NYC

Orange Television becomes Howard, plays Rockwood on 11.22 + announces full length “Religion.”

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Today, this song by Brooklyn (via Massachusetts) trio Howard is helping us make this Monday more bearable. We’ve never really been into Gregorian chants, but the way these guys integrate a melody reminiscent of those religious choirs with their post-rock arrangements is very interesting, rather comforting and totally cool. Kudos are due, in particular considering this is a completely self-produced effort. Howard, previously known as "Orange Television" in its MA version, will be playing Rockwood Music Hall on November 22. Their album "Religion" will be out soon.

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

NYC

NYC (Via Toronto) Artist on the Rise: Foxes in Fiction tour Europe

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The brainchild of Torontonian composer Warren Hildebrand, who recently relocated to NYC, Foxes in Fiction has been creating its own brand of atmospheric mellow pop since 2010. Latest album "Ontario Gothic" offers a collection of invariably downtempo songs featuring a lush production and an arsenal of intriguing melodies and sounds. The album’s running theme is Warren’s recovery from the death of his younger brother Drew in 2008, which probably inspired also his previous three records. Foxes in Fiction will be touring Europe this fall, and then play Music Hall of Williamsburg on January 29.

We added this song to The Deli’s playlist of Best mellow songs by emerging NYC artists – check it out!

NYC

From the NYC Submissions: Lazy Queen plays Santos Party House on 11.11

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Newborn drone rock Brooklyn quartet Lazy Queen has released two digital singles in 2014, whose expansive sonic reference noisy melodic bands from the late ’80s/early ’90s like My Bloody Valentine and Jesus & Mary Chain. Their more aggressive material lands decidedly in noise rock territory ("Velveteen"), but today we are in the mood for something a little more ethereal, check out "Dust" below, and see these guys at Santos Party House on November 11.

This band submitted their music for coverage here.

NYC

Prince Rupert’s Drops’ album “Climbing Light” LP is out – release party on 12.05

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All too often NYC’s psychedelic bands tend to be dark and a little contrived. How refreshing then to listen to Prince Rupert’s Drops‘ exhuberant brand of psychedelic revival in their freshly released album ‘Climbing Light’. Alternatively channeling the original psychedelia of the 60s (including occasionally the pastoral psych-folk atmospheres of the very beginnings), the rock dreaminess of the Paysley Underground of the mid ’80s, and even the 90’s upbeat and creative alt psych rock of bands like Flaming Lips and Camper Van Beethoven, the record sounds like an unpretentious tribute to Psychedelia in all its splendor. The album droppedon November 11, the record release show will be at Brooklyn’s Wild Kingdom on December 5th.

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

NYC

Weekly Feature: Archie Pelago

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Archie Pelago is the musical equivalent of a cyborg. Part programmed music, part live instrumentation, the trio is made up of three classically trained musicians, Hirshi (trumpet/DJ), Cosmo D (cello/Ableton) and Kroba (sax/Ableton). The music they create strikes a fine balance between the energy and precision of a DJ set and the dynamism and proficiency of seasoned live instrumentalists. It is meticulous as it is innovative, layering string and saxophone arrangements over programmed drums and synths, and a prime example of what happens when talented musicians take a running leap out of their comfort zone. – Read Emilio Herce interview with Archie Pelago.

NYC

Artist of the Month: The Blackbird Revue

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(Photo by Kristi Yarcho)
 
From the first moments of hearing a performance from The Blackbird Revue, you know you’re in for something special. Danielle and Jacob Prestidge have been creating music together since they started dating. Six years later, their musical and romantic collaboration has proven successful: the two have been married for 5 years, they have two acclaimed albums under their belts, and their music has been featured on national television.
 
Since then, Danielle and Jacob’s connection as artists has continued to solidify. The Blackbird Revue is a collaboration of Danielle’s upbeat pop influences with Jacob’s sincere folk approach, resulting in compositions that are simultaneously sweeping, delicate, and intriguing. The duo’s latest offerings have incorporated a multi-instrument approach, adding a momentous layer to its already purposeful music.
 
We talk with Jacob Prestidge a bit more about the duo, and find out what else they’re up to. They are also one of our November Artists of the Month!
 
The Deli: Down and dirty: one sentence to describe your music.
 
Jacob Prestidge: I might describe our music as harmony-laden, rhythmically driving folk-rock.
 
The Deli: Give me some background info on The Blackbird Revue. I inferred from your bio that your musical collaboration and relationship coincided with one another. If I am correct, how do you think that has affected your music?
 
