NYC

NYC band on the rise: Crush Distance plays CBGB’s fest tomorrow (10.08) at Pianos

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NYC quartet Crush Distance seems to have everything in place to be a potential next big thing: young and confident, the boys play catchy indie rock/pop featuring the right amount of dirt and attitude. The effort might come across as a little over-produced for those into genres that are more direct and DIY, but we are pretty sure a video/song combo like the one streaming below (titled ‘Kerosene’) can get many industry insider quite excited. They are playing tomorrow 10.08 at Pianos within the CBGB’s Music Fest with like minded (and also NYC based) melodic rockers Born Cages

NYC

TONIGHT! Issue #40 launch party at Pianos with The VeeVees, Jeremy & The Harlequins, High Waisted, Baby Acid + more!

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Nobody can underestimate the importance of CBGB’s for the NYC music scene, and this year The Deli decided to take part in the festival that carries the venerable club’s name with a bill of bands that rock in vintage ways. This show will also be our 40th issue’s launch party!!

Check this out and do not miss! Here’s the link to the CBGB’s Festival, and here are the details of our show.

THE DELI’s 1st CBGB’S FEST SHOW!
Friday 10.10, Pianos, $10, 21+  

11:10 THE VEEVEES

10:20 JEREMY & THE HARLEQUINS

9:30 IMMIGRANT UNION (Brent from the Dandy Wharols)

8:40 HEAVY GLOW (Album Release)

7:50 HIGH WAISTED

7:00 BABY ACID

NYC

THIS FRIDAY: TheVeeVees headline The Deli’s Revival Stage at CBGB Music Fest

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NYC’s The VeeVees recently added lead vocalist Sophia Urista to what was formerly a White Stripes/Kills/Black Keys-style act. With her vocal power, now its founding members, Garrett Cillo (guitar/vocals) and Andrea Belfiore (drums), can take things in the more epic direction of, say, Cream or Led Zepplin. (No shit?) If nothing else, Urista’s addition creates more sex appeal and a deeper leap into the belly of the blues – don’t miss their explosive live show at The Deli’s Revival Stage at CBGB Music Fest on Friday 10.10 – more info here. – by Dave Cromwellphoto by Dennis Manuel.

NYC

Glass Gang debuts new single ‘Lower’ + plays Deli CMJ show at Pianos on 10.24

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Brooklyn trio Glass Gang employ heavy drones and cavernous reverb to create a lo-fi sound both spacious and ambient. Think of the experiments of Mum, with a dollop of shoegaze and a horror movie soundtrack fetish, and you’re getting close. They just released this new single ‘Lower,’ which adds an element of soufulness to the package. See the band live at The Deli’s official CMJ show at Pianos on October 24. – photo by Taylor Antisdel

NYC

NYC rapper Rabbi Darkside drops video for “You and I and The Moon”

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Master rhyme blaster Rabbi Darkside drops a new video for his collaboration with DJ Rob Swift entitled “You and I and The Moon” from his 2013 album Prospect Avenue. Directed, produced, and edited by Tafadzwa M. Chiriga, the video is a noir-ish throwback to Weimar Cinema. Low light, high grain, and a minimal spooky performance by Darkside make for a luminary experience. The track is an interesting departure from the classic boom bap for which Rabbi D is known. Its solitary extended verse is more of a narrative meditation. As it progressively escalates, harmonious overdubs add an unsettling urgency to this hip hop haunt of dark self-discovery. DJ Rob Swift’s virtuosic scratches conjure a chilling winter wind to perfectly conclude this quixotic escapade. – BrokeMc

NYC

NYC duo Milk Carton Kids bring an old timey aura to 92Y on October 18th

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Milk Carton Kids have always been the kind of band you haven’t heard right until you’ve seen them live. Known as much for their banter between their songs, as for the banter between Kenneth Pattengale and Joey Ryan’s harmonious voices and flat-picking steel guitars, the duo were nominated for a Grammy last year for their record ‘The Ash & Clay’ because of this crazy ability to make you laugh one moment and tear up unexpectedly the next. Now with fellow folk artist and Grammy nominee Sarah Jarosz, the two groups are mixing contemporary folk, Americana and roots music together into a frothy new concoction, and they’re serving it to you live at the historic 92Y on October 18th. Join them there so you don’t have to sit through the Grammies again next year. – Mike Levine (@Goldnuggets), photo Matthew Shelter

We added this song to The Deli’s playlist of Best rootsy songs by emerging NYC artists – check it out!

