NYC

Madisen Ward & the Mama Bear celebrate a homecoming

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(Photo by Todd Zimmer)
 
The last time Madisen Ward & the Mama Bear took the main stage at The Midland, they were opening up for B.B. King in one of his final performances. At this point, last October, the mother/son duo was just being introduced to listeners not just around the country, but in their hometown as well. They had recently been signed to Glassnote Records after wowing a roomful of record executives in Muscle Shoals and playing a secret showcase at Third Man Records in Nashville during the Americana Music Festival.
 
Not long before that, Ruth and Madisen Ward were playing to small but enthusiastic audiences in and around their hometown of Independence. Ruth has been a musician for most of her life, playing the Midwestern circuit as a folk songwriter in the early ‘70s. She returned to music after her three children had grown, and her youngest son Madisen began accompanying her to coffeehouse gigs, sometimes joining her for a few songs. Like his mother, Madisen began writing songs as a teenager, finding his footing as a musician while accompanying Ruth on these shows. “The style we play is different than what my mom was playing in the ‘70s, and I came to music later, so I see it differently,” says Madisen, who has since fallen into the role of chief songwriter. “Eventually, my mom gave me the reins and told me to write.” While Madisen constructs a song’s general melody and lyrics, his mom helps with song development, bridges, and harmonies. The two have found major success with this formula, creating a unique, moving brand of Americana music.
 
All of this is why their performance this Thursday is a bit of a homecoming. This will be Madisen Ward & the Mama Bear’s first major headlining show in Kansas City, after a slew of achievements that include appearances on The Late Show with David Letterman and Later… With Jools Holland; opening slots for a broad scope of acts like The Pixies, Rodrigo y Gabriela, and The Tallest Man on Earth; and prestigious spots at events like Bonnaroo and Newport Folk Fest. They’ll also be bringing a full band with them this time, with Kansas City musicians Tom Hudson on drums and Brent Kastler on bass, as well as Larissa Maestro on cello.
 
But this sudden onslaught of triumphs—which also include a European tour (and another on the way, with Sufjan Stevens) and the acclaimed release of their debut LP Skeleton Crew in May—is not without its challenges. “Your creative routine has to be altered,”  mentions Madisen. “We used to be able to sit in the dining room and bounce ideas off each other. I still write when we’re on the road, but it’s a different dynamic that you have to learn to juggle.”
 
On the flip side, the two have found that success has great rewards. “The whole thing is the people,” says Madisen. “It’s a very personable career that really revolves around human interaction, and the energy of a room. All of these different people we get to meet have different stories.” Stories, perhaps, that will find their way into the duo’s music one day.
 
Madisen Ward & the Mama Bear will be playing at  Arvest Bank Theatre at The Midland with special guests Luluc, an Australian folk duo, on Thursday night. Tickets are $15 and can be purchased here.
 
 
–Michelle Bacon

Michelle is the editor of The Deli KC and plays in bands.
 
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NYC

Alt-rock Grave School releases debut EP, first burial seminar 9.17

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Surf pop sinew meets Dinosaur Jr. soul in San Fernando Valley’s newest alt-rock incarnation Grave School. Despite making a quiet entrance into the scene, this band has been in the works for a long time: singer/guitarist Gina Almaguer (Sheer) met drummer Aldo Felix (ACxDC, Human Garbage) online through mutual friends about two years ago.

"Grave School has technically been in the making since late 2013, when me and Aldo first started jamming — just the two of us."

Their busy schedules gave the project slow momentum, but patience has its virtues — Aldo and Gina also found able bodies from their circles: Daniel Castro (guitar/vox), Marisa Shirar (bass/vox), and Gilbert "Guzie" Guzman (Nomads, Sleepwalkers). Self-described as a pop-oriented, even cheesy, fun band, the vocals of Marisa, Daniel, and Gina (yes, they all sing) lifts listeners with ’60s guitar jangle before burying them in six feet of dirtbox distortion. 