Jacob: We began playing music together almost as soon as we began dating. Our musical relationship has been like our personal relationship in many ways. I would not say working together musically, or as a couple was easy, or natural from the start. Some relationships are like that; ours was not. We’ve been learning, and continue to learn how to fuse two different personalities, tastes, and styles into a cohesive, fulfilling expression. Has it been difficult? Absolutely, but I have no doubt that it’s made us stronger as a couple, and better as a band.
 
The Deli: What else inspires your music and songwriting? Do you write everything together, or is there a primary songwriter?
 
Jacob: We both write. Historically, I have been the primary songwriter, but lately Danielle has been writing more and more, which I am genuinely thrilled about. Danielle is often inspired by her own life experiences. Her songs often have a cathartic effect and a deeply personal meaning. I, on the other hand, tend to tell stories. I’ll generally write more of a third-person narrative, into which I’ll infuse a few lines of my own heart, my own experiences.
 
The Deli: I’ve seen The Blackbird Revue as a full band, but more recently just the two of you. Do you plan on keeping it that way, or adding more members in the future?
 
Jacob: We both love playing with a full band, but at this point in our career the two-piece just makes a lot more sense. It allows us to travel much more, and it definitely plays to certain strengths of ours, such as our harmonies, and our songwriting.
 
The Deli: What have been your greatest accomplishments as a band?
 
Jacob: That’s very hard to say. We’ve had some things happen that sound good in a bio, but our desire is honestly to share the gifts we’ve been entrusted with to bless people. If someone has been moved by a song of ours, been wakened to beauty around them, or somehow felt less alone in the world, then that would without question be our greatest accomplishment.
 
The Deli: Are you in the process of recording anything? If so, what can we expect from it? Will it be different from your previous albums?
 
Jacob: We’re in the process of being in the process. We have a grand plan that involves raising money for our own home studio. My degree is in music recording. So our goal is to have the tools and the time to record a new album as we’d like, and then be able to record more at a minimal cost, and even getting into producing records with other bands that we love. At this point, we’re simply trying to build our fanbase to the point where we feel like our specific financial goal is attainable.
 
I can say we do have the material for our first full-length album, and it will be both similar and different from our previous releases. Danielle is writing more, and she lends a more driving, upbeat pulse to the sound. Additionally, the electric guitar has been playing an increased role in our newer music. For a sample of what this might sound like, you can check out the brand new video for our latest single, “Blueprints” (below). That said, the album will not be a total departure from what has made us who we are; there will be plenty of acoustic guitar, and lovely harmonies.
 
The Deli: What does supporting local music mean to you?
 
Jacob: It’s very important to us. It takes some effort to find the bands you really love, and it takes some effort to get out of the house and go see them. But we’ve personally never been sorry we made the effort.
 
The Deli: Who are your favorite local musicians right now?
 
Jacob: Our KC area favorites are (and this is incredibly hard, by the way): The Grisly Hand, Akkilles, Outsides, White Girl.
 
The Deli: Who are your favorite non-local musicians right now?
 
 
The Deli: What is your ultimate fantasy concert bill to play on?
 
Jacob: If someone asked us to open for a tour featuring Stevie Nicks (Danielle’s pick) and Emmylou Harris (Jacob’s pick), that’d be okay by us.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
Jacob: Hmm. Our personal musical Mt. Rushmore would include Bob Dylan, Hank Williams, Paul McCartney, and Stevie Nicks.
 
The Deli: What other shows do you have coming up?
 
Jacob: We’re heading out for a short tour this week through Chicago, Columbus, Cleveland, Pittsburgh, and Lancaster, PA.
 
In the KC area we have some great shows coming up, including November 25 at The Bottleneckin Lawrence with Dawn & Hawkes; December 5 at The Riot Room with Nick Thomas of The Spill Canvas; December 12 at 12 Baltimore for their Emerging Artist Series; and December 18 for a Christmas House Concert at our place. We also just found out we’ll be playing an official showcase at the 2015 Folk Alliance International conference this February.
 
The Deli: What other goals does The Blackbird Revue have for the rest of the year, and beyond?
 
Jacob: We want to get better. Better as songwriters, better as singers and musicians. Better at getting the sounds we want in the studio. Improvement is our constant goal. We will get a new album out in 2015, and it will be our best yet.
 
The Deli: Where can we find you on the web?
 
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Jacob: Thank those who help make you aware of good local and regional music. It’s too often their hard work goes unnoticed, or underappreciated.
 
Next Tuesday, November 25, you can catch The Blackbird Revue at The Bottleneck, where they will be supporting Americana duo Dawn & Hawkes from Austin. Facebook event page.
 
–Michelle Bacon
 
Michelle Bacon is editor of The Deli KC and plays in bands.
 
