NYC

NYC Avant Indie masters Pollens play Mercury on 11.13

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Screw Spotify and Pandora’s automatic discovery algorhythms, that are supposed to find the next band you are bound to like – they never work for us, NEVER! Plus, you can’t even tell them you only want to listen to NYC artists – ugh… The only thing that works here at The Deli is to parse relentlessly through the listings of small local venues like Palisades, Shea Stadium, Cake Shop, Rockwood, The Living Room… at time also Baby’s All Right and the Mercury Lounge. In the latter’s listing we found a really interesting local band called Pollens. They are a quartet with an LP entitled "Brighten and Break" released back in 2012 and a sophomore album ("+=+=+=+=") out earlier this year. Single "Helping Hand’ (streaming) from their debut, is an avant-pop gem, featuring looped harminizing vocals, an arrangement growing in intensity, and a vocal melody that’s as cerebral as it is catchy – and vaguely reminiscent of all time NYC favorites Buke and Gase. The band has grown experimental with the years, and the sophomore record, more electronic, cerebral and textural, rarely gives in to pure melody, emphasizing instead angular drum patterns and quirky arrangements. See them live at The Mercury Lounge on 11.13.

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

NYC

The strange story of Chandra – live at Rough Trade on 11.14

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In the late ’70s, Chandra, the daughter of eminent conceptual, NYC based artist Dennis Oppenheim, showed considerable promise as a songwriter and performer since the age of seven. This inspired New York noisemakers The Model Citizens to approach the young prodigy and become her backing band. An EP entitled "Transportation" was released in 1980, when Chandra was 12, by ON / GOGO Recordsthe, the band’s own label. It has since become a long-lost cult classic. Fast forward 35 years, and Cantor Records, together with Rain Boots, decided to reissue the four-song EP with the addition of four unreleased songs by The Chandra Dimension (her touring band comprised entirely of teenagers). Chandra will be performing live at Rough Trade on November 14, in an adult version of… herself.

NYC

Portland-based band, Paste, release their first EP, “Amoral”

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Portland-based group, Paste, just released their first EP, “Amoral,” at the beginning of the month. The group describes itself as “ferocious” – probably an overstatement, considering their not overly aggressive sound sound, but they are indeed correct when they say that their "songs cover a wide variety of styles and moods.” All four tracks on their EP waver between rock, pop, and electro, seamlessly merging qualities of all three. “Carnivores,” the third song on their EP, exemplifies the group’s tendency towards glam rock with a creative use of effects and a melody that plunges in and out of distortion. On the other hand, “Spring” (streaming), uses bright harmonies and catchy rhythmic patterns inherent to pop. Their music’s variation in genre will, as promised, satisfy any musical mood. – Isabel Rolston

NYC

NYC Soul Artist on the rise: Brittany Campbell hosts monthly event at Skate Brooklyn

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Brittany Campbell is the artist people dream to be. Not only did she produce her own (third) album "Heroes" and animate the video for the title track (streaming), she is also the co-host of a monthly event at Skate Brooklyn  called Tomboi (pictured) which showcases and empowers women artists. Her Jamaican-influenced pop-soul anthems mix in a touch of hip hop and punk ethos make for a compelling live performance; members of the crowd who don’t dance stand enthralled in the musicianship of her live band, and the unbridled charisma of the spunky frontwoman. Though Tomboi  implies the infiltration of traditionally male roles, the strength of Brittany and her sistren is a class of its own. – BrokeMC, photo by Meena Ziabari

NYC

Bür Gür’s new music video is about your creepy neighbor (Mild NSFW)

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The sloshy dreampop duo Corbin Clarke and Makan Negahban, aka Bür Gür have released a music video for their newest single "Neighbors", herald of the forthcoming religious lapse Have You Lost Your Faith in God?

Their debut LP Alligator Cheesecake, a panoply of chilled electronic lights and hip hop sighs, placed Clarke and Negahban in the headlights of DIY upstart label Noise Met Sound, whose roster includes the brilliant Lawrence Lindell, Gypsy Eyes, and Inner Ecstasy. Now with "Neighbors", Bür Gür takes a confident second step forward into the waves of psych-pop while keeping their composure slick.

