NYC

Tight and tuneful, prog-rockers Deaf Scene return with new music video

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After turning heads with their 2014 release "Three Pound Universe" Baltimore’s Deaf Scene returns with a music video for the song "Acid Fight" from their upcoming album. The group adds so many crystal clean ornamentations to the groove in this track that the ornamentations seem to seamlessly build on top of each other to the point where it’s hard to tell whether the song is still in 4/4 or some other time signature altogether. The unstoppable groove and the often soulful guitar timbres result in pure head-banging bliss.

Here is the new music video for “Acid Fight” from Deaf Scene

-Michael Dranove

NYC

Shoegaze up and comers Venn at Black Cat July 21st

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Channeling the sound of UK 1980s/90s shoegaze and post-punk, Venn has seen success after the release of their debut EP earlier this year. The band has managed to capture the sensitive adrenaline rush, found in the music of My Bloody Valentine and New Order, in their own unique while still paying obvious homage to their forebearers, even producing a cover of the classic New Order song “Ceremony”. This high energy group is sure to put on a great show, so don’t give this one a miss!

-Michael Dranove

 

 

NYC

Record release from indie grunge group The Rememberables, July 14th at Black Cat

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Mixing art and pop rock influences like The Smashing Pumpkins and Weezer, The Rememberables create songs with driving grooves enhanced by melodic material layered into the musical fabric, hinting at a shoegaze vibe. Hoping to build off of the sound that they achieved on the their self-titled EP, the group plans to release a full length album when they open for Australia’s Royal Headache on July 14th at the Black Cat.

 

 -Michael Dranove

NYC

Lobo Marino talks to The Deli about Richmond, politics, and music

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Recently I had a chance to ask some questions to Laney of Lobo Marino to learn a little bit more about what their music is all about.  Here’s what I found out.

1. Lobo Marino seems like a group that could only exist in a city like Richmond that is so well known for creativity and the arts.  How has Richmond helped you grow as a band?

Richmond has been essential for us. First, in the sheer inspiration of being in a place surrounded by artist and activists.  Jameson and I met in Richmond working at a Vegetarian Restaurant called Harrison Street Cafe.  We both played in different bands, I was in an old time band called "Arise Sweet Donkey" and Jameson was in an experimental Hard Core band called "Our Stable Violent Star".  After Living together for a year in Richmond we decided to sell our things and spend a year traveling and working on farms in South America.  That year turned into multiple years of traveling…. But Richmond, full of friends and forever faithful would always welcome us back on whims.  Dozens of members of our Richmond Community took turns hosting us when we would come home for a month or two.  Our old job at Harrison Street would even take us back for temp work whenever we were in town. 

There is the amazing quality in Richmond… So many people come and go and come back again.  You can be gone for a year and when you come back you are welcomed home like you never left.  Someone might say "Hey! I haven’t see you for a while" and you are like "well yea, I was just traveling cross country for six months" and they just shrug and you pick up right where you left off.  Once part of the community, you are always part of the community. 

2. I’ve read that you guys have opened up your home to serve as a meeting space for political action.  Could you talk a little bit about what kind of events you guys host and the types of political action are you trying to encourage through your activities?

We run a space called the Earth Folk Collective.  It is a 200-Year- old farmhouse that we are restoring on an acre of land in the city.  We grow a lot of our own food at the space and offer donation based workshops to the community on topics like composting, seed saving, mushroom cultivation, yoga, poetry, know your rights, collective living, basket weaving, self care…. All kinds of things.  The Richmond Herbalism guild uses our space for workshops and trade posts.  We have hosted many concerts and and community gatherings as well as art builds for protests. 

Because Richmond is the capital of the state of Virginia, we are a hub for protests.  In our garage we have a collection of drums that we use for our pop-up drum line which we bring out to actions and protests. Those drums lay beside a giant puppet that is also used for street actions and political parades. We are members of a political puppet troupe called "All the Saints Theater Company.  It is inspired by Bread and Puppet up in Vermont. There are so many amazing political organizations holding it down in Richmond these days and collaboration in art and action is a core characteristic of the scene. 