 
 

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NYC

Record of the Month: Mitski “bury me at makeout creek” release party tonight (11.13) at Silent Barn

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In her third album "bury me at makeout creek," Brooklyn songwriter Mitski reveals a dual musical personality and a multi-faceted talent. Opener "texas reznikoff" presents us with what (deceptively) sounds like your regular, acoustic guitar armed singer songwriter, who gently sings about her wishes, her lovers and far away lands. It takes less than a minute and a half for that first impression to get completely subverted by a sudden build up of distorted guitars. The sonic saturation continues in the following track, the noise pop gem "townie," where Mitski sounds like a riot girl of the new millennium, crafting a beautifully tense melody, full of carefree lyrics, over an unrelenting carpet of fuzzy guitars and feedback. Following track "first love / late spring" take us back to the initial sparseness, introducing a very elegant, if not seductive melody, reminiscent of the crooning charmers of the ’50s. A few tracks later, "jobless monday" doubles down on the crooner-pop influences, forging another incredibly beautiful vocal line. The rest of the record keeps dwelling between these recurrent extremes, revealing an artist who relies on her pop sensibility to allow her poetry to shine, while her instinctive, youthful angst leads her to reject anything that’s too conventional or predictable. Many great records emerge from this kind of tension.

Don’t miss the album’s release party tonight at Silent Barn.

Sunday Video: "Townie" – Mitski from Rookie on Vimeo.

NYC

Opal Rose’s Strange Fruit

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DC’s Opal Rose recently teamed up with Triple Threat to create a fantastic electro-RnB cover of the jazz classic "Strange Fruit" (on Brave New Breed). The two are developing a sound they’re calling "Doom&B," and the track is an epic journey. A run through jungle drums launches the vocal to flight over the canopy of rainforest instruments and insects. I get the impression Opal has emerged from some ancient haunted psychadelic pyramid. And I love the ending, hinting at a space launch, easing the listener into oblivion. Look for more from Opal and her collaborators in the comming months. –Natan Press

NYC

Crying releases double EP (or something) + tours the US

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Crying‘s debut EP "Get Olde" took us by storm in September, becoming an instant Deli NYC Record of the Month – we were less impressed with the guys in the band, who gave us the typically punk "we’re too clever for you to care" treatment… However, this kind of attitude isn’t preventing them from going places – ah, the power of good music! They are about to release a remastered and extended version of their debut EP "Get Olde," featuring… another EP attached to it, entitled "Second Wind." Also, together with their inseparable, hacked Game Boy, they just embarked on a month long US tour, with welcome-back-home party scheduled for December 15 at the Music Hall of Williamsburg.

NYC

Recent local single reviews

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White Girl – “M.E.T.R.O.R.O.C.K.” b/w “Cocky”
 
Brow-beating modern house beats meet 80s synth pop revival on the new 7” from White Girl. Self-described as “a dance-infused pop romp through eternal fields of post punk grasses and rolling new wave hills,” Martin Bush crafts a couple of undeniably catchy EDM tunes sure to bounce around the kids that think they are too cool for Devo.

“M.E.T.R.O.R.O.C.K.” is the A-side, not surprising given the amount of hooks, tricks, and crowd fodder thrown into five and half minutes of music. Bush’s heavily affected robotic vocals and aggressive synth choices stick out, giving the song a harder edge akin to Deadmau5 or the older reaches of the Daft Punk catalog.
 
“Cocky” starts with an uncanny and amazing 17 seconds of 8-bit NES-sounding music before it throws on a light pink blazer with shoulder pads to spare, hops in the old trusty Fiero and cruises the downtown drag of new wave. It is the more interesting song of the pair, heavily leaning on familiar tones and sensibilities with enough modern twists and turns to not sound completely dated.
 
 
 
She’s A Keeper – “Wannabe”
 
She’s a Keeper takes us down a dreamy chugglin’ rail with the new single “Wannabe.” Moving in a more indie rock direction, the symphonic layers of instrumentation we’ve been accustomed to from SAK in the past are replaced with blankets of verby guitars, ranging from bright and chimy to tarnished with overdriven grit. Beyond that, the hallmarks of the SAK playbook are more or less still present: tight vocal harmonies throughout, flickers of tasteful additional instrumentation to round out the sound (in this case the reserved plink of a piano), and deft songwriting with careful attention paid to changing, stripping down, and building back the groove several times. It shows a nice balance of consistency vs. maturation for the band and a sign of a more rocking She’s a Keeper to come.
 
