NYC

Heavy Traffic lays down sludgy, heavy jams

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With a name like Heavy Traffic, you have to ensure that you’re a band that’s bringing down the heavy jams, and the Brooklyn-based four-piece definitely does not disappoint. Delivering stoner/doomy riffs layered with fuzz and grit, the band’s psych-influenced vocals and blunted percussion make them a driving, unadulterated display of sludgy metal that stands out from the pack. With tunes this heavy, you can practically smell the oil pits and diesel fumes from here. Check out single "Medicated Bed, streaming below, and – if you dig it – mark your calendar for September 23rd, when they are scheduled to play Arlene’s Grocery. – Olivia Sisinni

Nashville

Album of the Month: Thad Kopec’s “The Shadow & the Caster”

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It’s been called baroque, ambient, and psychedelic, but whatever it is, Thad Kopec’s style of songwriting cuts through the noise created by today’s two dimensional “indie folk” crowd. Immersing himself in a creative tradition of poetry and southern gothic literature, his lyrics build layers of imagery over complex orchestral arrangements and unique sonic collages that showcase a knack for songwriting talent and undeniably good aesthetic taste.

The Shadow & the Caster isn’t content to offer listeners anything other than total sonic immersion and its songs feel as unlimited and as expansive as the landscapes they often describe. In the literary vein of John Steinbeck or Flannery O’ Connor, much of the narrative and symbolic elements Kopec wields in his work center around the natural world and the descriptive nature of his language is undoubtedly born out of past experiences on a rural Florida farm.

In addition to the literary traditions the album keeps alive, it also displays a fondness for modern folk god influences like Fleet Foxes or Sufjan Stevens. He manages, however, to stay away from the caricatured second-generation style imitation that haunts indie folk today. Even Kopec’s voice feels entirely authentic with its relaxed disregard for being always perfectly pitched.

As a body of work, The Shadow & the Caster masterfully balances variety and elemental agreement. The songs all float down the same stream, and despite immediate twists and turns or sudden directional disorientation, every song comes out as a simple break in the current. All the water comes from the same source and goes to the same place.

Be sure to make it to Thad’s release show on Friday, May 12th at WELD Nashville and pick up a copy of the album. His live performances are magical.

-Andrew Strader

 

Philadelphia

New Taiwan Housing Project LP Available for Streaming

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Spellbinding, noisy, experimental, unfiltered rock that resonates and lingers, Veblen Death Mask, the new album from Taiwan Housing Project, will be officially released tomorrow via Kill Rock Stars, but you can currently stream it in full over at Noisey. The album may feel chaotic at first; however, those non-traditional instrumental combinations create an engaging unpredictability, while still capturing pop sensibilities amid the heavy churning undertow. Catch Taiwan Housing Project’s record release show this Saturday, May 6 at Johnny Brenda’s with Igneous Eyes and ESCAPE-ISM!

San Francisco

Kelly McFarling Announces New Album – Water Dog

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San Francisco-based songwriter, Kelly McFarling’s work is reflective of transitions, the wilderness, and its navigation. Sometimes she plays banjo, other times acoustic guitar. Often, she plays a Telecaster fronting her band, The Home Team, featuring pedal steel (Tim Marcus), drums (Nick Cobbett), bass (Oscar Westesson), and various other Bay Area musicians.

Water Dog, McFarling’s latest release, is her most intimate and folk-leaning record to date. She recorded the album in seasonal segments of 2016. The songs were first demoed with Allen Rothschild in his bedroom in Asheville, NC, where the creaks of his wood floor and the sounds of summer winding down made their way onto the recordings through open windows and live takes.The demos became the foundation of the record, and McFarling took them back to San Francisco, where Avi Vinocur of Goodnight Texas produced and engineered the majority of the record at his home in the Sunset District. “Recording at Avi’s house gave us the time to let the songs breathe and evolve.” McFarling said of the process. “It gave us space to make decisions at our own pace. I’ve never made a record like that, and it was a really special time. These songs were written in quiet spaces that were lived in. It made sense to record them in that way.”

Water Dog is out June 16. Here the album’s newest single, Both below.

San Francisco

Succumb Releases Self-Titled Album via Flesner Records

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Due out May 5 (Flenser Records), Succumb’s self-titled debut was recorded by bay area luminary Jack Shirley (Deafheaven, Botanist, Oathbreaker, etc.) and features seven songs touching on far-spanning influences including death metal, metallic hardcore, and ‘90s Napalm Death. The ace in the sleeve, though, is vocalist Cheri Musrasrik, who juxtaposes powerful metal riffing with a cavernous howl, waxing poetic on themes like human experimentation and dystopian futures.