Grave School released their debut EP via Bandcamp earlier this month, and will play their first show at the Ventura Music Factory on September 17th, supporting Choir Vandals (St. Louis) with Papertowns. (Phoenix) and Living Ghosts (Oxnard). Take note, and check out the first song "Clutch" to their EP below. – Ryan Mo

NYC

NC/NY-based band Ladyfriend coming to Knitting Factory September 22

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Splitting their time between North Carolina and New York, Ladyfriend are keeping it local come September. Their self-titled EP from last year (streaming below) consists of one buzzy indie-pop hit after another, with enough electronic influences to definitely keep you dancing. Their lyrics are playful, their beats are bouncy, and each track exudes how much fun the band is having performing them. Don’t miss them in Brooklyn, opening for Los Colognes on September 22nd at Knitting Factory. – Sam O’Hara

NYC

Alex Vans & The Hide Away release “Somebody To Lose”

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Last April, Alex Vans released the double A 45 "Velocirapture" to much fanfare. Fans had waited a long time for a follow up to Alex’s debut album DJ Booth. Luckily for us all, this time we didn’t have to wait long for yet another single. "Somebody To Lose" is a favorite at live shows already, but this record cranks up the tempo and intensity. It starts like a power-pop party-rocker and dives right into it’s infectious expanding groove. The best part, of course, is the chorus. Sweet and melodic, a contrast to the hard bass-driven verses. The entire record sounds beautiful. Punchy and bright guitars swirl around Alex’s smooth vocals. Snappy drums are joined by percussive punctuations and bits of studio laughter, adding a layer of sonic intrigue.

Together with the two tracks on Velocirapture, we have the beginnings of a very ambitious album. None of the three tracks are much alike, tied together only by Alex’s voice and skillfull melodic rock. Hopefully we wont have to wait too long for a full length, or at least another single. Check it out on Spotify! And don’t miss Alex Vans & The Hide Away playing for The Circus Life Two Year Anniversary Concert at the 9:30 Club on Friday, August 28th   –Natan Press

NYC

Baltimore pop-folk septet Haint Blue releases new EP, plays Baltimore Folk Fest, 10/24

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Baltimore’s own Haint Blue is back with a beautifully crafted self-titled EP out earlier this month. The seven-strong group artfully amalgamates poppy beats with Americana roots and instruments, producing a sound akin to Shovels & Rope or Avett Brothers, but still apart in its context and tonal shifts. Haint Blue has layers of pain and living in its lyrics, wrapped carefully in cheery beats and twangy harmonics. Grab a copy today and check them out at the Baltimore Folk Fest on 10/24. -Jonathan Goodwin

NYC

NOVA-based indie folk group Wylder releases new single, plays in Jammin’ Java BOTB finals, 8/21

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They’re from Fredericksburg and they sure know how to compile a track. Wylder takes all that is good about indie pop and folk and fuses it into a beautiful, symphonic melody. Their brand new single, Sunstroke, would fit perfectly as part of a movie soundtrack where everything turns out all right in the end. Emulating the sound of greats like The Polyphonic Spree, Wylder’s quality stands out as they’ll compete in the Jammin’ Java battle of the bands finals in Vienna on 8/21. Give them a listen and your support when they take the stage at 8pm! -Jonathan Goodwin

NYC

The “warm neo-folk” of Morningsiders

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Like Vampire Weekend before them, New York, self-described “warm neo-folk” quartet Morningsiders has made simultaneously regal and moving music following its birth at Columbia University. Their 2014 piano-dallied track “Empress” recently became number one on Spotify’s “United States Viral 50” chart but the early-twenties guys’ February-released debut EP ‘unfocus’ is the real striker. In the past, bands like Dirty Projectors have previously used centuries-old instruments such as the violin to majestically evoke the ageless feelings of longing and uncertainty. But, as heard on EP opener “Dots” (streaming below), Morningsiders’ ability to mix masterful musicianship (Reid Jenkins’ chimerical violin playing is especially good) and sensitively honest lyrics (“I’m telling lies to get out of socializing,” rasps frontman Magnus Ferguson) into a folk/pop/jazz/even hip-hop stew is majestic. Morningsiders play at the David Rubenstein Atrium, Lincoln Center on 8.27 and at Rockwood Music Hall Stage 2 on 8.28.– Zach Weg

NYC

Indie rock trio The Can’t Tells playing Rough Trade this Friday (8.21)

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Brooklyn band The Can’t Tells have been delivering punchy indie rock since around 2006. Since their formation in Boston, they’ve relocated to Brooklyn and matured their sound (some of their best singles streaming below), featuring a DIY LP release in 2013. Their music hears influences of power-pop, punk, and rock, while still being dancey and fun. Their shows are known to get a little wild (with a few band injuries on record), so prepare yourself for what’s sure to be a great time at Rough Trade this Friday night (8.21). – Sam O’Hara