 
 
Shy Boys – “Life is Peachy” b/w “Follow the Leader”
 
(Photo by Forester Michael)
 
Much in the vein of fellow Kansas City indie dream pop darlings The ACBs, Shy Boys craft a beautifully floating and meandering surfy sonic scape on its recent 7” release. The two tracks, the aforementionally-styled “Follow the Leader” and the more straightforward pop rock ear worm “Life is Peachy” provide a nice sample of what this popular area trio has to offer. Reverb upon reverb upon reverb over a solid layer of tightly crafted instrumentation push these slyly written tunes along a jangly sea breeze slip and slide. The guitar and vocal hand-holding in “Follow the Leader” especially sticks out, as well as the “Gotcha!” song pause in the middle.
 
 
 
Now Now Sleepyhead – “Influenza”
 
An interesting mix of the ‘80s pop revival, ‘90s hard rock alternative, and a little electronica, Now Now Sleepyhead premieres “Influenza,” the lead single from The Violator, a two-record concept collect due for release later this year. Backed by a mix of four-on-the-floor and the ever popular modern twist on the disco-dance rock beat, the drums are featured prominently, overshadowing the various instrumentation at times with a beating groove that will most certainly get feet and asses moving.
 
Clearly with a wink towards both the club and hardcore kids, the song features an aggressive electronic breakdown guaranteed to set off the subs. The vocals stay pure throughout, showing almost a restrained disconnect, especially in the choruses when screaming could be warranted. Overall, an exciting preview of what looks to be a highly artistic and impressive future release.
 
 
 
Microphone Jack – “I Refuse to Choose the Blues”
 
“It only aggravates our suffering to wallow in those self-indulgent blues.”
 
Local humor balladeer Microphone Jack’s latest single takes a wry shot at one of Kansas City’s time-honored traditions with “I Refuse to Choose the Blues.” Featuring a Randy Newman-esque piano and vocal styling recorded live at one of his recent shows, the simple effort hearkens back to a time when you might lay on your bedroom floor at 2 o’clock in the morning listening to the Dr. Demento show. Tom Lehrer and Stan Freiberg immediately come to mind as Microphone Jack deftly moves through his thoughts on the ironic vicious cycle of making yourself sadder by focusing on how sad you are. MJ’s self-stated mission is global transformation through funny songs. This song definitely moves him one step closer.
 
 
 
Oils – “Waves We Feel”
 
Oils knows how to make the pretty. The Lawrence-based outfit continues to flex this muscle exceedingly well on the “Waves We Feel” single release via Replay Records. One simple but powerful set of words is repeated through the verses as the instruments care to build up a dreamy dynamic centered around the ever-present bright and chimey Fender guitar sound. By the end, the whole band comes together with a sonic gut punch worthy of the longing fueled lyrics. The lo-fi quality and occasional guitar miscue only add to the overall theme of charming sincerity.
 
 
Zach Hodson
 
Zach Hodson is a monster. He once stole a grilled cheese sandwich from a 4-year-old girl at her birthday party. He will only juggle if you pay him. I hear he punched Slimer right in his fat, green face. He knows the secrets to free energy, but refuses to release them until Saved by the Bell: Fortysomethings begins production. He is also in Dolls on FireDrew Black & Dirty Electric, and Riot Riot Riot, as well as contributing to various other Kansas City-based music, comedy, and art projects.
 
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NYC

NYC Pop Artists on the rise: VÉRITÉ plays Rough Trade on 11.20

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NYC singer VÉRITÉ‘s music is a mash up in a lot of ways, it makes us think of Tove Lo/Banks with the clear, distinct voice of Sara Bareilles. She grew up in a musical home filled with records and fell in love with the writing process at a young age. Most of her music seems ready to go for mainstream pop, excluding the haunting cut “Strange Enough." The song, which is an already underground favorite, depicts the singer in a relationship that constantly changes. Her EP, Echo, is already garnering much attention. – Robert Frezza

NYC

The Echo Friendly plays Glasslands on 11.21

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We often say that for bands to last there needs to be a strong bonds between band mates, and The Echo Friendly is a peculiar example in this regard: a break up didn’t prevent Jake Rabinbach (guitar, vocals) and Shannon Esper (vocals) from keeping making music together, and the result is an album that chronicles this complex relationship, where attraction, musical chemestry and relationship troubles team up to create what we can only imagine being a rather messy situation. These guys should be asked to write the soundtrack for HBO’s TV series "Girls" – wait a minute, that actually happened already! Rarely music is created without struggle, and accepting this as part of the creative process is one of the secrets of creative longevity – and maybe also protracted love and/or friendship. Check out The Echo Friendly’s latest single "Fuck it and Whatever" and see them live at Glasslands on 11.21.