Richmond is also the hub of the company Dominion Power who holds the monopoly on Virginia’s electrical infrastructure.  At the moment we are busy organizing statewide with grassroots groups to stop the massive network of natural Gas Pipelines that Dominion Power is trying to build across our state. 

Another issue related to Dominion and the environment is the concern for our water.  The James River runs through Richmond.  It is the heart of our city and the source of our drinking water.  Dominion power has huge power plants on the banks of the James.  For years these facilities have been burning coal and currently have hundreds of acres of land which are covered with coal ash ponds, areas where the left over coal fly ash is contained in water.  Many of these ponds are unlined and are leaking toxic heavy metals through the water table into our river. The EPA has required that the coal ash be contained in a safer way, but the technology for such a large scale project is not yet fully realized.  Last year Dominion was given a permit by the Department of Environmental Quality  to toxify the James river upstream from Richmond.  The people of our city freaked out and thousands marched to say that we would not allow this company to destroy the eco system of our sacred river. During this time our home was used to house art supplies for an awareness action.  I remember once our friend from Chesapeake Climate Action Network was painting a banner on our porch and the paint bled through the sheet and we ended up having the Governor’s name "McAuliffe" painted on our porch.

3. Your new album is impressive, what’s next for Lobo Marino and how do you guys see the project progressing in the coming months and years?

We have always wanted Lobo Marino to be grassroots. As we learn from the earth by growing our own food, we have learned a new type of patience. Lobo Marino is not a flash in the pan pop band.  We have been building this project for 7 years touring around the world playing DIYspaces,  intentional communities and spiritual communities. Our music is an expression of our life journey and right now it’s all about sowing seeds and watching them grow.  We didn’t feel like we needed a big promotional machine to birth our new album "The Mulberry House"… We look at it as though we have prepared the soil and sowed the seed and now we just have to wait and water every now and then. 

We continue to tour nationally and are planning an international tour next year. We are on the road playing music about 6 months out of the year. 

NYC

Dawkins delivers blissful reverb drenched indie on debut EP

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Existing somewhere in that sphere of experimental indie pop that contains Animal Collective and Neon Indian, DawkinsEp1 is a quality release that steers clear of being a cheap knockoff of the reverb drenched, chaotic sound that has made other groups famous.   Although not flawless, the group’s first release achieves some really great moments, like at the 1 minute mark in Kiwi, where the chorus all of a sudden bursts through in a great moment of catharsis. At times blissfully harmonious with the pumping, youthful energy of indie pop, Ep 1 is a wonderful start for the group.

-Written by Michael Dranove

NYC

RVA’s Lobo Marino defies cynicism with their soulful world-folk

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When I first clicked on the bandcamp page of Lobo Marino, the cynic in me scoffed at the idea of two Americans living in Richmond, VA imitating throat singing and chanting meditatively about the sun setting. However, after listening to a few tracks I was impressed by the power of Lobo Marino’s music, the versatile song-writing and moving meditations on the ebb and flow of life.

A lot of bands claim to be making music more for its own sake than the money, but with Lobo Marino one gets the sense that it might actually be true.

-Written by Michael Dranove

NYC

Fly Anakin and Koncept Jack$on’s latest album is hip hop at its finest

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From the moment the beat drops on the opening track, it’s clear that the style of Fly Anakin and Koncept Jack$on’s Chapel Road is influenced more by pathos, anger, and crunchy weed than the plush leather sounds of blemish free top 40.  With a voice that seems uncannily similar to that of Brooklyn rapper AZ, Fly Anakin gives the opener a straight ahead, circa 1994 flow that dwells more on mental instability and a desperate need for catharsis than an auto-tuned worship of yachts and Bentleys.

Carrying the flow of Fly Anakin and Koncept Jack$on are the strong use of lo-fi backing tracks and minor harmonies on songs like “”03 steve harvey remix” and “swanton bomb”. Although there are some tracks which seem superfluous, in general this album is superb, start to finish.

