Wilsen, not to be confused with the inexplicably ubiquitous Wilson Phillips, will be playing the Rockwood Music on October 19th as a part of the CMJ Music Marathon. The singer-songwriter’s debut album, “Sirens” is a gorgeous integration of folk and dream-pop, resulting in what those in the genre-making business like us call “dream folk.” A particularly notable track off “Sirens” is “Anahita,” which combines Wilsen’s truly haunting voice with a guitar melody reminiscent of Explosions in the Sky’s work on “Friday Night Lights.” The strikingly engaging song is both devastating and celebratory; evocative of both death and a last-second Matt Saracen touchdown. Check out the video for “Anahita” here, and single "Dusk" streaming below. – "Dusk" was added to our NYC Roots Music and Mellow Core SoundCloud Playlists. – Josh Johnson

Channeling the energy of LA’s rowdiest hard rock acts, New York’s Vagina Panther is (suprise, surprise) a band with all the wound-up teenage male fantasy you can take. Whether discussing female curves or cheeseburgers, the band doesn’t mince words so much as it crushes good times and hard nights to little bits with their power chord rapture. The quartet’s latest EP ‘Judge‘ will compliment any manner of debauchery, and something tells me that’s exactly what you need. Their next show will be during the CMJ Marathon, on October 17th. – Mike Levine (@Goldnuggets)

This week-end, courtesy of Heard, Paper Box is partying itself into fall with two sweet six-act line-ups in two days – nice one! After a hip hop showcase on Friday, you get as Saturday’s (9.29) headliners Brooklyn’s notorious art-punk duo Japanther  (who, on Halloween, will be opening for The Misfits!), sharing the spotlight with recent Deli NYC ‘Artist of the Month’ Team Spirit, and Unstoppable Death Machines, another mighty pair, who came crashing onto the radar in August with the release of their full-length ‘We Come In Peace‘. Also on stage that night, Cool Serbia and Malcom, as well as New Jersey’s The Static Jacks who were added to the bill a little later. If some you’re not familiar with, check out Heard’s Youtube mix teaser – everything else you need to know, you’ll find here. 

If Animal Tropical’s whimsical songwriting sure makes for some puzzling twists of a melody, the band’s precise execution ensures that the ensemble doesn’t get too dispersive – and, bonus: stays danceable. But if a Carribean beat feels right under two other out-of-sync layers, this band will let that happen, whichever bizarre dance that might inspire. Three rhythms at a time? Sure. Here’s A Virgin Lot. Two years down the road, the troop having relocated from Miami to NYC, we find ourselves with a little collection of extravagant art-pop frenzies, sharing ground with locals Vampire Weekend, certainly, but nowehere near as twee. After a few recent NYC dates, they’ll be heading to Boston next week – new dates should be announced soon. – Tracy Mamoun

(Photo by Lippe)

–-Terra Peal

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On September 14, all current and former members of Federation of Horsepower gathered at The Brick for an hard-hitting evening of rock ‘n roll. Check out our photos here:

All photos by Todd Zimmer. Please do not use without permission.

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(Photo by Chad Cogdill)

Recently, we caught up with Scott Chaffin, the manic musical mind behind Chocolate Velvet, Vitae & the Pale Horse, and The Black Bullet Promise. He also writes and edits for another awesome local music blog called Kill Your TV KC. Here are his thoughts on one of his latest musical releases (Humans by Chocolate Velvet), a Beefheart-Beethoven marble sandwich, and mistake-free art.

The Deli: Gun to your head, 1 sentence to describe your music. What is it?

Scott Chaffin: It’s trashy bedroom pop and indie funk played by a man raised on classic rock, new wave, early hip-hop, and old-school punk.

The Deli: Let’s talk about what you have coming up. What can we expect?

Scott: Humans is my newest album which is part of a bigger work unofficially titled The Monster Trilogy. It is the final installment of the three LPs. The first two installments, Vampires and Zombies, were released this year as well. Each album was written around a concept/story and each hopefully expresses some social or existential relevance. The basic sound of the LPs revolves around a genre of music I refer to as trash pop. Trash pop, for me, is the culmination of decades of music ingested and then regurgitated through DIY standards and passion. I can use pieces of hip-hop, classical, classic rock, punk… whatever fits the song, and then remodel it as trash pop. A few close fans have expressed that The Monster Trilogy is my finest songwriting to date. It certainly is the songwriting I’m currently most proud of. A listener will hopefully experience real moments of unfiltered emotion colliding into deeply personal and weirdly one-of-a-kind songwriting.

