Earth Girls announced plans to release their debut album, Wanderlust, today. The LP will be released on August 12th via Grave Mistake Records. The band also released the album’s first single "Say Goodnight". Earth Girls are power pop/punk quartet fronted by Liz Panella.
Weekend Warrior, July 1 – 4
LAVACHILD unveils video for “Kandy”
LAVACHILD is a NYC based synth pop project fronted by fashionable singer songwriter/keyboardist Chantel De Lava (pictured), whose hypnotic presence charmed us at our 2015 B.E.A.F. festival. Her older single "Want U To" went viral on the internet, and since then Chantel has been releasing promising new material on her Soundcloud profile. She just unveiled a new video for single ‘Kandy,’ streaming below. The song will be featured in LAVACHILD’s upcoming debut EP.
Check out the Delicious Audio Q&A with Lavachild about her favorite synths.
Nozart debuts live his fresh, orchestral sound – Mercury Lounge, July 8
Ironically, more often than not the best way to create something fresh is by digging deep into the past. For quirky and charming orchestral pop artist/composer Nozart, this means smoothly blending classically inspired compositions with his own indie-pop vocals. To some this premise may seem gimmicky at first (after all, how many terrible classical music/rock hybrids have we experienced already?), but his music is convincing in its ambition and execution. His compositions, which include piano, brass, wind, and percussion, are intricate but also minimalist, and definitely steer clear of any pompousness. This is key because it allows Nozart’s vocals enough space in each track to turn them into "songs" rather than orchestral pieces that happen to include vocals. Nozart certainly has the potential to bridge the chasm between avant and mainstream with his uniquely catchy track "Just Let it Go." Don’t miss his debut live performance at Mercury Lounge on July 8. — Henry Solotaroff-Webber
We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!
Katie Ellen (w/ members of Chumped) plays Suburbia tonight (07.01) + Aviv on 07.17
Anika Pyle’s DIY pop-punk project Chumped ended their short careers in February, but Pyle and drummer Dan Frelly have started a new project called Katie Ellen, named after Pyle’s grandmother. The band is noticeably more lo-fi than Chumped, but the melodies and charm of Chumped are still present. In January they released a demo entitled “wild <3”, which features the single “lucy stone” (streaming below) that was released in late 2015. The track is centered around the anxieties associated with the pressures and expectations set by society, family, and loved ones. Pyle’s intimate vocals and poignant lyrics shine through the band’s lo-fi and fuzzy recordings. Katie Ellen will be playing the DIY space Suburbia in Brooklyn tonight (July 1st) and will play Aviv on July 17th. – John Honan
The Deli Philly’s July Record of the Month: Please Relax – Spring Onion
Catherine Dwyer, also known as the guitarist for the alt-rock outfit Sports, offers fans the perfect soundtrack for summer feelings with the release of her solo EP Please Relax. Recorded under the moniker Spring Onion, her new album is DIY at its best. Mostly written and recorded within the walls of her Philadelphia home, Please Relax is an intimate portrait of yearning, infused with dream-pop nostalgia, heartfelt riffs, and candid poetics.
“Egg (Driving Song),” the EP’s opener, unfolds with an Aimee Mann-meets-Girlpool earnestness. Telling the story of a commute clouded by desire, the song is a catchy confessional, with lines like “I’m sorry for what I said and didn’t say” and “I’ll write songs about my flaws/cause that’s a way to self absolve.” The lo-fi grit of Dwyer’s anthem instantly tugs at the heartstrings, transforming even the most jaded listener into a hopeful romantic with each iteration of its fuzzed-out beats.
That sentiment is extended on "Chili". Twangy chords are quickly followed by Dwyer’s straightforward but evocative vocals, bringing to mind Built To Spill’s “Carry the Zero” and B-sides by indie darlings like The Babies. The track, although laidback, is unflinchingly sincere, the steady build of its instrumentation, urging its audience to actively listen and exist in the moment. The hissing snare and piano of “Poem 3 (Piano)” cast a similar spell, making each reprise of “but I don’t live alone” a testament to the millennial plight of finding solace in a shared space, while the EP’s title track and atmospheric closer serves as a suitably melodic mantra to calm the anxieties and emotional side effects of living.
Despite its brevity, the openness of Please Relax is astonishingly raw and brave. Listening to her songs will remind you that you’re not alone. – Dianca London
Sonny Knockout Pulls No Punches at Boot & Saddle July 1
The quartet of Sonny Knockout’s debut EP will arrive later this year via Hidden Gem Records. Until then, those looking to hop on board the band’s backend-bumping brand of enthusiastic rock should head on over to Boot & Saddle this evening. Jumping into weekend mode, Sonny Knockout pulls no punches, creating upbeat grooves, sweeping listeners into a refreshing summer current, while serving as a catalyst to their sing-along sound. Tonight, they’ll be joined by the attitude-drenched, rumble-shaking, power-pop of The Up! Up! Ups! and raw, infectious rock of San Diego’s The Soaks. Boot & Saddle, 1131 S. Broad St., 8:30pm, $8, 21+ – Michael Colavita
A Deli New England premiere: Covey releases new single ‘Bows’
Boston band Covey has been making some interesting noise as of late, releasing quality singles within the dream folk realm and opening for huge acts such as Hozier. Now potentially furthering this upward trajectory, they’re premiering here "Bows," a track that may be most emblematic of their bourgeoning sound. Frontman Tom Freeman’s expressive alto, partly reminiscent of The Tallest Man on Earth, takes both the roles of lead singer and backup vocalist through production magic. His passioned melodies are supported by a simple but well orchestrated guitar part and a reverberating high pitch drone, creating a spacious sound that evokes melancholy and emotional desolation. — Henry Solotaroff-Webber