Nashville

PJ Harvey Tribute, 6/28/10 @ Springwater

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The PJ Harvey Tribute show served up some major sassiness on Monday night at Springwater, compliments of several local ladies, including, but not limited to, Murielle Rae of The Grayces, Thelma & The Sleaze, and The Deli’s own Erin Manning. The show was organized by Taco Party owner, Lauren Gilbert, in order to raise money for the new local art store at the Little Hamilton collective. Unsurprisingly, the show was successful, just like Gilbert’s previous shebangs, such as the Nashville Femme Vegan Cupcake Calendar show, benefiting Planned Parenthood. Even for people who wouldn’t be considered “die-hard PJ Harvey fans,” the songs and performers were wildly entertaining.

Decked out in all black and strutting their stuff on stage, the girls had the common sense and decency to showcase a wide variety of Harvey’s expansive material, opening with favorites such as “Big Exit,” (click the links to see some low-quality iPhone videos) and, “Down By The Water,” before barreling into some deep tracks, such as the Nick Parrish collaborative, “Black Hearted Love,” which was sung by Murielle Rae. The girls clearly specialized in garage/grunge, judging by the downright raunchy renditions of “Rid of Me,” “50ft. Queenie,” and “Long Snake Moan.” Lauren Gilbert and Amaretta from Pushy Lips took turns with lead vocals, and were backed by Jackie Mackree and Emily Zimmer of Thelma & The Sleaze, and JoJo Jackson from Xpia. Things simmered down a bit during the middle of the set with some PJ Harvey ballads, including “Grow, Grow, Grow,” and, “The Devil,” which were performed by Erin Manning on keyboard/vocals, as well as an acoustic-guitar-accompanied, “C’mon Billy,” sung by Olivia Scibelli.

Seeing such true fans engaged in the on-stage exploration of the in’s and out’s and eccentricities of PJ Harvey’s sick-ass songs was a sight to see. Rumor has it that the gals might go for round two of the tribute show because it was that good. This would be quite fortunate. (Let’s hope they do).—Deli Staff

Philadelphia

Univox Droppin’ the Lethal Harmonies at KFN June 30

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Frenetic and robust rock locals Univox are coming to Kung Fu Necktie tonight. Many of their songs show the bands vocal versatility with four different members taking turns rockin’ the mic. Each voice distributes their energy in different ways highlighting the many strengths and vast post-pop sensibilities. I prefer the baritone who muses over the frantic sounds of “Everybody Knows”. By the looks of them it is the extra large Josh ‘The Mongolian” Jones who is responsible for the voice, but big things come in little packages no matter what that bitch said the other night. They can create scrappy garage rock in the vein of the Stooges or barnstorm with the best of them. They’ll be joining experimental noise-pop outfit Hermit Thrushes. Univox are currently promoting their debut ST album on NY’s indie label ROIR. Kung Fu Necktie, 1250 Front St., 8pm, $8, 21+ (Photo by Dennis Manzanedo)- Adam G.

 
NYC

New video by young gentlemen The Postelles – album out in the fall

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There’s something very gentlemenly about The Postelles‘ songs, which will make us say that they sound like a less sunovabitch version of The Strokes. It must be the Doo-Wop influences or something… It’s funny because probably in the 50s most parents were looking at the guys playing in Doo Wop bands like if they were real sunovabitches who were ruining their children and stuff, while now that music sound harmless and cute to us. It’s amazing what the world went through in just 60 years – and no doubt, Rock’n’Roll was a big force in making icons and stars out of more or less rebellious bastards. But The Postelles aren’t like that, they are very talented boys who want to seduce you respectfully… The young NYC band has just released this video and is getting ready for a fall release of their debut full lenght.

NYC

Dead Leaf Echo live at Pianos on Friday July 2nd

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Dead Leaf Echo is a Nouveau Wave voice of emotion wrapped in lyrical intrigue and swirling movement. Lines shift from point to plane as DLE plays their next show in complete electric formation. Fresh and unreleased material from their new upcoming release “Truth” out on 2&1 Records this fall. The band will play with SF and Montreal’s Postcards. – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here).

