Philadelphia

Pouty Opening for Tacocat at Underground Arts Oct. 3

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Barreling ahead, bratty pop-punk that hits in a pleasant release of pent-up emotion, smacking with sincerity and attitude, Pouty pushes forward. Tonight, Underground Arts plays host as the band’s transitional, foiling elements of close, internalized thoughts emerges from a personal space, gathering strength, while shifting positions, igniting initial intimacy into aggression. It’s reinvigorating, retrograde pop when Queen of Jeans cascading vocal harmony intertwines with tightly spun rhythms, delivering dreamy serenades and groove-shakers alike. These locals will be paired with Nashville grunge-pop trio Daddy Issues and the energetic bump of Seattle pop-punk quartet Tacocat. Underground Arts, 1200 Callowhill St., 9pm, $14, 21+ – Michael Colavita

Philadelphia

The Deli Philly’s October Record of the Month: The Past, The Future, Dwelling there like space – Ghost Gum

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The timing of Ghost Gum’s debut feels cosmically divine. Released on the heels of the autumnal equinox, their shoegaze adjacent LP is the perfect salve to remedy the pain of summer’s end.
 
Awash in dreamy reverb and heartfelt lyricism, The Past, The Future, Dwelling there like space opens with the melodic urgency of the ironically titled “2nd Song”. Buzzing chords and crashing cymbals collide with clips of conversation and a memorable chorus reminiscent of The Anniversary’s “D is For Detroit,” with each element of the track instantly sinking deep into the psyche of its listener. The steady drums and swirling crash of guitar throughout “Edible Complex” perfectly preface the brief yet atmospheric “Interlude,” before easing into the intimately contemplative swell of “Home”. A plausible portrait of familiarity, whether it be a person or a place, “Home” tugs unabashedly at the heartstrings, and will undoubtedly leave you weak in the knees.
 
“Mercury,” which lies near the midpoint of the album, has a similar impact on its audience, rendering fans nostalgic for Black Tambourine’s “By Tomorrow” or Bleeding Rainbow’s “Euphoria”. Soon after the song ends, “More” unfolds, and quickly progresses into an audibly lush meditation on uncertainty and the existential need for meaning, a theme that carries over to “Repeater,” an unshakably gripping anthem that explores the frustration of detrimental cycles – emotive and relational alike.
 
“You Were You,” the final track on Ghost Gum’s first official release, culminates in a self-reflective fashion, haunting yet beautiful. As distorted laughter fades into fuzzed-out guitar, The Past, The Future, Dwelling there like space rings true until the very end.Dianca London

Philadelphia

New Tombo Crush LP Available for Streaming & Download

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Plumbing the darkness and the grain of DIY recording sonics, Tombo Crush manage to fuse their guitar work and aching vocals into surprisingly revealing songs. There is something very alluring about the project’s latest full-length album, Ant Farm, that begs for further listening, as well as a quirkiness that winks for you to not take it all so seriously. Tombo Crush are in their own vein, and are perfectly content there.

Portland

Saturday Night Sounds: Glasys – “The Pressure” & “The Great Abyss”

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For tonight’s Saturday Night Sounds, we’re blasting two singles off Glasys‘ September release The Pressure

A master at the keys, Portland by way of Tel Aviv, Isreal instrumentalist Gil Assayas shares animated vocals with faultless keyboard and synth playing to make jazzy electronic you can’t help but dance to.

Give a go to Glasys’ title track and the very Halloweeny and socially commentating music video for "The Great Abyss." While you’re at it, plan on checking out his set at Kelly’s Olympian on the October 11th with Vancouver’s The Yacolt Burn and Seattle’s General Mojo’s.

Portland

A Sheerly Prime Debut

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The debut EP from dark soul duo Sheers is a beautifully ideal soundtrack for lamenting creativity and moments of vivid self reflection.

We premiered the first track from Lily Breshears and Grant Pierce, the brains behind the project, back in early August. "Depth" presented orchestral r&b, jazz and hip hop elements as a tease into the EP’s other three tracks, reaffirming Breshears’ actual depth as an emotional intellect, classically trained musician and the project’s driving force.

Piano riffs and paced drumming start out the EP on "In Case," as Breshears’ deep croon swiftly establishes itself as a partaking instrument. At times her voice barrels with full-toned body and when accompanied by Pierce’s cymbal play and gradual beat buildup (also heard on closing track "Kristoffer"), create heavy texture with only few tools.

Sheers will be joining Skin Lies as supporting acts for Seattle musician Benoît Pioulard‘s album release show this Tuesday at Holocene. Until then, get acquainted with Sheers below.

Portland

Mood Music: Bryson Cone – “Color of Love (feat. Cat Hoch)”

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In a match made in true music heaven, the joining of Portland’s psych pop queen Cat Hoch with art-tronic outfit Fog Father‘s leader Bryson H. has led to this new track titled "Color of Love." 

