NYC

Beacon plays Terminal One + unveils ‘Fault Line single from upcoming ‘L1’ EP

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Brooklyn based, atmospheric electronic duo Beacon was already on our radar, but this new single from forthcoming EP ‘L1’ is emitting a signal whose strength we can’t ignore. We are digging pretty much everything about ‘Fault Lines,’ from the almost granular sounding, obsessive initial two note keyboard line, to the frantic but essential drum programming. The song builds slowly through a measured accumulation of layers, while an expanding line of arpeggiators drops unexpectedly at minute 3.11, and seems to reset everything. Beacon will play Terminal 5 in NYC tonight with Tycho and Christopher Willits, while ‘L1’ EP is scheduled for a December release.

 

We added this song to The Deli’s playlist of Best Electronic songs by emerging NYC artists – check it out!

 

NYC

Experimenting with vocals: Gabi plays Baby’s All Right on 10.02

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Recently signed to Daniel Lopatin (aka Oneohtrix Point Never)’s record label Software, Bushwick’s Gabi belongs to a growing wave of artists (for unknown reason mostly female) who choose to rely almost exclusively on vocals for their songs’ arrangements, relying on the help of looping devices. Gabi’s single/video ‘Koo Koo’ (streaming) has an ascetic, almost new wave-ish quality to it. You can see how she pull this off live at Baby’s All Right on October 2nd.

NYC

Every Flavor Weather Machine premières single “Summer 99” + plays The Knit tonight (10.01)

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In "Summer 99" – a track we are premièring below – eight piece collective Every Flavor Weather Machine sing stories about driving, girls and cheap wine, in a vein reminiscent of a more lighthearted Lou Reed. Even though the rest of their past repertoire is more influenced by the party sounds of funk and rock-soul – their other recent single Bullhorn (Get To Work) is a good example in this regard – the band sounds convincingly comfortable in these new shoes. The group hails from Beantown but now calls NY home, and their music comes complete with all the makings you’ll ever need to host your own banger: a wall of synths, another wall of brass, and plenty of emceeing about late nights and indecent uses for arithmetic. Every Flavor Weather Machine will be performing at the Knitting Factory tonight with The Harmonica Lewinskies, Graveyard Kids and Double Knot, and then during the upcoming CMJ Music Marathon on 10.21 at The Parkside Lounge. 

NYC

Gold Lake unveils new single “Lovers”

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We didn’t have any psychedelic track on the NYC blog today – it’s time to fix this! Gold Lake is a Brooklyn band that treated us to a little drone-pop gem last year, entitled "We Already Exist." They are now unveiling a new tune entitled "Lovers" (streaming) that significantly slows down the BPM (at least for most of the song) without losing the band’s signature charm and intensity. 

NYC

NJ alt rockers’ Long Faces single premiere: ‘All This Confusion’

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It’s quite interesting how two places as close as Brooklyn and New Jersey tend to excel at producing completely different brands of rock’n’roll: while the home of the hipsters is constantly churning out genre-bending music with experimental tendencies, just a few miles away the majority of the artists active in the Garden State’s scene seem more interested in perfecting the tradition of American Rock. NJ’s Long Faces fit this profile quite well, blending classic and modern rock to forge intensely evocative tunes. In the past few months their breezy summer single "Leave It There" triggered a fair amount of interest in blogs around the globe, and The Deli is now premièring this new single "All This Confusion," a slower and more atmospheric number that confirms the band’s propensity towards melancholic subjects and sonics. 

NYC

NYC bands taking off: Great Caesar ends tour + releases new EP at The Knit on 10.04

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Brooklyn’s folk rockers Great Caesar absolutely floored us at our latest NYC B.E.A.F. Fest‘s Rootsy stage, with a performance full of emotion and dynamism at once. The band had a great 2014 so far – and it’s not over yet: their video for single ‘Don’t Ask Me Why’, unveiled in January (streaming), got an astonishing 250k plays on Youtube, and, after being included in our Year End Best NYC Emerging Bands list, the group spent September touring the US. Without wasting any time, they are now ready to celebrate the release of a new EP at The Knit on October 4. This kind of hard work is what it takes to go places in the band business.

NYC

Arum Rae plays Music Hall of Williamsburg on 10.12

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Brooklyn’s “Warranted QueenArum Rae is a delightfully edgy cyber-soul singer who has so far managed to dodge generic stereotypes. Her latest release is masterfully threaded with bits of dance, pop, soul, R&B, and even a little hip-hop and industrial. The NYC based, Austin native’s sultry voice powers through eclectic synths, sound effects, and backup vocals of her own creation. If you dig the title track here, or the industrial blues of "I’m Smoke" (streaming below – at times reminiscent of early Suicide!!!) be sure to check her out at The Music Hall of Williamsburg on October 12th, followed soon thereafter by a November EP release. – Jillian Dooley

NYC

Album review: Black on Black – Firebrand (EP)

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Black on Black is one of those rare bands that shocked, surprised, bewildered, confused, and straight knocked me out when I first heard its debut EP Help Yourself. Blending Fugazi, Rites of Spring, Sunny Day Real Estate, Jawbreaker, Converge, and a miles deep well of anger and aggression, Wade Kelly, Aaron Riffel, and John Benda tapped into something that has sadly been missing in rock today: honesty.
 
