Presented by Burger Records, Lollipop Records, Pizza Party Music, and Lucky Cat Club, the release will start at 7 PM with a pre-show party upstairs. Liphemra will perform first with suavecore surf revivalists The Buttertones and burning psych/garage rock WALTER to follow. DJ spins from members of the awesome Honey Power Club! – Ryan Mo
DC’s art-pop rockers Pree released a video today for "The Dog", their single from that great fancy-dancy record they put out this May, "Rima". The video features lead songbird, May Tobol, doing something many of us would never consider — following a strange clown into dark alleyways and empty playgrounds. Together they explore spinning colors, magical swings, and strange signs on the wall while the song’s narrator explains a tipsy-turvy world and a desire to escape into someone else’s shelter using a pity story : "time to climb/ into the cab and take a drive…/guess I needed another pair of eyes/ so I woke them when I made it to your door/ "I lost my dog"–you let me in/ although I know/ I’ve told you that before." This is a solid album with funk, psychedelic, and blues explorations, electronic decorations, displays of lyrical and vocal strength, warm choral flushes, and occasional distortion. Whenever they’ve been asked to describe themselves they’ve never left out the word colorful. Check out the video bellow, and if you haven’t given "Rima" a listen, get on it! Pree will be playing Brooklyn’s Northside Festival this week (congrats!) before returning home.
We are big fans of Brooklyn’s exper-orchestral collective Friend Roulette, therefore we are happy to highlight this track by Spritzer, the solo project of Matthew Meade, one of that band’s founding members. His single "Melt" takes us back to the summers of the mid 80s, when Lloyd Cole and the Commotions injected a cool, Lou Reed-esque narrational touch to the often overly melodic British pop tradition. You can see Spritzer live at Matchless on Friday 06.12 within the Supercrush Studio, Greenpointers.com and Cara Bella official Northside show featuring a lot of great local artists.
Baltimore Raindeer‘s latest EP ‘You Look Smashing‘ (released this past January) is a truly original and quirky work of lighthearted indie pop with influences ranging from 60’s psychedelia to dream pop, filtered through a very personal musical lens. Recently the band has landed a series of festival gigs, including one at Scapescape this past weekend and at NYC’s Northside Fest tomorrow (06.11). Check out single "This is Rock’n’Roll," which is not really Rock’n’Roll, but it’s nonetheless a lot of fun.
We love it when we stumble upon completely unknown artists with some truly beautiful music (and videos) – that’s what The Deli is here for! Norwegian artist OKAY KAYA (now based in NYC) hit the ground running earlier this year when she released this truly touching video for single ‘Damn, Gravity’ (produced by Rodaidh McDonald of The xx fame), and, shortly later, toured the US in support of Tobias Jesso Jr. The Scandinavian songwriter has three songs up on her Soundcloud page, all featuring a very sparse, drumless dream folk sound. She’ll be performing at this year’s Northside festival with a show at Cameo opening for Deli favorites Fort Lean and Caveman, tomorrow June 11.
NYC’s Vaughn PM follows Kendrick Lamar’s example and makes a party track about substance abuse with "Don’t Fail Us / The Stories." In the video, art imitates life when what starts out as a regular party with drinking games and good times devolves into a fatal zombie encounter. After Vaugh vomits up a cavalcade of polaroids, the pace of the track and the video shifts gears and he spirals down the dark well of his past. He raps, “I know you always slippin on the details, truth be told, time slips when you gettin refills.” We’ve all been there. His art captures the feeling well.
Active since the late aughts, indie collective Ava Luna precipitated NYC’s soul revival of the 2010s. From that hub of DIY creativity that is Bushwick’s Silent Barn, the band’s fourth LP, Infinite House, continues their homage to variety and experimentation. Atonal guitars undulate behind doo-wop harmonies to form an audio puzzle so mesmerizingly inconceivable that it borders on the sublime. With five uncompromisingly forward-thinking albums and a Deli cover of under their belts, Ava Luna has become an absolute pillar of the Brooklyn underground. The band’s drummer Julien Fader recently sat down to answer a few questions in our Delicious Audio interview (link below). By the way, if you are in the mood for some good live music, you can catch them tonight (06.09) at Aviv.
Saturday opened with an overcast morning that blossomed into balmy summer weather for downtown Pasadena — with an expected turnout of over 50,000 the conditions were perfect for this year’s Make Music Festival. Parking was ample and spread out: structures capped event parking at $20, and streetsmart locals snagged meters on Raymond Ave. and others. Food and drink were plenty with specialty trucks lining major streets. Every café, restaurant, and pub had all hands on deck to offer a cornucopia of tastes from lobster rolls to microbrews and milk tea. Six main stages were raised mere blocks away from each other and nearly two dozen venues dotted around them, delivering folk and punk and alt rock and blues. With pop-up shops on every other curbside, and even good vibes from security and the boys in blue, any SoCal music fan would have wondered: why aren’t more cities getting in on Make Music?