Under a different moniker, the song premiered in late August and has held up through the summer season’s ending days as a love song leading us into the fall. "Color of Love" shows their playful and cooly executed exchange of masculine and feminine vocals. When combined with the pairing of clear synths and electric guitars a la Metronomy, it creats an urbane blanket of delight.

Listen to "Color of Love" below. It’ll bring a bit of doting light on this rainy afternoon.

Philadelphia

Allison Crutchfield and the Fizz Step Up to the Plate at Everybody Hits Oct. 1

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Allison Crutchfield’s vast musical output has been felt as a part of (the recently reunited) P.S. Eliot and the fierce, gritty, enthusiastic Swearin’ as well as Waxahatchee. Tonight, Crutchfield and her backing band the Fizz step up to the plate at Everybody Hits. Slated to release a yet-to-be-named album – courtesy of Merge Records early next year, she can sit back, allowing the lyrical honesty take the lead among a pensive percussive backdrop or conversely rear back as a heavier fast-paced tenacity rushes forward. Crutchfield and her bandmates will also be joined by the combustible psych-grunge merging of The Spirit of the Beehive and the melodic snarl of pop-punk trio Eight to get the festivities rolling. Everybody Hits, 529 W. Girard Ave., 9pm, $10, All Ages – Michael Colavita

Portland

Lubec’s Cosmic Debt Out Today, Release Show Tomorrow

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It’s been two years since we were gifted Lubec‘s lauded The Thrall and finally today, we get their second full length with Cosmic Debt.

Thematically exploring karmic debenture in life, Cosmic Debt gifts us the Lubec we’ve grown to love over the years; dreamgaze personified by reverbed string riffs, eruptive drumming by Matt Dressen and vocals that call for attention.

Four fuzzy instrumental-like interludes break up a pleasant distortion of tracks, led by layers of Eddie Charlton’s ripe vocality. Piano playing by Caroline Jackson adds a slightly delicate but necessary element which, coupled with her sometimes rawly spurted vocals (like in the album’s title track), round out the sound that separates Lubec from other "gazey" acts in town.

Lubec’s release show for Cosmic Debt is tomorrow at Blackwater with supporting performances from Talkative, Dog Thieves, Two Moons and Radler

Stream Cosmic Debt below and be sure to stop by Blackwater tomorrow to celebrate.

NYC

Deli Covergirl Brittany Campbell drops new single and video

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Brittany Campbell continues her electric pop diva reign of NYC with her new single and video “Buzz.” Just in time for cuddle weather, this sex-infused ode to altered states of consciousness seems designed to bring you closer to someone either on the dancefloor or between the sheets. Don’t get it twisted, though, Brittany is a fan of wordplay and the double entendres run wild in this song. From the diamonds in her eyes to the “buzz” of love/drugs/fame, we’ve all got a need to fulfill. Let Brittany Campbell bring you closer. – BrokeMc

Portland

PREMIERE: Ky Burt – “Deep Dark Woods”

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Capturing the true tree-lined spirit of the Pacific Northwest, the newest single and video from multi-instrumentalist Ky Burt, "Deep Dark Woods," expands on the calming aura of the nature surrounding us, both visually and sonically.

Recorded in a tiny house along the Willamette River in St. Johns, "Deep Dark Woods" applies classic American roots style with an avant-indie-folk breath in expressing the contrasting vulnerability and self-actualization experienced in solitude and times of strife. The song’s video, which shows Burt performing live at Fluff & Gravy and exploring through the local woods of Macleay Park, was shot by Brianna Barrett and does a mighty fine job at conveying the curiousity of journeying through Oregon’s shrub.

"Deep Dark Woods" comes off of Burt’s debut EP The Moon & the Sea, due out October 4th. His release show for the EP will be held this tomorrow, October 1st at Alberta Street Pub.

NYC

Grunge rockers Big Cheese drop new LP “Supersonic Nothing”

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The Nirvana comparisons for Brooklyn’s own Big Cheese are really easy – and definitely there – but complemented by other unexpected influences – for example, in Adam Patten’s vocals we hear a little of Soul Coughing, a criminally underrated Brooklyn band from the late ’90s. Supersonic Nothing, the Big Cheese’s latest LP, is a lo-fi whirlwind combining sludgy, sledge hammer riffs with vocals that always seem to be teetering on the brink of a nervous collapse. If grunge isn’t dead, Big Cheese are the ones who are here to prove it. Check out their new music video "Thank You" below. – Olivia Sisinni

Austin

Malion Exudes Dirgy Grunge Themes On New “Underground” Video

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 Malion are a trio of grunge purveyors who exude dirgy garage rock sounds with harrowing vocals.  Having released their first EP back in 2014, Malion just released  their latest EP, Troglodyte, which bubbles and ruptures into a sludge-filled void of musical darkness.  The band’s latest music video for their song “Underground” mirrors their sound in it’s roughshod production and depiction of grimy downtown ennui.  While Malion may still be an ‘underground’ band, they’ve got an oddly infectious disaffected charm that seeps through to listeners.  Check out their new music video here:

-Lee Ackerley