San Francisco

On Tour + New Video: The Dodos

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Bay Area indie rock duo The Dodos are returning to the U.S. from their hiatus in the U.K. to support their fourth full-length album, No Color. The tour started last week in Salt Lake City and is now making its way down the eastern seaboard.

Formed in 2005, frontman and singer/songwriter Meric Long joined forces with percussionist Logan Kroeber. The two come together as a unique blend of minimalist drumming overlaid with guitar lines harkening back to the fuzzy grunge days of the early 90s.

The Dodos return to the U.S. is accompanied by a beautifully shot music video for their song, "Companions."

–Ed Guardaro

San Francisco

Download Al Lover’s ‘Distorted Reverberations:’ An Outsider Remixing Outsiders

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Download Distorted Reverberations the new project from San Francisco producer Al Lover, a free remix collection of local psych and garage bands sampled and turned into instrumental hip hop.

“The idea behind the project was to take this current music and rework it into something entirely different while at the same time helping to further connect the underground music community,” said Lover.

Inspired by the revitalized SF garage/psych scene, Al Lover transforms the gritty garage sound using his MPC, various guitar pedals and recording techniques. Permission to sample the material was given by all the artists.

“I’m originally from North Carolina and moved to SF about three years ago. The idea for this particular project came about when I was at SXSW and just started asking fools if I could sample their material. Everyone was super down.”

Al Lover transforms wild, blues-guitar-driven jams such as Ty Segall’s "Fist Heart Mighty Dawn Dart” or Thee Oh Sees’ "If I Stay Too Long” into futuristic Dust Brothers’ style productions. The entire track list is below.

“I’ve been really inspired by the reinstated garage scene. I’ve seen some of the best shows of my life in little dives like The Eagle and The Knockout. It’s just a bunch of misfits and outcasts rocking the most. I feel that about my crew and myself. We’ve always been the misfits in the hip-hop scene. It’s funny being an outsider to another group of outsiders.”

Al Lover’s name may sound familiar from his highly acclaimed Safe as Milk Replica, a remix of Captain Beefheart’s first record Safe as Milk or his work with The Fist Fam, with whom he started making rap music in his late teens.

“I like most of my music grimy. I think that’s why I was originally drawn to the garage stuff. I grew up with my Dad bumping The Rolling Stones, T-Rex, and The Velvet Underground, as well as traditional blues like Sun House and Robert Johnson. I started listening to rap in grade school, NWA and The Ghetto Boys being among my first tapes. The rap/rock thing is the most corny if made wrong (which it usually is) but if done right, it’s the toughest shit ever.”

Distorted Reverberations Track Listing

1. Natural Child – White Man’s Burden
2. Shapes Have Fangs – Terlingua
3. Thee Oh Sees – If I Stay Too Long
4. White Fence – Sticky Fruitman Has Faith
5. King Tuff – Sun Medallion
6. Jeff The Brotherhood – Hey Friend
7. Ty Segall – Fist Heart Mighty Dawn Dart
8. Davila 666 – Yo Seria Otro
9. Night Beats – H-Bomb
10. Moonhearts – I Can Go On

–Whitney Phaneuf

San Francisco

Album Review – Misner & Smith: Live At The Freight & Salvage

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“Sometimes so lost all I knew was my name,” sings Megan Smith with Sam Misner on “Greyhound Days,” a song off their new album Misner & Smith: Live At The Freight & Salvage. This song is their modern version of a timeless lost-on-the-road, train-hopping tale: “Never trust comfort, it’s weak and it dies/ Have faith in the struggle/ Don’t rest ‘til you die."

The Northern California natives have been playing original Americana and Roots music since 2004. Misner & Smith: Live At The Freight & Salvage is a live album from their performance at the Freight and Salvage in Berkeley, and the album features a stunning array of their work to date.

Misner & Smith are known for their beautiful use of vocal harmonies. Megan Smith plays the upright bass and mandolin, and Sam Misner plays guitar. This live album has a perfect pacing—some songs take a slow and mournful approach, while others feature guitar pickin’ madness. Their song “Poor Player,” featured on this album and originally recorded in 2008, won the West Coast Songwriters Association’s Song of the Year competition, and was nominated in the New Folk category in one of the world’s largest international song contests put on by the Just Plain Folks music organization. Other fan favorites on the live album include “Madeline (Paradise Cracked)” from their debut album Halfway Home.

–Shauna Keddy

 

San Francisco

Interview with Silver Swans, SF Artist of the Month

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San Francisco’s Silver Swans has slowly evolved from a "casual project" to a productive partnership. Fresh from four successful New York City shows, chanteuse Ann Yu took a break from recording the forthcoming album Forever to talk about the indie pop duo’s influences and inspirations. Read more here. “Mother of Pearl” is a new demo track from Forever.