But if you were holed up last weekend, don’t worry — The Deli got down and dirty in the press pit to bring you photos of some great acts throughout the day. Beach balls and sunburn aside, Old Pasadena lined up some of the best performances of Make Music’s history, and we are grateful to have covered it.
NYC has a long and rich tradition of noise making that spans from the Velvet Underground’s ‘White Light White Heat" to Sonic Youth’s dissonant noise rock stylings. This is not music that easily find its way in the media (mainstream or not), so those interested in a taste of what this scene has to offer shouldn’t miss the opportunity offered by the Experimental x Noise Northside showcase on Thursday 06.11 at Aviv, featuring five of NYC’s best and most uncompromising cacophony worshippers – including legendary electro-drone veterans Excepter, who are actually one of the least noisy band on the bill. Advice to the audience: this music has eardrum melting powers – bring earplugs! Here’s a quick sampler for ya.
Brooklyn’s Electro-Dream-Pop Deli darling Empress of just unveiled this video for single ‘Water Water,’ a taste from her upcoming debut album, scheduled for a summer release on XL Recording/Terrible Records. Spanish-American programmer and songwriter Lorely Rodriguez self-produced and wrote the album during a solo writing retreat in Mexico. Making the most of her bilingualism, she also released a version of the song in Spanish.
Wolf Colony is an anonymous, mask wearing NYC based singer-songwriter whose soulful and hopelessly romantic brand of electro-pop started receiving some attention in 2013, when is single "Beauty" became an online "cult hit." March 2015 saw the release of the full length debut "Unmasked," featuring 13 tracks of intimate and intensely melodic mid tempos, led by the songwriter signature dark, soul stirring vocals. Wolf Colony will be performing at Pianos tomorrow (06.09) within the AYER June residency.
Though they created an online presence two years ago, Witch Jail has only been playing out as a band for a short time. Formed by husband-and-wife team Rob Gillaspie and Emily Filley, the group recently added drummer Zach Turner to the mix. Gillaspie—formerly of Lawrence bands The Spook Lights and Pale Hearts, as well as The Cramps tribute band Stay Sick—lends his extravagant frontman stylings to the surfy, primitive garage rock band. Witch Jail’s music has all the makings of the soundtrack to a sleazy horror movie, and we mean that in the best possible way. The trio sat down together to answer our questions, and we think you’ll be amused by the answers.
The Deli: Down and dirty: one sentence to describe your music.
Zach Turner: Pineapple Boom Bop.
Rob Gillaspie: LISTENABLE. Incredibly listenable Pineapple Boom Bop.
Emily Filley: A 45 you find in a thrift store dumpster but don’t know if you wanna listen to it.
Rob: I would. It’s LISTENABLE.
Zach: It came from the garbage disposal.
The Deli: Give me some background on Witch Jail. How did the band come to be?
Rob: There is this picture from the ‘40s of these classylooking schoolgals standing in front of the old Salem Witch Jail in Massachusetts. We saw that and decided to steal the name before anyone else could. Made a Facebook page and a Bandcamp page before we even had any instruments. Locked it down. Conjured up the band around it. SORCERY. I’m used to just being a wildass frontman, breaking bottles on my head and taking off my pants and all that… so being anchored to a guitar has been a real humbling experience for me. It’s a good thing.
Emily: You forced me to play guitar even though I was super sick.
Rob: What?
Emily: Yeah! Remember that time I was sick for 6 weeks?
Rob: I forced you to play guitar?
Emily: Yeah, you were like, “We should do this!” and I was like, “I can’t even stay awake right now.”
Rob: So you’re saying I healed you? I cured your illness?
Emily: Yes.
Rob: THAT’S WITCHCRAFT.
Emily: We went through a slew of drummers. Then Zach came up to us in a bar and asked if he could play drums for us.
Zach: That’s how I get all my drumming gigs. I just go up to people and ask. That’s how I ended up playing with Folkicide, too.
The Deli: What inspires your music and songwriting?
Rob: Vintage melodramas. Old comics and sleazy movie trailers. Slime. Artists of singular vision like Doris Wishman or that guy who directed Miami Connection. Unsolved murders. Drugs, obviously. The Devil—not the metal one but the blues one. Ghosts—at my age, the kind of life I’ve led, you start to know quite a few of them.
Emily: Romance comics, cats, shoplifting, movies.
Zach: Sticky buns. I think about sticky buns. Don’t put that.
Emily: Those sticky buns are gonna be good when I’m done. Better hurry up and finish this song.
Rob: What about your drumming? What inspires your drumming?
Zach: I just like to hit stuff.
The Deli: What have been your greatest accomplishments as a band?
Emily: Not getting frostbite in the shed at Satan’s Gay Acid Bath.
Rob: I was gonna use that show, too. Opening for Guantanamo Baywatch in that freezing shed. They’re one of my favorite bands. Also, Getting Zach to play drums for us.
Zach: I don’t know. SHE’S ASKING THE TOUGH QUESTIONS. I thought this was gonna be a fluff piece.
