NYC

Record of the Month: Amen Dunes – “Freedom”

Posted on:

There are some albums that feel like spiritual excursions the moment they start, transfixing us instantly at the right time and place. Amen Dune’s fifth record, Freedom, is one such record. The introduction informs us that the time is now, and it belongs to Damon McMahon and his finely tuned songwriting. Each track is impeccably produced, precise and imperious, as synths and bass lines appear on the horizon before shimmering out of view. The interplay between each instrument is like multiple generations of mirages materializing at once, and McMahon’s vocals sit in the center commanding attention with assured confidence in the stream-of-consciousness lyrics. Freedom was released wholly realized, yet it’s the undefinable aspects that assert why it’s an intoxicating and infinitely rewarding album. -Tucker Pennington

Chicago

Red Jr. “Catch You”

Posted on:

Red Jr. recently released is the first single, “Catch You”, from their forthcoming album. Red Jr. formed back in 2009 and is the Synth Rock of Jack Eberle, Paul Wierdak, Jason Johnston, and James Bowler. This single is their first release since their 2014 debut album Collisions.

Philadelphia

The Deli Philly’s August Record of the Month: Chosen Family – Thin Lips

Posted on:

Thin Lips’ sophomore LP Chosen Family is an earnest homage to making peace with the past, the necessary balm of friendship, and the power of feeling your feels.

The album appropriately begins with its titular track that recounts a dream and a memory with vulnerability framed by the atmospheric swell of buzzing riffs that seamlessly ease into "Gaslight Anthem (The Song Not the Band)”. Liken to a prologue, "Chosen Family" prepares listeners for the emotive context of the LP’s progression. An evocative origin story of sorts, it becomes part artifact and part testimony. Even as "Gaslight Anthem" begins, the vulnerability of the album’s opener lingers, pushing the lyrical immediacy of all that comes after deeper into the heart of the audience. As Chrissy Tashjian sings, “but I was there, I won’t just let it go,” “Gaslight Anthem” erects a monument to the past, reminding us how what haunts or heals us pushes us into the future – for better or worse.

“A Song for Those Who Miss You All the Time” recalls the melodic dissonance of earworms like Built to Spill’s “Center of the Universe” or The Promise Ring’s “B is Bethlehem,” conveying a similar sense of yearning and nostalgia as each second passes. When Tashjian croons, “You were free of everything that holds us in our place, that holds us back from grace,” the track feels like salve. Jubilant in a realistic way, Chosen Family’s third track is infused with a pragmatic hope from beginning to end, while “Smoking’s for Quitters” is a moody and meaningful exploration of mortality, the necessity of intimacy, and the existential urge to search for wholeness. Lines like “we’re all gonna die” and “it’s hard to care” shake its listener out of disillusionment without the artifice of optimism.

“South America” and “I Know I’m the Asshole” feel synonymous with Best Coast’s “Goodbye” and the broodiest cuts on Bleached’s Ride Your Heart, while “Saying Yes” and “What’s So Bad About Being Lonely” bring to mind Dude York and 90s icons like Veruca Salt. “Sex Is Complicated” is a refreshing anthem about intimacy and the cons of human closeness. When Tashjian asks, “can bodies tell a lie,” fans are forced to grapple with the answer. And with “So Stoned,” there is a melodic and emotionally raw yet subtle in a way that makes it easily memorable.  The honesty of “It’s Hard To Tell The Difference When You’re Afraid of Literally Everything” is a relatable, introspective confession that grapples with the complexities of autonomy and self-awareness. As Tashjian sings, “I’m not sure if I know what I’ve done, what I’ll become,” alongside guitar licks and snare, it feels; it’s difficult not to empathize.

“What If I Saw You on the Street” is a dance worthy cut with a pop-laced backbeat that hums with an energized urgency that perfectly prefaces Chosen Family’s final offering, “The Kate Escape.” A song about an ending on the brink of a new beginning, the last narrative on the Thin Lips’ latest full-length will make listeners feel less alone in a world that often feels impossible. – Dianca London

NYC

Adeline Hotel premieres new song + performs at The Knit on 08.04

Posted on:

Adeline Hotel’s new single ‘Habits’ feat. Cassandra Jenkins, continues the country-tinged direction set out on the band’s last album ‘It’s Alright, Just the Same’ from 2016. The song’s unhurried folk sensibility gently floats on a breeze, but packs in a lyrical heft you might not expect to come by in a sweetly strummed folk tune. But singer/songwriter Daniel Knishkowy excels at drawing weighty contrasts between lightheartedness and poignancy. In ‘Habits,’ his easy-going vocals provide a tender exterior over a frank discussion of timely existential needs: a wistful rumination on what’s really needed to reach happiness, and why it can be so hard to come by. Cassandra Jenkins, who released a notable debut album of her own last year, provides backing vocals.

Check out the just-released single below, and see Adeline Hotel open for The Essex Green at Knitting Factory Brooklyn next Saturday, August 4th. – Mike Levine (@goldnuggets)

Chicago

Pink Guys “1471”

Posted on:

Punk trio Pink Guys (Craig Woods, Justin Wexler, and Mike Twietmeyer of Pink Eyes) are back with a new album called 1471. This is the follow-up to their 2014 album, 2343, and will be released via Forge Again Records on August 10th.

The first two single can be streamed below, and our favorite is “Armageddon”.

Philadelphia

New Track: “Arizona (I Wanna Be Your Man)” – Shannen Moser

Posted on:

I’ll Sing, the forthcoming album from Shannen Moser, will be released on September 7 via Lame-O Records. “Arizona (I Wanna Be Your Man)” is its lead single, exploring a hypothetical road trip in a yearning, open-letter kind of way. That sense of longing lingers as the backbeat matriculates across the map, highlighted by quick punches of guitar and the earnest, emotive power of Moser’s vocals. You can catch her at Everybody Hits on Wednesday, August 22, where she’ll be joined by Cherry and Sidney Gish.

NYC

Deli NYC Issue #55 is out! Half Waif and NYC MixCon 2018!

Posted on:

Attention music lovers!

The new issue of The Deli NYC is out on the cloud (we are at #55!) and we are psyched to have Half Waif on its cover – her latest album Lavander is an absolute gem! Print copies will hit the streets of NYC this coming weekend.

Inside, you will also find a very informational article about the state of the record industry, featuring an extensive Q&A with 4 NYC record label insiders.

Finally, this is also the yearly issue linked to our NYC MixCon 2018, the FREE event entirely focused on mixing advice provided by world class producers – a must for any young engineer or home recording musician interested in refining their mixing skills!

The Folks at The Deli