–Whitney Phaneuf

Silver Swans – Mother of Pearl by Hypetrak

San Francisco

Live Review & Weekend Pick: The Frail

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The Frail stirred up a raucous dance party at the Zazzle Bay to Breakers After Party at Public Works, and this Saturday, May 28, the indie-electro-pop outfit headlines a night of music and fashion at Red Devil Lounge. No guarantee a disco turtle will make an appearance.

From a humble Craigslist collaboration to appearing on MTV, vocalist Daniel Lannon and producer Kevin Durr have carried the band for four years strong through to its recently released EP, Lasers Over Lovers.

If you miss the fun this weekend, The Frail and Altars will support MOTHER MOTHER on Sunday, June 12 at Rickshaw Stop.

–Whitney Phaneuf

San Francisco

mp3 & Live Preview: ‘Holy Grail’ – Tidelands, Magik*Magik at Rickshaw Stop

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San Francisco duo Tidelands has teamed with John Vanderslice’s Magik*Magik Orchestra for its debut album, If… to be released July 26. Download the dramatic first single “Holy Grail,” and don’t miss the Magik*Magik String Quartet on Monday, May 30 at the Rickshaw Stop with Dustin O’Halloran and the women’s choir Conspiracy of Venus.

Magik*Magik is the official studio orchestra for John Vanderslice’s Tiny Telephone Recording studios, and its latest work will be showcased on Tidelands’ If… Tidelands is comprised of duo Gabriel Montana Leis on guitar and flugelhorn, and Mie Araki on drums and keyboards, with both on vocals. The all-star collaberation for If… includes Deerhoof engineer Ian Pellicci responsible for bringing together the orchestral and traditional rock instruments, looping, Moog bass and vocal harmonies.

Mark your calendars for Tidelands and Magik*Magik at the If… record release party on July 26 at Café Du Nord.

–Shauna Keddy

Tidelands – Holy Grail by fanaticpro

San Francisco

mp3: Afghan Raiders – ‘If Only’

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Further proof that Brooklyn doesn’t own post-punk dance electro, San Francisco-based trio Afghan Raiders is giving us "If Only," a track from its forthcoming EP Calls From the Universe.

Not yet convinced? Listen to the boys remix local favorites Morning Benders’ "Promises" or Neon Indian’s "Deadbeat Summer" (don’t miss Neon Indian spreading its psychedelic pop through the Bay from May 29-June 1).

–Whitney Phaneuf

Afghan Raiders – "If Only" by AfghanRaiders (Official)

San Francisco

EP Review: The Soonest’s ‘Quarters’

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With the debut EP “Quarters,” San Francisco’s The Soonest delivers intimate indie rock comprised of subtle, angst ridden lyrics, reverb-filled guitar lines and a thunderous rhythm section. The band is quite elusive, and its songs are mysterious and ambient. “Quarters” contains four haunting tracks, with Young (Vocals, Guitar) guiding us through his emotional journey of guilt, denial and exuberant happiness. His vocal style and The Soonest’s Brooklyn sound will please fans of early, moody indie bands such as Interpol. Listen to “Quarters” and catch The Soonest on June 3 at 111 Minna. 
–Ed Guardaro

King by The Soonest

San Francisco

Album Review: tUnE-yArDs’ “w h o k i l l”

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Hands down the most buzzed about new D.I.Y. artist today is whiz-chameleon and Oakland resident Merrill Garbus, band name tUnE-yArDs. Her new album w h o k i l l—an African-inspired, poppy, jazzy, folk lo-fi—might be the smartest party music of the year so far. Garbus’ voice is at once a yelling-howling beauty and a cool jazzy style, and she manages both of these vocal styles onstage through the manipulation of vocal loops. No surprise her live shows across the U.S. keep selling out.

Garbus made a trip to Kenya after the release of her debut album Bird-Brains, and it’s heard in w h o k i l l. Originally from New England, Garbus lived in Montreal during her first release, and relocated to Oakland, California for her new album. She is a creative force, and this album is a perfect balance of lyrically profound, quieter, moody tracks, and shake-your-booty dance grooves. To feel the intense dance party first hand, be sure to watch the music video for w h o k i l l’s single “Bizness.”

