Philadelphia

New Track: “I’m a Tired Man (But I Won’t Cry About It)” – Poor Devils

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Idaho, the forthcoming EP from Poor Devils, will be released on April 7. However, “I’m a Tired Man (But I Won’t Cry About It)” immediately smacks as a quaking combination of bass and guitar shake out the cobwebs. Tunneling vocals temporarily shift the onus, but the brooding bombardment of a surf-psych hybrid quickly takes back the controls. You can catch the band’s release show that same evening at J.R.’s with Ciera Fazio and Lyzzi Moore.

Philadelphia

Debut Hail the Peasant EP Available for Streaming & Download

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Hail the Peasant just dropped his debut self-titled EP, which is available for streaming and free download below. Its bare-bones, acoustic-strumming, musical backdrop positions the guttural, yearning vocals and oddball lyricism in a place to shine. With a strong, earnest take, one rides along on the passenger side of these whole-hearted Americana songs.

NYC

Overlake shares single from sophomore LP, plays release show at Mercury Lounge

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Readying their follow-up release to 2014 debut record “Sighs,” Overlake share “Winter Is Why” (streaming below) from sophomore album “Fall” due out May 12th via Bar/None Records. The track emerges via a guitar figure delivered with orchestral sensibility, creating an immediate mood of majestic grandeur.  Forceful power trio drumming and counterpoint descending bass tones further punctuate unexpected rhythmic accents underneath this rising melody. Settling in to calmer patterns, dreamy vocals describe how the “summer sun hangs around” and “windswept cones on the sand” suggest the winter season.  This over five minute long track successfully blends the quieter passages of gazey icons My Bloody Valentine (think “Come In Alone”) with that band’s more explosive and pitch-bendy moments. While still finalizing dates for an April tour, the band has scheduled a record release show at Mercury Lounge on May 12th with support from local favorites Dead Stars and Heaven. – Dave Cromwell

Philadelphia

New Music Video: “Lost Moon” – Nightlands

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Lulling us into a dream-like state, Nightlands, a.k.a. Dave Hartley (of The War on Drugs), takes us down the rabbit hole of his fascination with "Simpsonwave" YouTube videos, which match scenes from The Simpsons with vaporwave tracks. He recruited the genre’s originator, Lucien Hughes, to help him with the visuals for his new music video for "Lost Moon," premiering recently over at Interview Magazine. It’s the lead single from his forthcoming LP I Can Feel The Night Around Me, which is slated for release on May 5 via Western Vinyl. Hartley also has plans to hit the road in support of his forthcoming album, and will be taking the stage at Johnny Brenda’s on Saturday, May 27, with tourmates The Building.

Philadelphia

New Music Video: “Baby” – Needle Points

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This morning – we wanted to get your week started off right with Needle Points‘s new video for "Baby," off the band’s latest release Feel Young. Model/fan Federica Hermann makes us all want her to be our baby in the vintage-y footage. It has us longing for those carefree, summer nights where you ain’t got shit to do but hang, drink beers and wild out to your favorite tunes. We’re definitely ready to leave this winter behind already!

‘Baby’ by Needlepoints from federica hermann

Portland

Portland Does SXSW: TYuS

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Once one of if not the biggest genres of the ’90s, R&B was known for being the go-to soundtrack for making love and karaoke jams. R&B has been making a comeback lately, with many artists of a younger generation turning to the styles their parents loved (and possibly used to bring them into the world) to drive their musical creations. Portland’s arena for the style is pretty open, but local young’n TYuS wants to make sure we "never forget" him.

The title of his album, Never Forget is fuilled with tracks that incorporate the best of the new wave of trap beats and the sensual, archetypal sounds that serve as nostalgia for most of us. He must be doing something right since he’s now signed to Warner Brothers Records, but his more DIY approach to romantic hip hop is something we all can’t help but appreciate. TYuS doesn’t play around Portland much but whenever he does, panties are sure to drop.

Portland

Portland Does SXSW: Necklace

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In all the ways modern bands call back to classic styles, there seems to be one  group whose elements aren’t as directly in use or recognized. Of course, The Beatles can be considered a band influential to everyone, whether direct elements and nods can be heard in an act’s songs or not. But one of Portland’s newest outfits, Necklace, take it to another level by creating soundscapes that call back to the group that invented fandemonium.

Not much is really known about Necklace, and they seem to like it that way. Little active online presence makes for a mysterious air about the band, leaving current and potential fans with some tweets, a couple of tracks and a series of gawdy but enjoyable pic art to use as profile pictures. Looking past their aesthetic, Necklace produce modern indie based in ’60s pop. Their lyrics are driven by sarcasm that slightly offsets the lighthearted feel to their sounds, but somehow the package works as a whole. We’re excited to watch them grow into one of the more bigger acts in town.

