Philadelphia

Jotto Releases New Single “Lost Man”

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It’s been a while since we’ve heard from the Jotto camp with guitarist Dan Soloway returning to his homeland and discovering the plethora of lovely Israeli ladies roaming its streets. However, today marks the release of Jotto’s new single “Lost Man” from their upcoming EP New Century Courting, scheduled for release on March 30th. Check out the new video above! Could Soloway be their “lost man”? It appears like it in the video, but you can still hear his guitar riffs resonating from across the way. myspace.com/jottomusicH.M. Kauffman

Philadelphia

FYI on DIYs in PHL: The Ox

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Since its inception, the City of Brotherly Love has been known for its independence. Keeping the spirit alive, Philly’s latest DIY art space The Ox is circulating buzz amongst show goers and bands alike. Co-founder Daniel Hughes was nice enough to take a little time and spill some deets about the venue, the Philly scene, and of course, roast beef.
 
The Deli: How did The Ox start? Who runs it?
Daniel Hughes: Living in a warehouse was always something I’d wanted to do, but wasn’t realistic because of school obligations. After I graduated, I was approached by my friend Brendan about the idea of making it a reality. A couple of us got together and assembled a rag tag group of individuals who were willing to give it a shot. I see this as my chance to give back to a scene that did so much for me. We are attempting to run the space democratically which can be a huge headache. Bernie and myself book most of the shows, but everyone is involved and has the ability to do what they want.
 
TD: Aside from manning The Ox, what else are you into? Day jobs, involvement in the art/music scene, etc.?
DH: 4 bands (Shitty Knees, The Armchairs, Norwegian Arms and Kim Jong Bill), artists, printmakers, filmmakers, a sound guy, an art teacher, a writer, a hairdresser, a political scientist, a dude in Russia, a dog and a cat.
 
TD: What are your highlights/fave moments at The Ox?
 
DH: Currently, building an igloo on the roof. We just hosted an event our friends have every year called “Mightyfest”. Lots of delicious food and games (feats of strength). We had a pretty wild Halloween party featuring all cover bands. Our friend Dom’s band Dragonzord played In The Aeroplane Over The Sea from start to finish. People were REALLY into it. But I’d have to say my absolute favorite moment had to be our New Years Eve party/show. Our good friend from high school, Tuan Le, was in town from LA and documented it for us. Aside from having around 11 bands playing, all the music during the party was from the last ten years and Dragonzord played a cover set of hits from the decade at midnight (from the Dirty Projectors to Miley Cyrus). 
 
TD: What are some of the pros and cons of running a DIY venue?
 
DH: Pros: Hosting fun things, meeting cool people, introducing cool people to other cool people, learning life skills (like compromising), space/freedom. Cons: Cleaning up, having to work when your friends are having fun, putting up with bands/events you don’t personally enjoy, long/painful but often necessary deliberation in email and in person, and occasionally having to deal with people who disrespect the space.
TD: Where did you grow up? Did you go to local shows? If so, what shows or venues were most memorable?
DH: All over PA, NJ, Chicago, Wisconsin. Brendan and I lived in the same town, but only recently met within the last year. He was pretty active in the Lansdale scene and booking shows and we knew a lot of the same people, so I wouldn’t be surprised if our paths crossed and we never even realized it. My friend’s were in bands in high school so I would go out and support them when they had a gig. My absolute favorite "local" show was seeing Good Clean Fun play at the Trappe YMCA after “Hellfest” got cancelled. Greg and I used to take the R5 in to the city when we were in high school to see R5 shows (go figure). I used to and still do love seeing shows at the First Unitarian Church. My first one was seeing Ted Leo (with Greg). That was definitely memorable for me. 
TD: What are some upcoming events at The Ox that you’re excited about/looking forward to?
 
DH: We’ve got some shows coming up that still need to be confirmed, but I’m potentially really excited about those. We’re trying to do more art/non music shows with the New Year. Our next is April second and it should be good. Marvin Gaye birthday party to follow. I’m usually excited/looking forward to all of the shows we have, otherwise why do them? Shameless plug time: March 6–Ape School, The Armchairs (roommates!), Grandchildren, Lonnie Walker, Dinosaur Feathers. March 9–Folklore, Sea of Dogs, Quiet Hooves, Bubbly Mommy Gun. April 1–The Pharmacy, Dangerous Ponies, The Spooks, Kingdome, Bellys and April 14–1994!, Grown Ups, Netherfriends.
 
