There’s more to Ryan Wu than meets the eye (and the ear). With debut EP ‘Wutasia,’ the multi-instrumentalist perfectly encompasses the experience of young adulthood through his stripped down vocals, the twang of his guitar, and plainly honest lyrics (“Changing thoughts can’t seem to go away / Not a thing stays the same” – he sings in opener ‘Changing,’ a track that addresses the shifting friendships and loneliness Ryan experienced during the writing process). The low fidelity of the record gives the project a timeless sound, that blends well with Wu’s whimsical vocals, whose tone and melody are at times reminiscent of psychedelic genius Syd Barrett. – Lilly Milman

This artist submitted music for coverage here.

"Shapeshifter" is a very appropriate name for IAN SWEET’s debut LP, as it represents a change in the lineup of what comprised singer Jillian Medford’s bedroom pop solo poroject. Now accompanied by a bassist and a drummer in the studio and on the road, Jillian forges tracks that resonate very differently, though her crackly vocals remain the stars of the show. "Most of the songs on Shapeshifter don’t settle in a particular scene so much as they delve into a sensibility," reads the album’s description on Bandcamp. Another delicious surprise is realizing that most of the tunes on the record were inspired by inanimate objects. IAN SWEET is sticking to the Midwest for the summer, but while we wait for the return of Medford’s Crocs in the big city, let’s take to heart the meaning behind the album, that there is "no one absolute; just the ease that comes with knowing everything will be OK as long as you hold tight to the pocket-sized things in life that bring happiness while you watch the rest of your world fall apart in slow-motion." – Valentina Rocha

Drug Pizza is a punchy four-piece hailing from N.Y.C. with “big rock n roll shaped dreams.” Their nonchalant lyrics in songs like “No Reaction” are a nod back to garage rock and punk bands that inspired them (“I don’t care about your broken arms / Bones heal, and you didn’t fall too far”), and their instrumentals are clean without being clinical. Lead singer Madeline Steinberg’s vocals fall perfectly in tune with classic slacker rock bands like Pavement, and their EP ‘Return to Content Mountain‘ puts a new twist on a sound that’s an old favorite. They’ll be bringing their fun sound to Sunnyvale on May 31st at 8 for a hometown show. — Lilly Milman

Don’t let the somewhat obscure song titles confuse you – deem spencer’s latest EP, "Sunflower," is Mellow with a capital M. From the laid-back atmospheric textures floating behind a hotel-piano-style arrangement in "fucked up flowers" to the flooring, self-aware rap in "soap," spencer’s tracks are vibe-y and musically interesting. He plays with subtlety in production and hones in on his low-key aesthetic, yet maintaining lyrical consciousness and flow. to hear deem spencer’s delightful, airy music live, head to the Knitting Factory on June 9th. – Geena Kloeppel

While their debut LP was released less than a year ago, Solilians have actually been producing music for quite some time. Emerging in 2001 as So L’il, the band experimented with their sound for almost a full decade through their 2012 compilation, "Best of the First Decade." After their second record, the band reformed as Solilians, this time steering away from the pop inclination of their first incarnation. In their latest effort, 2016’s "Shin," shimmering electronic soundscapes echo through with hazy, dense vocals. The eight-minute "Lamedvavniks" takes listeners on a cosmic voyage through the different textures that set the tone for the expanded sound, only to explode in an electric groove in the last minute of the track. Solilians will be performing along with special guests The Stargazer Lillies, Landing and Guiding Light at Trans-Pecos, in Queens for a night of Beautiful Psych, next Saturday, May 25th. 

Through the enduring chatter of collective club nights and warehouse afterhours, the monthly installation Cameo—spun together by Sophia Kuhn, Isaac Treece, and Matt Dell—is among the newcomer parties catching waves for its expansive tastes and deep cuts. Their February inauguration event caught fire at the dim-lit General Lee’s tucked inside Gin Ling Way, an alley known for its high-end lowbrow galleries and low-end highbrow parties. And despite being in its infancy—the collective is just getting a third show under its belt—Cameo’s sets by past selectors like SWISHA, Swan Meat, and MARAL have already cemented a reputation for bringing diverse and irresistible music to the greying quietude of Chinatown, crossing through territories of pop, experimental, ambient, jungle, 90s freestyle UK bass, dembow, footwork, bailefunk, and kuduro. For the jaded post-psych youth and the displaced club kids, it’s a godsend, but for the organizers and the artists, it’s just a free weeknight party.

