Portland

The Chicharones On The Road With The Vans Warped Tour

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And now, for something completely different‘: Portland-based fast-rapping duo The Chicharones, aka Sleep & Josh Martinez (joined by Dj Zone, in the pig head) who are as we speak ten days into their 43 shows across the US with the Vans Warped Tour ( which is showcasing this year more indie hip-hop talents than ever before! ).

Reformed three years ago, they released on June 19th their second full-length album in five months, which as it goes, drifted away from the comedy-hop schtick they specialised in to dig deeper into the witty social commentary that underpinned their previous records. ‘Swine Flew‘ sees the surf backings virtually disappear and the themes become slightly less mundane. This time ’round, The Chicharones are back to prove themselves as the hard working, sharp rhyming act lying beneath their (brilliant!) shoulder-popping silliness, with an improved live performance and beats more fitted to the genre, courtesy of Dj Zone. Don’t you worry though, it is still popping, and still pretty damn silly. Proving my point, here’s the music video for ‘Eggshells’, second single off ‘Swine Flew’:

See? So get ready to welcome them back to Portland on August 5th, as the Warped Tour concludes at the Rose Quarter RiverfrontTracy Mamoun

Philadelphia

Norwegian Arms Come Into Focus at JB’s June 30

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When Brendan Mulvihill a.k.a. Keith Birthday and current Dr. Dog drummer Eric Slick a.k.a. Dr. Awkward combine forces, the resulting music is self-characterized weirdo-folk called Norwegian Arms. However, the tandem’s minimalist approach is far from lacking depth. Ironically, as Mulvihill sings, “I’m so tired of being cold,” a song inspired by his time in Siberia, his enthusiastic mandolin playing provides an upbeat warming atmosphere. For his part, Slick’s pots and pans style percussion are the groundwork for the ever-energetic mandolin to move freely about, setting the tempo and pushing the pace when the song calls for it, but also laying back and allowing Mulvihill’s passionate vocals shine through. From a distance, it appears simple, but catch them at an arm’s length at Johnny Brenda’s tonight, and the real picture will come into focus. Also don’t forget to welcome Mulvihill back from his recent trip to Chile with ESL Folk, a project that he started with his comrades to help students in other countries learn English by way of folk music. Johnny Brenda’s 1201 N. Frankford Ave. 8pm, $10, 21+ (Photo by Brandee Nichols) – Michael Colavita

Philadelphia

Lewis & Clarke Discovering Raw Emotions at PhilaMOCA Tonight

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Lewis & Clarke, the  “neo baroque post folk” band of Lou Rogai and collaborators, will be performing at PhilaMOCA tonight. Though the name is actually a nod to letters between C.S. Lewis and Arthur C. Clarke, the band is definitely on an introspective journey. Lewis & Clarke plays tunes that get lost in your thoughts amid the softness of their music. It is gentle sounding, but filled with raw emotions. Your Children is Beautiful shares those unsure emotions. It is a more upbeat softness with encouraging lyrics, like in “ The Silhouette of Bird” telling you to “let it run its course,” reassuring you that this, whatever it may be, will pass. Judson Claiborne from Rogai’s La Société Expéditionnaire label will be opening too. It’s a night of mellow folk that will envelop your mind. PhilaMOCA, 531 N. 12th St., 8:30pm, $7-10, All Ages – Maura Filoromo

NYC

Weekly Feature: Wazu tours the east coast

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Even though they’ve only been an outfit for little over two years, WAZU has received a lot of prodigious buzz in the blogosphere. But while the electroindustro-meets-grimy glam duo — that is guitarist/producer/vocalist Matt and vocalist/synth player Rizz — may have started their trek as WAZU in 2010 after moving to New York from their Sydney, Australia hometown, they’re no strangers to life as musicians. After all, while living in Sydney, the pair performed in different acts in the experimental and avant-garde scene in the Down Under city during the mid-2000s. And all that experience has paid off. With a full length in the works, and a series of east coast shows scheduled for August, WAZU is quickly climbing the sonic ladder, consuming all the pop culture America has to offer along the way. – Read Annamarya Scaccia’s interview with Wazu here.

