This past March, we unveiled the first single from psych-pop duo Honeymooon. As they continue to work on their first full-length effort, they’ve just released a new potential tease in the form of "Sure Stuck", a limpid, lush pop tune with a chugging motorik groove that pays homage to the minimalist melodies of Krautrock duo Neu! It’s fitting with what they’re hoping to achieve as a whole, which they decribe as "Todd Rundgren crawling through lost 70’s albums".
Video: The Black Apples, “Tales and Truths”
Hot off their Harvard & Stone Residency, The Black Apples have released the video for their cheery surf pop tune, “Tales and Truths,” off of their EP of the same name. The video showcases the band playing live while a beautiful woman wanders in the dappled sunlight of an unknown wilderness. It’s almost a video within a video, and while there isn’t much of a narrative, the charisma of frontman, Campbell Scarborough, is sure to hold your attention. Rife with delightful harmonies, and bordering on both the anthemic, and at times, the bubblegum, their sound is always rooted in that ever present garage rock sound that’s permeating the LA atmosphere. The band is currently working on their second LP, ‘Patio.’ – Jacqueline Caruso
Moons of Mars Play Hotel Cafe 5.17
Brothers, Giovan and Mario Polanco, have been making music together for over a decade. Their latest project, Moons of Mars, is pop at it’s best, mixing cleverly crafted hooks with intelligent electronic production. “I Want You Here” is an emotionally-driven mid-tempo tune sprinkled with indie pop touches and an R&B-style melodic groove. It’s got the charm of the bedroom, but the impact of the studio. A full length is expected later this year. Catch them live at Hotel Cafe this Friday, May 17. – Jacqueline Caruso
Stream: KG Bird, ‘Morning Weather’ EP
Up-and-comers, KG Bird took traditional Americana and baked it in the SoCal sun. There’s is a looser, more relaxed approach to blues and folk that gives it a rebellious edge. With arrangements that are constantly in motion, riding the line of disorder in a way that tantalizingly pushes and pulls, this is a ride you’ll want to take. Haunting and psychedelic at times, eclectic and sparse at others, the six piece, helmed by brothers Chris and Tim James, manage to blend something fresh into a what can easily become a staid and predictable style. Their debut, “Morning Weather” EP is available on bandcamp for pay what you want. Catch them live May 17 at Taix in Echo Park. – Jacqueline Caruso
Artist to Watch: Los Détroit
On March 25th, Los Détroit released their debut EP The Killing, which channels the drift of modern post-rock into something completely their own. The four-member band, comprised of Marian McCarthy(lead singer and former member of Silent Violent), Michael Carian, Jill Marklin and Michael Lloyd, began in LA with "the icy winds of the Detroit River pushing the final members of the group together", creating one rich discrepancy that fuses the minimalism of post-rock and the ethereal sensations of dream pop ambiance. McCarthy’s tranquil voice is an abstract version of Amy Lee from Evanescene and Grace Potter from The Nocturnals, richly layered in echo-delayed, electronic melodies and bittersweet-introspective lyrics that create dreamy soundscapes drenched in atmosphere. Picture this: you’re laying in bed, the lights are off and the ambience of their new song, "Conditions", creeps slowly through your speakers and floods your room with psychedelic, mind-bending music. As a whole, The Killing feels like a a spiritual, uplifting experience that exceeds the limit of one’s thought. So get lost, lose your mind and relax your body, because Los Détroit is an out of body experience. – Kayla Hay
Stream: Boardwalk, “I’m To Blame”
There’s currently a lot of mystery surrounding Los Angeles duo Boardwalk. According to their skimpy facebook bio, they formed in the summer of last year, and in the midst of writing songs they were joined by Mark Noseworthy on lead guitar, better known as one of the members of merry collective Edward Sharpe & the Magnetic Zeros. The first track to come out of this project, "I’m to Blame", is a quite the charmer, an alluringly mesmeric number that gently sways with a droning keyboard as Amber Quintero’s lush vocals ease through the underlying tension. Local label Stones Throw just released the single as a flexi disc, which is part of a 4-part series in collaboration with LA Record.
