NYC

Folding Legs release new single and video for ‘Stick Tie Lock Tether’

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With their icy new electro-dance single ‘Stick Tie Lock Tether’ Folding Legs are certainly contributing to the "Europeanization" of the NYC sound. This shouldn’t come as a surprise, considering that singer Katharina Stenbeck and guitarist Chris Cerny hail respectively from Sweden and Austira. With her elegantly minimal and slightly alienating melodies, Katharina channels the melodic maturity of a Siouxie Sioux from the "Suprestition" years, while the electronic backdrop (a new development for a band that got us used to a more electric sound) recycles elements of the European electronic pop-goth movement of the 80s – think Pet Shop Boys and early Depeche Mode. The brand new video streaming below adds an extra, visual element of dark decadence that links directly to the materic European expressionism of the early 20th century.

We added this song to The Deli’s playlist of Best electronic songs by emerging NYC artists – check it out!

NYC

Elizabeth Valleau of WOLVVES, Young Ejecta, Kiah Victoria and DJ Empress grace the cover of The Deli’s winter 2014 issue

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We thought you may want to listen to the music of the "Women Machine" gracing the cover of our Winter 2014 issue of The Deli… here they are, in alphabetical order:

DJ Empress, top right:

Kiah Victoria, third from the left:

Elizabeth Valleau of WOLVVES, bottom left:

Young Ejecta, second from the left:

Also, check out this cool video with some background about cover shot concept.

NYC

Weekly Feature: The Skins

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The Skins are a Brooklyn based heavy rock and soul outfit consisting of three siblings and two best friends.  Lead vocalist Bayli, bassist Kaya and drummer Reef Mckeithan are joined by two nimble-fingered guitarists, Daisy Spencer and Russell Chell.  They play a thunderously rhythmic rock emphasizing powerful riffs underneath dynamic, clearly defined vocals.  Having already self-released an EP that has garnered them both critical acclaim and positive street buzz from savvy music listeners, the band is hard at work on a full-length album.  Since their initial inception in 2012, the band has toured extensively, impressing audiences at Afro Punk, SWXW and CMJ festivals. 

Read Dave Cromwell’s interview with The Skins.

NYC

From the Sun TImes’ list of 10 NYC bands you should know: Feral Foster

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We stumbled upon this list of "10 NYC artists you should already be listening to" by the Sun Times, and we eagerly checked our coverage records to see our "hit and miss ratio" – a not so grown up version of comparing and trading football stickers, if you wish. Well, 90% ain’t that bad, right? The only artist from the list that wasn’t yet covered in this very blog is Queens based, roots music veteran Feral Foster,  who’s actually been making music for almost ten years. His self titled album, released earlier in 2014, is a collection of passionate vintage blues, straight up folk tunes and crooning ballads that showcase his expressive tenor and a noteworthy versatiliy within the Americana related genres.

We added this song to The Deli’s playlist of Best roots songs by emerging NYC artists – check it out!

NYC

From the NYC Submissions: Toy Cities, live at The Shop tonight (12.11)

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Earlier in the spring, Brooklyn’s Toy Cities released their debut album "Via Death," a surprisingly consistent collection of songs that channels an elegantly hazy, 80s influenced dream pop, in part reminiscent of NYC cult band Violens. Single "Pretend" (streaming) effortlessly marries synth and guitar pop elements with an evocative melody that would make Prefab Sprout proud. Nostalgic sounding without being slow (for some reason the two things often go together) the record features a series of tracks worth checking out, like opener "Setting Son," single "Gallons," and "Nostalgia Kills." You can catch Toy Cities live at The Shop tonight.

This band submitted their music for coverage here.

NYC

Baby Alpaca reveals new track “Roller Coaster”

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Crooners work well during the holiday season, and Chris Kittrell’s Baby Alpaca have recently established themselves as the chief NYC indie pop crooners, with tracks as sensual and conducive to sex as the ones Roxy Music penned for classic album "Avalon" back in the ’80s. The band, who packed the house at our recent CMJ show at Pianos, has just released a new single called "Roller Coaster," streaming below. 