NYC

Eighteen Individual Eyes Headlining Saturday Show at The Comet

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Eighteen Individual Eyes are playing The Comet Tavern this Saturday, June 30th to celebrate the release of Crybaby studios’ new compilation album. Themed around the earth’s apocalypse, the unique collection of songs features twelve bands.

The band, made up of guitarists/singers Irene Barber and Jamie Aaron, bassist Samantha Wood, and drummer Andy King, put out their debut record Unnovae Nights back in March. Ten songs in all, the LP reflects a foursome swimming through a nebulous world of dreams and reality. Opening track "Unnovae Nights" is dynamic and pensive, illumined by the singer’s crystal clear voice over intermittent swells of distortion.

"Rosebud Youth" is a standout, with the guitar interplay slowly building as the drums pound out an assertive, rolling beat a la Helms Alee. The ferocity of the instrumentals also recalls the sounds of defunct group These Arms Are Snakes. The vocals are as powerful as they are airy; you can hear a trace of St. Vincent in there.

Elements of psychedelic rock, post-hardcore, and alternative seep out of their songs. Listening to the album in full is a journey worth traversing. On top of their impressive songwriting, producer and recording engineer Matt Bayles makes every track crisp and decisive; they speak to your ears with genuine authority.

Eighteen Individual Eyes are as authentic as they come – check them out at The Comet this Saturday for $7 as they headline alongside Royal Eyes, Murals and Nightmare Forest. They are also playing the Capitol Hill Block Party on July 20th. You may stream or purchase Unnovae Nights over at their bandcamp.

– Cameron LaFlam

Chicago

How To Dress Well “Total Loss”

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How To Dress Well (aka Tom Krell) has announced the details of his upcoming album Total Loss. The album will include the recently released single "Ocean Floor for Everything" that we wrote about several weeks ago. The album will be released on September 18th via Acephale, and can be preordered here.

Earlier this month Krell released a very cool mixtape that includes everything from cfcf to Asap Rocky to Janet Jackson.

NYC

Weekly Feature: Zak Smith

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 As anyone who’s spent some time on the Garden State Parkway knows, people from New Jersey come out a bit differently from the rest of us. There’s a particular blend of hometown pride and hard-earned bravado here that few states can match.

For Zak Smith, this attitude defines his world view, as much as it does his music. A man sympathetic to unifying causes like Occupy Wall Street, Smith has brought together his own unified front with his powerhouse band. Stocking a tight five-piece with soaring harmonies and thunderclap guitars, he’s created a unique blend of rock Americana that’s just as much a family as the colorful characters pointed to throughout his new album.

Over a voice coated with as much honey as it’s covered in grit, Smith has just released his debut full-length, collecting together a signature batch of tunes reflecting his outlook, both personally and politically. – Read Mike Levine’s interview with Zak Smith here.

NYC

Show recap: The Flaming Lips/Deerhoof at Liberty Hall, 6.21-6.22.12

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The 100th anniversary of Liberty Hall in Lawrence was celebrated in a whirlwind of confetti, lasers, balloons, and two nights of incredible music from Deerhoof and The Flaming Lips. (Note: The Flaming Lips’ drummer Kliph Scurlock lives in Lawrence)

Our photographer Todd Zimmer captured some photos of both evenings. If you weren’t lucky enough to see the sights for yourself, here are a few great shots.

Deerhoof

The Flaming Lips

 

Photos © Todd Zimmer, 2012. Please do not use without permission.