-Written by Michael Dranove

NYC

Baltimore alt-dance rockers The Milestones drop a couple demo tracks

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Those talented rockers from Baltimore are back with a couple demo tracks in advance of an unannounced EP. The Milestones released "City of Soul" and "Have It All," working to hone the in-studio sound and tame the oft-wild and varied live versions. It’s definitely working: the quartet’s signature is to shift abruptly yet seamlessly from spacey, soothing melodies into hard licks that get audiences everywhere dancing. Both songs are richly layered with well-produced vocals, energetic drumming, and consistently dynamic guitar riffs, mind-blowing when taken holistically for the variety. Get excited for that EP to come out in the hopefully near future and catch them headlining at the 8×10 on 7/1, $12, with Luna June, Pocket Bells, The Fun Boys, and Far Future. -Jonathan Goodwin

NYC

Creative and technically superb teaser tracks on new Drewsif Stalin album

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Drewsif Stalin‘s sophomore album “Anhedonia” sets its tone from the get-go with a spine tingling rage that seems like a pretty good interpretation of what anhedonia—the inability to feel pleasure—might sound like sonically. Behind a downright creepy vocal delivery of line “inching closer and closer” comes a snarling guitar lick which fits beautifully in the pocket of the groove. Just when the groove seems to get a little repetitive, Drewsif Stalin pulls out a new trick from his bag, transitioning first to a more energetic drum beat, then to a vocal section in a new register, and then even to an ambient dreamscape breakdown. In the end what carries both of the teaser tracks is the outstanding musicianship and very well thought out songwriting.

Check out Drewsif Stalin’s “Andhedonia”, dropping tomorrow, June 1st.

  -Written by Michael Dranove

NYC

Solid tracks from DC producers bobmoekill

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Bobmoekill‘s “All Good Things” starts out with a very promising introduction. The harmony builds wonderfully with the drum tracks tastefully added underneath. Gradually, the textures fill out, and at about 1 minute the buildup pays off with the tasteful drums turning into a deep groove.

The opening title track is a pretty good barometer of the bobmoekill style, which seems to alternate between R&B, pop electronica, ambient electronic.  Although sometimes the tracks felt a little derivative (boo synth horns), this is a great first release, and there is every indication that there are more good things to come from the duo.

-Written by Michael Dranove

NYC

Crisp, psychedelic prog-rock from Baltimore’s Deaf Scene

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Listening to Deaf Scene for the first time, one of the things I was most impressed by were the seamless transitions within the songs. The band does a great job developing themes with increasing intensity, steering clear of traditional verse-chorus structures to take listeners on a journey. Sometimes it’s easy to get listener fatigue, going through 9 separate journeys on a full length prog-rock album, but the band keeps it interesting with a pleasing blend of post-rock and psychedelic, mixing in the driving force of tracks like “Zealot” with the trippy vibes of “Sun Drops”.

Aside from the stellar songwriting, the musicianship is a real tour-de force here. Everything is so tight, clean, and well rehearsed, it’s abundantly clear that these guys really know their way around their instruments. An impressive and promising first album from Deaf Scene.

-Written by Michael Dranove

NYC

Vaelastrasz’s “Glyph of Inspired Hymns” is weird, eerie, and good

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For the past year or so, Fairfax’s Vaelastrasz has been quietly developing their electronic composition skills. The releases have always seemed promising, and “Glyph of Inspired Hymns” gives a lot of reason to think that Vaelastrasz is starting to really come into their own as an electronic musician. The album art, a black and white photo of an old church, is at once nostalgic and haunting, an aesthetic which meshes well with the antique, dystopian ambiance given off by tracks like “In Memory of the Third” and “Cathedral I”. Interestingly, behind the ambiance often lies post-rock grooves, keeping the tracks from sounding repetitive.

In all, some very good music produced on this album, looking forward to hearing more from Vaelastrasz.

-Written by Michael Dranove