NYC

Chiptune-fusion artist Maxo opens for Anamanaguchi at Baby’s All Right on 12.12

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Chiptune – i.e. music generated using hacked, primitive musical circuits of old videogames – has been gaining momentum in NYC since the mid aughts, when US pioneers Anamanaguchi hit the scene with their Nintendo-enriched indie rock. That band – whose sound has now developed in purely electronic directions – has evidently inspired a bunch of talented newcomers, and Brooklyn based programmer Maxo is one of the most prominent and productive of them. The man is obviously a volcano of creativity: he has two bandcamp profiles, one for his Super Nintendo based creations, featuring dozens of digital releases since 2011, and another one for everything else, including Video Game Music, EDM and Fusion; on his Soundcloud profile, on the other hand, you’ll find extra material including remixes and colaborations. All in all, the word "Fusion" best describes Maxo’s output, since a lot of his repertoire is heavily influenced by jazz, blended with videogame music and other more traditional electronic genres. There’s no lack of opportunities to see Maxo live before Christmas: he will be opening for Anamanaguchi on December 12 at Baby’s All Right, then play pretty much every week in different Brooklyn venues until the end of the year – details can be found here.

NYC

Album review: The Dead Girls – Noisemaker

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(Photo by Todd Zimmer)
 
There’s a certain poetry to the way music communities ebb and flow. A band will manage to capture a certain something that attracts interest, if not devout fandom, but at some point the end of the road lies ahead. At this stage, many musicians decide that it was a good run but now it’s time to do something else. In other cases, band members go off on other musical pursuits. Sometimes a new band arises from the remains of those no longer working. Such is the case for The Dead Girls (formerly Dead Girls Ruin Everything), who came to life in 2004 when members of Ultimate Fakebook and Podstar combined their talents. For the past decade the band has been on its self-described search for “the perfect hook,” and they’ve been successful far more often than not. With their most recent (and perhaps final) album Noisemaker, the Lawrence foursome is hitting on all cylinders with an eleven-track offering that seems primed for radio airplay. I count at least nine of those songs as being ready not only for local airwaves, but much more widespread exposure.
 
The Dead Girls (Cameron Hawk and JoJo Longbottom sharing guitar and vocal duties, Nick Colby on bass, and Eric Melin on drums) take their powerpop pedigree seriously, listing Big Star, The Replacements, The Beach Boys, and Cheap Trick among their influences. It’s a lineage they are clearly determined to be worthy of, and Noisemaker provides 33 minutes that are saturated with crunchy chords, rock riffs, and vocal pyrotechnics that are super, super tight.
 
“I’m On a Mission” opens the album with a blast of all the aforesaid ingredients. From the opening moments it’s clear what that mission is—“to rock!”—and that mission is followed to the letter throughout Noisemaker. A bit later, “Downtown on a Nice Afternoon” offers a burst of jangly guitar sounds, but with an underlying sense of urgency, as if the singer has to be somewhere important… but, well, we’ve already started the song and it’s kind of important that we finish this too… so let’s get it done already! Those opening chords are reminiscent of the sound of early MTV commercials, which is a nice touch, and … oh, I’m sorry, I should explain: “MTV” is a television network that used to play music videos 24 hours a day, and … oh, right: “music videos” are brief vignettes that were made to give television viewers visual connections to the music they listened to.
 
Everybody caught up? Good. On we go.
 
“That Shit Gets Old” is a straightforward rocker that shows me hints of Gruff Rhys on vocals, which is never a bad thing. Perhaps if Hawk or Longbottom was Rhys’ younger brother it would make perfect sense. “Dress Up Dress Down” has almost a summery-surf quality, like it would be the soundtrack to a midnight drive along the beach. “Calling You Around” is a primer in how to blend powerpop guitars with classic-rock arrangements, and “I Don’t Wanna Hafta Hold Your Hand” closes the album with the most uptempo song of the lot, as the band realizes that it’s time to put the guitars and drums down, jump in the Barracuda, and head off to the next adventure – maybe that’s the midnight oceanside drive that I mentioned before.
 
Almost without fail, every album has that one song that stands apart from the others stylistically, as if the band is saying “See? We can do this kind of music too.” This doesn’t work for every band that tries it, but with “Sun and Rain” it absolutely works for The Dead Girls. The dual electric guitar and thunderous rhythm section is replaced by gentle acoustic strings, an ever-so-slightly-out-of-tune stand-up piano, sweetly earnest lead vocals, faraway harmonies, and tonal choices that give this song a very Beatle-esque feel. When a song not only offers a change of pace but shows the true musical talent and potential of the band, that’s when you know that said band is bringing its A game. This song does that for me.
 