L.A.

JOME reach for the top on rising new track, “Mountains”

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 "Mountains", the new single by electro-pop project JOME, is a buoyant reflection on appreciating the good that we oftentimes tend to dismiss. Harbored by its effervescent and gossamer sounds, the duo of Jesse Marc and Christoph Andersson attempt to find joy in the present moment even if the song is essentially about struggling to win someone’s affection. But you really couldn’t tell from the outset, as "Mountains" offers an emphatic declaration that feels very, very alive.

"Mountains" is the first single off of the pair’s forthcoming debut EP, Tunnels.

 

 

 

 

 

Last spring, LA based songwriter Jesse Marc posted the first track from his new project, JOME. Five minutes after it premiered on Consequence of Sound, he received an email from New Orleanian writer/producer Christoph Andersson (G-Eazy, Olivia O’Brien, Monopol) asking to work together. “I thought it was spam,” Marc said. “It happened too quickly.”
 
Marc and Andersson met up in Venice, CA for an afternoon and immediately saw eye to eye musically. After both working in the pop music world for a number of years, the two were yearning to make something different, something with a deeper emotional resonance. Somehow, before they even met, their vision for the project had already aligned.
 
​​​​​​​"Mountains" is the first single off the pair’s forthcoming debut EP “Tunnels.” Anchored on whirring synths and an instinctive beat, the woodland pop gem finds the budding duo musing on a fractured romance, beginning "I took you for granted / I was so lost in the game." And as his forlorn melody is carried away by wind-chime soaked sonics, he offers up a repeated sanguine hook in an attempt to win back his lover: "turn the city into gold / above it we will grow, until we’re taller than mountains."
 
"It’s a song about finally achieving your goals and the feeling that comes along with those moments," JOME says about the song. "It’s also a reminder to not take things for granted and to appreciate how far you’ve come, because it’s so easy to forget where you started."​​​​​​​
Portland

PREMIERE: Sea Fuzz – “Garuda Dreams”

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*photo by Eric Evans

All the little bits of sunshine we’ve the last couple days have been absolutely amazing, but the newest video and album from our favorite sunny shoegaze/ocean grunge outfit Sea Fuzz makes this Vitamin D daze we’re all in even better.

The perfect follow up to 2015’s self-titled EP, Sky Gazing is just the record we need going into the warmer months, boasting sounds reminiscent of rocking out to crashing waves while relaxing on the shoreline. Take the first single and video to come from the album, "Garuda Dreams," a gazed out track heavily led by forceful drumming and chaotic cymbal hits as an example. The track’s light drenched sound is due in part its mixing, with the Om‘s drummer Emil Amos contributing to it.

"For this song, I was privileged to seek out the help of one of my favorite musicians of all time, Emil Amos, to help with the mixing and mastering," says Ben Heckler, the soul of Sea Fuzz. He goes on to say: "I gave the track to Amos and he completely transformed it, adding the perfect amounts of lo-fi grittiness to the vocals, guitar and drums. He really understood the aesthetic from the get-go and he knew precisely what the song needed to remain heavy and powerful, yet dreamlike."

Watch the trippy video for "Garuda Dreams" below. Sea Fuzz will be playing some shows locally and in Europe in support of Sky Gazing, out on Spirit Goth. Stream the album on Sea Fuzz’s Soundcloud and Bandcamp pages. 

Philadelphia

Weekend Warrior, March 17 – 19

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Winter seems to be a final attempt to assert its authoritative force. Despite this recent and lingering development, there is some good news The Love Club has awoken from hibernation, and will emerge this Saturday evening at PhilaMOCA. Mitch Esparza, Kyle Press and co. stretch sonic boundaries, experimenting with raw blues-garage sensibility. A steady stream of bruising rhythms and powerfully persistent guitar riffs curate the potent, engrossing onslaught of heavy, otherwise known as Hound. This local pairing lay the groundwork for a tandem of Canadian outfits. A gravitational punk-feel compounded by a psych-prog capacity that brews and brims letting the instrumental threads to matriculate in weaving fashion, heralded low profile stalwarts Simply Saucer, headline traversing a wide terrain from a simple, sticky pop-inflected songs to adventurous expansive treks. Free-floating in an airy psych-pop abyss, Poppy Seed & the Love Explosion, set the table. (Photo by JUMP Philly) – Michael Colavita

