Within the The Deli’s archives we commended Shilpa Ray several times — lauding her noir music, stubborn-yet-honest lyrics, and unapologetic delivery — but her newest work is doing more than that. Though her new September LP isn’t out yet, she gives us a glimpse of what’s to come with new single, “EMT Police and the Fire Department”. This song is one of a dystopian Lower East Side, so abject it requires the EMT, police, and the fire department to be called. "The air was so thick, you cut it with a knife, and the crowds were so thick, it would make you wanna cut them with a knife" she recants through spoken word over what resembles a sound check. The story’s setting degrades as the song shapes together, and she repeats the title over a building drumbeat, ultimately exploding unlike anything we’ve seen from her — her jarring lyricism taking on the shape of a new beast delivered through ferocious yelps. This is as unforgiving as Ray has ever gotten. Door Girl, the upcoming LP, is inspired by her time working at Pianos; it’s only fitting her album release will be celebrated there two nights in a row, this coming September 20th and 21st. – Pearse Devlin

Check out the music video for her song below.

LA-based Morgan Delt crafts acid-tinged tracks that are meant to be seen with your third eye. His music is blissful and hazy, with his soft vocals stretching across lush, textured instrumentals and sweet melodies. With such an expansive sound, our friends at Delicious Audio were curious about the kind of gear that goes into the making of his music, and Morgan was kind enough to share a bit about the equipment he uses on his latest record, Phase Zero, out on Sub-Pop Records. Read the Q&A here. – Olivia Sisinni

We recently stumbled upon music by New Jersey’s Darkwing, a post-grunge band from Leonia. Their 2015 EP, revealingly titled ‘Lameonia,’ is a fun, fast-paced record filled with fast paced rock’n’roll anthems. The distorted sound of the guitars, vocals, and drums (like on the opening track “201 Carousel,” streaming below) would make it a perfect soundtrack for a Tony Hawk game. The nostalgic late ’90s early ’00s sound is distingushed by solid songwriting chops and an attitude that, refreshingly, is not that slacking. Check out the EP below and keep an eye on their live schedule. – Pearse Devlin

Yohuna is a one person electronic project by NYC-based Johanne Swanson that walks the line between airy synthpop, bedroom pop and ambient music. Her 2016 release is her fourth since 2011; appropriately entitled ‘Patientness,’ the record rewards those who persevere and are not in a rush. Her intimate sounding vocals at times feature brutally honest lyrics, always delivered with a deadpan attitude at times reminiscent of Nico. Yohuna will be performing like at Alphaville on September 23rd. -Allie Miller  

Electric Dream is the new standout EP from Nashville-trio Bien, which is made up of Jessie Early and husband and wife Angela and Tim Lauer. Tim Lauer, who has previously worked with The Civil Wars and Mikky Ekko, produced the project, stylistically combining hi- and lo-fi sounds to create a unique and dynamic track list. Their brand of indie electro-pop is at once soothing and exciting, with title track “Electric Dream” being just one example of their eclectic sound. Keep your fingers crossed for a tour announcement from these up-and-comers, and in the meantime stream all six songs from the Electric Dream EP below. – Lilly Milman

With a track that will literally explode through your speaker, Blame Candy takes all the appeal of Neon Trees and brings it into 2017. A band catchy enough to be on the radio, Blame Candy deliver plenty of memorable melodies peppered with oohs aahs.  This is pure pop’n’roll, with added in some heart strung lyrics and hooky electric guitars. You can catch them at Our Wicked Lady on Wednesday, September 20th. – Allie Miller

Brooklyn-based Sapphogeist’s "Mar-a-Logo" (released on BANK Records NYC) is a dreamy, evocative, and potent shout of electronica that transcends the obvious political allusion in the record’s title. Standout track “Holding On” anchors an album chock full of sensuous and hazy sonic mysteries. It’s like a trip through the maze of a real pumping heart — translucent and bloody. Comparisons to Purity Ring and maybe Grimes might come easy, but are merely superficial. The grittiness of “Exodus,” the daring of the funeral march dirge-like “Mar-a-Logo” prove that what Sapphogeist is doing and has achieved is fascinatingly singular. -juan leon

Already known for her decade long activity in dreamy electronic three piece ensemble Au Revoir Simone, Annie Hart releases her first solo album Impossible Accomplice today. Self-recorded in true DIY basement style (with one of Fred Armisen’s rooms serving as the only other tracking location during a brief stay in Portland) first single and video "Hard To Be Still" (streaming below) celebrates oscilloscopes and devoted love. Heavy on deep bass synths, the chorus “you gave me what I want” and “I’ll never give you up” is an instant earworm. The video is simple, managing at once to be stilish and humorous – it even features a revealing "outtakes" section at the end that reveals how the DIY approach extended to the shooting process, not only the recording one. Catch Annie live on 9/15 at Main Drag Music (a free event featuring live keyboard looping and vibraphone, celebrating the record release), and supporting Matt Pond PA and Wild Pink on 9/25 at Brooklyn Night Bazaar. – Dave Cromwell

In his debut single "Light and Dark," Oliver Ignatius taps into an unlikely but interesting combination of sounds: crunchy guitar solos, soaring synths, a blasting horn section, and dreamy laid-back, Queen-esque vocals. We can’t tell you why it works, exactly, but it does. Perhaps it’s Ignatius’ immaculate grasp of melody and placement of harmonies throughout that weaves all of these elements together into a funky, groovin’, garage-y track. The founder and spiritual leader of Bushwick’s DIY studio/label Mama Coco’s Funky Kitchen sure is onto something- and it definitely does feel like something a little higher. Check out the track’s video, streaming below. – Geena Kloeppel

Entro Senestre is BANK Records NYC’s label boss and, alongside Willie Burns, one half of duo Daywalker + CF. Saturday, September 16 he plays Whiplash at Bossa Nova Civic Club. Jake Reif and L. Sangre will also be on deck.

Senestre’s catalogue, which has spanned releases across his own label as well as several on Willie Burns’ WT Records, reveals a fiercely distinctive take on house and techno music. Whether it’s soaring, dark minimal (“SB Dauntless”), house dancefloor killers (“Supersonic Transport”), or sensuous techno (“La Caccia”), Senestre’s work is always thoughtful and emotionally evocative. –juan leon

 “Fool Moon” is a disco-house dancefloor killer just dropped by mystery debutante Lovers on Brooklyn-based house label Let’s Play House. When The Deli asked about Lovers, Let’s Play House had this to say:

“He’s brand new! Well, not exactly, but he’s trying to keep his previous work separate from what he’s doing now. He’s an old friend of LPH, though, and a Brit in NYC. Used to be in a duo when he was still in London.”

As for “Fool Moon,” it’s a disco dream – ringing cowbell, stomping percussion, soulful vocals. Fun, but also piercing, trenchant, uplifting. The type of thing Larry Levan would play at Paradise Garage on a Saturday night. – juan leon

Brooklyn avant-rock group Late Sea’s new music video "Ring the Bells" is a collision of ominous visuals and orchestral textures, a cryptic narrative steeped in mystery. The music video tells the story of Jewish-Dutch philosopher Baruch Spinoza. Composer and vocalist Izzy Gliksberg describes Spinoza: “His story lies not only in his hermetic, esoteric, mind boggling philosophy, but also in his expelling from his community and what he suffered from being faithful to his thoughts and dreams.” The stunning cinematography of "Ring the Bells" is no less than brain-teasing and perplexing, and paired with the gorgeous, simple horn and string arrangements, the video is beautifully captivating. – Geena Kloeppel