San Francisco

Album Review: Business 80 – Strangers With Me

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From the outset Business 80’s debut Strangers With Me quivers with a looming sensation of darkness. It oozes a sadness that lurks in the darkest corners of its sound. A collage of glitching synthesized sounds, live instruments, and ominously sung vocals, Business 80 is the latest project by local songwriter H.A. Eugene (whose previous creation, Burbank International’s City of Burbank, put him squarely on the Bay Area’s music scene map) and a dramatic turn from the tender folk sounds of his previous work.

A mostly electronic album, Strangers With Me is broken into three movements, each (for reasons not outwardly clear) named after Tenderloin bars (Koko, Hemlock, and Ha-Ra). With driving industrial rhythms and often piercing electronic squelches throughout Strangers With Me, apt comparisons to acts like Nine Inch Nails (or a much harder version of Depeche Mode) certainly jump to mind, peppered with a spirit of IDM from the likes of Plaid, Autechre, or even Squarepusher (maybe a stretch).

Opening amidst a wash of penetrating electronic sounds and almost choked vocal gurgles, the eerie and despondent "Koko" begins the section of the same name. As with most the songs on this album, an intricate depth characterizes the soundscape of this song, with multiple pieces waiting to be found amidst the layers. Trapped in a loop, the album title is repeated endlessly as the synth sounds punctuate the space of the song. The result of this, as the line "strangers with me" is muttered ad nauseum, is an unnerving level of violence to the loneliness evoked throughout "Koko."

"Who Died?" follows, and with it’s crescendoing viola line it may well be my favorite track on this album (the track that follows being a close second). Coupled with an ethereal-sounding arppegiated synth-line, and one of the more forceful and driving bass outros I’ve had the pleasure of hearing, this song really sends chills down the spine.

If "Who Died?’s" outro is an emotional ascension, "Mad at Nothing" is its zenith. Certainly the funkiest track on the album, "Mad at Nothing," if for its title only, really captures the spirit of Strangers With Me. There is a feeling of impudent rage that permeates throughout the narrative of these songs. From the anger and the drive that pushes the vamping repetition of the line "never learned shit, got stupider stupider," to the flailing rage that percolates from Mad at nothing, to the suffocating impotence of "Getting Sick for Real" and "This Place Where We Used to Play," there is an invisible force that torments the character of Strangers With Me.

All things considered, with its tumultuous layers of electronic sounds, Strangers With Me is an alluring and schizophrenic emotional ride. Peppered with rage, terror, loneliness and pure driven anguish Strangers With Me is a fascinatingly complicated album.

 

Ada Lann

Note: Copies of Strangers With Me can be aquired at Business 80’s CD release show, at El Rio on July 1st, or for free by contacting H.A. Eugene here.

Chicago

Noise Floor Crew

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I received word today that the local label Dust Traxx will be releasing the debut ep from Noise Floor Crew (Local Hero and Lady Foursquare). The group has been making beats and remixes for the last two years and has stirred up a lot of attention in the dance community. On their debut ep they have created a whole new sound for Chicago house while keeping key traces of the classics. They also have remixes by Rob Threezy and Rampage of Ghetto Division, Edu K, Chrissy Murderbot, Thunderous Olympian and DJ Figure from Tommie Sunshine’s new label, Brooklyn Fire. Here is our first taste of what we can expect from Noise Floor Crew.

Chicago

Teen Daze & Houses

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One of the hottest bands on the internet, Vancouver’s Teen Daze, has partnered with our very own Houses to create a track called “Destiny”. The publicist for Teen Daze made it sound like there will be more to come from this exciting combination.

NYC

Best of NYC #27 + Weekly Feature #209b: Gordon Voidwell

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We continue our "Best of NYC Countdown", covering every day one of the artists that made our Year End Best of NYC list (a chart compiled by a jury comprised of local bloggers, music writers, promoters, record store personnel and DJs).

Few people in the city can call themselves native New Yorkers. Nine times out of 10, this rare specimen has stories to tell and a lot to say (note: not an actual statistic). William Johnson is one of the select individuals who can proudly brandish the title he was born in Brooklyn, grew up in the Bronx and returned back to Brooklyn, where he currently resides. He uses the name Gordon Voidwell to tell his tales of love, race and class to funky, fat synths laid over soulful, beat-laden pop melodies. An immediate comparison can be made to Prince for the ability to successfully fuse funk, R&ampB, pop and soul in a palatable form for mass consumption.  So far, the songwriter/producer/recorder/sound engineer has released the digital EP “Ivy League Circus” and a 26-song mixtape for hip-hop site OkayPlayer, featuring original songs by Johnson and remixes for Das Racist and Boy Crisis. – Read Nancy Chow’s interview with Gordon Voidwell here.