TD: Finish the following sentence. The Ox is __________.
DH: The Ox is a unique and dynamic space that has many surprises in store for 2010 and beyond.
TD: What is your favorite thing about Philly’s music scene?
 
DH: It’s diverse and interesting. Lots of good people doing what they love and are willing to help each other out. The fact that places like ours can exist.
 
TD: Which local artists are you currently into?
DH: Most of my favorite bands right now are ones that have played here. Shameless plug time again. I’ve been really into Dragonzord and Hop Along recently. Dom and Eric Slick have a new project called Lithuania, The Homophones, Chang Chang (best dude ever), Plastic Little, Teeth of Mammals (local enough). The Divine Lorraine, Power Animal, and so on, and so on, and so on.

TD: What do you like to get at the deli?

 
DH: I’m a Roast Beef man, but nothing beats a good Italian hoagie!
 
Philadelphia

Interview with Pattern Is Movement’s Chris Ward

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Pattern Is Movement will be starting their month-long tour with Via Audio down to SXSW tomorrow night in D.C., but you won’t need to wait long for your PIM fix when they roll back into town this Wednesday, Feb. 24th at Kung Fu Necktie! We had a chance to catch up with one half of the bearded dynamic duo and the man behind the skins Chris Ward.
 
The Deli: Which cities are you looking forward to the most on this tour and why?
 
Chris Ward: I love playing in St. Louis because we have such a great group of friends there. Every time we play, it’s like coming home to a bunch of friends you haven’t seen in years, and the shows are always amazing. I feel the same way about Chicago – it’s the best coming into town and hanging with such great people who you only see generally when you’re on tour. 
 
TD: So what’s on the new tour-exclusive EP?
 
CW: Well, we have two songs we recorded here in Philadelphia with Jeff Zeigler (Kurt Vile, The War on Drugs, Arc in Round) and mixed by John Congleton (St. Vincent, Polyphonic Spree). These two songs are ones that we started playing while on tour with St. Vincent back in the Spring of ‘08. They will be showing up on our full length, which will be coming out in Winter 2010/Early 2011. We also have some covers on there: Beyonce’s “Crazy in Love”, Bowie’s “Time” and The Smith’s “I Want the One That I Cant’t Have”.
 
TD: What should we be expecting in the future from Pattern Is Movement?
 
CW: We are doing some shows here and there after this tour w/ Via Audio, but generally, we are taking it easy this Spring/Summer so we can focus on the new full length. 
 
TD: So whose idea was it to make the bags with the drawings of your faces, and where did they go? I thought that they were pretty rad! Who was the artist?
 
CW: Our label, Hometapes, had the brilliant idea of placing our beautiful mugs on those bags. One of the owners of the label, Sara, took a photo of Andrew and I, which became the now infamous press photo. That photo was the inspiration for the tote bags. An artist friend and all around helper of the label, Lyndsey Denyer, drew the faces from that photo and then screen-printed them. The bags are now in retirement as we just produced t-shirts with the aforementioned faces. Get them before they sell out – just like the tote bags did!
 
TD: What do you love most about Philly?
 
CW: I love that it’s got a thriving music scene and wonderful eateries, and I can afford to not have a horrible desk job and be a musician. 
 
TD: What annoys you the most about Philly?
 
CW: Having an interaction with any city employee – it’s the saddest, most frustrating experience ever!
 
TD: What do you like to get at the deli?
 
CW: Smoked Turkey, American Cheese, Lettuce, Tomato, Black Pepper, tiny bit of Mayo and some Vinegar. YUMMY!
 
