Nashville

Steve Wood Music’s “Transformation” is a look into the eye of the robot

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Tasteful in its execution, Steve Wood Music’s debut Transformation is a well-rounded retrofuturistic voyage that avoids all the indulgences that lead to cheesy electronic music. It’s dancy but not robotic, retro but not novel, emotional but not saccharine. There’s an element of Tame Impala brand psych to be found in there as well, floating hand-in-hand with the textured synths and delayed vox in Wood’s chosen space somewhere between lofi and stereo recording. Get a taste of the future right now and stream the album below. –Austin Phy

Philadelphia

Weekend Warrior, April 15 – 17

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On Saturday, Free Cake For Every Creature celebrates the arrival of their LP Talking Quietly of Anything With You, via Double Double Whammy, with a release show at Girard Avenue DIY space/batting cages, Everybody Hits. The Katie Bennett-led crew explores the daily adjustments that often characterize finding one’s place as an emerging adult, while adapting to a new place. With an invigorating sense of spoken/sung sincerity, united by a jovial, similarly straightforward sense of instrumentation, the songs’ endearing relatable stories come across loud and clear, while their hushed vocal quality entrusts the listener. Cut from a like-minded cloth Carmen Perry, a.k.a. Addie Pray, hits you with a dose of intimate adventure, while the uninhibited, melodic poetry of Hello Shark aches and empowers, flipping the script on self-awareness. The experimental folk of Microsoft Saint completes the local bill. Everybody Hits, 529 W. Girard Ave., 8pm, $7, All Ages – Michael Colavita

 
More places to enjoy this weekend…
 
Everybody Hits (529 W. Girard Ave.) FRI Hound
 
Johnny Brenda’s (1201 N. Frankford Ave.) SAT Sonnder (Record Release), Wild Rompit, The Loud Company
 
Boot & Saddle (1131 S. Broad St.) FRI The Humble, Something Like A Monument, SUN Frim Sleepers, Howlish, Lady Parts, King Azaz, Blacksalt
 
Kung Fu Necktie (1250 N. Front St.) FRI Dopestroke/Half-Ton of Humanity, SAT Hellrad/DJ PHSH, Mr. Sonny James, SUN Caliph-NOW (Listening Party)/Clamfight, Black Urn
 
PhilaMOCA (531 N. 12th St.) SAT Chic-A-Go-Go Live Taping: Dead Milkmen, Bunny Sigler
 
Bourbon & Branch (705 N. 2nd St.) FRI Hambone Relay, Visoon, The Once Was
 
Union Transfer (1026 Spring Garden St.) FRI Crypt Sermon, SAT Horrendous
 
The Trocadero (1003 Arch St.) FRI Sacred Cube (CD Release), Sullivan’s Box, Gape, SAT Making-Out With Medusa, Sonorous, Dreams Of Demise, The Coochie Melters
 
World Café Live (3025 Walnut St.) FRI (Upstairs) A Tribute to The Beatles in Celebration of the 50th Anniversary of Revolver: Mason Porter, Reverend TJ McGlinchey Band, Lovers League, Man About a Horse, Hurricane Hoss
The Late Saints, Railroad Fever, The Newspaper Taxis, Polkadelphia, No Good Sister, Michael Fitch, SAT (Downstairs) Rockin’ Docs for Diabetes Cure/(Upstairs) Minas, SUN (Downstairs) Beyond the Bars Fundraiser: The Districts, Frances Quinlan, Ben Arnold, Milton, Queen of Jeans, The Bul Bey
 
 The Fire (412 W. Girard Ave.)  FRI The Stammer, Vulcans, The Upticks, Lapses, SAT (6pm) L.A.W., Condition Oakland/(9pm) No Good Sister, SUN Jet Set Sail, Pocket
 
MilkBoy Philly (1100 Chestnut St.) SAT Nik Greeley & The Operators, Johnny Showcase & The Mystic Ticket, Darla, Muscle Tough
 
Ortlieb’s Lounge (847 N. 3rd St.) FRI Grandchild, SAT EX. By V., SUN Louie Louie
 
Silk City (435 Spring Garden St.) FRI Bo Bliz, Low Budget, SAT DJ Deejay
 
Fergie’s (1214 Sansom St.) SUN Rusty Cadillac
 
Connie’s Ric Rac (1132 S. 9th St) FRI Looseleaf, Max Morning-Height, SAT Paths 2 Glory, Popular Creeps, Foreword to the End
 
Voltage Lounge (421 N. 7th St.) FRI Suburban Murder, Generation, Empty, Ashes of Our Sins
 
