knit on 05.26

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In the basement of the lit lounge last Thursday, a Brooklyn duo with a Spanish name played samples and sounds from around the world. Leaning over a card table with a platter of synths and samplers, electronica wizardry was showcased.
Trabajo’s brand of ethnic EDM is like Massive Attack meets bhangra, with the edgy end of Aphex Twin. A constantly shifting, but never chaotic mix of ethnic instruments, wood flutes, crackling vinyl, cats (!) and more, cover hard beats and spaced-out synths.

Though Trabajo’s recorded material has squealing noise and other dissonance, the short live set was smooth enough for a lounge. TJ Richards and Yuchen Lin had an unspoken synergy, swapping button pushing and adjusting foot pedals by hand. The tamer sound fit well for a small venue, inviting casual bar-goers to follow the sitars down the stairs. Trabajo ended the set on a dime when one of Lin’s pedals didn’t cooperate, hopefully it will be fixed by their next gig at The Knitting Factory on May 26. – Bianca Seidman

NYC

Album review: Pale Hearts – Hollowtown

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A shift has taken place. Balance granted once again to the world. Emotionally thought-out sleaze has reared its head on the Kansas prairie. Pale Hearts are alive.

 
Like frontman Rob Gilaspie’s former band­—the sadly departed wonder that was The Spook Lights—Pale Hearts channel The Cramps in disturbing and distinctive ways on their debut Hollowtown. The band masterfully blends elements of surf, punk, rockabilly, Latin, new wave, and even grunge to make a sound that is fully formed, complete, and unique. Always a twisted, off-kilter force of nature, Gilaspie’s vocals are more Richard Hell than Lux Interior this time around. The tone and body of his lyrics has changed as well, and for the better.
 
While still certainly offbeat (he sings about fucking a hole in a phone book on the record’s title track. Ahhh, classic Rob) the last year has been one filled with tragic loss, financial setbacks, and the collapse of a long-term relationship has caused a shift. Now, Gilaspie seems to be a changed man, unafraid to stand out front and exorcise his pain through rockabilly-fueled yelps, screeches, and screams; to say what he is thinking without coating it in layer upon layer of camp. The honest excitement and joy that he conveys during his live performances translates perfectly to tape on Hollowtown, while the band makes fantastic, strangely serene surf-influenced rock ‘n roll to feed the schizophrenic fire of the album.
 
Where The Spook Lights, while great at times, could be limited in scope, Pale Hearts are a band more than capable of reining it in or filling the horizon with sound, and it shows on Hollowtown. Rob Kemp’s guitar on “Breakheart Mambo” sounds as though it came straight from a David Lynch film; sauntering around the room with Mike Young’s drumming filling the song with restrained power as Gilaspie takes shots at a presumed former lover. “You made the scene on your back / you’ll go out the same way.” 
 
“Motorsports” is the song that feels most likely to make it to the radio. Melinda Robinson’s bass work is of a quality that would make Joy Division’s Peter Hook proud, razor sharp and ominous, while her background vocals bring a soft, otherworldly touch to Gilaspie’s wounded words. An amazing sonic feat considering the entire album was recorded and mixed in drummer Mike Young’s bedroom.
 
Hollowtown takes many paths; there is lamenting the loss of love (“Moon in the Gutter”), straight up weirdo surf interplanetary sleaze (They Pass for Human, High Plains Disko) and beauty (Motorsports). Hollowtown has powerful touches and velvet gloves, gnashed teeth and sincere smiles.
 
It is a weird record, not in a contrived way but genuine. This is who they are; forceful, delicate, talented and astonishing. Gilapsie has finally found the right band to help him make the record that has always been there, lurking just below the slime. Hollowtown left me off balance, not knowing where to go, which was up; all of these things are meant in a good way. It has been said that everyone has one good book in them. Hollowtown is The Pale Hearts epic novel. Dashell Hammett would be pleased.
 
The release party for Hollowtown is this Friday, May 24 at Frank’s North Star Tavern in Lawrence. Fake Surfers (Detroit) and Jocks will also be playing. Facebook event page. If you can’t make it out there, they’ll be at Black and Gold Tavern on Wednesday, June 5 with Deco Auto. Facebook event page.
 
 
–Danny R. Phillips

 

Danny R. Phillips has been reporting on music of all types and covering the St. Joseph, MO music scene for well over a decade. He is a regular contributor to the nationally circulated BLURT Magazine and his work has appeared in The Pitch, The Omaha Reader, Missouri Life, The Regular Joe, Skyscraper Magazine, Popshifter, Hybrid Magazine, the websites Vocals on Top and Tuning Fork TV, Perfect Sound Forever, The Fader and many others. 