This Wednesday, Cameo’s third free pop-up arrives to the Grand Star Jazz Club with Mess Kid, Helikonia, Habibiboi, E**N (Chicago), and a special b2b set with Matthew and Bapari (moon casual, Laza Records), with live visual accompaniments by Nick Zhu, Tea Strazicic, and Camille Lacadee.

Suss it out and watch for their collaboration with labels Juke Bounce Werk and Mall Music Inc. featuring DJ Paypal, DJ Orange Julius, and DJ Mastercard at UNION on 6/29. – Ryan Mo, flyer by Caleb Ali Miller

Columbia grad Matthew Hershoff is the mind behind Mons Vi, a lo-fi indie project based in Brooklyn, whose dreamy hit “Away” (streaming) has over 17 thousand plays on Soundcloud. The combination of Hershoff’s powerful lyrics ("i can sense your unbound violence / living in your untamed silence / I can feel your unknown power / sleeping till the final hour"), the simple instrumentals, and Adrianne Gonzalez’s soft backing vocals gives this project a depths that trascends its ethereal sound. 2016’s EP "Indie Rock Bullshit" keeps faith to its title with a more upbeat and distorted approach. You can catch Mons Vi at The Trans Pecos on May 25th – it will be their second show ever! – Lilly Milman

We added this song to The Deli’s playlist of Best soft songs by emerging NYC artists – check it out!

Ice Balloons is the eclectic supergroup of Kyp Malone (TV on the Radio), Sean Powell (The FuckEmos), Giselle Reiber (Midnight Masses), and Rob Bryn (Wild Yaks) – among others. After their 2013 self-titled debut (their only record to date), they kept a sporadic live show schedule, but one always filled with fun performances full of energy and all kind of psychedelic noises. Their show at Rough Trade on June 14 opening for Celebration (an ex Brooklyn band close to TV on The Radio) promises to be another opportunity for loud, on stage partying between a bunch of old time, talented friends. 

The Hum doesn’t need any introductions (if you don’t know what it is, look here). The fourth monthly appointment, scheduled for Monday 22 at Good Room, will feature a diverse line up of artists, including a performence set curated by She Shreds magazine, the rag entirely focused on female guitarists. A wide variety of genres will be represented, from Desert Sharks’ garage rock to Arooj Aftab eastern compositions, from the electronic experimentations of Stud1nt to the revival pop of Crazy Pills. We created a compilation featuring most of the of the artists involved in this promising night of collaborative performances curated by LPR Presents, check it out!

Hailing from the Pacific Northwest, the four dudes in Plastic Picnic seem to carry some of that sea’s peacefulness embedded in their musical DNA. The quartet has just released a new single entitled "Miss it Still," which confirms their inclination for spacious synthpop atmospheres and warm melodies. The track will be included in the band’s upcoming debut EP, whose release date is still unknown. What is known, thought, are the details of their next live show: Berlin on May 25th.

The music found on Pilot Violet’s new EP, "Nite Farm" is a well produced homage and revisit to the more soulful synthpop of the 80’s. Each track on the seven-song project blends that era’s simple synth patterns and beats with the cinematic vocals found in recent pop acts like CHRVCHES and The XX. On tracks like "Ordinary Day" the instrumentals are skimmed to their essentials, which serves as a nice contrast to the impassioned and emphatic vocals. Pilot Violet has a fresh sound, not because of its individual, recognizable components, but because of the inventive ways they are sewn together. You can listen to "Ordinary Day" below, and catch their new project live at Nublu on 5/31. – Henry Solotaroff-Webber