NYC

Lo-Fi Fraidycat take their stream of consciousness songs to Aalphaville on 05.06

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Sometimes the simple things are best. That’s true for the music of Fraidycat, an indie rock group who play no-nonsense songs about — as their Facebook page professes — "stuff that came up in therapy." For anyone needing a good dose of catharsis in the form of some upbeat tunes, Fraidycat will play ALPHAVILLE on May 6th, along with True Dreams, Yucky Duster, and Haybaby. It’s all to celebrate the release of Other Better Places, their debut LP, which includes short bursts of poppy emotion in the form of tracks like "Best Pie" and "Fortune Cookies." You can stream the latter below. – Will Sisskind

Philadelphia

New Track: “Sameness” – Small Circle

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The Philly quartet of Marissa D’Elia, Sean Hallock (Rozwell Kid), and Sorority Noise members Adam Ackerman and Cameron Boucher, a.k.a. Small Circle, originally released their debut EP Melatonin roughly one year ago. The band is set to reissue a remastered version on May 5 via Flower Girl Records. The updated album also includes an additional song called “Sameness.” The track floats in a pensively peaceful but melancholy daydream; it’s soothing but sensitively emotive.

NYC

Lost In Society brings politically charged punk rock to The Knit on 05.11

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Lost in Society is an alternative rock band from New Jersey that fosters a punk ethos – both sonically and lyrically. Their songs take an almost Marxist lingual approach by critiquing dominant cultural narratives and power structures. “All these people working / just to live check by check / sinking down into a hopeless death” a Linkin Park-esque voice screams in the first verse of the outfit’s most recent release, “I Want To Know”. With the themes Lost In Society tackles becoming increasingly relevant in the authoritarian direction taken by our politics, it’s no surprise they’re starting to gain a lot more local and national attention. What makes this band special is that they refresh a punk tradition with leftist roots by immersing it in the circumstances of the present. Don’t miss their next performance on Thursday, May 11th at the Knitting Factory.

NYC

Send Medicine lands June residency at The Satellite + talks about pedals on Delicious Audio

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Inspired by the mind expanding sounds of the ’60s, Send Medicine began as the solo project for Toronto based singer/songwriter Julian Hacquebard in the summer of 2012. Now based in Los Angeles and expanded to five members, the band, in last year’s debut album "Scary Aquarius Daughter" honed a sound that updates psychedelic folk to the current times. They just landed a prestigious residency at the Satellite for the month of June, starting on the 5th. Check out their latest single ‘Translucent’ (streaming below).

If you are into guitar pedals, check out this feature where Julian Hacquebard on our sister blog Delicious Audio.

NYC

Noise pop trio Wooing celebrates debut EP on May 10 within Pianos residency

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Readers who’ve been sticking around for a while may remember Rachel Trachtenburg from teen indie band Supercute! (active in the NYC scene around 2013), and then also as the drummer of ironic folk pop band The Prettiots. Rachel, who is also an actress and model, has recently formed her own group, called Wooing, which is about to release its debut EP through a live show at Pianos on May 10th. The show is part of a monthly residency that will see the band perform at the Ludlow venue every Wednesday of the current month, starting tonight (05.03). The three songs available online showcase a trio uncommitted to a particular genre (we hear, intermittently, folk, noise rock, dream pop…), but generally inclined to find any good excuse to get really loud and noisy, as you can hear in streaming track ‘Tear World.’

NYC

From the digital submissions: songwriter Sydney Robinson

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In 2017, folk music is far from being simply a revival phenomenon. In the last few decades, the genre has been undergoing a healthy evolution, incorporating elements from pop and indie rock, often flirting with melodic and "dreamy" components that don’t necessarily belong to its most authentic roots. This process had the effect of widening a sonic palette that started to feel and sound outdated. You can hear all that in NYC songrwriter’s new release ‘Rain on the River.’ Her single ‘Alexander,’ which was included in the April 2017 "New Folk" playlist by Indie Feed Music, is a delicate and passionate folk-pop ballad about ex-lovers and the ageless question "…do you think of me the same way I think of you?" The all-consuming melancholy such thought could induce is tempered by Sydney’s light tone and breezy melody, which makes it sound like an afterthought – at least until everything goes quiet and the crucial issue comes up: "have you found another girl? […] Are you happy now?"

This artist submitted music for coverage here.

We added this song to The Deli’s playlist of Best Rootsy songs by emerging NYC artists – check it out!

Philadelphia

New Music Video: “The Fire” – Madalean Gauze

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Madalean Gauze will welcome her latest EP Cool and Fun with a release show at Johnny Brenda’s on Friday, July 21 that will also includes American Trappist and Haunted Homes. Its first single, “The Fire,” finds tumultuous guitar and the compound, rhythmic stomp, creating an eerie, impending sense of danger. Her haunting vocals with creepy keystrokes add to the ominous outlook. Shot at PhilaMOCA, the video by Philly’s own Bob Sweeney injects found elements amid dancing footage and nostalgic filters to lock in on that mysterious feeling of the strange.