NYC

New Myths celebrate ‘Gimme Noise’ album release at Cameo on 10.17

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Girl powered synth pop/rock trio New Myths, a band we’ve been following (and booking) since its inception, is about to celebrate the release of their debut LP ‘Give Me Noise‘ with a show at Cameo Gallery on Friday October 17 – you can also catch them during CMJ at Union Hall on 10.21. At first listen, the new material in the album gives the impression of a more driven sound, where distorted guitars match in volume and presence the signature analog synths (like in "Howl" and "The End"). The record also features the noteworthy single "False Gold" from the 2012 self titled debut EP. We are streaming here our favorite new track, the atmospheric ‘Edge of the World.’

NYC

Music Bones’ new EP The Scratch Tape

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Music Bones‘ recently released EP The Scratch Tape ranges from DIY Punk to AniDifrancoesque (that’s a phrase now, I promise). "Tell Me Sweetly" opens the album with disonant guitar riffs that transform from rock to an almost twinkley sound and back. The song "Quarter Afternoon," my personal favorite, begins mid-album. It’s a simple song with bright guitar arpeggios, beautiful, full vocals, and a pleasantly sedating effect. You can catch Music Bones live, Sunday October 19th at Club K in Baltimore, Oct. 21 at The Black Squirrel in DC, and Oct. 25 at The Green Island in DC. –Hannah Brady

NYC

Woods and Glasser perform at the Joshua Light Show – NYC Skirball Center, 10/23-25

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“Rolling Stone” magazine declared last year’s Joshua Light Show at NYU’s Skirball Center “the most psychedelic light show of all-time.” It doesn’t mean we necessarily trust their judgment. However, the three-day music and light fest returns to Skirball this October 23-25th, where you can judge for yourself.

LA electro chanteuse Glasser and midwest free-jazz trio Bad Plus play opening night, where the latter is slated to perform Ornette Coleman’s understated 1972 masterpiece “Science Fiction” in its entirety. Television, as well as J. Spaceman & Kid Millions, fill the Saturday night bill (10/25). But it’s the middle show that “The Deli” is most interested in, where NYC psych-folk duo Woods bring their latest song cycle — the appropriately titled “With Light and with Love” — to glow beneath the shimmering colors on Friday the 24th.

For those unaware, “With Light” is Woods’ eighth full-length since its inception in 2006. Mixing a steady diet of Grateful Dead-like jams with indie pop-vocals (think the Shins), the album spreads out into odd new directions this time around. From Bowie-like lyrical couplets to the occasional prog-rock trill, it is the band’s crystalline effort to date. One which is sure to require more than a duo for the stage performance.

As to the Joshua Light Show, its most famous residency came at Bill Graham’s Fillmore East rock club on “freaky Second Avenue,” where from March ’68 ’till it closed in June 1971, Joshua Light produced “Mondrianesque checkerboards, strawberry fields, orchards of lime, antique jewels, galaxies of light over a pure black void and, often, abstract, erotic, totally absorbing shapes and colors.” That’s what the “New York Times” saw, at least. Founder Joshua White came to NYC after graduating from film school at USC in 1965. (Classmate George Lucas stayed on the West Coast and ran experimental light shows at Frank Zappa’s Shrine Auditorium freak-outs of 1966-67.) White & co. re-emerged more recently as lighting designers for the 2008-11 Broadway revival of “Hair.” This latest fest showcases their ephemeral cinema with a well-deserved top-billing. – Brian Chidester

NYC

Internet electro star Ryn Weaver plays Baby’s All Right tonight (10.14)

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NYC/LA electronic muse Ryn Weaver pretty much lived through what most emerging musicians dream about each time they post a song on Soundcloud: instant fame! We are often suprprised when a song by a new act gets 10k plays – her single OctaHate got over TWO MILLION! (Check out the video below). The next challange for artists lucky enough to have earned some recognition through the web is always to follow up with a live show that can support a longer career in music. Ryn Weaver will be playing Baby’s All Right tonight (10.14); it will be a good opportunity to see where she’s at in that department.