 

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NYC

May Artist of the Month: The Ned Ludd Band

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The Ned Ludd Band is The Deli KC’s May artist of the month! The band has gained momentum since its inception, releasing its first album Spacebar back in late 2012 (check out our review). We talked with Ned Ludd himself (Aaron Fuhr) to find out more about the band and what else they have coming up.

 
The Deli: Down and dirty: 1 sentence to describe your music. What is it?

The Ned Ludd Band: I’ll say by influences. If Bob Dylan covered Radiohead after they discovered their love child was by Tom Waits. It’s personal and ridiculous and genuine with hope and shame combined.
 
The Deli: What’s the story behind the name?
 
TNLB: Ned Ludd was the folkloric leader of the Luddites, a revolutionary group in turn-of-the-century England. They destroyed looms and other devices and machines that were believed could replace the jobs of men and women. Captain Ludd was believed to lead the sabotage of several factories. This served for us as an initial theme for the band.
 
The Deli: Tell us how you guys got together.
 
TNLB: Clint Hoffmeier: I met Aaron at Coda’s Open Mic Night over 3 years ago. He came in with his harmonica holder and perfectly pressed tight vintage suit and some of the most wonderfully creative songs, with a intense look on his face. After hearing him a few weeks in a row I asked him if he ever thought his songs could be performed with a band, and that’s where is started. I grabbed Jordan [Carver], whom I’ve known since 6th grade, and he was my roommate at the time. I met Brent [Jamison] through Coda with his band The Sour Babies and he produced our first album Spacebar. When our drummer left the band, Brent quickly stepped up to fill the slot. He knew the songs better than anyone.
 
The Deli: Let’s talk about something you have coming up this year. What can we expect?
 
TNLB: New album due out by the end of the year. New sound, more grit, and hollow sounds. We took away a lot of acoustic guitar (I love Judas). Look forward to a Christmastime release.
 
The Deli: What does supporting local music mean to you?

TNLB: Almost everything. I budget for seeing bands I don’t know nor like. It’s better than my Netflix or Doggie. Coda has done a stellar job with my local aptitude.
 
The Deli: Who are your favorite local musicians right now?

 
The Deli: What is your ultimate fantasy concert bill to play on?

TNLB: I would rather play music and wear and eat sausages.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
TNLB: Mount Rushmore is a bad idea.

The Deli: All right, give us the rundown. Where all on this big crazy web can you be found?
 

The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?

TNLB: If you can’t be good, be sanitary. If you can’t be sanitary, play very quietly.
 
The Ned Ludd Band is:
Aaron Fuhr – vocals/songwriter/guitar
Jordan Carver – bass/vocals
Brent Jamison – rums
Clint Hoffmeier – guitar/vocals
 
Your next chance to see The Ned Ludd Band will be on June 28 at Mike’s Tavern. The band will also be performing on the roof of Phosphor Studios for First Friday with Dream Wolf on July 5. Finally, on July 26, the group will perform at Coda with Dream Wolf.
 
 

–Michelle Bacon

Michelle is editor of The Deli Magazine – Kansas City, and also holds down half the rhythm section in Drew Black & Dirty Electric and Dolls on Fire. In precisely one week from today, she will be enjoying the new episodes of Arrested Development. This is currently the highlight of her entire life. Do these effectively hide my thunder?

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Sam Amidon releases ‘Bright Sunny South’ + video for ‘As I Roved Out’

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A man known for making the old sound new again, Sam Amidon has made a career of taking folk’s vernacular and re-making it to suit his needs. While some artists draw a line between roots and pop, Amidon takes all of it under his banjo’s wing, and communicates a shared heritage common to all these voices. Now he’s been signed to Nonesuch, and his new material showcases classic folk (‘As I Roved Out’), contemporary pop (Mariah Carey’s ‘Shake it Off’) and even a cover of a hymn his parents recorded on harps in 1977, ‘Weeping Mary.’ Always surprising, check out his moving cover of Tim McGraw’s ‘My Old Friend’ below, and the new video for ‘As I Roved Out here.’ – Mike Levine (@Goldnuggets)

NYC

A Great Big Pile of Leaves unveils ‘Snack Attack’ from upcoming album

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What’s worse than finding yourself lying awake late at night, requiring nourishment, but stuck with the realization that nothing all that edible is open at 3 in the morning? A Great Big Pile of Leaves can relate. When lead singer/guitarist Peter Weiland found himself in this predicament, his mind went about creating the Dismemberment Plan-sounding ode to this dilemma for the band’s new track ‘Snack Attack.’ Frustrations be damned if this isn’t one of the group’s most satisfyingly catchy beach-pop songs yet. Weiland puts it best: "The song is like a trip to the boardwalk and a ride down the tallest, twisty-est waterslide on the hottest day." Just remember to take care of your munchies after going down that waterslide.

