Lee Noble is quite the anomaly. First of all, he is an ambient drone artist, which in today’s epitomized caffeine-fueled dance party rage lifestyle, isn’t something that would immediately catch on. But it’s clear that he’s not trying to appeal to the fast-paced masses; he wants you to slow down. Slow down and take a minute to listen. His bandcamp page features six albums, but his latest one, entitled Horrorism, is the one I listened to. The album oozes empty church vibes to me, with the analog synths he uses imitating a organ doused in reverb. This is especially prominent in the second track "Goes Sentimental," and on that note, I’d assume that church was haunted. Ambient is not a synonym of lazy, rather it probably takes more effort to create engaging music that is so soothing and haunting at the same time. On his last.fm page, it reads that Noble is a multi-instrumentalist, which means he uses more than synths to create this music. He’s playing a show at the Home Room on March 1st, and I can imagine it will be quite fascinating to watch him recreate these sounds live. – Taylor Lampela
The New Limb’s blaring beauty
There are some bands who are able to demand a listener’s attention by playing their music at a high volume and inserting unnecessary chaos into their songs. Then there are bands like The New Limb who grab people’s attention by being loud in a non-literal way. Rather the band’s indie pop sound is powerful in a colorful and sophisticated way that is hard to ignore. The songs demonstrate the push and pull emotions of love in such a beautiful and dramatic way that it becomes enchanting. Emotions seem to escalate and then fall in unexpected ways with sweet piano lines and interchanging male and female vocals. There is a strong sense of yearning on songs like "Work I’ve Done" and "Refugees," the latter being a recently released song, which will be on the band’s upcoming album. Other songs like "Birds and Stuff" are bit more light-hearted and bring to mind work by the Postal Service. The New Limb will be playing at the Silverlake Lounge on Thursday before heading off to Austin for their first-ever SXSW showcase. – Karla Hernández
Celebrate The Dead Ships record release February 28 at The Echo
A favorite among our readers, (placing fourth in our Best of LA’s Readers’ and Fans’ Poll), The Dead Ships is celebrating its record release Tuesday, February 28, at The Echo. The garage-rock duo, consisting of vocalist/guitarist Devlin McCluskey and drummer Christopher Spindelilus, recorded its debut LP, Electric Ahab, in July of 2011 in the fair city of San Francisco. And though the twosome recorded the album live to analog 2” tape in two takes, the tracks sound well planned and precise. McCluskey’s raspy croons, paired with bouncy guitar riffs and tight percussion, creates infectious hooks reminiscent of The Black Keys’ early days with the right balance of minimalistic lo-fi, soul and pop. The Dead Ships will be accompanied by fellow LA darlings, The Ross Sea Party, Hello Echo and The Muddy Reds. Doors at 8:30 pm. 21+. FREE. – Katrina Nattress
FIDLAR is The Deli LA’s Best Emerging Artist of the Year
Deli LA Readers, Our Best of LA 2011 Poll for Emerging Artists got dragged for way too long this year, but we finally got to the end of it. Here are the results of the overall chart, which gathers all the points assigned through local jury, writers, readers and open submissions. Thanks to all those who voted, we hope that you’ll find a couple of new all-time favorite artists in this list.
1. FIDLAR
They say that punk bands are in their prime when they’re still young, crass, and defiantly apathetic. So it makes sense that FIDLAR isn’t really preoccupied at the moment with tax deductions or even college for that matter – their vicious garage anthems are all about existing in the now, being politically incorrect with a purpose and, you know, having some unabashed fun on a Friday night. (photo credit Alice Baxley)
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2. ALLAH-LAS
Smoky garage rock is usually associated with San Francisco, greatly due to the communal kinship and prolific work ethic of bands such as the Fresh & Onlys, Sick Alps, and Thee Oh Sees. But go a little further south and you’ll discover the skuzzy, sun dappled sounds of Allah Las. Sculpted and retro-fitted from the perennial Nuggets compilation, the quartet does occasionally touch base with their sixties forbearers, but their delectable fuzzy nuggets invoke a cool, phlegmatic vibe that’s very much attuned with their home city.
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3. VANAPRATSA
Vanaprasta knows exactly how to channel Los Angeles’ buzz into their music, which is as surprising as a walk in the city itself. Combining psychedelia and rock n’ roll, all five of the band members craft pieces of an intricate puzzle for the listener to put together.
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