 
The Deli Staff
 
Philadelphia

Invisible Friends to Appear at M Room Feb. 21

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When the glam garage outfit Dark Horse and the Carousels came to pass in late 2009, its guitarists, Evan Grant Klinefelter and Duane Lauginiger, picked up the pieces with a new project in Invisible Friends. The end result is a group that’s equal parts lo-fi and melodic, yet has enough rocking moments and catchy tunes for fans of DHC to get behind (especially “Whatchoo Got To Say About It”). Toss in multiple vocalists, and songs like “Tomorrow’s Sorrows” that will have you feeling a bit of the blues, and you have a band to look out for. Tonight’s appearance at the M Room marks the first of many shows to come, and they’ll be joined by the country rock stylings of Tin Horses. M Room, 15 W. Girard Ave., 9pm, $8, 21+ myspace.com/friendsthatcantbeseenBill McThrill
 
Philadelphia

Buried Beds Pop Up at JB’s Feb. 20

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What started out as a duo, Eliza Jones (well, Eliza Hardy at the time) and Brandon Beaver, has morphed into an elegant chamber-pop orchestra with Jones’ mellifluous voice as the beacon that guides listeners to their indie pop shores. Buried Bed’s sophomore effort, Tremble the Sails, was partly recorded at Dr. Dog’s studio, American Diamond, and mixed by The Spinto Band’s Nick Krill, which may explain the band’s journey in production from deep Appalachian melancholy to a more upbeat radio-friendly pop. However, don’t be fooled by their seemingly new sonic direction because their melancholy tendencies still surface in subject matters usually found in those darkest places of the heart. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ myspace.com/buriedbeds (Photo by Ryan Collerd) – H.M. Kauffman
 
Philadelphia

Weekend Warrior, February 19 – 21

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We’re thinking that you might want to swing by Pilam this Saturday for 2 Piece Fest III. You’ll find our Best of Philly Emerging Artist(s) Poll winner Reading Rainbow alongside other local dynamic duos like Hulk Smash, Bubonic Bear, Erode and Disappear, Best Friends and so many others! Pilam, 3914 Spruce St., 2pm – 11pm, $8, All Ages myspace.com/twopiecefest
 
The weather is looking better so here’s the rundown…
 
Johnny Brenda’s (1201 N. Frankford Ave.) FRI West Philadelphia Orchestra, SAT Buried Beds, Hunter Gatherer

Danger Danger Gallery (5013 Baltimore St.) FRI Pony Pants and Amateur Party, SAT Buffalo Analog and The Owl Station

MarBar (200 S. 40th St.) FRI The MLMs and Dragonzord, SAT Swift Technique
 
North Star Bar (2639 Poplar St.) FRI Codename, SAT Psychedelphia

The Khyber (56 S. 2nd St.) FRI Pissed Jeans, SUN Folklore and Woodlands

M Room (12 W. Girard Ave.) SUN The Invisible Friends

World Café Live (3025 Walnut St.) FRI (Downstairs) Brothers Past Haiti Benefit

Blockley Pourhouse (3801 Chestnut St.) FRI Philadelphia Slick and Mechanical Minds

Tritone (1508 South St.) FRI Sutter Cane, SAT BUDDHAFEST 37 w/ Taosd, Subtle Hints, Cthulhu Martini, and more, SUN Matt Davis Aerial Photograph
The Fire (412 W. Girard Ave.) FRI Dear Althea, SAT I Yan I Arkestra
 
Philadelphia

A Sunny Day in Glasgow’s “So Bloody So Tight” Video

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Just wanted to share with you a neat little video for A Sunny Day in Glasgow’s “So Bloody So Tight”, which was filmed in New Orleans during their travels on tour last fall. It was directed by Bob Weisz. ASDIG’s Annie Fredrickson and Ben Daniels documented some of the trials and tribulations experienced during the two day shoot here. (From my experiences working on and acting in indie movies and videos, shoots can often turn out to be a test of wills. I could never do it for a living.) The video is quite beautiful and artsy, but you had to know that coming from Daniels and the crew that it probably would be. – H.M. Kauffman

Philadelphia

Pony Pants Startin’ a Party in My Pants at Danger Danger Gallery Feb. 19

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Delaware explants turned Philly three-piece, Pony Pants’ anthems are both parts genius and nonchalance. Frontwoman Emily J.K.’s vocals are a dead ringer throwback to Pretty Girls Make Graves’ The New Romance, serving up sentimental party tracks about best friends, lovers, booze and life. Coupled with backbeats and sick riffs by the Brothers Ellis, Pony Pants display near reckless abandon in their honesty and understated nostalgia. Their latest full-length, Til Death Do Us Party pays perfect homage to 20-something feelings and discernibly punk rock roots. Anyone who’s had the privilege of catching their antics live can attest to their enigmatic knack for rocking out, turning any crowd from apathetic to frenetic within minutes of their first song. So join the party in my pants (oops, I meant “with Pony Pants” or did I?)! Danger Danger Gallery, 5013 Baltimore Ave., 9pm, $5-10 donation, All Ages myspace.com/ponypantsDianca Potts
 