The Dead Girls offer something special during their live performances as well, which is something that I’ve said before as being a prime factor in determining the legitimacy of a band or artist. Sure, they’re energetic and do their best to connect with the audience, as most bands at least try to do, but there’s something more here—and it’s evident on Noisemaker as much as it is on the stage of The Bottleneck. It’s the simple fact that you just know these guys are having fun doing what they do. They look like they enjoy every second of music making, and that’s a camaraderie that can’t be faked. Their sense of teamwork carries over to a very important off-stage pursuit that the four of them share: every band member is also a top-notch competitive air guitarist. This is especially true of Eric “Mean” Melin, who won the 2013 World Air Guitar Championship. These gentlemen take their fun seriously—and have serious fun doing so.
 
As of this writing, The Dead Girls only have a precious few shows left before going on an open-ended hiatus; Hawk is going to be teaching English to classrooms of eager students in China next year. There’s no doubt that he’s going to do very well—he could use his song lyrics as pop quizzes—but it’s my hope that he brings a guitar with him. I don’t know much about China, but I have a feeling they could use some rock ‘n roll in their world, and they would be all the richer for it.
 
I know I’ve had a blast listening to every bit of noise made by The Dead Girls.
 
–Michael Byars
 
Michael is looking for a handheld Yahtzee game for his mom. Because he cares.
 
 
 
Join The Dead Girls for their last KC show this Friday night at Harling’s Upstairs. Facebook event page. Their final show will be in Manhattan at Auntie Mae’s, next Saturday, December 20 with The Field Day Jitters. Facebook event page.
 

  

NYC

Weekly Feature: Lifeguard Nights play Mercury on 12.18

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Lifeguard Nights have been around for quite some time, and while this doesn’t automatically give a band credibility, they’ve certainly proven themselves as mainstays in the local scene with over 18 full-length releases under their belts. Vincent Brue, the group’s founder and lead singer, sports a strong tenor with just the right amount of grunginess, and seems to pick the musicians who back him for their ability to integrate that quality with musical edge and power. The band released two album in 2014 that couldn’t sound more different. While we’re hearing more folk influences coming out of their May release “Bruetown,” October’s record "Beastmaster" – an album long in the making – is a fast and furious excursion into the world of (punchy) art rock with prog tendencies. You can catch them live at Mercury Lounge on December 18, and read Jillian P. Dooley’s interview with Vin Brue of Lifeguard Nights.

NYC

Happy Lives’ zany indie pop, live at Baby’s All Right on 12.14

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We’ll admit that we’ve haven’t always been fully convinced by Happy Lives‘ approach to bedroom pop unconventionality, but with latest single ‘Marry Me" (streaming), the Brooklyn duo delivers a remarkable track in which a wide array of genres, ranging from "caucasian rap" a la Beck to lounge pop to psych rock, get blended to perfection. The song is rigorously self produced, hitting the ideal balance between grittiness and clarity – should we call that not-so-lo-fi? – and the lyrics are as provocative as expected. The last verse/chorus reiteration – though – is what makes this tune shine: a delirious psychedelic explosion that raises the tension and the edginess to levels reminiscent of one of our favorite NYC bands of all times: Soul Coughing. Don’t miss Happy Lives live at Baby’s All Right on 12.14.

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

NYC

From the NYC Submissions: The Next Great American Novelist, live at Rockwood on 12.23

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The name of NYC trio The Next Great American Novelist remind us about the fact that here at The Deli we wouldn’t care too much about an emerging singer songwriter blessed by stellar poetry if the music accompanying those lyrics was barely generic or uninspired. And that’s precisely why we find this band’s output rather intriguing: songwriter Sean Cahill knows the in and outs of how to keep a song interesting, with a sound that – obviously reminiscent of the complex melodic openness of Elliott Smith – makes the most of dynamic shifts, tension build ups, clever chord changes, tuneful harmonies and catchy melodies to create memorable songs with quality lyrics – like the noteworthy streaming single "Clover Color Blooms." Add to that a flawless production – thanks in part to the connections of band member Anthony Spinnato, drummer and manager of The Cutting Room Studio in Manhattan – and you get a potential next great American rootsy pop band.
Check out the full album "I’ll See You In The Art You Love" here, and don’t miss The Next Great American Novelist live at Rockwood on December 23 – it’s a free show.

