L.A.

Dylan Chambers lets loose in new single “Ya Feelin’ Good?”

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With a cascading euphoria channeled via luscious falsettos and slippery guitar licks, Dylan Chambers escapes 2020 in his new single “Ya Feelin’ Good?” and does it with hot flair. Funky and free, with a bap-bap lightning beat, “Ya Feelin’ Good?” has an aim to get you dancing, and Dylan Chambers takes command with an energetic attitude that is felt both in the cream-smooth pre-choruses and in the song’s tail-end electric guitar shred. Dylan Chambers, a Los Angeles resident since 2011, allows himself a moment of celebration, during a career that keeps on blossoming through hard work, and invites you to join in: stream “Ya Feelin’ Good?” for your ticket to the party. – René Cobar

L.A.

A Deli Premiere: “Nasty Woman” by Chel

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In such a contentious election year, with so many voices drowned in the mix, few are heard, others cut fiercely, defiantly through the noise, and that is the case with Chel’s new single “Nasty Woman.” The singer-songwriter debuts a single and accompanying video that highlights the ardent fight for women’s equality in all fields, in all spheres. With vocals that display force and grace, Chel rides a quaking beat that leads to instrumental swells and ascents that you can’t help but feel profoundly within. In the small bridges of the track, Chel’s voice floats elegantly towards a fabulous beat drop. The song title, a reference to words infamously uttered by President Donald Trump, reminds us that many women have awaited this coming election perhaps most fervently than many, ready to exact change. In “Nasty Woman,” Chel offers a slick and soulful pop single that rattles with hot emotion and frigid, piercing intent. In a year full of statements, some have a bit more bite to them; stream the music video for “Nasty Woman” premiering below. – René Cobar    

L.A.

Mei shows his heart in new single “Frankenstein”

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L.A.’s Mei switches up the tempo in his new single “Frankenstein,” via simple acoustic guitar strums, vocal ascents, and a charged-up passion. Where Mei’s indie-pop summer single “Rudimental” displayed his vocal versatility with switches from passionate croons to confident and sharper rides of the beat that led to full choruses powered by synth ambiances, “Frankenstein” keeps it bare, yet just as daring. Melancholic, and ultimately hopeful, “Frankenstein” has an obvious heart, a red mood to sink to, completely; stream “Frankenstein” below for a warm transition from warm days to cooler evenings. – René Cobar

L.A.

Brittany Campbell highlights universal love in “Champion”

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Brittany Campbell puts you on cloud nine with a new R&B single titled “Champion” that is romantic with its dexterous electric guitar riffs, snappy beats, and atmospheric breaks. Campbell’s vocals, in sweet motion with those of Phil., tell a story of passion universal and use each verse to spread that, culminating in soothing refrains. The song, released on National Coming Out Day, is accompanied by a music video whose comic book aesthetic is charming, each frame fantastic and sensual. “Champion” pays complete tribute to all the elements that make R&B timeless and, in the process, delivers an important message about love; stream “Champion” below for a trip up to a better place. – René Cobar

L.A.

A Deli Premiere: “Rollercoaster” by JUICYPEAR

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There is hardly a better way to prepare for the weekend than by letting go of the extra cargo and fusing into the groove of “ Rollercoaster,” a sweet indie-pop single by LA’s stylish duo JUICYPEAR. The glossy new track uses its sexy rhythm (fat bass) and melting electric guitar chords to usher one dance-pop hook after the other, the voice of Jasmine Mayeda guiding the euphoria of the moment. Together with her husband Jacob, Jasmine Mayeda rides the beat past its sharp sonic curves and composes a beautiful song that moves from dream-glitch bridges to a funk-futuristic rock finale that may leave your hair a mess. “Rollercoaster” is the sophomore single from JUICYPEAR, who reflects on the new single as follows: “Some seasons of life can feel like you’re riding an emotional rollercoaster. We thought it would be cool to bring the viewer into some of those life moments, while weaving in and out of vintage TVs, to show even our relationship has its ups and downs.” Nothing in the world is perfect, but in the pursuit of that perfection, a story weaves itself, that with its imperfections, becomes something better, more precious by far. Hang in there, stream our premiere of “Rollercoaster,” and enjoy the ride. – René Cobar

L.A.

