Some band names have the power to inhibit your "clicking" will, and, admittedly, the band called K.I.D. (akronim for "Kid In Dehad precisely that effect. But sometimes you’ve gotta get past first impressions… Our self-discipline triumphed though, and the consequent, reluctant clicking was rewarded with some really cool electronic rock-pop by a Toronto duo that’s currently in NYC for the CMJ music festival. Check out their recent video for single "New Emotion," which showcases singer Kara’s noteworthy vocal talent and presence, and the band’s propensity for radio friendly melodies. After their appearance at CMJ, K.I.D. will come back to Canada for a brief East Coast tour. 

Here at The Deli we try to reward artists that dare to forge new, interesting sounds, and Portland duo Windus definitely belongs to this category, at least in this 2014 single "Peninsula" from their debut, self titled EP. We love the stripped down intensity, minimalistic melodies and textural elements coming and going in waves. The rest of the records settles for a more regular folk sound, but always keeping the intensity and poetry on. You can see Windus live at Mississippi Studios on 11.19.

The CMJ festival is currently on in NYC, and we stumbled upon a Portland artists that’s taking part in it we never covered before: Grace Mitchell. The 18 year old certainly sounds a lot older and wiser than her age in her blues-electro-pop sophomore EP "Raceday," which was released just a few weeks ago. Her tracks certainly don’t belong to the widespread "intimate female songwriter" category, but on the contrary possess almost invariably a bombastic pop element. It’s really hard to believe a teenager can have a vocal delivery as confident as hers. 

Founded in 2008, Jumpcuts has seen several iterations of its lineup, but the quality remains. The Baltimore-based Andy Shankman founded the band and artfully constructed its standout rocktronic flavor, mixing catchy vocal bits with swirls of instrumentals and synthesizers. Due to release a new 7”, Fiber Optic Bondage, Jumpcuts has put out a new single and accompanying video, Headlights, which you can catch below. It’s hopeful and dancy and should find a new home on your playlist. -Jonathan Goodwin

For my last night of CMJ, I started at Alphabet Lounge to see Timbre and Siblings. Timbre, a harpist from Nashville, Tennessee, took the stage accompanied by a violinist and drummer – her sound was unparalleled. Seamlessly increasing and decreasing in both dynamics and tempo, Timbre defied what I believed to be true about the harp. Each song had a driving momentum that contrasted with Timbre’s almost angelic voice floating above the instrumentation. Next at Alphabet Lounge was the NYC-based band, Sibling.  Sibling is comprised of six musicians: a guitarist, bassist, saxophonist, drummer, and two vocalists. As a larger group, their music crosses and blends genres; they merge the melodies and articulations of jazz and funk, while the vocalists blend R&B and rap. Although many of their tracks sounded similar, Siblings music undoubtedly makes you groove. From Alphabet Lounge, I headed to Drom and there I saw another NYC-based artist: Kendra Morris (pictured). Morris’ music, a fusion of soul and rock, was sung with control while still demonstrating her expansive range. Luckily, Morris’ voice, an odd mixture of operatic and Amy Winehouse rasp, was enough to distract from her backing track and the one other musician on stage. Nevertheless, there was a command of the space, and audience, that has been rare the past three days of CMJ. – Isabel Rolston

Wednesday night at The Bitter End in the West Village started with the understated majesty of New York/Philadelphia quartet Second Child (pictured). Playing warm, folk-inflected songs that found notable beauty with the harmonizing of lead singer Alex DeSimine and bassist Alex Tremitiere, the band subtly moved the listener but didn’t forget to straight-up thrill; their funked-up cover of David Bowie’s "Fame" enlivened the previously focused crowd, several hoots and shouts flying out. While Dirty Projectors are probably more similar to them, it’s exciting to see that Second Child can get loose like The Thin White Duke did on some of his earlier tracks. At Le Poisson Rouge, Oakland/Chicago rocker Ezra Furman finished his set with a gloriously riotous rendition of Arcade Fire’s "Crown of Love," the gradual nature of that ‘Funeral’ standout reverting into sax-backed wildness and the green-haired Furman’s lightning-quick guitar picks. Back at the End, New York four-piece The Grasping Straws drifted into slow, drum-marched songs that, particularly with frontwoman Mallory Feuer’s drawn-out and bluesy vocals, recalled the lo-fi glory of early Cat Power. Taking their time rather than rushing towards easy shock, these tracks intrigued with their very patience and calm and, perhaps most importantly, were ultimately moving, their tumbling quality enabling the audience to both engage and reflect. Down on the Lower East Side, Brooklyn’s French Horn Rebellion sent the evening out with feel-good dance tracks full of both jittering electronics and rubbery horns. Brothers Robert Perlick-Molinari and David Perlick-Molinari wore matching Glasslands T-shirts and, with their hip sways and head bobs, they seemed to throw a party not just for that lost venue but for the institution of live music itself. – Zach Weg  

We certainly have an affinity with the gals at Hypnocraft (who organize the Deli sponsored weekly, collaborative, female-artist-only nights called The Hum) since they keep booking musicians involved with bands we love, many of whom we featured on our rag’s cover in the past. The upcoming event, scheduled for Monday 10.19, features a particularly intriguing line up. 

