Chicago

GRÜN WASSER

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GRÜN WASSER is back and have released the first two singles, “Driving” and “Stranger’s Mouth”, from their forthcoming LP, Not OK With Things, which will be released on October 4th via Holodeck Records.

This is the twisted Electro-Pop of Essej Pollock (electronics, production, mixing) and Keely Dowd (vocals, lyrics, production), and this album is their follow-up to 2018’s Predator/Prey.

You can catch GRÜN WASSER at Sleeping Village on October 3rd with Ariel Zetina and Material.

Philadelphia

Debut MESH Demos Available for Streaming & Purchase

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Sims Hardin (Dark Web, JUICE, Brain Clouds, Throbbing Chakra) has a new musical outlet called MESH, and recently shared a trio of demos. Lo-fi, heady, garage-punk vibes permeate throughout the recordings, with its intimacy hinting at a slacker-rock mentality. "Work sucks. People suck. Life sucks. Fuck it – I’m just gonna jam on this guitar." MESH is slated to perform at Free Candy on Thursday, October 10, as part of a lineup that also includes Soft Crime (the latest project from Spacin’s Jason Killinger), Thigh Master, and Michael Beach.

NYC

No Vacation’s Phasing out October 18

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Oh yes, a little sweet bossa-vibbed beach pop tune is just what we were looking to find. What a delight! Single “Estrangers” (Topshelf Records) is a perfect little taste off No Vacation‘s forthcoming EP, Phasing. We know No Vacation as their former San Francisco selves, who released Amo Xo and Summer Break mixtapes back in 2015. And we know they’ve since relocated to Brooklyn, rebranded as No Vacation, and certain songs have busted out millions of listens (“Yam Yam” is a jam worth checking), but hey we’re still holding onto a tad of our Bay Area claim to these purities. Stay tuned for upcoming shows and that sweet new EP. – Michelle Kicherer, Associate Editor

Chicago

Vukari “Abrasive Hallucinations (Reality Hemorrhaging)”

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Black Metal group Vukari has released the opening track and lead single, "Abrasive Hallucinations (Reality Hemorrhaging)”, from their forthcoming third full-length, Aevum. The album will be released via Vendetta Records on October 1st.

This is wonderfully atmospheric work of Marek Cimocowicz (Guitar, Vocals), Spenser Morris (Bass), Mike DeStefano (Drums, Keyboards), and Jace Kiburz (Guitar).

Photo via Lindley King

NYC

Al Harper’s fall shows bring warmth

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Oakland-based Al Harper is what we can only describe as delightful. Songs like “Paradise” and “Sunny Somewhere” have just the right amount of surfy guitars and sweet lyrics to put you in a fine little mood. Even finer is their video for “Sunny,” (directed by John Snapp) which features Harper encountering a sweet little dog a huggable friends. There’s kind of a modern day No Doubt feel and we’re digging it. They’re playing at The Rite Spot Cafe on September 21, and El Rio on the 25th. –Michelle Kicherer, Associate Editor

Austin

Punk Interview: Naoka Yamano of Shonen Knife

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This past June Shonen Knife, known for their influence of punk bands such as Nirvana and Sonic Youth, released their 19th studio album Sweet Candy Power. The band played a show last night at the Empire Control Room & Garage, and we were able to get in touch with frontwomen Naoka Yamano for a quick interview. Naoka talks about why she writes about food, what eras Sweet Candy Power plays homage to, and how Shonen Knife doesn’t really identify as a punk band. 

The Deli Austin: You started touring in the U.S. in the late 80s, and since then you’ve had a lot of gigs all across the country. Is there anything you particularly enjoy about playing shows here?

Naoko: The audience here in the US is very friendly and cheerful. I like that. I like fish tacos. I can eat various fish tacos here during the tour.

How has the punk scene in Japan changed since you started playing?

I don’t know how to define the “punk scene” but if it means underground scene, the border between major scene and underground became vague. Even if a band is very independent, they can spread their music using the internet. If “punk” is defined musically, when I started the band, punk, hardcore punk were popular but there are various kinds of music. I don’t think Shonen Knife is a punk music band. 

So what does punk rock mean to you today?

It means nothing. Actually, we are not a punk band. I write various type of songs not only punk-pop but Hard Rock, Pop, sometimes Disco. In these 20 years, I don’t listen to punk music so much.

I think the two main takeaways people get from your music is a sense of fun, and a craving for all of the food you write about, especially on Sweet Candy Power. What connections do you make between food, fun, and music?

I write songs not only about food but other topics like my experiences. The lyrics are rather positive. I put some essence of fun on it. The topics of some songs are food. Food is a universal thing and everybody can understand easily. But sometimes it is difficult to explain or people misunderstand because if I say “Candy”, I can’t find Japanese style candy here in the US. We have various kinds of candies in Japan. In the US, there are many gummies but we don’t say it’s candy. Candies are like HALLS or Licora which made by sugar, malt syrup and flavors. 

Anyway, I write songs about food and fun to make people entertained.

How did you approach compiling material for this latest release? Were there any particular influences for this album’s style?

I usually don’t have any concept for albums. I just make songs which I like and people will enjoy. I like 1970’s and 1960’s classic rock music. This album is a kind of homage to such music.

What is your favorite song on Sweet Candy Power?

“My Independent Country”.

Interviewed by Avril Carrillo

NYC

VANDANA releases new record “Contra,” plays Baby’s All Right on 9/22

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Expanding on a noir electro-pop sound already steeped in eastern influences, VANDANA‘s latest release Contra re-imagines Indian and Pakistani music from the 70’s, 80’s and 90s. Lead track “Ahsa” intrigues with a heartbeat synth-bass pulse and foreboding keyboard textures. The artist’s deep and resonant vocals soon become the focus, singing in a native language that adds an extra element of mystery. Careful percussive and electronic keyboard elements make their way into the mix completing an overall mystical experience. Follow-up track “Ahsila” makes use of slow-building atmospherics, deep bass synths and light bubbling textures in between seductively enigmatic vocals. Five tracks in all, the record can be heard and acquired at the artists bandcamp. VANDANA will be playing a daytime event Benefit for Kashmir at Baby’s All Right on 9/22. – Dave Cromwell

Chicago

The Eradicator @ Cobra Lounge (10/25)

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The Eradicator is back and are preparing to release their sophomore LP, Peak Eradicator, on October 4th. The Hardcore, Squash playing, Ski Mask wearing punk band have release two singles thus far, “I’mma Be Me” and “You’ve Gotta Go”.

This is the work of Andy  Slania  (vocals), Steve Maury (lead guitar), Scott Thomson  (guitar), Ryan Bollis  (bass, vocals), and Danny Walkowiak (drums).

You can catch The Eradicator on October 25th at Cobra Lounge with Dollar Signs, Wm Covert, Slaughter Rule.

photo by John Thompson

Chicago

Commonweather “Sugar Sun”

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Commonweather have released a new EP called “Sugar Sun”. The EP’s lead single and opening track, “Mellow Drama” is accompanied by the fun Tyler Cipriani directed video below.

You can catch Commweather at Subt on September 21st with Fight Club, ColdBrew, and The Religion.

Chicago

underhand

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Instrumental rock trio underhand are preparing to release their latest album, The Secret History of Nothing, this Friday, September 20th. They recently released the album first single, “Nothing Part III”.

These are the the atmospheric sounds of Courtney Grove (Drums), Rod Hentringer (Bass), and Michael Hayden (Guitar).

You can catch underhand on September 28th at Jambalaya Arts in Oshkosh, WI.