Stream: SISU, ‘Light Eyes’ EP
Fronted by Dum Dum Girls’ Drummer, Sandra Vu, SISU blends gloomy synth-pop, shoegaze and electronic rock. Their latest effort, ‘Light Eyes’ EP, will be released on cassette by Burger Records this month. The opening song, “Two Thousand Eyes,” layers lo-fi drum loops, gritty guitars, sparkling synth leads and ghostly harmonies that swirl like ordered chaos. The title track, “Light Eyes,” grabs you right away with it’s catchy hook and tribal groove. The soundscapes ebb and flow throughout the EP, and descend into more experimental territories at times, while still maintaining the doom-like moodiness juxtaposed with hopeful pop melodies. SISU is currently on tour supporting Marnie Stern, with a full length expected later this year. – Jacqueline Caruso
Live Review: PYYRAMIDS at The Satellite 5.2.13
A packed house came out of nowhere last night as the Satellite played host to Los Angeles based duo PYYRAMIDS, musical project of (OK Go’s) Tim Nordwind and Drea Smith (formerly of He Say, She Say). PYYRAMIDS’ latest musical offering “Brightest Darkest Day” is, as the name may suggest, a sweet-sour mix of grungy/moody 90’s reminiscent rock buoyed by sultry-sweet highlights betraying what is, ultimately, a smart little pop album. I went in to the show wondering if they’d be able to match the oh-so-sharp production of their album – and I have to admit I was pleasantly surprised. Noticeably, there weren’t any visuals or fancy light displays – but they weren’t overly missed. A cool, confident stage presence was set against a snare-drum tight sound – betraying an undoubtedly serious practice regimen. Nordwind, bespectacled as ever, hopped and swayed with his guitar while Smith kept her feet planted – coolly standing vigil at her mic-stand she rarely let venture more than a few inches away. The regular motley crowd at the Satellite served as a visual metaphor for the set’s undulating tone – one minute swaying slowly, the next thinking about dancing but (correctly) deciding to just bounce in place. In all fairness, the occasional dance-happy hipster may have been excused: PYYRAMIDS put on a dang great show. Armed with great songs and serious musical chops, they kept me and a room full of fellow East-siders happily rapt in cocoons of moody pop-rock for the 40-ish minutes of their set. Driven by Nordwind’s guitar and held aloft by Smith’s raspy, honeyed voice, they are a definite must-see when they come to your local corner of the universe. – Leslie Andrew Ridings
Video: Mt. Ossa, “Love Jam”
The Psychedelia-tinged Dream-disco sounds of Orange County quintet, Mt. Ossa come to life in their newly released video for “Love Jam.” The video, like the song, is bathed in a haze of effects that make it feel like an overexposed acid dream. It’s beautiful, it’s groovy, but you know there’s going to be fallout. The storyline is a twisted tale of one young girl’s ambition. Spoiler Alert: There’s a stripper fight. Mt. Ossa join myriad local artists this Saturday for a free show at Burke Triolo Studios as part of the South Pasadena Eclectic Music Festival and Art Walk. – Jacqueline Caruso
Artist to Watch: Coming
Coming are a trio that bulldoze ear-splitting shards of noise with militant force, faithfully drawn from the more abrasive influences of seventies post-punk. And though there’s been a revival of sorts in the past few years, we’ve yet to see an LA band that’s fully committed to channel their nihilistic sense of despair with utter abjection. Every scene needs its modern-day, disenchanted voice, and Coming may be it – they’re also fully committed to the task, promoting themselves as a branded commodity with their peculiar band symbol, which they sell in the form of patches along with their debut cassette tape on bandcamp. But it’s the songs themselves in their debut EP, Lonely, that are coupled with a visceral conviction; fast, atonal guitar assaults delivered with that of a fiendish smirk, yet melodically driven behind all the blaring noise. If you want to catch them in all their primal fury, they’ll be playing a set at the Smell on May 30th.
The Shakers play the Satellite on 5.16
Soulful alt-rock foursome The Shakers plays a bare bones brand of rock n’ roll that instantly grabs you with a powerful force. And they’ll be proving just that with their headlining show at the Satellite on May 16th, in which they’ll be playing songs off their upcoming LP, titled Rescue Team.
Desert Daze 2013: Chelsea Wolfe Interview
Our love for Chelsea Wolfe’s ghostly harmonics is hard to hide. We were lucky enough to chat with the doom-folk songstress before she hit the stage to charm the eager crowd by the light of the moon.
The Deli: Have you played a lot of festivals?
Chelsea: I haven’t played many festivals. I like it to be more contained. Typically something in the desert doesn’t appeal to me to play music. I love the landscape. It would be fun to come to a festival in the desert, but playing out in the heat doesn’t sound like a good idea to me. That’s why I requested a nighttime set rather than playing during the day.
The Deli: Do you have a favorite venue to play?
Chelsea: I don’t know if I have a favorite, but I like unique spaces. We got to play at the First Unitarian Church in LA for an acoustic show and that was interesting. It’s always more challenging to play in a space that’s not geared to having shows, but it was worth it.
The Deli: Today is Record Store Day, do you have something special planned?
Chelsea: Yeah, I have a split 7” with King Dude. He’s a good friend of ours and a really great musician. We each wrote a song for it and then sang on each other’s songs. It’s out on Sargent House. I’m excited. I’ve never participated in anything for Record Store Day before.
The Deli: Do you remember the first record you bought?
C: I don’t. I’m not really a collector. I’ve been given a lot of really good records over the years. I guess I just leave that to the people around me and then just listen to their music.
The Deli: Is there anything you’re listening to right now that you’re really into?
C: Wardruna. They just came out with a new album I really like.
The Deli: You’re music has a supernatural quality. Is that an intentional inspiration?
C: My aesthetic is a little bit drawn toward cult films. But I don’t consider myself someone who’s interested in the occult or witchcraft or anything like that. I definitely acknowledge the spiritual realm, but it’s not something I specifically draw upon. It’s more of just a sense of cinematic atmosphere. Like visuals in my head. I don’t usually have a lot of visuals live, like projections or anything like that. For me, it’s more about what you see when you close your eyes and really get into the song.
The Deli: What inspires your fashion?
C: I just like certain designers. Just stuff that’s kind of a bit off. I’m just drawn to a certain sort of aesthetic that’s interesting or a little bit different. I don’t think I have an amazing sense of fashion. Like I said, I don’t do a lot of visuals or visual art. I’m interested in a lot of things like sculpture, but I guess fashion is the only thing that’s represented visually.
The Deli: You’re about to leave for a big tour right?
C: Yeah we’re going to go to Europe and Russia for a month. We did a European tour, but I’ve never been to Russia. I was kind of surprised when we got invited there, but I’m down. We leave Monday. that’s why we’re not camping.
The Deli: Anything else coming up?
C: We have a new album coming out, but it hasn’t been announced. So I’m excited about that. We recorded in Los Angeles mostly. But a lot of the songs are recorded in different places. I like to use different spaces to record if I can.
Photo Courtesy of Leslie Andrew Ridings