Ocelot by Caleb Groh is the kind of music you forget you love because not enough people are doing anything similar. There’s the smooth electronic current that runs through the entire album, but Groh knows when to break convention a la the out-there folk leanings of revered freakpop headmaster Karl Blau. There’s a delicate balance of being too weird for to be accesible and too vanilla to be memorable, and Ocelot confidently establishes a space for itself in the sweet spot between. –Austin Phy
