It’s been ten years since Adam Hervey founded the DIY venue Pehrspace, and a demolition notice from the property owners signaled imminent shutdown. But on July 30th and 31st, we weren’t there to say goodbye.

In its last 36 hours, space was as busy as it was on busy days. People came in and people hung out—as small groups of friends and budding scenes, but importantly as supporters of the space that always supported them. A day and a half was divvied up among longtime curators like Michael Vidal and KCHUNG Radio, who staged their final sets at 325 Glendale. From outside the plaza looked stripped, was stripped—inside a small team of volunteers led by Pauline Lay kept a tight schedule, even so far as to offer free earplugs and food while supplies held out. Like the twilight improvisations of Slow Rose and ensemble collaborations conceived by Aaron M. Olson (L.A. Takedown), Pehrspace brought individuals together, empowered them to create and appreciate. In its last 36 hours, the performers, curators, volunteers and audience were as we always were. And in the back of all our minds, though uncertain of the future, we eagerly anticipate the chalkboard set times to the next show.

Pehrspace continues to seek donations to successfully relocate; as of writing their GoFundMe currently rests just under $9,000. Listen to select performances from the 36-Hour Pehrathon at Cohen’s So Cal Rock Shows Bandcamp. – Ryan Mo

The last time we checked in with The Landing, the solo act was making major noise, reaching the peak of the Hype Machine charts two times back-to-back. We have to say, with his latest single "Stars in Motion" a three-peat is definitely in the space-pop artist’s "stars," so to speak. On the track, he reaches critical pop mass, inflecting RnB flavored, up-beat percussion into his usual, out-of-this world synth patterns to create a track that gets heads bopping.  The vocals are also notably earthier and more seductive than on previous efforts, contrasting well with the space-y nature of the production. With this track, The Landing has proved he can do pop with mainstream appeal, but sans cheese, along with his more artful work of the past. Don’t miss him live on his American tour from 8/8 to 8/27. —Henry Solotaroff-Webber

Somewhat contrary to the spirit of her style of choice (pop punk), 28-year-old Kait Eldridge embraces maturity and self-assurance on Big Eyes’ latest single “Behind Your Eyes.” Eldridge started the band seven years ago, and since then has developed a clear writing style that allows her relatable and level headed personality to shine through. “Behind Your Eyes” is about being able to see through a loved one’s tough exterior and knowing when they are hurting due to a strong emotional connection. In the single, the four-piece blends the catchy melodic hooks of pop influenced punk acts like The Runaways with guitar work that flirts with the power rock of the ’90s and even classic rock at times. Big Eyes will be releasing their latest album Stake My Claim on August 19th via Don Giovanni Records, and will be kicking off their upcoming tour on August 16th at Alphaville in Brooklyn. Check out also the video for the album’s title-track, streaming below.  – John Honan 

There are certain songs that speak to you when you’re young, and those songs are perfectly executed by The Unending Thread‘s split tape with Forget It. Perhaps it’s because they’ve had a few years to find their sound, but now that they have it is a significant voice for the young and reckless. That sound consists of strong relevant lyrics like “You never know what life has in store…I know I don’t know anything/ And that’s the best part of this journey that hasn’t happened yet” (“La Casa De Mi Padre”) and catchy choruses like “You always bring out the best of me” (“Dearest Anna”). Bassist Kim Reyes’ singing, often accompanied by guitarist Cesar Alas, drives a clear melodic path in the midst of the instrumental background.

The expertly arranged electric guitar, electric bass, and drums are so nicely played that they often compete with the vocals in the foreground, receiving much deserved attention.

Catch the Unending Thread’s performance at [redacted] Collective’s three-part showcase next week in celebration of the label’s first official mixtape. The mixtape will be released August 12 at the first show at The Smell and Saturday the 13th at Los Globos, where The Unending Thread plays with Utena, Gypsum, and Ruby Throated. First fifty guests to these two shows will receive a free physical cassette, containing 11 new and previously unreleased tracks by artists from the [redacted] roster. – Kaitlyn Tang

Turnip King’s swirling blend of psych rock and dream pop was born in Long Island’s’ coastal town of Sea Cliff, where the band hails from. The group is about to release their debut full length (or rather "mini-album, since it’s comprised of only seven songs) Laika on August 19th via Fire Talk Records. The two singles unveiled so far showcase slow burning songs reminiscent of acts such as Slowdive and The Jesus and Mary Chain. The first single off the album “Carsong” encapsulates their experiences of growing up in the suburbs, while making references to driving around aimlessly listening to music with a friend. Its sparse intro highlights Lucia Arias’ youthful vocals before breaking down into a shoegazy wall-of-sound. Second single “Metonymy” is a slower number characterized by wailing psychedelic guitars, breezy drumming, and echoing melodies. Turnip King just wrapped up an east coast tour with a show at Trans Pecos and will be performing again at Shea Stadiumon August 10th. – John Honan