Through three EPs (Help Yourself, Let’s Get Cynical, Get On With It), Black on Black has bludgeoned listeners with truth, building an ever-growing following not through gimmicks or recycled, hackneyed riffs but through in-your-face, balls-to-the-wall rock ‘n roll and live performances that reportedly leave attendees drained and wanting more. There seems to be no end to the fire, force, and boiling hostility within Black on Black. With four EPs in the two years, the band is on a creative explosion that does not ever seem to stumble.
 
The band’s latest release Firebrand walks tall, continuing where Get On With It left off.
 
Blowing out the starting blocks with “I Dreamt I Died,” a song of gnashed teeth and crushed dreams; “we can borrow a mock civility” lead man and chief lyricist Wade Kelly screams, “but we’ll hang the righteous at dawn.” There is definitely a tone to Firebrand and the motivation of Black on Black.
 
“Getting signed to a deal, to a label is not what we’re trying for,” Kelly told me. “We just hope people like the music we make.” With Firebrand, Black on Black does not merely tap a vein to get in touch with their audience; they have hacksawed and ice picked their way through a major artery.
 
“Butcher’s Block” sounds like the world would if Springsteen and The Hold Steady would have been punk rockers. Like Springsteen and Craig Finn, Kelly paints vivid pictures with his lyrics: “when my body breaks like a shell dissolving in the rain / you’re gonna taste my angry love.” While Kelly spits bile out to the world, drummer Benda and bassist Riffel (formerly of Lawrence punk stalwarts Unknown Stuntman) push the songs along like a rocket-fueled muscle car with no brakes, no seatbelts, and a trunk packed to the brim with nitroglycerin.
 
Black on Black is becoming an expert in blending its influences and anxiety to make a style that is all its own. No regurgitated Misfits riffs, no banjos, no rehashed 1970s bombast, no gimmicks, no angles to appease the cool kids; Black on Black does what it wants and it shows on Firebrand. It shows in everything the band does. Many bands claim to live within the DIY philosophy but few in today’s world do it as well as Black on Black and—thanks to an unflinching approach to everything—fans get great albums like Firebrand. Keep up the anger-filled work my friends, it’s definitely working in your favor.
 
Danny R. Phillips
 
Danny has been reporting on music of all types and covering the St. Joseph music scene for well over a decade. He is a regular contributor to the nationally circulated BLURT Magazine and his work has appeared in The Pitch, The Omaha Reader, Missouri Life, The Regular Joe, Skyscraper Magazine, Popshifter, Hybrid Magazine, the websites Vocals on Top and Tuning Fork TV, Perfect Sound Forever, The Fader, and many others.
 
 
Check out Black on Black at KC’s first Zombie Pub Crawl this weekend. They will open up the Vandals stage at 9 pm on Saturday. Facebook event page.
 
 

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NYC

The Cowards Choir to Release Cool Currency October 4th

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 The Cowards Choir, the celebrated project fronted by DC’s Andy Zipf since 2009, is set to release their new EP, Cool Currency, on October 4th at Iota. Cool Currency is Andy’s first release since 2013’s Reunion EP. Fans of The Cowards Choir will rejoice to hear yet another set of catchy, delicate, romantic guitar-pop. The production is immaculate, every evocative guitar tone seemlessly layered with other instruments, accentuating every idea and feeling in this gorgeous and emotional set. Four songs, each with sweet flavors baked delicately into a fulfilling whole, like a dessert-cart of perfect pastries, and each more tantalizing than the last. The Cowards Choir will be joined at Iota by Justin Jones, and you can get your tickets here. Check out The Cowards Choir performing "Soul Got Weight" for The Circus Life podcast last week below. –Natan Press

NYC

NYC Electro-Pop duo on the rise: My Body announces ‘6 Wives’ EP + unveils single ‘Boys’

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The NYC scene is famous for its rock bands, but it’s becoming apparent that electronic music is rapidly taking over the Big Apple. Brooklyn based celestial synth-pop duo My Body is yet another proof of this shift. Active for just over a year, the duo has already released a handful of quality singles that stand out for their imaginative arrangements (incorporating hip hop, 8 bit and jungle elements among others) and for Jordan Bagnall’s unconventional melodies. The band recently opened for Lia Ices at The Mercury Lounge, and is about to release their new EP 6 Wives in November.

We added this song to The Deli’s playlist of Best NYC songs by emerging NYC artists – check it out!

NYC

Show me the Body, Honduras, The Gradients and Heeney play Palisades on 10.02

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As you may have noticed, our blogger Jake tends to favor bands with a DIY punk philosophy and an unpredictable, often uncompromisingly noisy sound. And that’s what you are going to get at the show he organized – under the moniker "The Colonel Presents…" – at Palisades on October 2nd.  The show is headlined by noise rockers Honduras and The Gradients (check out album opener ‘Growing Pile,’ streaming), who are actually not that noisy, but play a brand of poppy post punk that’s as good as (and in part reminiscent of) that mind blowind phenomenon that was early XTC. On the bill also macabre Brooklynites Show Me The Body (pictured, check out their bizarre but engrossing track ‘One Train’ below) and fast paced fuzz pop quartet Heeney