The band will release You’re Always On My Mind on July 2nd (Topshelf Records). Join them for their record release at Webster Hall’s studio on July 13th, and check out ‘Snack Attack’ below. – Mike Levine (@Goldnuggets)

We added this song to The Deli’s playlist of Best NYC songs by emerging NYC artists – check it out!

 

NYC

Album review: The Electric Lungs – Simplified and Civilized

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Every person that picks up a guitar for the first time does it with at least some amount of notion that it will make them a rock star. After all, any musician who tells you that they never wanted to be Brian May circa 1976 is a goddamn liar. But there comes a time in almost every musician’s life where he or she realizes that dream is just not in the cards. Not for lack of trying or talent, but sometimes that lightning just doesn’t strike. So, what to do? Some go hang up the amplifiers, squirt out four kids, and buy a split level and a Kia. Some go the dreaded, dreaded, dreaded, dreaded cover band route. But the lucky ones are able to realize that there’s so much more to the making and celebration of original music than being uber popular for it. The Electric Lungs are in this wonderful place. They play THEIR music, THEIR expression, stripped of any notion of what it’s “supposed” to sound like. With Simplified and Civilized, they play the role of trendsetters, not trend followers.

The band provides us with ten tracks of energetic, punk-tinged, keyboard rock. Tripp Kirby fronts the bursting arrangements with the overzealous spasticity of a carnival barker. His voice is perfect for these songs, his moments of tenderness and sincerity in songs like “Every Ending” and “Eternal Smile” equally as effective as his red throated scream-singing in “Illium Works” and “(It’s not the) Bones That You Break.” The rhythm section of Marc Bollinger and Eric Jones does more than just lay the foundation. Together they shape and manipulate the dynamics of these songs, building and breaking them down to great effectiveness. The wildcard is the final gloss applied by Jason Ulanet’s keyboard work. Whether synth, horn, or a just simple piano, he further propels these songs into another category. In the end, you end up with something punky, something rockabilly, something proggy, sort of like Yes and Black Flag sharing a Bloody Mary at Brian Setzer’s wine mixer.
 
“Catching Up” is their take on the good old murder ballad. With equal parts psychopath and bubble gum, The Electric Lungs would like to remind us that under every serial killer there is a sweet little boy. Or something like that.
 
“Every Ending” is such a beautifully orchestrated song, cleverly organized and woven together perfectly. It is a funky little breath of fresh air in the middle of a wolf pack of punk songs.
 
“The Shit that I Eat” bursts at the seams, kind of like Sum-41 slave-driving an old-timey jazz band. The sullied horns and old-timey piano provide a wonderful counterpoint to the otherwise straight-forward and shit-kicking punk song beneath.
 
The album closes with one of the best efforts “Away to Stay (Hey)”. With all cylinders firing at the brink of explosion, this two-and-half-minute song is the perfect amount full of pounding drums, driving bass lines, fierce guitars, howling synths, and group-shouted “heys.”
 
This is a super strong record from the first strain to the last. The band has managed to take a group of very familiar rock music elements and spin them into something most decidedly new, something most decidedly themselves, something most decidedly The Electric Lungs.
 
The Electric Lungs will be playing tonight at Coda, after Dolls on Fire and The Hillary Watts Riot. Show starts at 9:30 p.m. All ages, $5. Facebook event page. If you can’t make it tonight, they’ll be at The Riot Room on Friday, June 7.
 
–Zach Hodson
 

Zach Hodson is a monster. He once stole a grilled cheese sandwich from a 4-year-old girl at her birthday party. He will only juggle if you pay him. I hear he punched Slimer right in his fat, green face. He knows the secrets to free energy, but refuses to release them until "Saved by the Bell: Fortysomethings" begins production.

He is also in Dolls on Fire and Drew Black & Dirty Electric, as well as contributing to various other Kansas City-based music, comedy, and art projects.

 
 
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