Ella Isaacson defines her brand of pop in new single “Hard Lessons”

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Ella Isaacson has a sleek fury to her in a new single titled “Hard Lessons” that speaks of strength through atmospheric choruses and a very modern beat propelled by a heartbeat bass guitar. “Hard Lessons” is reflective, but with an upbeat attitude that immerses the listener and can even be cathartic for those with something bottled up that needs release. Isaacson allows her brand of pop to take shape: melancholic and yet triumphant, “Hard Lessons” is a single representative of the themes of her music. The music video for the song expands those themes with a stormy and defiant look at the artist, holding her own and declaring the lessons learned. With polished production and a message that encourages growth, this single is a solid choice for a reminder that you are worth it. – René Cobar

L.A.

Aviella dreams big in new single “Ain’t Too Late”

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L.A.’s Aviella debuts a club-ready single titled “Ain’t Too Late” that kicks one back to what today seems like another world where dancefloors filled shoulder to shoulder surrendered to the euphoria of a beat. The music of “Ain’t Too Late” keeps its timeless polish: brilliant synth droplets, dreamy atmospheres, and of course a beat that hits the ground running and takes you with it. With Aviella’s voice as the charming guide, “Ain’t Too Late” dares one to dream up a not-so-distant past and hope for a not-so-distant better future. Stream the electro-pop single below for a moment worth revisiting. – René Cobar

L.A.

Taylor DeBlock heats up in new single “Necesitas”

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L.A.’s Taylor Deblock is confident and real smooth in his new single “Necesitas,” which like syrup drips sweet, and is warm enough thanks to its Latin rhythm. The pop-RNB concoction takes control of the listener’s fantasy-inducing brain sectors and demands movement with hooks and choruses that resonate throughout the body. The summer may be gone, but Deblock is not about to let go of the heat. This emergent L.A. artist is blending modern music trends with classic rhythm and blues, seductive, and always creative in his approach. Listen to the new track below for a hot message ready and delivered. – René Cobar

L.A.

East of June raises hope in new single “Little Bird”

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East of June is paying tribute to adventure with a new single titled “Little Bird” that describes the to-be journey of a young girl searching for her voice, her awaiting identity. Tucked in the rich lead vocal melody of Emily Rath is a story of discovery that is relatable. The warm groove from the bass of Incubus founding member Dirk Lance leads the rhythm that helps also tell the story, with Kyle Mortensen providing the acoustics, it is a win. The group shot the music video for the song on Long Canyon Trail in beautiful Simi Valley, adding just the kind of tranquil mood that the song inspires. Such reflections come from the track’s moment of birth (the first week of quarantine), and so loaded with hope, “Little Bird” merges the past and the future and infuses hope and respect for both; stream “Little Bird” for a story familiar. – René Cobar 

L.A.

Sondre Lerche’s “I Could Not Love You Enough” is a sonic circus to enjoy

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Norwegian-born Sondre Lerche provides yet another bouncy, melancholic track to chant to: “I Could Not Love You Enough” is short, and it is sweet, and it will have you feeling giddy and sad all at once. The marching drums, explosive distortion, and swelling atmospheres all create a sonic circus where Lerche’s confessional refrains trapeze through and evoke emotion. The new single announces a deluxe edition of Lerche’s latest album titled Patience, out October 23rd. The music of “I Could Not Love You Enough” is soothing enough for contemplation but active enough for the busiest of mornings or evenings; stream this new single for a taste of the sonic spectacle in store. – René Cobar, photo by Jen Steele

L.A.

ARO debuts perilous single “House Of Lies,” plays Hotel Cafe 09.26

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Aimée Osbourne’s project ARO has released a new single titled “House Of Lies” that tip-toes on the sinister and reveals a soundscape that is a pop, industrial blend so edgy. Osbourne’s vocals crawl to the beat of the track and provide a soft touch to the otherwise sharp clanking sounds that accompany an atmosphere of peril; a dangerous sort of love is evoked through the music. “House Of Lies” is part of Osbourne’s upcoming record Vacare Adamare, set for release October 30th. Aimée Osbourne will be streaming live from Hotel Cafe on September 26th. Stream this synth-heavy track below for a dangerous type of song. – René Cobar

L.A.

LANY belongs in new single “Cowboy in LA”

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LANY is finding time for recognition of itself and the environment that surrounds the group in a new chill single titled “Cowboy in LA.” The trio deploys slick electric guitar flourishes and key embellishments beside cool vocals that ride a trot of a beat all the way to a good feeling. The imagery the song paints is vivid: sunny days and good times, smoggy afternoons, and neon-tinted evenings, you take the good with the bad. The journey for LANY has been a long one, but it continues with this release and the group’s upcoming album, mama’s boy, out October 2nd. Stream “Cowboy in LA” and let your mind wander off towards a smoky sun above a known cityscape. – René Cobar