This band submitted their music for coverage here.
We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

NYC

Mark Manning celebrates 10 years of Wednesday MidDay Medley

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Every Wednesday, between 10 and 12 pm, the soothing, dulcet tones of Mark Manning take over the KKFI 90.1 FM airwaves. For 10 years, his program Wednesday MidDay Medley has highlighted a variety of music—both local and non-local, and includes in-depth interviews with bands, local music aficionados, and others in the community. But many of us don’t know much about Manning himself; not only is he a radio personality, but he’s been an active part of the theater community since moving to Kansas City in the mid ‘80s. Check out our Q&A with him, and find out more about one of the most ardent supporters of the Kansas City arts community.
 
The Deli: How long have you been in radio? Give me a little about your background there. 
 
Manning: I started volunteering at KKFI in the spring of 2001 and worked as producer/host/engineer for The Tenth Voice for 8 years. Prior to this, in 1994, I co-produced and contributed as a writer/performer for The AIDS Radio Show with friends Lisa Cordes and Jon "Piggy" Cupit. The show was a radio adaptation of a live show we had done on stage, and was reproduced and recorded especially for radio. It won a Silver Reel Award from the National Federation of Community Broadcasters.
 
The Deli: What other work have you done in performing arts and entertainment?
 
Manning: I moved to Kansas City in 1986 and immediately found a home at The Unicorn Theatre where I worked on 18 professional productions. I was given the opportunity to work as an actor, stage manager, assistant stage manager, designer, and production assistant. I also worked with Paul Mesner Puppets on 18 productions, as a stage manager, technician, and sometimes puppeteer. I’ve worked as a site manager for the Heart of America Shakespeare Festival and as a freelance artist and stage manager. I have also worked as an actor for The Coterie Theatre, Gorilla Theatre, Theatre League, Actors Against AIDS, Quality Hill Playhouse, One Time Productions, and The Fishtank.
 
As a performance artist and writer I’ve created several original pieces and plays including: "Jesse’s Dream Our Nightmare," "Every Gay People," "Gay Bash," "It’s A Man’s World," "Anti-Gone in Kansas," "Slightly Effeminate Men," (with Ron Megee & Jon "Piggy" Cupit) "Straight Marriage," "70’s Cocktail Party" and "The Children of Karen Carpenter" (with Sandra K. Davies).
 
The Deli: You also co-founded Big Bang Buffet, an underground performance collective. How has that organization fostered the arts community?
 
Manning: In 1990 I co-founded Big Bang Buffet with my friends Ron Megee and Janice Woolery, a producing organization that worked to provide venues for original works in performance art, spoken word, theatre and visual arts. BBB fostered an underground scene. Founders met at The Spoken Word at Cafe Lulu (until it closed in Oct. ’91) and Club Cabaret (a gay bar on Main St, now demolished). Between 1990 and 2005, BBB presented 75 different productions at many venues including American Heartland Theatre, Unicorn Theatre, The Midland, Harling’s Upstairs, Quality Hill Playhouse, back alleyways, Unity Temple on The Plaza, The Hobbs Building, Just Off Broadway, The Farm, KC Fringe Festival, Phoenix Books, All Souls Unitarian Universalist Church, Bang Gallery and Lou Jane Temple’s living room. Shows were benefits for the Free Speech Coalition, Human Rights Project, Missouri Naral, ACT-UP KC, Free Health Clinic, SAVE. Core contributors: Ron Megee left BBB to create Late Night Theater; Beth Marshall became Producing/Artistic Director of Orlando Fringe Festival and now runs Beth Marshall Presents; Lisa Cordes is now Director of Artist Inc. and Janice Woolery now runs weekly in marathons. 
 
With Big Bang Buffet, I appeared in over 75 different productions playing roles as diverse as Jesse Helms, Phil Donahue, Tonya Harding, Barbara Bush, George W. Bush and Andy Warhol.
 