The "Neighbors" music video wrestles with Phil Miller’s creepy stare, tossing salads in the bachelor pad, and the victim complex of Ryan Lars Bergmann (Mothers of Gut, Retox). Directed by HABITS mastermind Dustin Krapes, and featuring Le’lani Lan’caster (Retox, Washing Machines), "Neighbors" is as intrusive as a porno breaking the fourth wall, and probably three times as danceable.

Bür Gür’s sophomore album Have You Lost Your Faith in God? is slated for an early 2016 release via LA micro-label How To Be A Microwave. Catch Clarke and Negahban performing Tuesday, November 24th at the Silverlake Lounge with Milo, Kenny Segal, Signor Benedict, and Safari Al. – Ryan Mo

NYC

Elysian Fields celebrate 20 years with new video + concert series at their new venue The Owl starting Thursday (10/29)

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Like the 2014-released music video for its track "Channelling," the clip for New York rock duo Elysian Fields‘ "Alms for Your Love" (streaming below) is not just a compelling visual accompaniment to the song but a beguiling work of art in itself. Starting with the striking image of a shooting heart, the string-girded video shows EF singer Jennifer Charles following a quiet panther through a valley of sharp-tipped trees and finally seeing herself lying on the floor, chest gushing with what appears to be blood. Elusive yet moving, the Kevin Weir-directed video emerges as an allegorical, almost biblical tale of the search for love and its explosiveness once found. While Elysian Fields hasn’t perhaps been as known as other two-pieces such as The Kills or The White Stripes since its inception in 1995, the compellingly enigmatic group is slowly unveiling its netherworld beauty and will hopefully continue to do so in the near future. The band is not only readying the release of a new album but also its own music venue called The Owl (in the Brooklyn neighborhood of Prospect-Lefferts Gardens) where they will play several shows to celebrate the band’s twentieth anniversary. The first of these performances will happen on Thursday 10.29 at The Owl. A full list can be found at Elysian Fields’ website. – Zach Weg

NYC

NYC Songwriter Katie Von Schleicher opens for Eleanor Friedberger on 11.09 at Pianos

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NYC songwriter Katie Von Schleicher will be opening for Eleanor Friedberger (former lead singer of The Fiery Furnaces) at Pianos on November 09. Back in 2012, Katie released a beautiful eight track mini album entitled "Silent Days," featuring streaming single "When The Rain Comes." The record follows folk rock coordinates that suit Katie’s full bodied alto and passionately intimate lyrics.  Since that release, it looks like Katie only released two singles online, both slow, stripped out ballads: 2013’s "White Flag" and this year’s "My Body on Through," hopefully is a sign of a new record to come. You can also see her live tonight at Deli sponsored event The Hum at the Manhattan Inn.

We added this song to The Deli’s playlist of Best songs by emerging NYC Roots artists – check it out!

NYC

Julian Cubillos’ talent shines through his terrible recordings – live at Palisades on 11.05

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NYC based (via LA) psychedelic songwriter Julian Cubillos is taking the paradox of lo-fi pop to new extremes. The guy has a knack for writing uplifting melodies and orchestrations that will intrigue any Beach Boys fan, only to bury them under a thick layer of terrible sounding recordings. We’ve always believed that lo-fi is an affordable, charming way to add character to a song, and that great songwriting will always shine through mediocre recordings. But some of Julian’s tracks sound so bad he’s actually challenging this notion, while probably also damaging the potential reach of his music. Anyway, this is obviously a very talented and eclectic songwriter, it will be interesting to check him out when he plays live at Palisades on November 5th. Here’s one of his better recorded tracks, entitled "I’m Ready to Depend on You."

We added this song to The Deli’s playlist of Best Psychedelic songs by emerging NYC artists – check it out!

NYC

Lo-fi Sideways Orange releases new LP, We Are The Moon Dogs, and play OUR House, 10/31

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Remember the 90s? Drive-in movie theaters, cassette tapes, and Al Gore have faded, but the music has persisted most. Richmond’s own Sideways Orange has cultivated their sound from such influences, with a bedrock of punk, alternative, and garage rock, dressed sensibly in postmodern lo-fi and indie. It’s the kind of soundtrack kids would use for skateboarding videos, but is mature and high-energy enough for the underground venue of your choice. Get yourself a copy of their latest album, We Are The Moon Dogs, and check them out when they play a Halloween show at OUR House on 10/31.