 
Other places to thaw out this weekend…

PhilaMOCA (531 N. 12th St.) SAT Hound, The Love Club
 
Johnny Brenda’s (1201 N. Frankford Ave.) FRI Octave Cat, Muscle Tough, Air is Human, SAT Philly Loves Phife & ATCQ, SUN Beth Israel
 
Boot & Saddle (1131 S. Broad St.) SAT Evan Wize (Record Release), Dizzy Valdez, Bamboo Tommy
 
Kung Fu Necktie (1250 N. Front St.) FRI The Sideshow Prophets, Sheena & Thee Nosebleeds/Stoltz, Naked Peekaboo, SAT Thief, Steal Me A Peach, Poor Devils/The Russells, Shots Called, Tulpa, SUN Bang, Green Meteor, Laura Lawless/Downtrodder, The Bella Vista Social Club
 
Bourbon & Branch (705 N. 2nd St.) FRI Asher Roth, Uncle Ron, Dirty South Joe/Apple Juice Jones, GR Stone, SUN Hello Shark
  
The Trocadero (1003 Arch St.) SAT Wes Walker, Charley Coin, Schilly,
 
TLA (334 South St.) FRI Boy Wonder, The Real Feel
 
The Fillmore Philadelphia (1100 Canal St.) FRI Oschino Vasquez, Ar-Ab
 
The Foundry (1000 Frankford Ave.) FRI Splintered Sunlight
 
World Café Live (3025 Walnut St.) FRI (Upstairs) The Peace Creeps, The SB Deluxe, SAT (Upstairs) James Santangelo Trio, SUN (Upstairs) Chvnce, Blubird, Madame Jones, In Different Sounds, Delmont/(Downstairs) Solas
 
The Fire (412 W. Girard Ave.) FRI Cemetery Flowers, T.O.M.B., SAT Hairy Dudini, Urban Shaman Attack, SUN Chickabiddy, i try, you try, Keely Sibilia
 
MilkBoy Philly (1100 Chestnut St.) FRI Foxtrot & The Get Down (Album Release), American Dinosaur. Stephen Lorek, SAT North End, Cold Climb, Merit, Peace & The City Grease, SUN Liz de Lise, Water Temple
 
Ortlieb’s Lounge (847 N. 3rd St.) FRI Oldermost, Rosu Lup, Cave People, SUN Jesse Gimbel, Autumn Passing, Flower Lynx
 
Silk City (435 Spring Garden St.) FRI Bo Bliz, Low Budget, SAT DJ Deejay
 
Fergie’s (1214 Sansom St.) SAT Matt Wheeler, SUN Rusty Cadillac
 
Connie’s Ric Rac (1132 S. 9th St.) SUN Devon Czekaj, Old Scratch
 
Voltage Lounge (421 N. 7th St.) FRI Kill The Stigmatic, SAT Gavin Becker
 
The Barbary (951 Frankford Ave.) FRI The Cultour, Shy Shapes. Jam Traffic
 
Frankie Bradley’s (1320 Chancellor St.) FRI Ben Aire, SAT Ed Christof
 
The Grape Room (105 Grape St.) FRI David Darmon, Calla Bere & The Attitude, Riverside Odds, Fauxtron, Lucid by Midnight, SAT Bohemian Mule, Adam Travis Band, Apple Juice Jones
 
Ardmore Music Hall (23 E. Lancaster Ave.) FRI Jellyroll, SAT Tweed, Pet Cheetah, SUN Urban Guerilla Orchestra, Mixed People
 
The Pharmacy (1300 S. 18th St.) SUN Cllctyrslf, Rich People
 
Nico Nico Mansion (Please contact one of the acts or venue for more info.) SAT Mannequin Pussy, Sun Organ
 
The Waiting Room (Please contact one of the acts or venue for more info.) FRI Ellen Siberian Tiger, SOLD, Gender Work
 
 
NYC

DC rapper Airøspace combines trap and Marshall Mathers for a stunning performance

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The first thing that pops out in DC rapper Airøspace‘s music are the vocals; the listener knows exactly what the rapper is saying at all times.  With this in mind, Airøspace tries to lyrically ramp up the intensity with each verse, his rising voice reaching towards a climax that doesn’t always arrive. Lines like, "bloody sickle like a sinkhole in my chest i feel a little take my soul up out my ribs inject my thoughts into the fickle" set to the gloomy minor backing tracks gives the music a real Marshall Mathers sound.

In less skilled hands, songs like these could easily come across as overly maudlin. However, rather than being trite, Airøspace’s tracks come across as wholly original, and some of the verses are really stunning.

Great production values makes this album a must listen.

-Written by Michael Dranove