Austin

SOBBRS Introduces Mexican Electro-Pop That Won’t Stay Out of Your Head

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SOBBRS brings R&B croons and electronic soundscapes into the neon world of Jesus A. Acosta, a Mexican singer-songwriter who is unapologetic in his ambition to create massive beats and melodies that manipulate moods. Acosta, who is a regular feature within the Raw Paw artist collective, hooked up with electronic producer, Tropen, to debut a five-track project named Hi-Chroma, which will be out in early 2018. SOBBRS brings acts like Honne and Banks to mind as his pensive and luminescent synths coalesce with emotive vocals for a sleek and sexy sound. Keep an eye on SOBBRS as the hard-working songwriter begins to gather momentum in Austin.

Philadelphia

New Track: “More to Love” – Queen of Jeans

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On March 30, Dig Yourself, the debut full-length album from Queen of Jeans, will be released via Topshelf Records. Its lead single, “More to Love,” finds a blissful balance. The assertive elegance of its lead vocals are reinforced by the polish of a harmonious backing chorus. Simmering in smooth rhythms, the song opens lines of intimate communication. Catch Queen of Jeans’ record release show on Saturday, March 31 at Underground Arts, where they’ll be supported by Katie Ellen and Harmony Woods!

NYC

Big Bliss, Fruit & Flowers, Darkwing + More Play Oh My Rockness “Hardest Working NYC Bands of 2017” Event at Baby’s All Right on 2.02

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As a followup to their article "New York City’s Hardest-Working Bands of 2017," indie music site Oh My Rockness will be hosting a concert in which 6 of the 10 bands that made the list will be performing. Headlining the event will be the group that earned the no. 1 spot, post-punk jangle rockers Big Bliss, with support coming from Fruit & Flowers, Darkwing, Sic Tic, Grim Streaker, and Thick. The show will take place at the venue Baby’s All Right, and will be 21+ with tickets going for $10. – Alexander Beebe

Philadelphia

Debut Sun Opus LP Available for Streaming & Purchase

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The trio of Sun Opus recently shared its debut album Lucky Man. Person L compatriots Brian Medlin (Legendary Divorce), Charlie Schneider (The Elk Band), and Ryan Zimmaro (Vacationer) once again combine forces. The LP locks into a futuristic rock sound, as noise percolates around the perimeter. The immediacy of gritty guitar and cued danger meshes with limitless orientations of discovery as the music unfolds.

NYC

NYC’s dark pop RANN releases new single Copycat, announces EP

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NYC indie pop-rock band RANN is back with a new single after the release of their 2014 debut album Yellowgun. The track develops the quartet’s sophisticated sound in a darker direction, supported by ambiguous lyrics with vague political overtones. The band’s ’80s pop influences – think INXS and Peter Gabriel from the post "So" years – are brought to life by the deft production of Michael Brauer (Coldplay, John Mayer). 
RANN’s EP "Renegade Holiday" will be out on February 23rd.

L.A.

Modern Time Machines gear up on dreamlike video for “High Noon,” play The Satellite on 2/4

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Modern shoegaze outfit Modern Time Machines aren’t keen on playing it straight. Their technical proficiency could rival their nineties forebearers, given how their intricately-layered guitars and impassioned choruses weave together with clamorous virtuosity. On their latest, "High Noon," taken from their forthcoming second full-length, MTM, the band excels at writing a shimmering, hook-filled melody without heavily resorting to the usual grab-bag of influences.

Modern Times Machines have also just released a video for "High Noon." On it, the band cruise around the city as they stumble upon different kinds of gear on their way to their rehearsal space. But instead of taking a straightforward approach, they make things a little bit more fun by concealing a number of references that should appeal to both casual – and ardent – fans of local film director Paul Thomas Anderson. 