Philadelphia

Pissed Jeans Get Pissed at The Khyber Feb. 19

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Sup Pop superstars Pissed Jeans have certainly received many accolades for their newest album King of Jeans. And if you caught them at shows like their album release party at Pi Lam, then you know that their sound, which has already stayed truest to the grunge filled days of Sub Pop old, has evolved to a whole other level of brash and heavy punk. The band is set to venture on a spring tour starting in April. But before their journeys, they’re ready to crank up the instruments for another round of in your face aggression at The Khyber tonight. The Khyber, 56 S. 2nd St., 9pm, $8, 21+ myspace.com/pissedjeansbandBill McThrill
 
Philadelphia

WPO’s Balkan Dance Party Takes Over JB’s Feb. 19

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West Philadelphia Orchestra is a very strange and intriguing mix between an actual orchestra and a gypsy folk band. There is definitely a middle-eastern vibe around the music as well. The mix of strings, horns, and percussion is well composed, and highly thought out. It is very dynamic, rising and falling, never going in quite one direction or the other. For such a large group, all of the instruments are surprisingly in perfect synchronicity and harmony with each other, working together to provide full, precise songs. It also seems that every instrument, and there are many, has its time to shine, so this also demonstrates a tremendous group effort. There is something to be said about their live show in particular, though. This group of wonderfully talented musicians plays off of each other with ease, and has a huge amount of energy in every show. It appears to be a dancing, shouting, and clapping extravaganza for the audience, as full crowd participation is encouraged. Don’t miss a chance to be part of the show tonight at Johnny Brenda’s as West Philadelphia Orchestra joins Slavic Soul Party for a “clash of the avant brass bands”. Johnny Brenda’s, 1201 N. Frankford Ave., 9 pm, $10, 21+ myspace.com/westphiladelphiaorchestraJames Sanderson
 
Philadelphia

SuperGoose Bringin’ the Nasty to the M Room Feb. 18

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When attempting to describe a band, it’s always easy to simply start at their name and give some indication as to whether the name relates to the overall sound. A name like SuperGoose poses somewhat of a challenge, but after thinking long and hard, it’s decidedly pretty spot on for a band that takes two different mindsets and melds them into something hard-hitting, but still unabashedly fun. Giving old-school rock riffs an electro facelift, SuperGoose is a bubbling pot of bassy, fuzzed-out chords, menacing drones, and squelching keys, all anchored by propulsive beats. Catch them tonight with Hair Rocket, Nude Beach and Lookbook. M Room, 15 W. Girard Ave, 9 pm, $8, 21+ myspace.com/supergoosebandJoe Poteracki

 

Philadelphia

The Armchairs Keepin’ It Simple at Danger Danger Gallery Feb. 18

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Simplicity is what makes The Armchairs an incredible band. It is the fact that they can use so few instruments and still get such an enormous sound that makes them altogether more interesting than most of their type. These four men provide listeners with their own take on the ever-popular psychedelic pop that has swept through Philadelphia’s music scene. This twist on an old classic includes, but is not limited to, authentic 60’s style vocals, herein meaning that there are multiple voices, airy and well balanced, plus minimalistic organ and guitars that blend together for a beautiful harmony. Songs are short and sweet, and never linger too long on certain parts making for a fast-paced and upbeat experience. Most notable amongst there repetoire are the songs “Nebraska” and “Little Sammy Ghetz,” the former focusing more on those shimmering vocals that give the band a Zombies vibe, and the latter doing quite the opposite and featuring a very tight-knit instrumental, jammy bridge. Tonight at Danger Danger Gallery is your chance to see what is likely to be a very energetic performance that incorporates all of the above. Danger Danger Gallery, 5013 Baltimore Ave., 8pm, $5 – $10 Donation, All Ages myspace.com/thearmchairs (Photo by Kate Bracaglia) – James Sanderson