Rob: Actually, the fact that we’re playing shows ANYWHERE is an accomplishment. I’m just happy Kansas City has been such a good fit for us. We love it here.
The Deli: Rob, you’ve been playing music in the KC/Lawrence area for a number of years. How has the scene changed, in your opinion?
Rob: I don’t know that it’s changed a whole lot. The way I interact with it has changed as I’ve gotten older, sure… I think the only thing that really changes in a scene is perspective. The music in KC has ALWAYS been on point. It’s a creative town, lots of energy here. That being said, there’s always an ebb and flow. Kansas City just happens to be FLOWING in a huge way right now. We just moved here after living in Lawrence for 20 years. Lawrence is… not really a GULCH these days, but close. There’s certain things going on with the economy over there that makes it hard to be a struggling artist. Which is probably why KC keeps stealing such great talent from there, ha ha ha. I know it’s a BIG reason we decided to migrate here.
The Deli: Do you have any recorded music or anything in the works? What can we expect?
Rob: We have a really rough demo up on our Bandcamp page, but we’re gonna record everything over again, then start shooting music videos. Maybe do a horror movie about killer cats. And definitely put out a tape soon.
The Deli: What does supporting local music mean to you?
Rob: Reducing the amount of shit I talk online about local bands I don’t like.
Emily: Buying a round of shots for bands when we see them play.
Rob: I’m too broke and crotchety to get out to all of the shows I want to see, which is A LOT of shows, so I try to do my part by spreading the word to people, help build audiences. I’ve been trying to do art for local bands that I like, too, whether they want it or not. Ha ha ha.
The Deli: Who are your favorite local musicians right now?
The Deli: Who are your favorite non-local musicians right now?
Rob: Martin Denny? Liberace?
Emily: Can it all just be dead people?
Zach: Guantanamo Baywatch. Shannon and the Clams.
Rob: La Luz. I like them a lot.
Emily: Kid Congo and the Pink Monkey Birds.
Zach: Cherry Pits are really good. The Rebel.
Rob: I listen to rock music some of the time, but when I’m at home I mostly listen to exotica albums and lounge music.
Zach: I mostly listen to bubble-gum pop and soundtrack music.
The Deli: What is your ultimate fantasy concert bill to play on?
Zach: Wrestlemania in Hawaii.
Emily: Hasil Adkins with Tom Lehrer and The Cramps. The Cramps with Kid Congo.
Zach: I don’t know. I don’t really have a fantasy concert.
Rob: Playing at some seedy fucking titty bar in the 1950s and ending up on one of those Las Vegas Grind comps later on. Or opening for ourselves from 20 years in the future.
Zach: I’m not really a concert guy. So I don’t really have one. I like albums better.
Rob: That’s a really good answer. I feel like a lot of people come up with really extravagant concerts…
Emily: "The Who and Cher!"
Rob: …I think that’s a way more honest answer though. I totally feel that.
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
Rob: We were gonna say the Residents at one point, just four eyeballs.
Emily: Poison Ivy, Levi Stubbs, Mark Mothersbaugh, and Tuna from the Rock Cats.
Zach: Paul McCartney, John Cage, Erik Satie, Macho Man Randy Savage. There was a question on one of those Legends of Wrestling specials; it was an episode about managers, and they actually had a graphic of their top four managers on Mount Rushmore.
Rob: No girl groups?
Zach: Fuck. I wanna change Macho Man to Ronnie Spector now.
Rob: Martin Denny, Link Wray, Mrs. Miller… Nah, my Mount Rushmore is gonna have The Chipmunks and Screamin’ Jay Hawkins on it.
Emily: You’re just doing that out of spite!
The Deli: What goals does Witch Jail have for 2015, and beyond?
Emily: Get the allimportant Dan Aykroyd endorsement.
Rob: Get a Crystal Skull vodka endorsement.
Zach: I don’t like vodka, though.
Rob: You like Dan Aykroyd, don’t you? Then you’ll like his vodka.
Emily: We’ll just fill a crystal skull with gin for you.
Rob: Also, supporting Zach in his bid to become a pro wrestling manager. What’s the story with that?
Zach: The story is, I got a walrus in my bathtub and a crapper fulla diamonds, and I’m gonna buy me a fucking champion!
Emily: And we’re gonna ride his coattails to stardom.
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
Zach: You should probably die before the war.
Emily: Good times, great oldies.
Rob: Never shower. It washes your creativity down the drain.
Witch Jail is:
Rob Gillaspie (Guy Slimey): guitar, vocals
Emily Filley (Suzy Bones): guitar
Zach Turner (Tommy Guyana): drums
There are several opportunities to catch Witch Jail this month; the first is tomorrow, June 9, at recordBar with Lazy, Heavy Buffalo, and Mr. & the Mrs. Facebook event page. They’ll also be at East Wing next Wednesday, June 17.
–Michelle Bacon
Michelle Bacon is editor of The Deli KC and plays in bands.