NYC

OKAY KAYA’s latest video: Clehched Teeth

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We were literally entranced by OKAY KAYA‘s video for "Damn, Gravity," when she unveiled it earlier this year. The Norwegian, NYC based songwriter obviously knows how to make simple melodies and images become larger than life, through her intense delivery and evocative lyrics. She’s prooving that once again with her new video for single "Clenched Teeth," entirely shot in Tokyo. Wondering when she’ll be playing NYC next…

NYC

The Meaning of Life performing at Rough Trade on Saturday (8.22)

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NYC dream-pop act, The Meaning of Life, is just as quirky as its name suggests. Citing David Lynch, The Wheel of Fortune, and ’60s and ’80s pop as their major influences, the group is  making pop music that refuses to take pop so seriously. Earlier this year, they released the full length ‘Diamonds & Junk Food,’ with tracks that lean towards either pop or shoegaze (listen to their pop sound below). They’re different and they know it, but that’s what makes them so fun. They’ll be playing this Saturday (08.22) at Rough Trade for Pancakes and Whiskey’s birthday bash. Sam O’Hara

NYC

This week’s releases

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Several KC-area bands will be releasing tracks or albums this week:
 
Bad Wheels / Bad Wheels (EP)
 
 
This heavy-riffin’ four-piece rock collective is releasing its debut self-titled EP tomorrow (Tuesday) through Bandcamp; you can download the 6-track album, or purchase a limited-run cassette with a download card. You can also pick up a cassette and hear some of these tunes on Saturday at Harling’s Upstairs, where the group will be performing with StrawBilly.
 
 
Shades of Jade / “That One”
 
 
Shades of Jade will be releasing a single from their forthcoming album Fingerprinted Memories: Part II Sketches of the Heart this Thursday. That evening, the eclectic jazz group will take the stage at The Blue Room. The band will also be talking with Mark Manning on Wednesday Midday Medley this week, on 90.1 FM KKFI at 10:30 a.m. Preorder the track on iTunes. Facebook event page. #thatone
 
 
HMPH! / Headrush
 
 
On Friday night, math rock duo HMPH! will be celebrating the release of its debut full-length album Headrush on Haymaker Records. The band will have vinyl copies for sale that evening at Harling’s Upstairs. Rhunes and Arc Flash will also play. Facebook event page.
 

Radkey / Dark Black Makeup
 
 
The wait for Radkey’s long-awaited debut LP, Dark Black Makeup (Little Man Records) will also end Friday. The boys kick off a 2-week European tour in Belgium on Thursday, but their next appearance in the area will be September 25 at The Bottleneck. The album is now available to stream via Spin. Preorder the album here.
 

 
 
Danielle Nicole Band is the project of former Trampled Under Foot singer/bassist Danielle Nicole Schnebelen. The group released its debut self-titled EP earlier this year, and will release Wolf Den this Saturday at Knuckleheads Saloon. Grand Marquis will open. Preorder Wolf Den here. Facebook event page.
 
 
 
 
Saturday will also mark the release of Radiant Man on UniGlobe Records. A Crooked Mile will be playing at recordBar that evening with Kristie Stremel’s Pet Project and Carswell & Hope. They will also be featured on Wednesday Midday Medley this week, at 11:00 a.m.
 
 

–Michelle Bacon 

NYC

Prism Pipe presents live visual music featuring retrofuturist [PHYSICS]

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Itching for a sober trip? Pehrspace is hosting PRISM PIPE, a visual music event curated every third Monday of the month by The Current Sea and Screaming Claws. Since last year, PRISM PIPE has enjoyed moderate success as one of the few audio/visual showcases persisting in LA’s DIY scene — notable artists include: Electric Soundbath, GreyGhost, and Earth Pitch.

This Monday night, [PHYSICS] will be creating stereophonic conjurations live with video art by The Current Sea and Ang Wilson. Since 2011, [PHYSICS] has championed analog atmospherics and retrofuturist synthwave, even venturing into some vaporwave grooves in 2013’s "Not Even Real" EP. His newest album Only Forever is a straight immersive sound art experience, dropping listeners into modular valleys, oscillating caverns, and pulsating cybernetic organisms. Pair this with tagteam visualizations of digital artists Brian Griffith + Sarah Zucker and Ang Wilson (Electric Soundbath) and you have one of the LA’s most pleasurable sensory overloads for the summer. Seriously; you don’t want to miss this. 

Audiences will be promptly saturated with color and sound at 9:00 pm for one solid hour, so come early TONIGHT (doors open at 8:30 pm). Listen to "Only Forever", the first track off [PHYSICS]’ album below. – Ryan Mo