MTM is set for a release of April 6. Catch their upcoming performance at The Satellite on February 4. Here’s the video for High Noon below. Juan Rodríguez

NYC

Soul-Pop sister duo Hegazy celebrates EP release at Mercury on 02.09

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It seems rather appropriate to open the day after a divisive State of the Union speech with this video by sister duo Hegazy celebrating the values of family and friendship within racial diversity (by the way, how did it happen that one of the very few New Yorkers that don’t get tolerance and inclusiveness ended up in the White House?). Leila & Omnia are also New York born, and decided to join their musical careers as solo artists back in 2015 after the death of their father, who always insisted they were stronger together. They’ll be celebrating the release of their debut EP at Mercury Lounge on Friday February 9th. Check out their video for single "Here To Stay," streaming below.

Philadelphia

New Track: “Dead Town” – Wrapscallion

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A murky, meandering bassline, woven with acoustic guitar, creates a haunting level of menace in “Dead Town” by Wrapscallion, a.k.a. Cameron Alexander (formerly of Tangiers). Kicking up dust as one walks along the desolate dirt road, the narrative speaks to the dangers of herd mentality and the dreary doom that may follow as a result. The song’s lingering refrain suggests trouble, when one’s ideal paradise transforms into their worst nightmare. How can we escape?

Toronto

Casper Skulls – Hometown Show 02.10 before SXSW!

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Casper Skulls released a new LP last November titled “Mercy Works”. Seems they have added more of a pop presence on this record. Evident in the track “Lingua Franca”. The nice vocals give a 90’s alternative vibe to the track. They still keep enough fuzz and emotion to not stray too far from their garage roots. Perhaps a bit of maturity from these folks. They play here in Toronto at the Super Wonder Gallery on February 10th before they take off to Austin and represent “The Big Smoke” at SXSW! Nice work! – Kris Gies

NYC

Milk For The Angry release video for “Upside 85”

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There’s a certain cosmic energy that strings together the scenes of the newest music video for the track “Upside 85” (streaming below) by Oakland trio Milk For The Angry; the randomness is reworked into a psychedelic reality quite easily, through flashing images of thrashing, glitter-soaked bodies, a live performance, and lone motorcyclist on the freeway. The grunge-soaked garage rock is heavy with psychedelic influences, riffing off of the surf-sensibilities of the scene. Listening to “Upside 85”—or frankly, any track by the Cali natives—feels like stepping into a wonderfully gritty postcard of the Golden State. Perhaps it has to do with the fact that the band, founded by Dana Windstorm and Matt Kerslake after a chance encounter in a Bay Area drum shop, is essentially a living mythologization of what it means to be a musician in California. Or maybe it’s just something about the reverb. Regardless, it’s difficult to listen to this track without stepping back afterwards and thinking, “there’s something special here.” Milk For The Angry is playing a string of local shows soon, with the next announced date being February 28th at Bottom of the Hill. – Lilly Milman

NYC

Dougie Poole brings new wave country to Baby’s All Right 2.4

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There’s something decidedly midwestern about Dougie Poole. It’s not so much the love for heartland country that Poole wears proudly on his sleeve, but the odd ways he stretches out those influences. Poole’s take on country sees mainly the sappy sentimentality at its core and embellishes that with generous reverb and synth-heavy arrangements. It’s definitely not country, but alt-country would be a major misnomer too… it owes far more to ‘80s synth-pop and new wave. There’s not much else like it, you really have to hear it to understand. You can experience this intriguing blend of influence in person next February 4th when Dougie Poole opens for Paul Bergmann’s record release show at Baby’s All Right. – Cameron Carr

Philadelphia

New Track: “It’s Fine, I’m Sorry” – My Name Is Tom

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With an album in the works, the quartet of My Name Is Tom recently shared its first official single. “It’s Fine, I’m Sorry” explores the aftermath of a breakup, languishing in reflection, while pushing forward. Oozing with emotives, the song sits in a valley between the melancholy of memory and recognition amid the current state of affairs. That balancing act of having one foot in the past and the other in the future is difficult to maintain.