THE DELI

It’s been ten years since Adam Hervey founded the DIY venue Pehrspace, and a demolition notice from the property owners signaled imminent shutdown. But on July 30th and 31st, we weren’t there to say goodbye.

In its last 36 hours, space was as busy as it was on busy days. People came in and people hung out—as small groups of friends and budding scenes, but importantly as supporters of the space that always supported them. A day and a half was divvied up among longtime curators like Michael Vidal and KCHUNG Radio, who staged their final sets at 325 Glendale. From outside the plaza looked stripped, was stripped—inside a small team of volunteers led by Pauline Lay kept a tight schedule, even so far as to offer free earplugs and food while supplies held out. Like the twilight improvisations of Slow Rose and ensemble collaborations conceived by Aaron M. Olson (L.A. Takedown), Pehrspace brought individuals together, empowered them to create and appreciate. In its last 36 hours, the performers, curators, volunteers and audience were as we always were. And in the back of all our minds, though uncertain of the future, we eagerly anticipate the chalkboard set times to the next show.

Pehrspace continues to seek donations to successfully relocate; as of writing their GoFundMe currently rests just under $9,000. Listen to select performances from the 36-Hour Pehrathon at Cohen’s So Cal Rock Shows Bandcamp. – Ryan Mo

The last time we checked in with The Landing, the solo act was making major noise, reaching the peak of the Hype Machine charts two times back-to-back. We have to say, with his latest single "Stars in Motion" a three-peat is definitely in the space-pop artist’s "stars," so to speak. On the track, he reaches critical pop mass, inflecting RnB flavored, up-beat percussion into his usual, out-of-this world synth patterns to create a track that gets heads bopping.  The vocals are also notably earthier and more seductive than on previous efforts, contrasting well with the space-y nature of the production. With this track, The Landing has proved he can do pop with mainstream appeal, but sans cheese, along with his more artful work of the past. Don’t miss him live on his American tour from 8/8 to 8/27. —Henry Solotaroff-Webber

Somewhat contrary to the spirit of her style of choice (pop punk), 28-year-old Kait Eldridge embraces maturity and self-assurance on Big Eyes’ latest single “Behind Your Eyes.” Eldridge started the band seven years ago, and since then has developed a clear writing style that allows her relatable and level headed personality to shine through. “Behind Your Eyes” is about being able to see through a loved one’s tough exterior and knowing when they are hurting due to a strong emotional connection. In the single, the four-piece blends the catchy melodic hooks of pop influenced punk acts like The Runaways with guitar work that flirts with the power rock of the ’90s and even classic rock at times. Big Eyes will be releasing their latest album Stake My Claim on August 19th via Don Giovanni Records, and will be kicking off their upcoming tour on August 16th at Alphaville in Brooklyn. Check out also the video for the album’s title-track, streaming below.  – John Honan 

There are certain songs that speak to you when you’re young, and those songs are perfectly executed by The Unending Thread‘s split tape with Forget It. Perhaps it’s because they’ve had a few years to find their sound, but now that they have it is a significant voice for the young and reckless. That sound consists of strong relevant lyrics like “You never know what life has in store…I know I don’t know anything/ And that’s the best part of this journey that hasn’t happened yet” (“La Casa De Mi Padre”) and catchy choruses like “You always bring out the best of me” (“Dearest Anna”). Bassist Kim Reyes’ singing, often accompanied by guitarist Cesar Alas, drives a clear melodic path in the midst of the instrumental background.

The expertly arranged electric guitar, electric bass, and drums are so nicely played that they often compete with the vocals in the foreground, receiving much deserved attention.

Catch the Unending Thread’s performance at [redacted] Collective’s three-part showcase next week in celebration of the label’s first official mixtape. The mixtape will be released August 12 at the first show at The Smell and Saturday the 13th at Los Globos, where The Unending Thread plays with Utena, Gypsum, and Ruby Throated. First fifty guests to these two shows will receive a free physical cassette, containing 11 new and previously unreleased tracks by artists from the [redacted] roster. – Kaitlyn Tang