Frankie Bradley’s (1320 Chancellor St.) FRI Paul T, Sean Hearn, SAT Ed Christof
 
The Fillmore Philadelphia (1100 Canal St.) FRI August Burns Red, Left to Vanish. SAT Dr. Dog
 
The Foundry (1000 Frankford Ave.) FRI Cold Roses, Thee Idea Men, SUN Foxtrot & the Get Down
 
The Grape Room (105 Grape St.) FRI Argonautic, Flotel, SAT Lion Powda, Danny Newport, Run to Sandy, Backroom Dreamers
 
Ardmore Music Hall (23 E. Lancaster Ave.)  FRI Splintered Sunlight, SAT David Uosikkinen’s In The Pocket, SUN Jontourage
 
First Unitarian Church (2125 Chestnut St.) SAT Roger Harvey
 
Goldy’s (723 Chestnut St., #3) SAT Joy Again, Kississippi, Dominic Angelella
 
Repo Records (536 South St.) SAT Grayscale, Sad Actor, The Whips, Point Breeze Country Club, Worst Ones
 
Creep Records (1050 N. Hancock St., Suite 76) SAT Pocket, Left& Right, Thin Lips, Goddamnit
 
The Farm (Please contact one of the acts or venue for more info.) SAT Dopestroke, The Charley Few, Trash Knife, The Dolts
Portland

Guest post: Photographer Aaron Sharpsteen recalls the April 9th show at the Palace

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*photo of San Lorenzo by Aaron Sharpsteen. Other photos from the night can be found on the Deli Portland Facebook page.

The string of beautiful days and nights stirred something, a desire to attend the basic foundation of local underground music: the word-of-mouth house show. There was a time when I was attending these on a regular basis in Portland, years ago…but as it always happens, people move, houses are sold to different people, and I didn’t keep up with the who/what/when/where of it all.

How lucky then was I to find out about one of these shows while attending another, and not only that, but right down the street (literally 6 blocks away) from my deep SouthEast apartment. Armed with a bottle of root-beer schnapps and some cheap beer, I made my way over to a stranger’s house to catch some tunes.

 

The first band of the evening was so called “Russian surf act” Kozyol. The project seems to be the brainchild of Davey Zilban, who plays guitar and sings in Russian, slinging a mash-up of vaguely folksy-sounding surf that was the perfect start to a party. Nothing too aggressive or abrasive, but certainly nothing too relaxed or laid-back, Kozyol hit the perfect tempo and got bodies moving immediately. I knew it was going to be a good night.

 

Next up was Dim Wit, in this iteration a two-piece with Zilban moving back to drums and Jeff Tuyay moving up to sing and play guitar. Dim Wit is obviously a play on words, as I found the lyrics quite witty and compelling, and Tuyay very charming and natural as a lead man. There’s something pleasing about a minimalist set-up that can crank out well-written but unconventional songs and keep it interesting, and Dim Wit did just that. They also somehow stirred the young folks (yes, I am old enough to say that) into some light moshing by the end.

 

Absolutely no offense to any of the other bands who played, but the night belonged to The Super Secret Hot Girls Club, who threw down what might have been one of the best house-show performances I’ve seen in quite a while. After two more traditional rock acts they turned up the noise and upped the tempo, with an energetic front-man who had the entire room in the palm of his hand.

 

Unfortunately there was a casualty, as it appeared one of the more energetic participants slammed into a wall and left a gigantic, body shaped hole. By this point the root beer schnapps and cheap beer was completely gone and so was I, and it was great.

 

Closers San Lorenzo were obviously the most polished, “professional” bands of the evening (check them out, they have shows coming up all over town in the next month or so) but the crowd was a little thinned out, possibly because of the relative age of the audience and perhaps because the people who slammed into the wall dipped the fuck out instead of doing the decent thing and sticking around to take responsibility for their mistakes. Seriously. My ears were still ringing from The Super Secret Hot Girls Club but San Lorenzo ended the night well with a solid performance.

 

After the quality that I witnessed on Saturday, it’s safe to say that I plan on attending many more of these soirees over the next few months. Hope to see you there, in the garden from which our underground music scene grows: the shady-looking house down the block with the music coming out of it.

 

Aaron Sharpsteen is a photographer and swell dude based in Portland, Or. 

