NYC

NYC Hip Hopsters on the rise: B.Funk

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Though they claim The Roots as a major musical influence, B.Funk is rocking the party with a vibe all their own. MC B.C. flips every verse with practiced flows and conscious lyrics, and the band blazes beats that would meet even the late great James Brown’s approval. With their presence firmly established in the NE from Philly to Maine, they are planning an expansive national tour this summer. In the mean time, they just dropped a video for their single “Check Yo Mind,” and you probably should take their advice. B.Funk are on a roll. – Broke MC


 

NYC

HUFF THIS! live at Highline Ballroom on April 1st with Dangerous Muse

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On April 1st, dancer Alison Clancy and her band HUFF THIS! will be taking the Highline Ballroom by storm for their largest show to date. And we may mean “by storm” in the literal sense – Alison’s lively performances have gotten her banned from venues before. The self-proclaimed “dream-thrash” four-piece has definite artsy credentials; by day Alison has danced with the Metropolitan Opera and cellist Chrissy Lancaster composes scores for major dance companies. HUFF THIS! is often joined on stage by an entourage of similarly artsy guest performers. This show, headlined by electro-rock duo Dangerous Muse, will be no exception. – Corinne Bagish

Nashville

Local Band Takes Creativity on The Road, Part 1

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A couple weekends ago, Deli writer Dh Wright went out on the road with Nashville’s all-instrumental Deep Machine and wrote about their travels. Due to the narrative’s length, we decided to split this one up, so stay tuned in the coming week for more of Wright’s account…

The ship hovers toward Chattanooga; there was a procedure to make sure that we had enough oil and coolant to keep the van afloat for a few hundred miles south to Chattanooga, Montevallo, AL and back. Without a spare tire we were moving luck aside for leg room and positive karma. We were leaving behind the Land of Manson, miles outside of the city where he said he would return to Woodbury whenever he gets out – he might even be there already.

I was traveling with Nashville’s Deep Machine for a story about redemption, fame and the pursuit of success through touring and whether it was possible to survive off gigs alone, or so I thought. The story took unexpected turns as the opportunity to survive on creativity comes with a cost.

I remember the days when going to an instrumental show only happened with enough drugs to embrace the lights and scene and not run away from it all, but Deep Machine is different and this difference drew me to the trip. The band’s genre is pure instrumental, with contemporary influences like Fleet Foxes, Phillip Glass, Tool and The Fugees, to the classical and jazz influences of John Coltrane and Miles Davis.

We were out of Nashville. Away from the cynics who had abandoned the city for Austin, TX. Moving down the state line tugboating a trailer of musical equipment, most of which had experienced each and every venue in Nashville. I had known the band before, mostly from the perimeters of catching late night sets among the tranced-out refugees escaping university boredom. Brennan Walsh , Ben Crannel, and Brian Cline I had seen before, but Zack Bowden was new to the band. Brennan played in Thief, a rock ‘n’ roll tantrum with classic rock and psychedelic/experimental sound. Thief played most everywhere in the mid-state during the past few years. Crannel had played in other bands that mostly toured the college town of Murfreesboro, TN, where Deep Machine formed. The story begins that each had a gig the same night and in between sets Walsh, the guitar player of Thief, and Crannel, the drummer of Childhood TV Stars took up their instruments in between sets and Deep Machine was formed. Brian joined after moving into town from Oklahoma with friend Jon Conant of Penicillin Baby to attend the recording program at MTSU. Brian was a natural fit in the band. And Bowden is fresh and already in the pocket, the way all bass players should be.

NYC

A promising new NYC band: We Run release EP at Cameo, 03.28 (tonight)

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We Run is both a very NYC short sentence and a Brooklyn-born alt-rock power trio. Alexander Gruenburg (Guitar/Vocals), Martin McDonald (synths), and Jeremy Duvall (drums) are very new to the scene – the band was formed in January of this year – but are making themselves known early on with a convincing self-titled, three-track EP, which they wrote within a week of being a band. To commemorate the debut, We Run will be gigging at Cameo Gallery with local melodic rockers King Stork on Wednesday, March 28 and showcasing their high octane, straight up blues rock sensibilities. Begin celebrating with We Run at 8pm and be sure to grab a copy of the EP. – Meijin Bruttomesso

NYC

A folky night with Little Sur and Tall Heights, at 92YTribeca on 3.30

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92YTribeca is hosting another great folk show on March 30th with 2 emerging NYC acts and one New England guest: Brooklyn’s singer-songwriter Will Stratton, NYC based folk collective Little Sur and Boston duo Tall Heights.
Will Stratton (pictured) is a California born artist who studied music composition at Bennington College, where he composed his first string quartet pieces. He released his first album, "What the Night Said," in 2007, and his second "No Wonder," in 2009. His music – lush, mellow and textured – features an extremely personal guitar style based on syncopated arpeggios, supported by occasional strings.