The Deli: What does "supporting local music" mean to you?

Scott: Seeking out the talented musicians in the area in which you live and downloading their music, going to their shows, and buying their merch. I complained and whined about the community of local musicians for a long time because I really felt that the community was either nonexistent or grossly elitist. Then I had an epiphany; if I really felt that there was no community then I should help create a community. If I really felt that the community was elitist then I had to help bring the smaller, talented projects to the forefront. So, I muscled my way into Kill Your TV and declared myself the unofficial music editor. Now, I spend my time seeking out local bands on Bandcamp and other Internet sites (I prefer Bandcamp), contacting them in an attempt to implore them to help me form a more inclusive and definable Kansas City music community. It won’t hurt the more known local acts to embrace the smaller ones. We need Kansas City audiences to get even more interested in ALL KC music and really pour their support into their favorite bands and take chances seeking out new local bands.

The Deli: Who are your favorite "local" musicians right now?

Scott: Oobergeek, The ACB’s, Grenadina, Ddean Cassidy, Merriweather, Kitten Tits, Dolls on Fire, Deco Auto, Elsa Rae, Man Bear, Calvary Kevlar Calvary, Let’s Talk, Sports, The Quivers, Molly Picture Club… I’m sure I left someone out! After really delving into the local music scene I have found that KC could really be the next "it" town. What would it take? All of these great local musicians elevating each other! Showing the world we have a real community that values good music over precious egos.

The Deli: Who are your favorite not-so-local musicians right now?

Scott: Tom Waits, Guards, Hospitality, Monster Rally, Harlem, feel alright, The Roots, Beach House, Mayon, Service:Fair, Radiator Hospital, and I LOVE Karen Dalton (weeps a bit when he types her name).

The Deli: What is your ultimate fantasy concert bill to play on?

Scott: I don’t think of that to be honest. I have recently come to the realization that each and every performance is my ultimate fantasy. I put every part of myself into my music and performances. Wherever I’m playing I hope that the audience will be able to feel all the raw emotion that I feel. That the audience will experience the rush of energy and want their brains to explode into a thousand pieces exactly like my brain is exploding playing the music! If that answer doesn’t suffice then I would say an all day FREE KC local music festival featuring bands hand-picked by me!

The Deli: Would you rather spend the rest of your life on stage or in the recording studio?

Scott: Recording studio. I prefer to be where music is made. The stage, IMO, is where music is interpreted and sold through performance. I love performing but I almost never see it as creating music. When music is performed, people remember the spectacle. When music is recorded, it’s archived and distributed for the interpretation of the listener. Therefore, I see recording as a purer form of the ultimate message because of its portability and unfiltered construction.

The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?

Scott: Bob Dylan. Johnny Rotten. Captain Beefheart. Beethoven.

Each one was an innovator, a poet, and they were all most likely deeply understood. Dylan did it with words. Johnny Rotten did it with attitude. Beefheart did it with imagery. Beethoven did it with emotion.

The Deli: All right, give us the rundown. Where all on this big crazy web can you be found?

Scott: Chocolate Velvet: www.chocolatevelvet.bandcamp.com
Vitae & The Pale Horse: www.vitaeandthepalehorse.bandcamp.com
The Black Bullet Promise: www.theblackbulletpromise.bandcamp.com
And you can read my reviews/stories and listen to compilations of my favorite KC artists at www.killyourtvkc.com.

The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?

Scott: Buy a guitar and make your own music and post it online for free! Send it to Kill Your TV KC! Don’t think about HOW it should sound! Make it sound the way you feel! There are no mistakes in art. Just be yourself and as long as you don’t hurt anyone, be exactly as weird as you feel! You only have one life: use it.

Scott’s a busy guy. He recently released Moan with Chocolate Velvet, an EP of unreleased songs from The Monster Trilogy. His newest project, Slum Party, will be making its debut on Saturday, December 15 at the Kill Your TV Awards show at Club 906 in Liberty.

–-Zach Hodson

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