NYC

Brooklyn singer/songwriter Deby Medrez Pier plays at The Mercury Lounge tonight (9.1)

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Brooklyn-via-Mexico-City singer/songwriter Deby Medrez Pier depicts the final beauty of transience in her painterly songs. On the ukulele-cradled "The Last Time" (streaming below), for example, the musician conjures a sweetly fleeting seaside romance with a Hemingway-esque elegance while she conveys perhaps ephemeral personal frustration on the guitar-fuzzed "July." Beyond its sheer prettiness, most striking about Pier’s music is its ageless nature; these deeply felt, sparsely-constructed tracks may sound like they came from early twentieth-century Paris but they’re just as vital in twenty-first-century New York. Deby Medrez Pier plays tonight at The Mercury Lounge. – Zach Weg 

NYC

The VeeVees play Knitting Factory on September 28

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Opening with an eerie rendition of Peggy Lee’s classic hit "Fever" before exploding with a gut-wrenching scream and three minutes of visceral rock-and-roll, the self-titled first track (streaming below) on "Cream of Heaven," the latest EP from Brooklyn’s The VeeVees, is a charismatic throwback to the in-your-face attitude that rock was built on. The group puts out a vibrant and dynamic energy that will have you banging your head along with the overdriven guitars and driving drums. Lead singer Sophia Urista’s voice is raw and powerful, bringing an element of punk to the rock-and-roll instrumentals, and commanding the attention of listeners. The EP, released back in June, starts off strong and is unrelenting over the course of its four songs, clocking in at a fast-paced fifteen minutes. The group recently performed at Irving Plaza and you can catch them next on September 28th at Knitting Factory. – Patrick Wolff

L.A.

Take a breather with Elohim’s latest, “Xanax”

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Complimenting her first single, “She Talks Too Much”, Elohim’s latest, “Xanax”, creates a stimulating, relaxing emotion similar to the effects of the actual medication. Elohim has taken on a whole new meaning to the original text as the electro-pop artist takes a step into the luxurious spotlight of true LA creativity. After closely listening to both singles of the AA-Side single, released July 24th, I have come to the conclusion that there are conscious similarities with “She Talks Too Much” and “Xanax”. One dealing with a girl who obliviously talks too much, and the other dealing with panic attacks and taking a drug that calms you down. Hop in the car, roll your windows down and cruise to The Rickshaw Shop on October 2nd in San Francisco to see her live. – Kayla Hay

 

Philadelphia

New Video: “Frances Quinlan Will Get Her Revenge On Philadelphia” (Live) – The Superweaks (formerly known as The Weaks)

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Recently rebranded (Check out their hilarious introduction video HERE!) and formerly known as The Weaks, The Superweaks made a stop at Little Elephant in Toledo, Ohio to record a live performance of “Frances Quinlan Will Get Her Revenge On Philadelphia” from their LP Bad Year via Lame-O Records. Heavy thumping backend and searing guitars create an in-your-face intensity that is balanced by harmony to produce a most enjoyable surge of pop punk. The band is slated to perform at Boot & Saddle on Friday, September 18 on a lineup that also includes Teenage Bottlerocket, Pears, and Mannequin Pussy.

Philadelphia

New Track: “Foolish Heart” – August John Lutz II

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Levee Drivers are gearing up to record a new full-length album this fall at Dial Back Sound in Water Valley, Mississippi with Andrew Bryant (Water Liars). All that will take some time to complete and see the light of day so until then, frontman August John Lutz II has a solo EP, entitled O’ My Foolish Heart (which he recorded with The Lawsuits‘s Brian Dale Allen Strouse and Josh Friedman), to share. You can take a listen to its lead single "Foolish Heart" below, and he’ll be celebrating the album’s release this Saturday, September 5 at Bourbon & Branch. (Photo by Q.D. Tran)

Philadelphia

The Deli Philly’s September Record of the Month: Hardcore Friends – Lithuania

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Lithuania’s debut full-length album Hardcore Friends via Lame-O Records begins with the mad-dashing punk jolt of “God In Two Persons.” The song quickly gathers momentum as a rush of power chords and percussion develop an instantaneous flow of energy, and Eric Slick’s controlled agitation questions and states, “What is on your mind?/You do it all the time.” “Pieces” pushes a crusty grunge aesthetic, as the spoken lyrics linger, embedding them in one’s mind. “I need something that I can’t hold on to./Please believe I would never do you wrong.” What initially speaks to a fundamental instrumental rawness is balanced by a melodic refinement.
 
Dominic Angelella unlocks the window of vulnerability in “I Wanna Drink Poison.”  A simple percussion and guitar allow his delicate vocals to etch a confession that aches with authenticity. Eventually, the light breeze of instrumentation transforms into a powerful gust, and Angelella laments, “I Don’t See Anybody.” With it’s bare acoustic guitar lead, “Coronation Day” provides an uplifting tonal change – a brief yet well-placed breath of fresh air. “Deaf Gene” begins with a gentle drifting before reaching a high-pressure, uncorked rage –  “…My hands are tired it’s the first time since time…” releasing the frustration until Angelella’s vocals soothe Slick’s aggression giving it a moment to simmer before relinquishing the reins and roaring to its conclusion.   
 