NYC

Best of NYC #27 + Weekly Feature #209a: Asa Ransom release 12″

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To understand and fully appreciate Brooklyn’s Asa Ransom (pronounced ay-sah ran(t)-səm), attendance at one of their shows is mandatory. Their intense, whimsical energy practically throbs off their recorded EPs, but it is only fully realized and witnessed at their live performances. The band is tight, the crowd is wild for the dance-prone music and good times are bound to ensue.  
Asa Ransom dreams up songs that have transformative properties. Though some of their influences are Western-based such as the Talking Heads and Velvet Underground, they have clear world music inflections. They lure listeners in with the hypnotic, snake-charming intro to “Two Invitations” and keep them at bay with the polyrhythmic, African-influenced percussion over distinct, spirited guitar, tickling keys and walloping bass. To get a taste of their wildly vivacious music, their latest offerings, the five-song “Gold” EP, and the 12" The Luck of Stoney Bowes" can be streamed here. – Read Nancy Chow’s interview with the band here.

NYC

Screaming Females about to release 4th album + play Siren Fest

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The anticipation builds for The Screaming Females impending fourth album release, titled “Castle Talk.” To be released through Don Giovanni records on September 14, the tracks appear positioned to match and possibly even surpass the quality shown on their previous album “Power Move.” On that record, the single "I Do" gave us an anthemic feel by way of a descending chord progression. While the bass and drums throttled forward like a 1980’s SST label punk band, guitars chunked over top until the inevitable sinewy guitar solo. “ Bell ” took that same formula but sped everything up a bit. There the vocals alternated between a sing and a scream, but still found the room for well placed background aaaahhhs. Still, the lead guitar solo’s jumped out at you, and it wouldn’t be a stretch to compare this band to a legendary act like Dinosaur Jr. “Buried In The Nude” stretched it all even further. More angular and a tad frantic, what’s clear is the equal interplay of a power trio that thinks like a band. Marissa may be the flashy focus, as gifted guitarists usually are, however one can sense the band dynamic clearly at work here. The new album can’t come soon enough. – Dave Cromwell

Philadelphia

Cold Cave & Vile Join Reunited Guided by Voices at Matador’s B-Day Party!

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It’s no surprise that newbies to the Matador family Cold Cave and Kurt Vile will be part of the label’s 21st Birthday Party showcase lineup in Las Vegas Oct 1-3, but no one probably expected Guided by Voices ("the classic ’93 – ’96 lineup") would reunite for this momentous occasion. They’ll also be joined by indie heavyweights and buzz acts like Pavement, Sonic Youth, Belle & Sebastian, Spoon, Cat Power, Yo La Tengo, the Jon Spencer Blues Explosion, the New Pornographers, Girls, Superchunk, Ted Leo & the Pharmacists, Guitar Wolf, Fucked Up, Shearwater, Harlem, Cold Cave, Kurt Vile, Jeffrey Joe Jenson, and many more to be announced. Looks like Matador will be doing their 21st birthday right in Sin City! Hopefully no hookers will die at this party. – Q.D. Tran
 

 

NYC

Last Wild Yaks show ever at Cameo?

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We received this email from Wild Yaks‘ Robert Bryn: "Last Wild Yaks show ever [tonight June 29) at Cameo […] With Zack Davis back on the bandstand with us. We’re playing […] with Imaginary Friends. Do you know them? Wow, ain’t nobody like Imaginary Friends and I hear that Ruell is moving away at the end of the summer. May not be many more chances to check them out. They’re awesome. […] Of course you don’t believe me that this is the last Wild Yaks show ever. You think I’m your raving uncle? Like you have company over and I’m just talking and talking in the backyard and your guests are like, what’s all that racket? And you’re like, that’s just my raving uncle. Of course I am not done playing music. As long as this pervasive heart ache continues, as long as love threatens to squeeze my little heart to lovely death I will have no choice but to go on singing this joyous, lonesome lament. I’ll sing to a rock. To a tree. Haven’t you seen me do it? Of course I am not finished playing music with Martin and Dan. Do you know those beautiful men? […]