NYC

Weekly Feature: Walking Shapes headlines The Deli’s Indie Pop CMJ Stage on 10.25

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Walking Shapes is the sort of band we would task with converting even the most die-hard dance adverse. Their songs tow that careful line between electronic and instrumental dance pop, and while meticulously programmed still manage to capture the electricity of a live band. Walking Shapes is thus an incredibly fluid band. The songs they play can begin ebullient and bubbly, then take a sudden turn towards the explosively propellant, before exploding into bright and spacey fractals, the sonic equivalent of closed eyed kaleidoscope. The result is songs hopeful and earnest with a broad vision.

Read Emilio Herce’s Interview with Walkling Shapes
See Walking Shapes live at The Deli’s Indie Pop CMJ Stage on Saturday 10.25 at Spike Hill 

NYC

Interview with Deryck Todd of Bowieball

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Bowieball is an annual, one-day freak-out soiree honoring the king of glam, David Bowie. This year’s edition was hosted at Le Poisson Rouge on Sunday, 10/12 by artist/fashionista/all-around-flaneur Deryck Todd, and featured a diverse array of NYC acts such as DJ Frankie Sharpthe Toilet BoysMatt Katz-Bowen (of Blondie), Militia Vox, the Vangeline Theater, and Keenan Duffty (among others). "The Deli" recently sat down with Todd to catch-up on the evolution of Bowieball, and to see who’s grabbing who’s ass. Brian Chidester asked Todd a few questions about the event in this interview.

NYC

Hard Nips added to The Deli’s CMJ show at Spike Hill on 10.23

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Next week is CMJ week folks! As you may have noticed, The Deli – as usual – has some kind of mini-festival within the festival, with seven stages and about fifty bands booked. Oh, and there’s one more! The provocative, rigorously Japanese female quartet known as Hard Nips will be closing our Garage/Psych/DIY show at Spike Hill on Thursday 10.23 with their… (can we say sexy? ok…) sexy brand of garage rock. Definitely the right way to end a crazy night of music in NYC, they’ll hit the stage just after 1am.

NYC

From the digital submissions: Captain Baby

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After Septebmer it becomes increasingly difficult for us to check the music that’s sent to us for coverage consideration, but this weekend we found the energy to go through a bunch of them, here’s a bands we feel deserve to be highlighted.

NYC quartet Captain Baby offers forward looking pop/rock, ta times reminiscent of that incredible NYC band that was Soul Coughing ("I Say You" – streaming), at others the more progressive David Bowie albums ("Be Ashamed"). Their full length "Sugar Ox" is a raw cross genre exploration and features a lot of interesting ideas and sonics. 

This band submitted their music for coverage here.

NYC

NYC Americana masters Hollis Brown tour the UK + work on new album

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Queens-born folk rock band Hollis Brown has a 1960’s heart powered by the seamless recording techniques of 2014, and we love that they’re keeping that rich, old-timey, American folk sound in the contemporary mix. Their latest release “Gets Loaded” nods at the drug-heavy tunes of the 60s by delivering their own rootsy take of The Velvet Underground’s classic 1970 album Loaded from back-to-front. From its opening “Oh Sweet Nuthin’,” powered by a blues-based lead guitar line, to it’s closing “Who Loves The Sun,” driven by a truly harmonic chorus, the release is worth a good, listen, as it adds beauty to already powerful songwriting. The band is about to start recording a new album and will be touring the UK this Fall, but be sure to catch them live when they’re back in the local rotation. – Jillian Dooley

We added this song to The Deli’s playlist of Best rootsy songs by emerging NYC artists – check it out!

NYC

Spotlight on KC PsychFest artist: El Rey-Tones

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(Photo by Todd Zimmer)
 
This week, we’ll be highlighting some of the artists playing KC PsychFest from Thursday through Saturday nights at recordBar.
 
Recently changing their name from The Ray-Tones and forming a new lineup, El Rey-Tones has a surfy garage rock influence, dipped in a warm psychedelic groove. We talk with songwriter Bryan Koehler about the band and what we can look forward to from them.
 
The Deli: Down and dirty: 1 sentence to describe your music.
 