NYC

Welcome Watermelon Sugar to NYC: live at Glasslands on 10.26

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Notwithstanding the borough’s permanently rising rents and their dim earning prospects, psychedelic artists keep moving to Brooklyn at a record setting rate – even though pot isn’t legal over here just yet! Tacoma’s Watermelon Sugar belongs to this category, and The Deli is happy to welcome them to this land of musical dreams! The band plays a rocking brand of psych rock that references at once the "out there" pioneers of the late Sixties and the poppier British bands of the late Eighties, with an abrasive guitar based sound that’s reminiscent of the early Flaming Lips records. Their self titled debut EP doesn’t have one "meh" song in it. Go check them out at Glasslands when they headline the October 26 show.

NYC

Invisible Familiars unveil singles from upcoming LP + play Glasslands tomorrow (10.03)

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God bless Other Music for keeping the "relevant Manhattan record store" chapter alive in the new millennium. For those unaware, Other Music apparently enjoys being invested in semi-extinct and incredibly-hard-to-keep-solvent businesses: i.e, they also have a record label. As you may expect from people who deal with records on a daily basis, they sign some interesting bands. The latest addition to their roster is called "Invisible Familiars," a New York based project led by singer/songwriter and multi-instrumentalist Jared Samuel, who played with variety of NYC artists (most recently The Ghost Of A Saber Tooth Tiger and Cibo Matto). The band released two singles from the upcoming album, the intriguingly sparse, almost ballad ‘Clever Devil’ (streaming here) and a more electric blueasy number entitled ‘Digger’s Invitation.’ You can check out Invisible Familiars at Glasslands tomorrow (10.03, with Deli darlings People Get Ready) or at Union Pool during the CMJ Music Marathon on 10.23.

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

NYC

Album review: Schwervon! – Broken Teeth

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(Photo by Erica Peterson)
 
Full disclosure time: Schwervon! is far and away my favorite Kansas-by-way-of-New-York-originally-from-Kansas duo. I first became aware of their music when they returned to the Midwest and reentered the local music community at the 2012 Middle of the Map Fest. With Nan Turner on drums, Matthew Roth on guitar, and each of them sharing vocal duties, their songs proudly carry the flag of the lo-fi, DIY approach to songwriting and performance. One of my favorite tunes from Courage—Schwervon!’s previous album—is “Truth Teller,” a song that does a fantastic job of capturing the feel of early ‘80s Athens, GA, which was the breeding ground for early college rock faves R.E.M. and the B-52s, among others. For their new release, Broken Teeth, Schwervon! once again does a bit of back-to-the-future time travel, but in a much more direct and personal way.
 
As Roth shares on the band’s website, in early 2014 they were trying to create new music but having trouble getting around the obstacle of writer’s block, so they tried to kickstart the creative process by bringing out music from an album recorded eight years earlier (I Dream of Teeth) and playing some of those songs in a deconstructed manner. The results were so appealing and invigorating that the twosome decided to set aside the new music they were writing and rework six of the older tracks (along with cover versions of two others). At this point it would be fairly standard if I made comparisons between the two albums, but to make references to IDoT would not be giving Broken Teeth its full due. Both albums are available on the Schwervon! Bandcamp page, where you are free to contrast and compare at your leisure.
 
The one thing I will say about the difference between then and now is that the new album is an all-acoustic effort, and for a band that is known for music that is sometimes quirky and punchy and free-form, reducing it to a six-string and drums could be restricting part of their essence. But the years have been very good to the twosome in that their skills with their instruments, both musical and vocal, have grown and matured and seasoned with time. What you hear on this album is the product of two artists who not only refine their songs to their essential states, they also seem completely comfortable in doing so.
 
