Idaho, the forthcoming EP from Poor Devils, will be released on April 7. However, “I’m a Tired Man (But I Won’t Cry About It)” immediately smacks as a quaking combination of bass and guitar shake out the cobwebs. Tunneling vocals temporarily shift the onus, but the brooding bombardment of a surf-psych hybrid quickly takes back the controls. You can catch the band’s release show that same evening at J.R.’s with Ciera Fazio and Lyzzi Moore.
Debut Hail the Peasant EP Available for Streaming & Download
Hail the Peasant just dropped his debut self-titled EP, which is available for streaming and free download below. Its bare-bones, acoustic-strumming, musical backdrop positions the guttural, yearning vocals and oddball lyricism in a place to shine. With a strong, earnest take, one rides along on the passenger side of these whole-hearted Americana songs.
Overlake shares single from sophomore LP, plays release show at Mercury Lounge
Readying their follow-up release to 2014 debut record “Sighs,” Overlake share “Winter Is Why” (streaming below) from sophomore album “Fall” due out May 12th via Bar/None Records. The track emerges via a guitar figure delivered with orchestral sensibility, creating an immediate mood of majestic grandeur. Forceful power trio drumming and counterpoint descending bass tones further punctuate unexpected rhythmic accents underneath this rising melody. Settling in to calmer patterns, dreamy vocals describe how the “summer sun hangs around” and “windswept cones on the sand” suggest the winter season. This over five minute long track successfully blends the quieter passages of gazey icons My Bloody Valentine (think “Come In Alone”) with that band’s more explosive and pitch-bendy moments. While still finalizing dates for an April tour, the band has scheduled a record release show at Mercury Lounge on May 12th with support from local favorites Dead Stars and Heaven. – Dave Cromwell
Krust Toons: “This Isn’t Ska…” by Tedd Hazard
Krust Toons: "This Isn’t Ska…" by Tedd Hazard – please feel free to drop him a line at teddandthehazards@gmail.com if you dig or have any funny ideas. You can also check out more of his illustrations and animation shorts HERE.
New Music Video: “Lost Moon” – Nightlands
Lulling us into a dream-like state, Nightlands, a.k.a. Dave Hartley (of The War on Drugs), takes us down the rabbit hole of his fascination with "Simpsonwave" YouTube videos, which match scenes from The Simpsons with vaporwave tracks. He recruited the genre’s originator, Lucien Hughes, to help him with the visuals for his new music video for "Lost Moon," premiering recently over at Interview Magazine. It’s the lead single from his forthcoming LP I Can Feel The Night Around Me, which is slated for release on May 5 via Western Vinyl. Hartley also has plans to hit the road in support of his forthcoming album, and will be taking the stage at Johnny Brenda’s on Saturday, May 27, with tourmates The Building.
New Music Video: “Baby” – Needle Points
This morning – we wanted to get your week started off right with Needle Points‘s new video for "Baby," off the band’s latest release Feel Young. Model/fan Federica Hermann makes us all want her to be our baby in the vintage-y footage. It has us longing for those carefree, summer nights where you ain’t got shit to do but hang, drink beers and wild out to your favorite tunes. We’re definitely ready to leave this winter behind already!
Portland Does SXSW: TYuS
Once one of if not the biggest genres of the ’90s, R&B was known for being the go-to soundtrack for making love and karaoke jams. R&B has been making a comeback lately, with many artists of a younger generation turning to the styles their parents loved (and possibly used to bring them into the world) to drive their musical creations. Portland’s arena for the style is pretty open, but local young’n TYuS wants to make sure we "never forget" him.
The title of his album, Never Forget is fuilled with tracks that incorporate the best of the new wave of trap beats and the sensual, archetypal sounds that serve as nostalgia for most of us. He must be doing something right since he’s now signed to Warner Brothers Records, but his more DIY approach to romantic hip hop is something we all can’t help but appreciate. TYuS doesn’t play around Portland much but whenever he does, panties are sure to drop.
Portland Does SXSW: Necklace
In all the ways modern bands call back to classic styles, there seems to be one group whose elements aren’t as directly in use or recognized. Of course, The Beatles can be considered a band influential to everyone, whether direct elements and nods can be heard in an act’s songs or not. But one of Portland’s newest outfits, Necklace, take it to another level by creating soundscapes that call back to the group that invented fandemonium.
Not much is really known about Necklace, and they seem to like it that way. Little active online presence makes for a mysterious air about the band, leaving current and potential fans with some tweets, a couple of tracks and a series of gawdy but enjoyable pic art to use as profile pictures. Looking past their aesthetic, Necklace produce modern indie based in ’60s pop. Their lyrics are driven by sarcasm that slightly offsets the lighthearted feel to their sounds, but somehow the package works as a whole. We’re excited to watch them grow into one of the more bigger acts in town.
JOME reach for the top on rising new track, “Mountains”
"Mountains", the new single by electro-pop project JOME, is a buoyant reflection on appreciating the good that we oftentimes tend to dismiss. Harbored by its effervescent and gossamer sounds, the duo of Jesse Marc and Christoph Andersson attempt to find joy in the present moment even if the song is essentially about struggling to win someone’s affection. But you really couldn’t tell from the outset, as "Mountains" offers an emphatic declaration that feels very, very alive.
"Mountains" is the first single off of the pair’s forthcoming debut EP, Tunnels.
PREMIERE: Sea Fuzz – “Garuda Dreams”
*photo by Eric Evans
All the little bits of sunshine we’ve the last couple days have been absolutely amazing, but the newest video and album from our favorite sunny shoegaze/ocean grunge outfit Sea Fuzz makes this Vitamin D daze we’re all in even better.
The perfect follow up to 2015’s self-titled EP, Sky Gazing is just the record we need going into the warmer months, boasting sounds reminiscent of rocking out to crashing waves while relaxing on the shoreline. Take the first single and video to come from the album, "Garuda Dreams," a gazed out track heavily led by forceful drumming and chaotic cymbal hits as an example. The track’s light drenched sound is due in part its mixing, with the Om‘s drummer Emil Amos contributing to it.
"For this song, I was privileged to seek out the help of one of my favorite musicians of all time, Emil Amos, to help with the mixing and mastering," says Ben Heckler, the soul of Sea Fuzz. He goes on to say: "I gave the track to Amos and he completely transformed it, adding the perfect amounts of lo-fi grittiness to the vocals, guitar and drums. He really understood the aesthetic from the get-go and he knew precisely what the song needed to remain heavy and powerful, yet dreamlike."
Watch the trippy video for "Garuda Dreams" below. Sea Fuzz will be playing some shows locally and in Europe in support of Sky Gazing, out on Spirit Goth. Stream the album on Sea Fuzz’s Soundcloud and Bandcamp pages.
Weekend Warrior, March 17 – 19
PhilaMOCA (531 N. 12th St.) SAT Hound, The Love Club
DC rapper Airøspace combines trap and Marshall Mathers for a stunning performance
The first thing that pops out in DC rapper Airøspace‘s music are the vocals; the listener knows exactly what the rapper is saying at all times. With this in mind, Airøspace tries to lyrically ramp up the intensity with each verse, his rising voice reaching towards a climax that doesn’t always arrive. Lines like, "bloody sickle like a sinkhole in my chest i feel a little take my soul up out my ribs inject my thoughts into the fickle" set to the gloomy minor backing tracks gives the music a real Marshall Mathers sound.
In less skilled hands, songs like these could easily come across as overly maudlin. However, rather than being trite, Airøspace’s tracks come across as wholly original, and some of the verses are really stunning.
Great production values makes this album a must listen.
-Written by Michael Dranove