Doll Baby formed a little over a year ago in Richmond, and released their debut EP Polliwog in June. Their sound combines an energetic punk rock with guitar driven heaviness of alternative rock bands like Jawbox and The Smashing Pumpkins. The opening track “The Great Divide” puts frontwoman and guitarist Julie Stroey’s flexible vocals and introspective lyrics on display, while the layered guitars help to drive the track’s moody atmosphere. Following song “Drift” was originally included on their 2015 demo, but appears on the EP with a reimagined sound characterized by swift, crashing drums, shouted vocals, and distorted glistening guitars that show the band’s versatility. Doll Baby will be playing Strange Matter on August 12th in support of Solids. – John Honan

Panoramic are sad boys who rock, as well as sad boys who also happen to be DIY4LYFErs. Respectively prolific and intimately tied to DIY scenes of Orange County and the Inland Empire, members Alex Vercnocke, Austin Jenkins, Jonathan Modell (The Human Machine, Tririlla Recordings), and Matt Sturgis (The Palisades, Hillary Chillton, Model Talk) are running out to the southwest from August 5th till August 11th with mathpop duo Talk, Tired Thanatoid, coinciding with the release of Panoramic’s debut album Not Exactly. Recorded at hideout/traphouse/lovenest The Palisades, the quartet’s first full-length sees an expansion beyond the pop punk roots of EP "Rule of Thirds". Polyrhythmic piano solos and tight harmonies combine with quintessential tropes of the post-teen years including walking away from love, addiction, lost friendships, and suburban malaise.

The album is being released on cassette (/25) and on CD via Pacific Nature Records: each cassette and CD will be scented with pine essential oil. See their tour kickoff/album release party at Beatnik Bandito tonight, and listen to the first track of the debut album, "Not Exactly", below.

The words "close-knit" are definitely appropriate when referred to NYC rootsy pop band Saint Adeline, since the it’s comprised of three sibilings: Drew, Kasie and Chloe Gasparini. After trying separate artistic careers, the trio almost accidentally found themselves on a stage performing together, only to realize what kind of rare chemistry existed between them. Since then, they’ve been working on material for a debut record, and what we are premiering here is the band’s first single, entitled Jumpstart. Written by Drew, this is a song about reclaiming control of one’s life narrative after a negative (sentimental) experience. Chloe’s bright and optimistic soprano fits the theme perfectly, while the acoustic arrangement and well orchestrated vocal harmonies convey an uplifting and hopeful sonic carpet. 

Saint Adeline is holding an EP release show on 9/19 at Joe’s Pub. —Henry Solotaroff-Webber, photo Credit: Michael Hull

NYC’s Cloud Becomes Your Hand‘s creative potential is on full display in their sophomore album "Rest In Flea," a multi-colored sonic adventure released by intrepid Queens label Northern Spy, home to an enviable collection of NYC’s best experimental talents of all ages. But the record, a brilliantly quirky but very musical collage of robotic numbers, psychedelia and musical deconstruction, doesn’t tell the whole story. With electronic xylophone, clarinet and electric violin rounding up their drum/bass/guitar sonic backbone, the sextet offers a monstrously tight live show featuring perfectly choreographed movements and sublime moments of absurdity, reminiscent of a DIY blend of Devo, Wire and The Residents.

Read the Delicious Audio Q&A with Cloud Becomes Your Hand about gear and the recording process.

 The Wimps could easily be mistaken for a 60s band that never quite made it big, instead they’re a young Richmond based quartet who formed less than a year ago and take inspiration from prominent artists such as The Beatles, The Velvet Underground, and The Stooges. In April they released their debut self-titled full length, which features 10 garage pop tracks dripping with infectious melodies and catchy lyrics. The record highlights a variety of different sounds from the 60s that range from the easy going melodic pop of female singers like Lesley Gore to the R&B soul of artists like Percy Sledge. It also contains the energy and attitude of garage rock characterized by buzzing guitars and precise drumwork. The Wimps will be playing Strange Matter on August 9th in support of Lady God. – John Honan

 There’s always been a thin line between songs that pay homage to the past, and songs that regurgitate it. Tracks of Quincy band The Way Ways are definitely in the former camp, offering a fresh take on 50’s and 60’s soft-rock. Like who would’ve been their contemporaries, they have knack for strong song-writing that doesn’t try to do too much.  Chilled out vocals, steely guitars, and soft-spoken piano parts gently intermingle to create a sound that’s tranquil, but has enough teeth to keep things interesting. They also have some pretty fly solos on tracks like "Jeanne" too that probably sound great live. Speaking of, you can see them on 8/6 at Great Scott. —Henry Solotaroff-Webber 

Photo Credit: Hawley Shea Photography

Newcomer pop artist COTE has clearly been keeping her ear’s peeled to indie pop’s current state of affairs. On the NYC artist’s debut track, "London," she brings together dreamy guitar licks in addition to nostalgic synth patterns — both of which are hallmarks of today’s pop landscape.  Her dark and sultry vocals might be slightly reminiscent of mellow-pop goddess Lana Del Rey, but make no mistake: her debut single ‘London’ shows a peronality that’s all her own. Most importantly, this is a beautifully produced track that showcases a young artist with a noteworthy voice and very promising songwriting chops. — Henry Solotaroff-Webber

We added this song to The Deli’s playlist of Best mellow songs by emerging NYC artists – check it out!