tUnE-yArDs’ songs range from wild and fast to slower and often visceral, in a way that may be most comparable to the power of the Yeah Yeah Yeahs’ Karen O. w h o k i l l  features infectious beats with a hip hop feel. Listeners familiar with Oakland will notice the song “Gangsta” is undeniably influenced by Garbus’ new home base. The song features the chorus “Bang Bang Boy-ee, never move to my hood, because danger is crawling out the way” and begins with the sound of sirens, but slows down near the middle with Garbus softly singing “Life in the city makes sense.“ In “Wooly Wooly Gong,” Garbus contemplates romance and attachments, with heart-wrenching lines like, “Keep your bleeding heart wide open.” Inspired by Garbus’ sincere music, this album rips hearts and ears wide open. —  Shauna Keddy


 

San Francisco

Live Preview: Brilliant Colors at Pop Fest Night on May 28

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Trying to find variety and originality in girl bands today can be difficult. After awhile all the fast-paced, two minute, indie pop-rock songs start to sound the same. Luckily, Brilliant Colors has found a way to stand out. 

Singer and guitarist, Jess Scott formed Brilliant Colors in 2007 and released “Introducing” in late 2009 to rave reviews. Their 7” Never Mine was released shortly thereafter in April of 2010. “Never Mine” categorically fits under the proto-typical girl band song described earlier with fast-paced drumbeats, simple guitar riffs, with slightly off-key but undeniably catchy vocals. “Kissing’s Easy” presents itself as a fuller track in which the girls chose to stray from the formula. The song mixes a sweet, almost-twee lyrical sound with a fast pace that feels like a rush to the end until the breaks where Scott’s vocals become more distorted.  True to form, Brilliant Colors is on excellent local label Slumberland Records.

Don’s miss Brilliant Colors with 14 Iced Bears at Pop Fest Night at the Rickshaw Stop on May 28.

–Anna Oseran

 

 

Brilliant Colors – Never Mine by Slumberland Records

San Francisco

Live Review & Interview: The Beehavers

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Seaweed Sway presented another great local band showcase last Friday night at the Mission bar Amnesia, with The Beehavers headlining and Montra and FpodBpod opening. Amnesia provided the intimate and theatrical setting for this fun array of bands. The beautiful lights and red aura of the bar set the stage for a night of entertaining and experimental music. Each band has its own unique sound, and the audience took to all three acts with enthusiasm and dancing.

Sean Olmstead led FpodBpod with a sizeable set, playing many songs from his recently completed full length album, and pleasing friends (who passionately sang along) and new fans alike. The dispersal of bubble containers into the audience enhanced their performance of a song that featured a playful chorus about–bubbles! Olmstead projects his voice clearly and sings with unique inflections over the pop and pyschedelic sounds of his guitar playing .

The Beehavers’ set was eclectic, as their music interweaves folk, rock and a "gypsy" sound (as the band explains), led by Beeface Killah, real name Bryant Denison. The band formed about a year ago, but Denison has been writing songs for twenty years, and says some of the songs they play now are at least ten years old. The group is usually comprised of Michael Fortes, Zach Rubin-Rattet, Jake Nochimow, and Denison, and sometimes includes a cello player named Leo Suarez and violinists Erma Kyriakos and Charithe Premawarth.

The Beehavers’ music often features violin, and this performance included a slide whistle and ukulele for more than half the songs. Of note, the title track to the album the band is working on currently, “The Fairgrounds,” featured these two old world instruments. Although the band has been playing what Denison describes as “gypsiefolkvoodoobalkanrock” for the last year, he explains that now they want to “get back to feel good party music." He said they aim for a garage pop sound with their newer songs, and names Zach Condon of Beirut, Talking Heads, Roy Orbison, The Zombies, The Beatles and the Cars as his top influences. He goes on to explain that he comes from “a community in Sacramento that loves Garage catchy pop songs.”

“I grew up around the people in Cake,” Denison continues. “I love the Rockets, the Smashing Pumpkins. I was kind of a Goth kid in middle school then kind of went hippie in high school. All my friends were more into Guns and Roses, but I liked the Euro sound. Recently I was greatly influenced by Beirut, that’s where the ukulele and flugel horn came into our music.”

“I’m really feeling more comfortable with being able to orchestrate. I learned a lot from Matt Adams of the Blank Tapes,” he explains. Denison said that people always ask: "‘Are you covering a Magnetic Fields song,’ but the truth is I was introduced to Stephin Merritt (lead singer of the MF) after I started singing super low. Like he is known for.”

Further influences of the band include Screamin’ Jay Hawkins, Brian Eno, Joy Division, The Kinks and Devotchka. “It’s good because we have a set that is very genuine and quieter for cafes and places that we can’t be too loud, like (another Mission neighborhood bar) Viracocha, but when it comes to Bottom of the Hill or Amnesia we can turn up the amps and get people moving!”

Danceable and original, The Beehavers charmed the Friday night crowd. Watch for the band’s debut album this summer.

–Shauna Keddy