The Deli: You started Wednesday Midday Medley 10 years ago. What was the goal of the program then, and is it still the same now?
 
Manning: I was asked by then 90.1 FM program director John Jessup to become a host/producer of Your MidDay Medley. The concept of the show was to play all the different music genres heard on KKFI: blues, jazz, rock, folk, world, electronic, reggae, punk, etc. I really took the "medley" part seriously and I’ve always loved mixing it up. I remember once when I played gay singer-songwriter Peter Allen followed by Jimi Hendrix. A listener called in and asked, "So this is how it’s gonna be on this show?" I wasn’t sure in the beginning what the show was, I mainly used it as an opportunity to play everything I loved that I never heard on commercial radio.
 
I started doing more interviews and special shows. One of our signature shows we started was "A Story in A Song," where we invite listeners and writers to share an original short story about a song that changed their life in some way, and then we play the song. The concept is simple but the shows have been some of our best, and a big favorite with listeners. We also have done a series of satire radio shows called "Then He Touched Me Gospel Hour." We produced the first edition on April Fools Day in 2008. The show was inspired, co-written and starring Jim "The Blind Guy" Hoschek, who played a down-on-his-luck, Christian fundamentalist radio evangelist who recently relocated to Sugar Creek with his wife and many children. Their ministry has taken over the community airwaves. A cast of actors plays all of the roles of the family, and we play actual vintage, locally produced Christian music from the early 1970s.
 
I was really inspired by my good friend Anne Winter, who helped me a lot in the early days. Anne had already done "the KKFI thing" but her experience and love of the station was still present. After her death in 2009, I dedicated my efforts with a new direction to continue the work of Anne. I remember holding onto friends Betse Ellis and Kasey Rausch and making a pact with them that we would be there for each other as friend and never forget.
 
I always wanted someone from a record store to have a regular contribution to the show. I met Marion Merritt at Barnes & Noble on The Plaza. Marion has been joining us on WMM for over 10 years, sharing her discoveries and info from her musically encyclopedic-brain. This year Marion Merritt, left Barnes & Noble to pursue a dream and she opened Records With Merritt (1614 Westport Road) in May.
 
The listeners helped make the show what it is today. In my continuing search to tell stories on radio, I stumbled into the story of Kansas City’s beautiful music community. The music community never ceases to inspire and move me. Musicians started playing live on the show and appearing for interviews. We interview close to 200 people each year. I started searching for as much locally produced music as I could include, and mix this with the very best national releases that aren’t being played on commercial radio. The musicians have taught me. Slowly musicians and artists began to take ownership of the show itself. I remember the day Abigail Henderson told me, "We think of this as our show,” and I couldn’t have been happier. For the last 8 years we’ve been serious about tracking and celebrating the best music in this diverse MidCoastal area.
 
The Deli: Why is supporting local music and the community important to you?
 
Manning: I feel it is my responsibility as a host/producer of a music show on Community Radio. As a non-commercial/educational community radio station owned by a nonprofit organization (The MidCoast Radio Project), we must work to tell the story of what is going on in our culture. KKFI plays over 1000 different songs in a week, we can cover more types of music. You don’t have to love it all, but if you listen you will learn, and you will get to go deeper into genre than any other media outlet will take you. Our jazz shows are hosted and produced by many of KC’s best and hardest working jazz musicians. Our blues shows are hosted by blues musicians or those who have served on the KC Blues Society board. The same can be said for our shows that feature the music of folk, punk, reggae, women’s music, hip hop, rockabilly, world, Native American, new wave, clectronica, etc. 
 
The Deli: Why should people be interested in community radio?
 
Manning: Community Radio really is radio "of the people." The spirit of this can sometimes be polluted by those with narrow vision and selfishness, but ultimately community radio lives by the idea that the airwaves belong to the people. The station belongs to all of us. It is powered by people who want to hear about their own communities in our media. Volunteers who are willing to give up part of their life to produce and host a weekly show and basically give it all away for free, without asking anything for all of the work, and time and investment. With community radio you can have the freedom to tell the stories that just aren’t included anywhere else. This is space that we must hold on to. It is some to the last remaining community space in the broadcasting world. With community radio I know what is happening in my communities and I don’t want to have to listen to commercials for breast enhancement or diet pills.
 