 

 

 

Nashville

Kristoff Waltz plays Rites of Spring tonight (4.15), we sat down with them for an interview

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We took notice of Kritoff Waltz way back in February when their debut EP The Innocents dropped. Not only has the EP kept a place in our rotation since (they won our band of the month poll for early April, after all), but others have been taking notice as well. Kristoff Waltz came out on top in a battle of the bands to play at Vanderbilt’s annual on-campus music fest Rites of Spring. Last week we sat down and had a chat with Kristoff Waltz to get to know them a little better. Check out our interview and be sure to see them tonight at Rites of Spring.

NYC

Mitski releases new single/video ‘Your Best American Girl’ from upcoming LP

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Brooklyn songwriter Mitski – our Record of the Month in November 2014 – just unveiled this new video for single ‘Your Best American Girl,’ featured in her fourth studio album ‘Puberty 2,’ released on June 17th on Dead Oceans. The Japanese-American artist will headline a US tour as a three piece in the summer, and play a few shows in Europe next week. The band’s June 20th show at Bowery Ballroom is sold out, so you better get your tickets for the following NYC show at Music Hall of Williamsburg on Juyly 27.

L.A.

Susan release “I’ve Been Known”, debut full-length due out on 4.29

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Garage pop outfit Susan have been steadily releasing a string of brisk, guitar-driven anthems that amp up the scuzz. There was certainly an effective aesthetic in play, though it didn’t really let us into what Susan really wanted to tell us. It turns out the trio had been holding onto their most significant statement yet with "I’ve Been Known", a hooky, instantly-hummable number that fully lets its guard down and teaches us that there’s no shame in doubting things while you’re in a state of flux. 

"I’ve Been Known" is the first single off of Susan’s debut full-length Never Enough, which comes out on April 29 via Volar Records. 

NYC

Brooklyn artist on the rise: Fieldings

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We mentioned Fieldings a few days ago in this blog, and we’ve been intrigued by their music since then. This is the project of a NYC based songwriter who recently moved from Sydney, Australia to Brooklyn, whose first name appears to be Lu. Her 2014 three song EP ‘Wild Release Vol I‘ brings back to mind the emotional expressionism and experimental droney inclinations of Lisa Germano’s early albums, although the tone here is more subdued and the production sparser. In it, Lu’s voice shines for confidence and tone, together with her songwriting and production skills. Follow up EP ‘Wild Release Vol II,’ released a few months later, picks up where the debut left off, with acoustic guitars blending gracefully with electronic elements, samples, and percussion sounds that are alternatively acoustic and electronic. We are curious to hear what an edgy scene like NYC will do to this already original artist, in particular now that Lu appears to have band mates. Check out our favorite single ‘Idioglossia,’ strteaming below.

Philadelphia

New Track: “When I’m With You” – Hurry

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It seems that frontman Matt Scottoline has totally embraced his pop sensibilities on Hurry‘s forthcoming album Guided Meditation. Below is the second sampling, called "When I’m With You," off the new record, which will be out on April 29 via Lame-O Records. You can also join Hurry for their release celebration on Friday, May 6 at Everybody Hits.

Philadelphia

New Track: “Metastatic” – Pinkwash

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Pinkwash continue their slash-n-burn/scorched earth policy on the duo’s latest single "Metastastic." Joey Doubek feels like he’s vocally channeling PiL-era John Lydon over the blistering drum-guitar assault. Pinkwash will be releasing their new LP Collective Sigh on May 13 via Don Giovanni Records. (Photo by Amanda Hatfield)

NYC

NYC rapper Koncept plays Arlene’s Grocery 4/16

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Koncept shook up our senses in 2015 with “The Fuel” EP (co-produced by J57), aand by storming SXSW in March this year. Now we can see him bring his fire to the intimate and historic Arlene’s Grocery. As he raps in his newest single, “Crazy is Beautiful,” — “Never look back at the past me, that would bring me down so badly.” The EP is a testament to living in the present. If you’re feeling like you’re running on empty, come out and fuel up. Doors at 6pm. He plays at 8pm. Don’t be late!

Philadelphia

The Deli Philly’s Featured Artist(s) Poll Winner: Dear Forbidden

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Admitted late bloomer, Dear Forbidden’s Gina Cardillo has definitely left behind her Lion King soundtrack past for the grungy, seedier side of 90’s alt rock. Like a large majority of us, Cardillo sounds like she has fallen in love with Philly, and we’re guessing all aspects of the city have been influencing her songwriting, which is the most difficult but rewarding process for the young artist. Take a listen to Dear Forbidden’s debut EP Glitter & Dissonance and a moment to learn a little more about our most recent Featured Artist(s) Poll Winner HERE.