NYC

The mad revivalism of Punks on Mars

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There are many cheap shortcuts to define Brooklyn’s Punks On Mars‘ latest EP, Hey! Tiffany, but no short way to get it right. First, referencing, to lay a base. A glittery touch of 70s proto-punk, topped with a fusing 80’s power-pop sound and its high-pitched prominent guitars, a few Ramones beats…that’s a start. Then, analogies. Even easier! Cartoon-esque atmospheres, padded bubbles, chipmunks on psychedelics and bad trips at the fun fair, get it? Finally, oxymorons and other contradictions. Hyperglycaemic punk, oppressively pop, carefully produced as a satyrical take on a lo-fi frenzy, seemingly unmastered sharp fuzz…it’s at once any critic’s dream playground and worst nightmare! You’ll want to decorticate, reveal a form of institutional critique, yet you’ll refrain from being that guy, the enemy, the downer. You’ll then be tempted to stick to the fun side but can palp the two thirds of the iceberg lying beneath the colourful surface… it’s a tricky one! Ultimately, it may be best to admit any label to be reductive, and see that it may precisely be a clever distortion of many familiar patterns that set front man Ryan Howe’s catchy sound right on the edge of any mainstream, thus defining it as unique in its genre(s)-  whatever it may resemble! – Tracy Mamoun

NYC

Show of the day: Chris Haghirian’s Birthday Bash at recordBar

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Tonight, several of the best artists in Kansas City and beyond will be at the recordBar to help celebrate the birthday of Ink Magazine’s Chris Haghirian. Haghirian is one of the biggest proponents and supporters of the Kansas City music scene, co-establishing the Middle of the Map Fest, which has helped get national acts on the Kansas City stage. He’s spearheaded a number of events to get regional and national exposure for Kansas City acts, including MidCoast Takeover at SXSW, MidCoast Cares: A Benefit for Joplin, the Ink Music Stage at the Plaza Art Fair, and Ink’s Local Music Showcase at Kauffman Stadium. Most notably coming up, he and Ink have teamed up with the MLB host an All-Star FanFest for the MLB All-Star Game at Bartle Hall on July 8-9.

The show will begin at 7:00 p.m. with Oriole Post; this will also be the folk band’s farewell show. Olassa from Lawrence will follow. This early show is $7.
 
The music continues at 9:00 for $10, or you can get a combo ticket for both shows for only $12. Acoustic performer Georgia Gordon, who hails from Edinburgh, will kick off the set. After that, emerging Kansas City group She’s A Keeper (check out our album review here), followed by psychedelic Chicago musician Stephen Paul Smoker. Closing out the evening in true party fashion will be local favorites Hearts of Darkness. It’ll be a fine way to celebrate a fine man. If you’re a part of or a supporter of the Kansas City music scene, come out and watch some great artists, and pat the birthday boy on the back.

Here’s the video for "Green City" from Stephen Paul Smoker:

 

"Vega" by Olassa:

And something off Hearts of Darkness’s upcoming release:

NYC

From the NYC Open Blog: Erez & The End bring back the Dire Straits sound!

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Erez and the End’s music combines the elegant intensity of Classic Rock with the rich lyrical tradition of singer-songwriters, in ways reminiscent of that weird hybrid of traditional styles called Dire Straits. Erez And The End debuted live at Rockwood Music Hall and will will perform songs from their new EP "Silent Mountains" and other original songs at Spike Hill on Sunday July 29. – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here). The Deli’s NYC Open Blog is powered by The Music Building and APS Mastering.

 

Portland

Guantanamo Baywatch On Tour After Releasing “Chest Crawl”

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Currently touring the US until the end of July, local garage-surf trio Guantanamo Baywatch were kind enough to drop a new album right before they headed South. "Chest Crawl", released May 22nd, features a screeching cover of Paul Anka’s ‘Diana’, some slimy doo-wop, sexually explicit themes de rigour (Massage My Taj?! Excellent!): take it or leave it, it’s deliciously trashy!

They’ve kept their instrumental 60s garage-surf recipe, its exotic touch of string vibratos (think Miserlou) and many a high-pitched slides, but went further back in time to the Golden Age of rock ‘n’ roll to find the vocals, more prominent than on their past releases. The result? A nonchalantly noisy take on 50s melodic patterns filled with pathos, "ooh oohs" and those Trashmen/Cramps bursts of nonsense which, if you can indulge lo-fi one more time, and don’t happen to cringe at the rolling sound of surf, should do the trick for some ol’ hip-shaking antics.- Tracy Mamoun