“Flaming Dragonfly” kicks off the record with a basic call-and-response series of “oh oh oh ohs” before settling in to a nice, tidy bit of pop sweetness. You instantly get the impression that powering down is not going to present any challenges in setting the tone that Schwervon! is so good at, which is a modern sound that still offers a tip of the cap to some of their early alt-rock predecessors. “Fuzzy Math” finds Turner laying into the kick drum with steady authority and solid groove, letting Roth’s guitar follow along to create some feel-good summery sound. “Blue Light” offers a nice little bluesy touch which serves as foundation for Turner’s torch song delivery – and am I the only one that thinks that this song would be a pretty ideal vehicle for a “special guest star” appearance from my favorite KC rock star, Amy Farrand? It’s a natural collaboration in the making.
 
“Natural” could also be used to describe the vocal harmonies between Turner and Roth, and while each takes turns with lead duties and handles them nicely, hearing them working together takes whatever song they happen to be singing into a different realm. There are instances when their interplay is reminiscent of early X; both have distinctive sounds that seemingly wouldn’t mesh with anyone else but their partner. This becomes more true with increased listening to the music of Schwervon!—they could sing with different musicians, and as time goes on I fully expect them to combine forces with a roster of talented co-conspirators, but their voices are much stronger and truer when paired with each other. Simple as that.
 
I’ve been saving what I consider the best for last: “Sidesaddle” was the first song from IDoT that they started fiddling with in order to find their creativity, and on Broken Teeth it serves as the centerpiece and magnum opus (six minutes isn’t that long for a magnum opus, but with none of the seven other tracks exceeding 3:15 in length it’s opus-sized, comparatively speaking). Both musicians show a deft touch throughout, with Roth’s mid-point song-whisper reminiscent of Trent Reznor’s “Hurt”—without all the dying things contained in the video, of course. The plaintive-yet-hopeful vocalization on top of gentle, reassuring music is a combination that makes “Sidesaddle” a knockout.
 
It’s always great to find a band that makes an impression; it’s better still to watch that band grow and evolve. Broken Teeth shows Schwervon! taking a major step forward with their craft. They have their own style, they have complete faith in one another, and their live performances are excellent—gigs that can now call upon a growing and substantial catalog of quality work. At these shows, it’s not uncommon for Roth to offer a poetry reading, Turner to present an improvisational dance… or, more likely, both to happen at the same time. I’m not going to subject you to my mad sick flow, and you do not want to see me busting any sort of move, so I’ll just offer a concise bit of advice to anyone wanting to hear the potential of two people:
 
Get your Schwervon!
 
Michael Byars
 
Michael is sometimes known for busting a move. He also currently has a pink goatee for the month of October for breast cancer awareness!
 
 
Broken Teeth was released on Haymaker Records.
 
Schwervon! will be throwing a release party for Broken Teeth tomorrow, October 3 at FOKL. The Cave Girls and Wick & the Tricks will also be playing, and DJ Memo will spin before and after the bands play. Facebook event page. This will also kick off their two-month Fantastico tour across Europe and the States.
 
 

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Weekly Features: The Morning Sea plays CBGB and CMJ Fests

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Adam Cohen had been performing solo long before forming The Morning Sea, a group he founded with college friend and producer Tony Long, intent in revisiting and often updating the various aspects of traditional American music. In their seven song EP ‘Strange Captive,’ the band offers songs that are often fast paced, but never lose the intensity of the best folk music, nor shy away from occasionally pushing the rootsy envelop in interesting new direction. Take "Talk Yourself Down" for example (streaming): its country-ish sound is only an appearance: the song itself has nothing traditional to it, it could have been written by Radiohead during the ‘OK Computer’ years. ‘Bit My Tongue‘ is a similar experiment, but flirting with desert rock and spaghetti western aesthetics.

LINK: read Rebecca Blandon interview with The Morning Sea.