NYC

Apocalypse Meow 8 is coming up!

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Midwest Music Foundation is proud to present the eighth annual Apocalypse Meow! Mark your calendars for November 6-8 and enjoy 3 nights of music at 3 great Kansas City spots for a very important cause.
 
 
Friday, November 6 at recordBar
Amy Farrand and the Like
Get your tickets here. 18+ / $7
 
 
Saturday, November 7 at Mills Record Company
A free, all ages show presented by The Deli KC!
 
Sunday, November 8 at Knuckleheads Saloon
 
Get your tickets here. 21+ / $15
 
Apocalypse Meow 8 benefits Abby’s Fund for Musicians’ Health Care, which provides emergency health care grants to musicians in need. Raffles will be held throughout the weekend and a silent auction will be held on Sunday at Knuckleheads, with items, gift certificates, and tickets donated by local businesses and organizations. Click here for a full list of items and contact rhonda@midwestmusicfound.org if you’d like to donate.
 
Huge thanks to all our sponsors, volunteers, and musicians that make this event possible each year! For more information and a full list of sponsors, please visit http://midwestmusicfound.org/apocalypse-meow-2015
 
NYC

Album review: The Sluts – The Sluts

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(Photo by Todd Zimmer)
 
LFK darlings The Sluts’ self-titled second album is just what the doctor ordered. Assuming, of course, that you’re in need of a dose of brash, fuzzy, garage rock, most potent when chased with a shot of bourbon and some cheap yard beers. And let’s face it, you probably are.
 
The Sluts’ eleven tracks—four of which (“Let Me Go,” “Loser,” “Green,” and “Linger”) were previously released on last year’s The Loser EP (here’s our review of that)—are for the most part quite one-dimensional. This isn’t a bad thing. Ryan Wise (guitar and vocals) and Kristoffer Dover (drums) are not trying to overthink their craft, but instead are content to give listeners fun, mostly up-tempo ball-busters, lasting under three minutes.
 
The songs are a unique blend of early grunge and edgy punk. Think of Mudhoney joining forces with The Stooges. Wise’s slightly whiny, reverb-laced vocals are nearly as distorted as his chunky, drop-tuned guitar, and Dover’s relentless sonic booming is filled with crash cymbals. The result is a much larger sound than one might expect from just a two-piece band, although I would be interested to hear the added depth that a bass guitar might bring.
 
Three songs showcase Wise and Dover at their best. The crunchy “Green” is reminiscent of Alice in Chains, both vocally and musically. Dover’s tom rolls give it a defined groove, and set it apart from many other tunes on the album. “Be With You” is a fast, driving love song with interesting rhythm variations and guitar like a machine gun. The highlight of The Sluts is “Linger,” which begins with a catchy surf-like guitar hook, and becomes a thrashing, angst-ridden anthem. The use of fuller chords and incessant drumming allows it to have as much breadth as two instruments are capable of providing.
 
The album’s final track, “Simple Song,” is the only truly slow song of the bunch. At first it seems a bit out of place among the other ten turbulent tunes. However, there is a good reason for it to be included. It informs the listener that the thrill ride has come to an end, and that it’s okay to take a deep breath and relax. It’s like a much-needed lullaby being sung to a rambunctious, yet exhausted, child.
 
If you’re in need of some background music for resting, studying or a candle-lit dinner, you should probably avoid this album. If you are leaving work on a Friday, and are ready to roll down the windows and get mentally prepared for the weekend, by all means crank it up. The Sluts isn’t high art or even hi-fi. It’s rock & roll, baby.
 
Catch The Sluts tonight at a free in-store performance at Mills Record Company! Show starts at 7:00 pm.
 
Brad Scott
Brad loves music, Boulevard beer, and his family. Not necessarily in that order.
 

 

NYC

Bluesy folk Red Sammy release new album Creeps and Cheaters and play Eastern Shore Brewing, 11/7

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At the intersection of blues-rock, Americana, and folk, you’ll find Baltimore’s Red Sammy rambling along, thumb out for a ride. These guys have concocted an effective and relatable sound from life’s tumbles, love, loss, and pain, reaching deep into their roots and pulling out blue-collar gold. If your heart has an ache or need to wave your lighter in the air, look no further than Red Sammy and their spare yet poetic new album Creeps and Cheaters. -Jonathan Goodwin