The Deli: Who are some of your favorite KC-area bands and musicians?
 
Manning: This is so difficult because I love and respect so many local artists. In the last year we played over 100 local releases and had over 40 artists/bands on the show to talk about their 2014 releases. We had Madisen Ward and The Mama Bear on our program 4 times in 14 months. They always blow me away. I love everything about Schwervon!, Shy Boys, Howard Iceberg, Matt Dunehoo, The ACBs, Sara Swenson, The Philistines, Betse Ellis, Ghosty, Katy Guillen and Claire Adams, The Bad Ideas, Kristie Stremel, Mikal Shapiro, Krystle Warren, Dead Voices, The Sleazebeats, Pedaljets, Jamie Searle, Calvin Arsenia, Hermon Mehari, Amy Farrand, Chris Meck, Jorge Arana Trio, Dedric Moore, Not A Planet, Michael Tipton, Hearts of Darkness, John Velghe, Vi Tran…I could keep going.
 
The Deli: What do you like most about hosting your own radio show?
 
Manning: Every week is different. Each week I’m forced to write a script and put together the puzzle of a radio show. It is an education, I’m always learning, there is always research, planning. It is personal. I love the interviews. I love having an opportunity to make connections. To serve. I try to find equality in music and music that moves your heart and your body. I want to be a good custodian and help open the door. Through the show I’ve been able to do longer interviews with Tommy Ramone, Lily Tomlin, Laurie Anderson, Krystle Warren, and so many others.
 
The Deli: You are also coordinator for the KCK Organic Teaching Gardens. Tell us more about that and why it’s rewarding to you?
 
Manning: In 1998 we produced a Big Bang Buffet show on stage at the Midland as a benefit for a high school student-produced poetry magazine and program in KCK. I left my job as manager of the box office at The Midland and went to work in KCK training and recruiting volunteers for a literacy program. Somehow this led to my work in creating—from scratch—a garden-teaching initiative that has built multiple raised bed organic gardens, at seven schools in the KCK School District #500. Our program is entirely grant funded and supported by the Kansas University School of Medicine’s Office of Cultural Enhancement and Diversity. We serve over 1000 students in classrooms with a 9-month curriculum that involves the students in 3 plantings and 3 harvests each year, and workshops on soil, worms, parts of plants and seeds, sweet potatoes, salsa, and how plants grow. We launched the program in 2000. I conduct 37 workshops each month at seven schools with 25 different classrooms and teachers, serving over 1000 students in first, fourth, and sixth grades.
 
The Deli: What else inspires you?
 
Manning: My partner Caleb who I’ve been with for 23 years and who has never tried to change me, but only offer me support and a home. His beautiful mom Julia, who lives with us, and reminds me that some of the youngest people I know are in their 80s. My mom and stepdad Arlo. My dogs Maggie and Jack (both rescued from the gardens). I’m a huge fan of David Bowie, The Velvet Underground, Andy Warhol, The Factory, Interview Magazine, New York punk, early ‘80s new wave and post punk, Kraftwerk, Brian Eno, Patti Smith, performance art, Laurie Anderson, LaBelle, local record stores, Broadway, artists, Martin Luther King, LGBT activists, Larry Kramer, Mavis Staples, trees, walking, President Obama, the Grand Canyon, the Atlantic Ocean, Joni Mitchell, George Washington Carver, honey bees, butterflies, gardening, Iris DeMent, vertical files, The Smiths, British music magazines, Bold Nebraska, Rachel Maddow, RuPaul’s Drag Race, photography, Allen Ginsberg, William S. Burroughs, Paul Thomas Anderson films, This American Life, homegrown and homemade food, coffee, Senator Elizabeth Warren, and Michelle Bacon.
 
Michelle Bacon
 
Michelle is the editor of The Deli KC and plays in bands. She’s also a huge fan of Mark Manning.
 
 

You can celebrate with Mark this Friday at Davey’s Uptown Rambler’s Club, where KKFI will be celebrating 10 years of Wednesday MidDay Medley. The show is a benefit for KKFI 90.1 FM, and will feature performances from The Philistines, Dolls on Fire (who will also be releasing their LP that night), and The Pedaljets. Facebook event page 

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