Densely packed drums and guitar quickly rouse one’s senses in “Place Of No Tomorrow,” revving the engine between short yet effective exhibitions of force. Its vocals are exuberant, while still having a disgruntled bite as that universally need for a new scene appears in the chorus reverberates, “God, this part of town is killing me./I need to breathe and see the place of no tomorrow.” Closing with its title track, Hardcore Friends leaves a lasting impression. As Angelella poignantly questions, “If I fall in love with an idea again, if I fall in love, would you make sure that I’m careful with it?” The guest vocals of Frances Quinlan (Hop Along) and Rachel Browne (Field Mouse/Anomie) offer a dynamic sense of earnest support as the album rumbles to a close.
 
A pair of hardcore friends in Eric Slick and Dominic Angelella has sealed its brotherly bond with an album that fuses punk-rock attitude and assertiveness with a resounding melodic pop sensibility. The energy and emotion are palpable. – Michael Colavita

NYC

Baltimore soul sensation Bosley releases new single and plays The Black Cat, 9/3

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Need a new track that you can play on repeat and just let loose? Baltimore’s own Bosley has you covered with his new single Are We In Love? A funky, soulful track, it lulls you in with dulcet tones and holds you down with a rich chorus and wonderful instrumentals. It’s a dance beat, it’s great for relaxation, it’s perfect for a montage, it can get you through the day. Check it out when Bosley plays at The Black Cat on 9/3. $10 backstage, doors at 7:30. -Jonathan Goodwin

Austin

Boss Battle, The Nimbus, Tone Royal and The Villas: The Deil’s Early September Artist of the Month Nominees

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Deep summer is a good time for music in Texas. That weird auburn heat that comes down, part the blonde of summer and part the brunette of fall means you can actually get out about in the summer sun and take walks and drives and hang on patios and listen to some goddamned music without wondering if you’re gonna die if you don’t stay perfectly, freakishly hydrated. Change is comin’, and I dunno, maybe I’m alone in this, but it feels like a time when certain tracks and types of music fit the general mood of the earth that don’t always fit at the same time. It’s a pretty nice vibe.

Speakin’ of, here’s what we’ve got for you to vibe to for the end of the month’s Artist of the Month poll, and why we think they’re the shit. This poll is ending quite soon, tomorrow in fact, but we thought we’d give a little last bit of edge to the competition by dropping it all right here for you to gander at, compare, and choose your own personal victor. Put your ears under the tap and let it flow in, and then take that imbibed energy and convert it directly into a vote upon the voting block at your right, if you have not yet and are so inclined. We’ve got a couple early-fall appropriate electronic rock bands, and an introspective hip-hop act appropriate for that change-is-coming feeling, and an indie band that will soundtrack those last golden dyin’ days of the summer just perfectly for ya, so let’s dig in to this month’s selections.

 

Boss Battle

Boss Battle has just one track available online right now, but they are a band in the process of dropping hard onto the scene. They’ve only been around since 2014, but this first single “Ride” (which just officially dropped 8/31/2015, but which has been kickin’ around the net for a while) is some hard pounding electronic-heavy rock good times. As they call it, the “megapop dual lead vocals” dominate and drive this track that’s got a Mindless Self Indulgence pop/hard/electronic/weird thing goin’, but which is more trying to nail the good pop song instead of just weirding people out. Well-thought of and known Ohm Recording Facility producer Chico Jones provides one half of said vocals, giving this band his 28 years of recording experience and a notoriety boost off the bat, and a slew of recent shows and the looming release of EP “Attack Time” get Boss Battle their nod for this edition of the Artist of the Month poll.

 

The Nimbus

The hype on The Nimbus is a little early, but well deserved- the band is on the eve of a 7” releasing on September 17 at a show at one of Austin’s best and most underrated clubs, The North Door on East 6th and I-35, but we thought we’d nominate them now because of just how excited we are for more from this band. The Nimbus’ own take on electronics drenched rock music is stylistically, in turn, steeped in the 80s new wave and gothic styles, with clear dramatic vocals over layers and layers of melancholy electronics, heavy thudding beats and droning guitars. The upcoming 7’ and supporting shows along with the just-so-enticing teaser video released for the new record get The Nimbus some deep support here at The Deli, and the early but definitely warranted Artist of the Month nomination. Check out the teaser below.

 

Tone Royal

We profiled Tone Royal a few weeks ago just after the release of his damn solid debut album Rushing Greatness, and since even that short time ago, it seems like this man’s star has risen considerably. Right now he’s up for not just our Artist of the Month, but also is promoting himself in the San Antonio Music Awards poll and is climbing the charts at Reverb Nation. He was also recently featured in a My San Antonio article on emerging twenty-something’s from the area, and he’s got a big show lined up at The Korova (8/19). He was also set to be a feature at Weird City Hip-Hop Fest until its quite damn depressing cancelation about nine hours before this posting, but despite that sadness (that’s really a blow to the whole area’s hip-hop scene, and not just Tone Royal), this young man is making waves with the smart delivery on his new album, which you can read more about in our recent review here, and which you can listen to in full below.

 

The Villas

It’s pretty hard to make an impact with just a few songs available, but like Boss Battle above, The Villas have done just that with three lovely tracks from upcoming record Long Player. The Villas do a thing that’s very rooted in the traditional indie rock formula of the 90s and 2000s with little electronics, a punk-gone-nicer feel and big and/or surfy guitar chords over some twangy bass and beats that change-up pretty frequently. Vocals that equally snarl and smile and lyrics like stand-out track Julie’s that say “It seems to me/You’re the apple on the tree/Waiting for the sun/It’s my time” that hearken back to indie rock’s roots in approachable suburban-era good if a little cynical feelings make these three tracks stand up as some of the best Austin indie of the year, and make this young band quite intriguing indeed.