Led by Josh Meer, Little Sur create folky music with a city feel, inspired by the rich soundscapes and sights of the metropolitan setting of New York City. Their first EP was released in Spring 2011, and their most recent EP “Brothers/Idioms” is available for free on their bandcamp.

Philadelphia

Experience the Good & Bad of Crills Wilson at The Fire March 28

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Crills Wilson possesses that good ol’ boy spirit that can be rather comforting. However, when you get him on stage with the rest of his band, those good ol’ boys play like they each just drank a fifth of Jack and you were hitting on their women. In other words, they are ready to fuck shit up! The band can get downright ornery and loud, but that also makes for an evening to remember – good or bad. Well, tonight they’ll be headlining at The Fire, and I’m going to put my money on the former. The Fire, 412 W. Girard Ave., 9pm, $7, 21+ – H.M. Kauffman

San Francisco

Emily Jane White Plays April Shows, Premieres New Video

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Fresh off four years spent touring and traveling Europe, gothic singer-songwriter Emily Jane White is taking the Bay Area by storm once again. The songstress, who is heavily influenced by depression-era blues music and classic gothic literature, is set to release her third album, Ode to Sentience, June 12th via Antenna Farm Records.

Listen to Black Silk," the first single from Ode to Sentience, and watch a new video for second single “The Cliff." Catch White live in her home turf in April, dates listed below and on her website

–Amanda Dissinger

Upcoming Live Dates:

Wed 4/11: Cafe Du Nord, SF

Thu 4/12: Christy’s on the Square, Santa Rosa

Sat 4/14: Cafe Mekka, Nevada City

Portland

Sun Angle

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Sun Angle

While spring is officially upon us, it doesn’t mean the rain has stopped or the mercury is rising in Portland. Sun Angle is a much needed shot of Vitamin-D to our collective pineal glands. broadcasting photons of posi-energy and other undetectable waves of vibe-age through psychedelic solar flares of improvisation and cosmic songwriting. The band, consisting of three distinctly PDX experimental rock veterans, is an ever-amorphous kind of rock and roll trio. Like a ray of light, Sun Angle’s sound consists of many varying wavelengths, each spectrum a different contribution from the talents of its members. Like all good things, Sun Angle defies genrefication.

Each song on the eponymous debut EP is precisely crafted around Charlie Salas-Humara’s spastic vocal displays, which serve as intergalactic communiques from space to an earth bound listener. Papi Fimbres’ (O Bruxo) drum kit locks into a consistent percussion orbit, anchored in its rotation by Marius Libman’s (Copy) rhythmic bass. Most songs on the record exude a tropical smoothie of self-professed progressive-fusion-cumbia-psychedelia, but tunes such as “Two Triangles Inside of a Circle…” are more akin to the jazz-centric stylings of bands like the Blues Project, made famous on the Monterrey Pop stage in the summer of love. The incorporation of flute on the last two songs of the EP is a telling escalation in Sun Angle’s nuanced, yet simple approach to progressive songwriting. While improvisationally cosmic in nature, Sun Angle’s accessible song structure will surely enlighten a larger audience to the power of solar music fusion.

— Wyatt Schaffner

Chicago

Jenny Dragon on Rooftop Sessions

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Rooftop Session has released another performance for their recording with Jenny Dragon. In this video the presence of the city’s skyline is beautifully pronounced. Earlier this month the band entered the studio to record their debut full-length album.

You can catch Jenny Dragon at Uncommon Ground on Clark on March 31st at 8pm with Little Light.

Chicago

Isaiah Grass “P H E R O M O N E S”

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Isaiah Grass continues to pump out the singles. His latest is called "PHEROMONES", and it is just as polished and stylish as the rest. The single which dropped on Feb. 23rd is his first of 2012, but 8th overall since releasing "I’m a Freak" back in Jan 2011. Grass is a model and young emerging pop star who is definitely on the rise.

You can hear an interview with Isaiah on Fearless Radio from back in Sept here.

Video: Isaiah Grass "Pheromones"