Koehler: Imagine it like riding a wave through a tunnel of reverb, while all your best friends create a whirlpool of a constant rotation of joints circling past you in a conga line, while at the same time you’re making out with your number one crush on the beach watching the blood orange sun sink into the ocean. #runonsentences
 
The Deli: Give us some background on El Rey-Tones. What’s the lineup? You also recently changed your name. What’s up with that?
 
Koehler: El Rey-Tones started as a few dudes trying to make some surfy garage jams in my converted dining room jam space in the spring of 2013. I think there were four of us in the beginning and we called ourselves The Buh-Ohls (phonetic spelling of the British pronunciation of "buttholes.") After about a month of realizing that just Johnny Mitchell (ex-Not A Planet/Soft Reeds) and I were the only ones getting together consistently, we quit extending the invitation and focused on writing between the two of us. We jammed and wrote together for the next 9 months in my make shift music space, calling ourselves The Ray-Tones (we both grew up in Raytown). We made a bunch of rough recordings, kept it under wraps for the most part, and then, with a little help from a friend, recorded 6 songs in Nashville with Konrad Snyder (The Brown Owl Studio) during the first week of March of this year. We brought the tracks back to KC. Austin Turney hit us up wanting to play some shows (he jammed with us a few times before). Not having a band yet, we declined, but we shared the tracks with Austin, who showed a bunch of other people, and then a few days later we had him on bass, Drew Little on drums, Jake Masters on guitar, Johnny on guitar/vox, and me on vox/percussion. Fast forward a few months and Johnny moved to Brooklyn with his wife (something he’d been planning on since we met and started this thing), David Bennett (Akkilles) stepped in to fill Johnny’s spot, and we added Cortland Gibson (Organized Crimes) on keys/percussion/whatever. We got a cease and desist from a bunch of cartoon rhino fucks, and then changed the name to El Rey-Tones.
 
The Deli: What inspires your music?
 
Koehler: ‘50s and ‘60s rhythm and blues, psychedelic R&B, surf, garage, northern soul, etc. From day one we set out to write music that makes us feel good, music that we want to listen to, nostalgic sounds that remind of us of what it would be like to live near a beach, or some place far from the 21st century Midwest. I like songs that groove, syncopated circular rhythms, pretty melodies…
 
The Deli: What have been your greatest accomplishments as a band?
 
Koehler: I‘d say getting to play with Allah-Las in June and having them put us on Reverberation Radio mix tape #115. Not only was that one of Johnny and my favorite bands/biggest modern influences, getting on that playlist has gotten us fans from all over the world (and probably what led to the cease and desist.) It was truly a dream come true to share the stage with a band we looked up to so quickly in our life as a band. If you haven’t checked out Reverberation Radio yet, you should probably do that like yesterday.
 
The Deli: Do you currently have any albums out? You’re working on an EP now. What can we expect?
 
Koehler: We don’t… we have a tape we made for our in-store at Mills Record Co. The A-side is our studio roughs plus 2 live tracks from practice and the B-side is a collection of our favorite voice memos and GarageBand demos. As far as getting our studio stuff out, we’ll be trying to get a six-song EP out as soon as possible. You can expect to hear really awesome recordings of the songs you hear us play live.
 
The Deli: What does supporting local music mean to you?
 
Koehler: To me, it’s like when someone asks me if I like U2…not really? But I respect what they’re doing, it’s just not what my ears want to hear most of the time…I kinda see local music like that. There’s bands out there that I wouldn’t necessarily choose to listen to, bands that I may not get into, but it’s important to support them, go to a show, talk to each other, share each other’s work. I ask myself, would I want them to buy my record? Yes. I find it pretty amazing to go to a show, whether it’s a local music show, or just a local opener, and look in the crowd and see members from a bunch of other local bands in attendance. It means that people in this city care, and we got each other’s backs. I think in past times KC has been sort of cutthroat or has had a me vs. the world attitude, but I feel like recently there are a lot of cats trying to make some pretty cool stuff and share it with each other. KC doesn’t see many bands find large commercial success, but you don’t see that curbing anyone’s enthusiasm. People are making music because they love making music. That’s the kind of scene I want to be in.
 