The first collaboration will see extraordinary one-woman-band Emily Wells (whom we booked years ago for a fantastic BK Bazaar show) collaborate with atmospheric electronic artist Lorna Dune; expect a lot of electronic instrumentation laying around, and some looping of acoustic instruments. After this duo, a quartet of ladies will take the stage: Kristin Slipp (Cuddle Magic), Rosana Caban (Psychic Twin), Angelica Bess (Body Language), and Becca Kauffman (Ava Luna) – the latter two were featured with their bands on the cover of past issues of The Deli; a lot of really good vocalists in this group, we would be surprised if we didn’t witness some three way harmonizing at some point during the set… The final show will mix things up big time, with a jazz flavor brought by saxophonist Hailey Niswanger and xylophonist Nikara Warren, and Hip Hop vocals courtesy of rapper L.atasha A.lcindor AKA L.A. and soulful singer Katie Jones.

It will be a fun night, hope to see you there! – Photo by Amanda Hatfield — with Katrina Cunningham and Idgy Dean at Manhattan Inn last Monday.

My second night of CMJ started at DROM in the East Village. The lineup consisted it three NYC-based artists: Mackenzie Shivers, Lance Breakfast, and Kenyon Phillips & The Ladies in Waiting. Shivers started the night at the piano. Her music can be classified as folk pop, but listening closely, both country and celtic influences animate her melodies. During her track, “Fourth of July,” Shivers’ voice, harmonizing with another singer, swamped the venue in a sound that was emotional and authentically beautiful. She was also the pianist for the next two acts: Lance Breakfast stepped onto the stage wearing an NYU t-shirt and strumming on a baby blue guitar – or was that an electric Ukulele? Breakfast’s music floated between genres. His voice, gruff and weighty, suggested folk, but his band’s instrumentation, which was clear, organized, and hard-hitting, leaned towards rock n’ roll and blues. Although most of his tracks were consistently up-tempo, I appreciated Breakfast’s slower, quieter, moments. It was only then I could hear his lyrics. Progressing through the night, each act amped up the volume and tempo. So, by the time Kenyon Phillips & The Ladies in Waiting hit the stage, the audience was ready for some punch. Phillips commanded the stage with wide-eyed theatricalism; while watching him sing track “Born to Be Famous” I couldn’t help but think that he made a good case for it. Towards the end the night, I headed west to The Studio at Webster Hall. Up next was Cardiknox, (pictured, who recently moved from NYC to LA) and it was the most fun set of the night. Lead singer, Lonnie Angle, bounced around the stage, and her performance energized me and the audience. Angle’s singing is ethereal and amplified by backup vocals, but there is nothing dreamy about Cardiknox. Almost midnight, Angle yelled into the microphone, “Let’s keep fucking doing this.” Their synth-driven anthems were so energetic and empowering, no one at Webster Hall was wishing they were asleep. – Isabel Rolston

It’s Friday and you wanna turn up, but keep it kinda classy. Picnic in the evening before evenings start at 5. Try some new gourmet food trucks. Check out some art, DIY crafts, and fashion. Go out and people-watch. Anything but Netflix and chill. When was the last time you went to a museum and learned some cool stuff about US history and California Impressionism? Come to Odd Nights at the Autry tonight, right after work. Take a friend. Take a date. Take your parents. Maybe your children?

It’s an all-ages event right across from the LA Zoo. The Unending Thread, Crescendo, and The Fuzzy Crystals are performing there, too. It’s gonna be sweet, and he’ll be totally happy that you suggested the idea.

Odd Nights at the Autry is a recurring event at The Autry National Center, curated by Odd Market‘s Phillip Dane (Dodger Stadium Flea, Downtown Flea, Melrose Flea). Odd Market brings together artisans and cooks, artists and musicians for Los Angeles to experience every third Friday of the month. Parking and admission are free, and visitors are welcome to bring pets, even horses. Full bar/beergarden, specials for the museum, and — I think it bears repeating — the event is totally free. – Ryan Mo

Wednesday night on the Lower East Side started with unabashed energy as Sag Harbor, New York-hailing duo The Glazzies performed its guitar-stormed tracks at Pianos’ Upstairs Lounge. Along with drummer Dave Horn, whose Johnny Cash T-shirt added to the room’s ominous yet warm aura, singer Peter Landi broke into tight songs that conveyed the passionate angst of Nirvana while burning the mirror-paneled stage with its own punk fire. Just across the street at Arlene’s Grocery, New Jersey quintet Owel delivered a shinier but no less fiery sound, frontman Jay Sakong and his bandmates playing soaring, violin-girded cuts that recalled the grand-rock of Muse but glowed in a unique halo of ferocity and sonority. Fellow five-piece Controller (pictured, scheduled to play our Pianos indie show on Friday) took the bustling Arlene’s next, jumping into pop-bubbled rock pieces that almost sounded like Bruce Springsteen beside a synth station. There was also something of ’80s dance in these delightfully loud songs, as vividly seen in lead vocalist Jon Bellinger’s elastic sways and swoons, the movements of a bashful master of ceremonies. Back at Pianos, the five mustached men of Los Angeles’ Bird Dog brought things down to a somewhat calmer notch, their folk-inflected rock songs reaching particular beauty with gliding harmonies and topping the high-ceilinged hall with western sun. New York-via-Israel musician Tesha closed the evening a few blocks away at Fat Baby. Before a wall that had pictures of such hip-hop masters as Tupac, the computer-decked artist dipped into subtly moving fantasias of skipping beats and sputtering synths, almost holding time in a bewitchingly nocturnal instant and then releasing it back into the wee hours of the morning. – Zach Weg

Last CMJ 2015 show! It’s pop time, who doesn’t like pop? C’mon everybody – there will be FREE SWEETWATER BEER from 7 to 8pm!!!

Check out this awesome compilation with a track by each artist performing tonight.

The Deli NYC’s Folks