The Deli: Who are your favorite local musicians right now?
 
Koehler: TheConquerors have been a huge fave since I saw them on the back patio of Riot Room at the first Middle of the Map. Rory [Cameron] is a fucking rad songwriter and a rad dude (see local music comment above). Organized Crimes blows my mind; I think I’m their biggest fanboy. The dudes from The Slowdown/Wonderfuzz/Ready Astronaut are insanely talented and every time I see one of their bands I’m reminded as to how far I have to go as a musician to become a professional.
 
The Deli: Who are your favorite non-local musicians right now?
 
Koehler: Allah-Las, Nick Waterhouse, Holy Wave, La Luz, Mac DeMarco, Temples, Cosmonauts…you get the idea…that and whatever vinyl I’m listening to.
 
The Deli: Who are you looking forward to seeing at PsychFest?
 
Koehler: I’ve honestly never seen White Mystery, so that’ll be dope. Thee Water Moccasins never plays so that’ll be a treat. Also, never seen David’s band Akkilles play, so that’ll be cool too.
 
The Deli: Besides PsychFest, what other shows do you have coming up?
 
Koehler: We’re playing with this rad Brazilian psychedelic space rock band Wannabe Jalva at Riot Room Nov. 3 and opening for The Wytches from the UK at Riot Nov. 15. Both shows should absolutely shred.
 
The Deli: What is your ultimate fantasy concert bill to play on?
 
Koehler: We’ve been fortunate enough to play with mostly bands we’re really into so far…but it would be way rad to play at Austin Psych Fest one day, or like Desert Daze or really any of those cool psych fests… actually since you said fantasy, it would be extra wild to share the stage with The Ray-Tones (those cartoon rhino dick heads) and have a Death To Smootchie-esque freak out Battle Royale where we, El Rey-Tones would ultimately reign supreme (I’m clearly a little bitter still…).
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
Koehler: In no particular order, or no particular place to go: Chuck Berry, Brian Wilson, Donovan, Link Wray?
Berry: completed that pun for me there, father of rock ‘n roll, and the motherfucker is still performing!!
Brian: Duh.
Donovan: The most non-groovy looking groovy dude ever.
Link Wray: I mean, yeah… those tones though.
 
The Deli: What other goals do El Rey-Tones have for 2014, and beyond?
 
Koehler: We’d like to make it through the end of the year with a clear vision of what the lineup and writing process will be. We’d like to get the EP out digitally and on wax, but a vinyl will probably be the new year. If we can get some help from licensing or something, I’d love to do some regional tours and obviously write hella music and release hella music. We’ll see. It’s still pretty early…but definitely definitely get these 6 songs out to you people!
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Koehler: Thanks for reading and checking us out. Please stay tuned for upcoming releases. You can follow us at http://www.facebook.com/theraydashtones, soundcloud.com/theraydashtones, and instagram @koehlab. We love staying positive, playing groovy jams, and having a good time. We really like what we’re doing and we hope you do too. We’re also really friendly, so please, come see us and say hello. We love to make new friends. Thanks for reading. Weed is tight.
 
 
You can catch El Rey-Tones in just a couple hours! They’re opening up KC Psych Fest at recordBar this evening at 6:00 p.m.
 
–Michelle Bacon
 
Michelle Bacon is editor of The Deli KC and plays in bands.
 
 

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NYC

Washer releases split 7″ with Big Ups + plays tonight (10.10) at Paragon Sports

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Have you ever wonderend if a band releasing a split 7" with an artist that was featured on the cover of The Deli NYC automatically gets them coverage on our NYC blog? (Twisted phrasing!) Well, the answer is yes. The band in question is slacker rock duo Washer, who just released a split single with post hardcore maniacs Big Ups, who graced the cover of The Deli’s Spring issue 2014. We wish we could stream a song from that single but the function isn’t enabled, so we’ll have to settle for this rather entertaining tune that marries punk sonics, post punk melodies and lo-fi attitude, entitled ‘Lady Limp,’ featured in the band’s latest EP ‘Bighead.’ You can see Washer live tonight at Paragon Sports for this benefit show.